..@@.@@@.. @@.@.@@@@@
@.@.@@..@. ..@@@@....
@@@@@.@.@@ @.@...@...
@....@@@@. @@@@..@@..
@@...@...@ ....@.@.@.
@.@..@@..@ ....††## VäXJö ##††.... @...@@@@@@
.@@@.@.@.@ @@..@.....
.@..@@@@@@ THE APARTMENT SMELLS OF OLD COFFEE AND @.@.@@....
.@@.@..... SWEETENERS. I DON'T KNOW HOW I LET IT .@@@@.@...
.@.@@@.... GET LIKE THIS. IT'S NOT INTENTIONAL. @@...@@@..
.@@@..@... @.@..@..@.
.@..@.@@.. I WEAR YELLOW TINTED GLASSES. THE ROOM .@@@.@@.@@
@@@.@@@.@. CHANGES SHAPE A LOT. RIGHT NOW THERE'S .@..@@.@@.
@..@@..@@@ A BLUE SOFA WITH YELLOW SEAMS. I .@@.@.@@.@
.@.@.@.@.. EXPERIMENT WITH DIFFERENT COLORED @@.@@@@.@@
@@@@@@@@@. LIGHTS. I'M LEARNING THINGS. ..@@...@@.
@........@ @.@.@..@.@
.@.......@ MY THOUGHTS ARE REVOLVING AROUND TIME, .@@@@@.@@@
@@@......@ AND THE PERCEPTION OF IT. CAN I MAKE IT .@....@@..
@..@.....@ RIGID? IF I REALLY WANT TO, CAN I MAKE @@@...@.@.
@@.@@....@ IT FEEL LIKE THERE IS ENOUGH OF IT? ...@..@@@@
..@@.@...@ ALSO, AND MAYBE, ULTIMATELY, MORE @..@@.@...
..@.@@@..@ IMPORTANT - CAN I MAKE IT FEEL LIKE IT .@.@.@@@..
..@@@..@.@ DOESN'T MATTER? @@@@@@..@.
..@..@.@@@ @.....@.@@
@.@@.@@@.. .@....@@@.
@@@.@@..@. @@@...@..@
...@@.@.@@ ...@..@@.@
@..@.@@@@. ...@@.@.@@