@...@@..@@ @..@.@...@
@..@.@.@.. @.@@@@..@.
@.@@@@@@.@ @@...@.@@@
@@.....@@@ .@..@@@...
.@....@..@ @@.@..@..@
@@...@@.@@ TRAIN DREAM .@@@.@@.@@
.@..@.@@.. ######....^~^^..##################### @..@@.@@..
@@.@@@.@.@ /// @.@.@@.@..
.@@..@@@@@ ~ @@@@.@@@.@
@.@.@....@ ~ ...@@..@@@
@@@@@...@. ..@.@.@...
....@..@@@ (SITUATION) .@@@@@@..@
...@@.@..@ @.....@.@@
..@.@@@.@@ YOU FIND YOURSELF IN A RIFT - A @....@@@.@
.@@@..@@.. CLEARING, NARROW BUT IMMEASURABLY LONG. @...@..@@@
@..@.@.@.. TO YOUR SIDES ARE WALLS MADE OF TREES, @..@@.@..@
@.@@@@@@.@ THICK AND READY TO SWALLOW YOU. THE SUN @.@.@@@.@.
@@.....@@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@@@..@@@@
.@....@..@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ...@.@....
@@...@@.@@ BLUE, ALMOST WHITE. ..@@@@....
.@..@.@@.. .@...@...@
@@.@@@.@.. ALONG THE SPAN OF THE CLEARING LAY TWO @@..@@..@@
.@@..@@@.@ PARALLEL SILVERY LINES, DARK HARD .@.@.@.@..
@.@.@..@@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@@@@@@@..
@@@@@.@... THEY ARE. .......@.@
....@@@... ......@@@.
...@..@... THEY EMIT A HIGH PITCHED WHINE... .....@..@.
..@@.@@... ....@@.@@.
.@.@@.@..@ ~ ...@.@@.@.
@@@.@@@.@@ ..†.. ..@@@.@@@.
..@@..@@.. ~ .@..@@..@@
.@.@.@.@.@ @@.@.@.@.@
@@@@@@@@@@ (SITUATION) .@@@@@@@@@
.........@ @.........
........@@ YOURE AT THE TRAIN STATION, ON A @.........
.......@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @.........
......@@@@ LATE, OR YOU ARE LATE TO THE TRAIN. @.........
.....@.... IT'S A SUMMER AFTERNOON AND THE STATION @.........
....@@...@ IS BUSY, FULL OF RELAXED CONFIDENCE. @.........
...@.@..@. @.........
..@@@@.@@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @.........
.@...@@..@ STRESSED ABOUT THE TIME, WHILE MOVING @.........
@@..@.@.@@ UP THE STAIRS TO YOUR PLATFORM. THE @.........
.@.@@@@@.. STATION IS IN SEVERAL LEVELS, ALL @........@
@@@....@.@ PLACED WITHIN EACHOTHER BY SOME @.......@@
..@...@@@@ INTELLIGENT DESIGNER, AND FULL OF @......@..
.@@..@...@ STAIRS, ELEVATORS, SHORTCUTS, @.....@@..
@.@.@@..@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @....@.@..
@@@@.@.@.. SOME GLASS WINDOWS. IT'S... NOT WHERE @...@@@@.@
...@@@@@.@ IT'S SUPPOSED TO BE? @..@...@@.
..@....@@. @.@@..@.@.
.@@...@.@. ~ @@.@.@@@@.
@.@..@@@@. ^^@^^ .@@@@...@.
@@@.@...@. ~ @...@..@@@
..@@@..@@. @..@@.@...
.@..@.@.@@ (SITUATION) @.@.@@@...
@@.@@@@@.@ @@@@..@...
.@@....@@. YOU'RE FINALLY ENTERING THE CITY. WHILE ...@.@@..@
@.@...@.@@ IT IS INDEED A VERY HIGH SPEED TRAIN ..@@@.@.@@
@@@..@@@.. YOU'RE TRAVELING IN, THE JOURNEY HAS .@..@@@@..
..@.@..@.@ BEEN LONG. BUT IT'S ABOUT TO END! @@.@...@.@
.@@@@.@@@. .@@@..@@@@
@...@@..@@ SOCIETY IS GROWING DENSER AROUND YOU, @..@.@...@
@..@.@.@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL @.@@@@..@.
@.@@@@@@.@ SHACKS, BUILT OF METAL AND STONE, THEN @@...@.@@@
@@.....@@@ PROPER HOUSES WITH MORTAR TO KEEP THEM .@..@@@...
.@....@..@ TOGETHER... WHO IN TURN MAKE WAY FOR @@.@..@..@
@@...@@.@@ THE INDUSTRIAL BUILDINGS, THE URBAN .@@@.@@.@@
.@..@.@@.. MAZE, PROTECTIVE WALLS, JUNGLE @..@@.@@..
@@.@@@.@.@ NETWORK... @.@.@@.@..
.@@..@@@@@ @@@@.@@@.@
@.@.@....@ THE TRACKS LEAVE THE GROUND, WHICH IS ...@@..@@@
@@@@@...@. NEEDED FOR OTHER PURPOSES. YOU ARE ..@.@.@...
....@..@@@ CARRIED GENTLY, CURVING UPWARDS UNTIL .@@@@@@..@
...@@.@..@ YOU'RE MOVING UPWARD ALONG THE WALL OF @.....@.@@
..@.@@@.@@ A BUILDING. IT'S MADE OF SLABBY STONE, @....@@@.@
.@@@..@@.. WITH GREAT GLASSLESS WINDOW HOLES @...@..@@@
@..@.@.@.. LOOKING OUT THE WAY YOU CAME. IT IS @..@@.@..@
@.@@@@@@.@ PITCH BLACK INSIDE. @.@.@@@.@.
@@.....@@@ @@@@..@@@@
.@....@..@ ...@.@....
@@...@@.@@ ..@@@@....
.@..@.@@.. .@...@...@
@@.@@@.@.. @@..@@..@@