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% the glass factory. %
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,,,,,,,,=^ several centuries after it had last ^=,,,,,,,,
,,,,,,,,,= belonged to us, we went on an outing to =,,,,,,,,,
,,,,,,,,,, the glass factory that bore our family ,,,,,,,,,,
,,,,,,,,,= name. it had changed owners many times =,,,,,,,,,
,,,,,,,,=^ since our ancestors death, and then ^=,,,,,,,,
,,,,,,,=^% stood abandoned for a long while. %^=,,,,,,,
,,,,,,=^%& finally, the natural end station for &%^=,,,,,,
,,,,,=^%&§ the buildings that survive: a museum, §&%^=,,,,,
,,,,=^%&§# and a gift shop. #§&%^=,,,,
,,,=^%&§## ##§&%^=,,,
,,=^%&§### there's a long time since my family ###§&%^=,,
,,,=^%&§## made anything. by many, we would be ##§&%^=,,,
,,,,=^%&§# considered poor. #§&%^=,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,,,=^%& there are two main factory buildings, &%^=,,,,,,
,,,,,,,=^% domed things of several floors, made in %^=,,,,,,,
,,,,,,,,=^ yellow brick. large but narrow windows, ^=,,,,,,,,
,,,,,,,,,= reminescent of some cathedral. =,,,,,,,,,
,,,,,,,,,, custom-made glass, of course, large and ,,,,,,,,,,
,,,,,,,,,= leaded, and ashen. a bit too dark to be =,,,,,,,,,
,,,,,,,,=^ practical. on the eastern building, ^=,,,,,,,,
,,,,,,,=^% some are shattered. %^=,,,,,,,
,,,,,,=^%& &%^=,,,,,,
,,,,,=^%&§ the other one is publicly open. there's §&%^=,,,,,
,,,,=^%&§# a museum, with wax figures of my great #§&%^=,,,,
,,,=^%&§## great great grandfather, or something. ##§&%^=,,,
,,=^%&§### various tools (or replicas) laid out on ###§&%^=,,
,,,=^%&§## tables, with explaining texts. a lot of ##§&%^=,,,
,,,,=^%&§# glass of varying thickness. #§&%^=,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,,,=^%& %% &%^=,,,,,,
,,,,,,,=^% %% %% %^=,,,,,,,
,,,,,,,,=^ ======= % % ======= ^=,,,,,,,,
,,,,,,,,,= %% %% =,,,,,,,,,
,,,,,,,,,, %% ,,,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=^ i quickly sneak out, and climb into the ^=,,,,,,,,
,,,,,,,=^% other building. the contrast is %^=,,,,,,,
,,,,,,=^%& overwhelming. it must have stood &%^=,,,,,,
,,,,,=^%&§ derelict for a long time, windows §&%^=,,,,,
,,,,=^%&§# broken, metallic trash and pools of #§&%^=,,,,
,,,=^%&§## dark glass all over the floor. no ##§&%^=,,,
,,=^%&§### electric lights, but i can see by the ###§&%^=,,
,,,=^%&§## light that shines in wherever the dark ##§&%^=,,,
,,,,=^%&§# windows are missing a pane. #§&%^=,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,,,=^%& however, the greatest difference is the &%^=,,,,,,
,,,,,,,=^% higher floors: this building has none. %^=,,,,,,,
,,,,,,,,=^ it is one massive hall, stretching away ^=,,,,,,,,
,,,,,,,,,= infinitely above me. somewhere up there =,,,,,,,,,
,,,,,,,,,, is some great iron latticework, from ,,,,,,,,,,
,,,,,,,,,= where chains are suspended, and parts =,,,,,,,,,
,,,,,,,,=^ of machinery has been falling down. ^=,,,,,,,,
,,,,,,,=^% %^=,,,,,,,
,,,,,,=^%& there is, in the middle of the great &%^=,,,,,,
,,,,,=^%&§ hall, a thin spiral staircase that §&%^=,,,,,
,,,,=^%&§# leads up there. i sneak over there, and #§&%^=,,,,
,,,=^%&§## take a few reluctant steps. after just ##§&%^=,,,
,,=^%&§### a revolution, i notice that for each ###§&%^=,,
,,,=^%&§## step the building starts to glow, the ##§&%^=,,,
,,,,=^%&§# bricks turning a dark red, and then #§&%^=,,,,
,,,,,=^%&§ orange, all the piled up debree being §&%^=,,,,,
,,,,,,=^%& lit from behind. &%^=,,,,,,
,,,,,,,=^% %^=,,,,,,,
,,,,,,,,=^ i stop ready to run down and out, but ^=,,,,,,,,
,,,,,,,,,= there's someone else on the staircase =,,,,,,,,,
,,,,,,,,,, with me now, pressed close. he's ,,,,,,,,,,
,,,,,,,,,= looking like me, short hair and thin =,,,,,,,,,
,,,,,,,,=^ arms, but with ears from some animal, ^=,,,,,,,,
,,,,,,,=^% and more disturbingly, completely made %^=,,,,,,,
,,,,,,=^%& of dark liquid glass. &%^=,,,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,=^%&§# %% #§&%^=,,,,
,,,=^%&§## %% %% ##§&%^=,,,
,,=^%&§### ======= % % ======= ###§&%^=,,
,,,=^%&§## %% %% ##§&%^=,,,
,,,,=^%&§# %% #§&%^=,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,,,=^%& my fear holds me in place while he &%^=,,,,,,
,,,,,,,=^% starts operating levers and dials set %^=,,,,,,,
,,,,,,,,=^ in the center of the staircase. slowly, ^=,,,,,,,,
,,,,,,,,,= it starts spinning, circling upwards. =,,,,,,,,,
,,,,,,,,,, it's an elevator! i start to run ,,,,,,,,,,
,,,,,,,,,= downwards, but now the liquid boy =,,,,,,,,,
,,,,,,,,=^ creature grabs hold of me. i try to ^=,,,,,,,,
,,,,,,,=^% shake him off, but he's too strong, and %^=,,,,,,,
,,,,,,=^%& pulls me back up beside him. &%^=,,,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,=^%&§# this time, i turn angry instead. what #§&%^=,,,,
,,,=^%&§## the hell? who is this guy, acting like ##§&%^=,,,
,,=^%&§### this? i reach out my free arm and slam ###§&%^=,,
,,,=^%&§## a random lever. some metal bar is ##§&%^=,,,
,,,,=^%&§# suddenly released between us, hitting #§&%^=,,,,
,,,,,=^%&§ him on the arm, forcing my release. i §&%^=,,,,,
,,,,,,=^%& shove him off of me, and he falls into &%^=,,,,,,
,,,,,,,=^% the levers, messing them up. %^=,,,,,,,
,,,,,,,,=^ immediately, a thin rusty chainmail ^=,,,,,,,,
,,,,,,,,,= curtain is dropped around me. but the =,,,,,,,,,
,,,,,,,,,, elevator also speeds up significantly. ,,,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=^ the walls are flaring now, yellow, ^=,,,,,,,,
,,,,,,,=^% white, almost blue. i close my eyes and %^=,,,,,,,
,,,,,,=^%& curl into a ball. but then, the glass &%^=,,,,,,
,,,,,=^%&§ boy screams, a piercing sound that §&%^=,,,,,
,,,,=^%&§# forces my eyes back open. i watch as he #§&%^=,,,,
,,,=^%&§## becomes too liquid, his body pooling ##§&%^=,,,
,,=^%&§### down in his now massive tail, and the ###§&%^=,,
,,,=^%&§## tip of it suddenly breaks of in a glass ##§&%^=,,,
,,,,=^%&§# drop that falls toward the factory #§&%^=,,,,
,,,,,=^%&§ floor. §&%^=,,,,,
,,,,,,=^%& &%^=,,,,,,
,,,,,,,=^% he's crawling on the stairs, unable to %^=,,,,,,,
,,,,,,,,=^ keep his body upright. can't reach the ^=,,,,,,,,
,,,,,,,,,= levers, claws at my chainmail cage, =,,,,,,,,,
,,,,,,,,,, while his body is turning into dark ,,,,,,,,,,
,,,,,,,,,= pearls. finally, he's lost too much of =,,,,,,,,,
,,,,,,,,=^ himself and the scream is cut short. ^=,,,,,,,,
,,,,,,,=^% the last of him rains down. %^=,,,,,,,
,,,,,,=^%& &%^=,,,,,,
,,,,,=^%&§ i still can't reach the levers from §&%^=,,,,,
,,,,=^%&§# within my cage. looking up, i try to #§&%^=,,,,
,,,=^%&§## make out the ceiling, but it's all a ##§&%^=,,,
,,=^%&§### whirling sea of colours. below me glows ###§&%^=,,
,,,=^%&§## the hellfire of the factory walls, but ##§&%^=,,,
,,,,=^%&§# very faint. i sit down, curl back up, #§&%^=,,,,
,,,,,=^%&§ become still. §&%^=,,,,,
,,,,,,=^%& &%^=,,,,,,
,,,,,,,=^% %% %^=,,,,,,,
,,,,,,,,=^ %% %% ^=,,,,,,,,
,,,,,,,,,= ======= % % ======= =,,,,,,,,,
,,,,,,,,,, %% %% ,,,,,,,,,,
,,,,,,,,,= %% =,,,,,,,,,
,,,,,,,,=^ ^=,,,,,,,,
,,,,,,,=^% a large clunk shakes my entire body, %^=,,,,,,,
,,,,,,=^%& and snaps me back into reality. i'm &%^=,,,,,,
,,,,,=^%&§ back at the factory floor, but the §&%^=,,,,,
,,,,=^%&§# stairs are still moving slightly, #§&%^=,,,,
,,,=^%&§## clicking in place, carrying me the last ##§&%^=,,,
,,=^%&§### few centimeters. i came from below, ###§&%^=,,
,,,=^%&§## somehow. the chainmail is retracted, ##§&%^=,,,
,,,,=^%&§# and i slowly dismount the stairs. #§&%^=,,,,
,,,,,=^%&§ §&%^=,,,,,
,,,,,,=^%& shaking and crying, i make my way over &%^=,,,,,,
,,,,,,,=^% the factory floor, wading through dark %^=,,,,,,,
,,,,,,,,=^ glass marbles. a quick glance down, and ^=,,,,,,,,
,,,,,,,,,= i see there's something faint inside =,,,,,,,,,
,,,,,,,,,, them. embryos? are these eggs? ,,,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=^ i shudder, and climb back out. ^=,,,,,,,,
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