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¨¨¨:~;**£# several centuries after it had last #£**;~:¨¨¨
¨¨:~;**£## belonged to us, we went on an outing to ##£**;~:¨¨
¨:~;**£### the glass factory that bore our family ###£**;~:¨
¨¨:~;**£## name. it had changed owners many times ##£**;~:¨¨
¨¨¨:~;**£# since our ancestors death, and then #£**;~:¨¨¨
¨¨¨¨:~;**£ stood abandoned for a long while. £**;~:¨¨¨¨
¨¨¨¨¨:~;** finally, the natural end station for **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* the buildings that survive: a museum, *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** and a gift shop. **;~:¨¨¨¨¨
¨¨¨¨:~;**£ £**;~:¨¨¨¨
¨¨¨:~;**£# there's a long time since my family #£**;~:¨¨¨
¨¨:~;**£## made anything. by many, we would be ##£**;~:¨¨
¨:~;**£### considered poor. ###£**;~:¨
¨¨:~;**£## ##£**;~:¨¨
¨¨¨:~;**£# there are two main factory buildings, #£**;~:¨¨¨
¨¨¨¨:~;**£ domed things of several floors, made in £**;~:¨¨¨¨
¨¨¨¨¨:~;** yellow brick. large but narrow windows, **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* reminescent of some cathedral. *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** custom-made glass, of course, large and **;~:¨¨¨¨¨
¨¨¨¨:~;**£ leaded, and ashen. a bit too dark to be £**;~:¨¨¨¨
¨¨¨:~;**£# practical. on the eastern building, #£**;~:¨¨¨
¨¨:~;**£## some are shattered. ##£**;~:¨¨
¨:~;**£### ###£**;~:¨
¨¨:~;**£## the other one is publicly open. there's ##£**;~:¨¨
¨¨¨:~;**£# a museum, with wax figures of my great #£**;~:¨¨¨
¨¨¨¨:~;**£ great great grandfather, or something. £**;~:¨¨¨¨
¨¨¨¨¨:~;** various tools (or replicas) laid out on **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* tables, with explaining texts. a lot of *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** glass of varying thickness. **;~:¨¨¨¨¨
¨¨¨¨:~;**£ £**;~:¨¨¨¨
¨¨¨:~;**£# ** #£**;~:¨¨¨
¨¨:~;**£## ** ** ##£**;~:¨¨
¨:~;**£### ~~~~~~~ * * ~~~~~~~ ###£**;~:¨
¨¨:~;**£## ** ** ##£**;~:¨¨
¨¨¨:~;**£# ** #£**;~:¨¨¨
¨¨¨¨:~;**£ £**;~:¨¨¨¨
¨¨¨¨¨:~;** i quickly sneak out, and climb into the **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* other building. the contrast is *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** overwhelming. it must have stood **;~:¨¨¨¨¨
¨¨¨¨:~;**£ derelict for a long time, windows £**;~:¨¨¨¨
¨¨¨:~;**£# broken, metallic trash and pools of #£**;~:¨¨¨
¨¨:~;**£## dark glass all over the floor. no ##£**;~:¨¨
¨:~;**£### electric lights, but i can see by the ###£**;~:¨
¨¨:~;**£## light that shines in wherever the dark ##£**;~:¨¨
¨¨¨:~;**£# windows are missing a pane. #£**;~:¨¨¨
¨¨¨¨:~;**£ £**;~:¨¨¨¨
¨¨¨¨¨:~;** however, the greatest difference is the **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* higher floors: this building has none. *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** it is one massive hall, stretching away **;~:¨¨¨¨¨
¨¨¨¨:~;**£ infinitely above me. somewhere up there £**;~:¨¨¨¨
¨¨¨:~;**£# is some great iron latticework, from #£**;~:¨¨¨
¨¨:~;**£## where chains are suspended, and parts ##£**;~:¨¨
¨:~;**£### of machinery has been falling down. ###£**;~:¨
¨¨:~;**£## ##£**;~:¨¨
¨¨¨:~;**£# there is, in the middle of the great #£**;~:¨¨¨
¨¨¨¨:~;**£ hall, a thin spiral staircase that £**;~:¨¨¨¨
¨¨¨¨¨:~;** leads up there. i sneak over there, and **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* take a few reluctant steps. after just *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** a revolution, i notice that for each **;~:¨¨¨¨¨
¨¨¨¨:~;**£ step the building starts to glow, the £**;~:¨¨¨¨
¨¨¨:~;**£# bricks turning a dark red, and then #£**;~:¨¨¨
¨¨:~;**£## orange, all the piled up debree being ##£**;~:¨¨
¨:~;**£### lit from behind. ###£**;~:¨
¨¨:~;**£## ##£**;~:¨¨
¨¨¨:~;**£# i stop ready to run down and out, but #£**;~:¨¨¨
¨¨¨¨:~;**£ there's someone else on the staircase £**;~:¨¨¨¨
¨¨¨¨¨:~;** with me now, pressed close. he's **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* looking like me, short hair and thin *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** arms, but with ears from some animal, **;~:¨¨¨¨¨
¨¨¨¨:~;**£ and more disturbingly, completely made £**;~:¨¨¨¨
¨¨¨:~;**£# of dark liquid glass. #£**;~:¨¨¨
¨¨:~;**£## ##£**;~:¨¨
¨:~;**£### ** ###£**;~:¨
¨¨:~;**£## ** ** ##£**;~:¨¨
¨¨¨:~;**£# ~~~~~~~ * * ~~~~~~~ #£**;~:¨¨¨
¨¨¨¨:~;**£ ** ** £**;~:¨¨¨¨
¨¨¨¨¨:~;** ** **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** my fear holds me in place while he **;~:¨¨¨¨¨
¨¨¨¨:~;**£ starts operating levers and dials set £**;~:¨¨¨¨
¨¨¨:~;**£# in the center of the staircase. slowly, #£**;~:¨¨¨
¨¨:~;**£## it starts spinning, circling upwards. ##£**;~:¨¨
¨:~;**£### it's an elevator! i start to run ###£**;~:¨
¨¨:~;**£## downwards, but now the liquid boy ##£**;~:¨¨
¨¨¨:~;**£# creature grabs hold of me. i try to #£**;~:¨¨¨
¨¨¨¨:~;**£ shake him off, but he's too strong, and £**;~:¨¨¨¨
¨¨¨¨¨:~;** pulls me back up beside him. **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** this time, i turn angry instead. what **;~:¨¨¨¨¨
¨¨¨¨:~;**£ the hell? who is this guy, acting like £**;~:¨¨¨¨
¨¨¨:~;**£# this? i reach out my free arm and slam #£**;~:¨¨¨
¨¨:~;**£## a random lever. some metal bar is ##£**;~:¨¨
¨:~;**£### suddenly released between us, hitting ###£**;~:¨
¨¨:~;**£## him on the arm, forcing my release. i ##£**;~:¨¨
¨¨¨:~;**£# shove him off of me, and he falls into #£**;~:¨¨¨
¨¨¨¨:~;**£ the levers, messing them up. £**;~:¨¨¨¨
¨¨¨¨¨:~;** immediately, a thin rusty chainmail **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* curtain is dropped around me. but the *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** elevator also speeds up significantly. **;~:¨¨¨¨¨
¨¨¨¨:~;**£ £**;~:¨¨¨¨
¨¨¨:~;**£# the walls are flaring now, yellow, #£**;~:¨¨¨
¨¨:~;**£## white, almost blue. i close my eyes and ##£**;~:¨¨
¨:~;**£### curl into a ball. but then, the glass ###£**;~:¨
¨¨:~;**£## boy screams, a piercing sound that ##£**;~:¨¨
¨¨¨:~;**£# forces my eyes back open. i watch as he #£**;~:¨¨¨
¨¨¨¨:~;**£ becomes too liquid, his body pooling £**;~:¨¨¨¨
¨¨¨¨¨:~;** down in his now massive tail, and the **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* tip of it suddenly breaks of in a glass *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** drop that falls toward the factory **;~:¨¨¨¨¨
¨¨¨¨:~;**£ floor. £**;~:¨¨¨¨
¨¨¨:~;**£# #£**;~:¨¨¨
¨¨:~;**£## he's crawling on the stairs, unable to ##£**;~:¨¨
¨:~;**£### keep his body upright. can't reach the ###£**;~:¨
¨¨:~;**£## levers, claws at my chainmail cage, ##£**;~:¨¨
¨¨¨:~;**£# while his body is turning into dark #£**;~:¨¨¨
¨¨¨¨:~;**£ pearls. finally, he's lost too much of £**;~:¨¨¨¨
¨¨¨¨¨:~;** himself and the scream is cut short. **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* the last of him rains down. *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** **;~:¨¨¨¨¨
¨¨¨¨:~;**£ i still can't reach the levers from £**;~:¨¨¨¨
¨¨¨:~;**£# within my cage. looking up, i try to #£**;~:¨¨¨
¨¨:~;**£## make out the ceiling, but it's all a ##£**;~:¨¨
¨:~;**£### whirling sea of colours. below me glows ###£**;~:¨
¨¨:~;**£## the hellfire of the factory walls, but ##£**;~:¨¨
¨¨¨:~;**£# very faint. i sit down, curl back up, #£**;~:¨¨¨
¨¨¨¨:~;**£ become still. £**;~:¨¨¨¨
¨¨¨¨¨:~;** **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* ** *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** ** ** **;~:¨¨¨¨¨
¨¨¨¨:~;**£ ~~~~~~~ * * ~~~~~~~ £**;~:¨¨¨¨
¨¨¨:~;**£# ** ** #£**;~:¨¨¨
¨¨:~;**£## ** ##£**;~:¨¨
¨:~;**£### ###£**;~:¨
¨¨:~;**£## a large clunk shakes my entire body, ##£**;~:¨¨
¨¨¨:~;**£# and snaps me back into reality. i'm #£**;~:¨¨¨
¨¨¨¨:~;**£ back at the factory floor, but the £**;~:¨¨¨¨
¨¨¨¨¨:~;** stairs are still moving slightly, **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* clicking in place, carrying me the last *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** few centimeters. i came from below, **;~:¨¨¨¨¨
¨¨¨¨:~;**£ somehow. the chainmail is retracted, £**;~:¨¨¨¨
¨¨¨:~;**£# and i slowly dismount the stairs. #£**;~:¨¨¨
¨¨:~;**£## ##£**;~:¨¨
¨:~;**£### shaking and crying, i make my way over ###£**;~:¨
¨¨:~;**£## the factory floor, wading through dark ##£**;~:¨¨
¨¨¨:~;**£# glass marbles. a quick glance down, and #£**;~:¨¨¨
¨¨¨¨:~;**£ i see there's something faint inside £**;~:¨¨¨¨
¨¨¨¨¨:~;** them. embryos? are these eggs? **;~:¨¨¨¨¨
¨¨¨¨¨¨:~;* *;~:¨¨¨¨¨¨
¨¨¨¨¨:~;** i shudder, and climb back out. **;~:¨¨¨¨¨
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