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= the glass factory. =
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,,=*=@@### several centuries after it had last ###@@=*=,,
,,,=*=@@## belonged to us, we went on an outing to ##@@=*=,,,
,,,,=*=@@# the glass factory that bore our family #@@=*=,,,,
,,,,,=*=@@ name. it had changed owners many times @@=*=,,,,,
,,,,,,=*=@ since our ancestors death, and then @=*=,,,,,,
,,,,,,,=*= stood abandoned for a long while. =*=,,,,,,,
,,,,,,,,=* finally, the natural end station for *=,,,,,,,,
,,,,,,,,,= the buildings that survive: a museum, =,,,,,,,,,
,,,,,,,,=* and a gift shop. *=,,,,,,,,
,,,,,,,=*= =*=,,,,,,,
,,,,,,=*=@ there's a long time since my family @=*=,,,,,,
,,,,,=*=@@ made anything. by many, we would be @@=*=,,,,,
,,,,=*=@@# considered poor. #@@=*=,,,,
,,,=*=@@## ##@@=*=,,,
,,=*=@@### there are two main factory buildings, ###@@=*=,,
,,,=*=@@## domed things of several floors, made in ##@@=*=,,,
,,,,=*=@@# yellow brick. large but narrow windows, #@@=*=,,,,
,,,,,=*=@@ reminescent of some cathedral. @@=*=,,,,,
,,,,,,=*=@ custom-made glass, of course, large and @=*=,,,,,,
,,,,,,,=*= leaded, and ashen. a bit too dark to be =*=,,,,,,,
,,,,,,,,=* practical. on the eastern building, *=,,,,,,,,
,,,,,,,,,= some are shattered. =,,,,,,,,,
,,,,,,,,=* *=,,,,,,,,
,,,,,,,=*= the other one is publicly open. there's =*=,,,,,,,
,,,,,,=*=@ a museum, with wax figures of my great @=*=,,,,,,
,,,,,=*=@@ great great grandfather, or something. @@=*=,,,,,
,,,,=*=@@# various tools (or replicas) laid out on #@@=*=,,,,
,,,=*=@@## tables, with explaining texts. a lot of ##@@=*=,,,
,,=*=@@### glass of varying thickness. ###@@=*=,,
,,,=*=@@## ##@@=*=,,,
,,,,=*=@@# == #@@=*=,,,,
,,,,,=*=@@ == == @@=*=,,,,,
,,,,,,=*=@ ======= = = ======= @=*=,,,,,,
,,,,,,,=*= == == =*=,,,,,,,
,,,,,,,,=* == *=,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=* i quickly sneak out, and climb into the *=,,,,,,,,
,,,,,,,=*= other building. the contrast is =*=,,,,,,,
,,,,,,=*=@ overwhelming. it must have stood @=*=,,,,,,
,,,,,=*=@@ derelict for a long time, windows @@=*=,,,,,
,,,,=*=@@# broken, metallic trash and pools of #@@=*=,,,,
,,,=*=@@## dark glass all over the floor. no ##@@=*=,,,
,,=*=@@### electric lights, but i can see by the ###@@=*=,,
,,,=*=@@## light that shines in wherever the dark ##@@=*=,,,
,,,,=*=@@# windows are missing a pane. #@@=*=,,,,
,,,,,=*=@@ @@=*=,,,,,
,,,,,,=*=@ however, the greatest difference is the @=*=,,,,,,
,,,,,,,=*= higher floors: this building has none. =*=,,,,,,,
,,,,,,,,=* it is one massive hall, stretching away *=,,,,,,,,
,,,,,,,,,= infinitely above me. somewhere up there =,,,,,,,,,
,,,,,,,,=* is some great iron latticework, from *=,,,,,,,,
,,,,,,,=*= where chains are suspended, and parts =*=,,,,,,,
,,,,,,=*=@ of machinery has been falling down. @=*=,,,,,,
,,,,,=*=@@ @@=*=,,,,,
,,,,=*=@@# there is, in the middle of the great #@@=*=,,,,
,,,=*=@@## hall, a thin spiral staircase that ##@@=*=,,,
,,=*=@@### leads up there. i sneak over there, and ###@@=*=,,
,,,=*=@@## take a few reluctant steps. after just ##@@=*=,,,
,,,,=*=@@# a revolution, i notice that for each #@@=*=,,,,
,,,,,=*=@@ step the building starts to glow, the @@=*=,,,,,
,,,,,,=*=@ bricks turning a dark red, and then @=*=,,,,,,
,,,,,,,=*= orange, all the piled up debree being =*=,,,,,,,
,,,,,,,,=* lit from behind. *=,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=* i stop ready to run down and out, but *=,,,,,,,,
,,,,,,,=*= there's someone else on the staircase =*=,,,,,,,
,,,,,,=*=@ with me now, pressed close. he's @=*=,,,,,,
,,,,,=*=@@ looking like me, short hair and thin @@=*=,,,,,
,,,,=*=@@# arms, but with ears from some animal, #@@=*=,,,,
,,,=*=@@## and more disturbingly, completely made ##@@=*=,,,
,,=*=@@### of dark liquid glass. ###@@=*=,,
,,,=*=@@## ##@@=*=,,,
,,,,=*=@@# == #@@=*=,,,,
,,,,,=*=@@ == == @@=*=,,,,,
,,,,,,=*=@ ======= = = ======= @=*=,,,,,,
,,,,,,,=*= == == =*=,,,,,,,
,,,,,,,,=* == *=,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=* my fear holds me in place while he *=,,,,,,,,
,,,,,,,=*= starts operating levers and dials set =*=,,,,,,,
,,,,,,=*=@ in the center of the staircase. slowly, @=*=,,,,,,
,,,,,=*=@@ it starts spinning, circling upwards. @@=*=,,,,,
,,,,=*=@@# it's an elevator! i start to run #@@=*=,,,,
,,,=*=@@## downwards, but now the liquid boy ##@@=*=,,,
,,=*=@@### creature grabs hold of me. i try to ###@@=*=,,
,,,=*=@@## shake him off, but he's too strong, and ##@@=*=,,,
,,,,=*=@@# pulls me back up beside him. #@@=*=,,,,
,,,,,=*=@@ @@=*=,,,,,
,,,,,,=*=@ this time, i turn angry instead. what @=*=,,,,,,
,,,,,,,=*= the hell? who is this guy, acting like =*=,,,,,,,
,,,,,,,,=* this? i reach out my free arm and slam *=,,,,,,,,
,,,,,,,,,= a random lever. some metal bar is =,,,,,,,,,
,,,,,,,,=* suddenly released between us, hitting *=,,,,,,,,
,,,,,,,=*= him on the arm, forcing my release. i =*=,,,,,,,
,,,,,,=*=@ shove him off of me, and he falls into @=*=,,,,,,
,,,,,=*=@@ the levers, messing them up. @@=*=,,,,,
,,,,=*=@@# immediately, a thin rusty chainmail #@@=*=,,,,
,,,=*=@@## curtain is dropped around me. but the ##@@=*=,,,
,,=*=@@### elevator also speeds up significantly. ###@@=*=,,
,,,=*=@@## ##@@=*=,,,
,,,,=*=@@# the walls are flaring now, yellow, #@@=*=,,,,
,,,,,=*=@@ white, almost blue. i close my eyes and @@=*=,,,,,
,,,,,,=*=@ curl into a ball. but then, the glass @=*=,,,,,,
,,,,,,,=*= boy screams, a piercing sound that =*=,,,,,,,
,,,,,,,,=* forces my eyes back open. i watch as he *=,,,,,,,,
,,,,,,,,,= becomes too liquid, his body pooling =,,,,,,,,,
,,,,,,,,=* down in his now massive tail, and the *=,,,,,,,,
,,,,,,,=*= tip of it suddenly breaks of in a glass =*=,,,,,,,
,,,,,,=*=@ drop that falls toward the factory @=*=,,,,,,
,,,,,=*=@@ floor. @@=*=,,,,,
,,,,=*=@@# #@@=*=,,,,
,,,=*=@@## he's crawling on the stairs, unable to ##@@=*=,,,
,,=*=@@### keep his body upright. can't reach the ###@@=*=,,
,,,=*=@@## levers, claws at my chainmail cage, ##@@=*=,,,
,,,,=*=@@# while his body is turning into dark #@@=*=,,,,
,,,,,=*=@@ pearls. finally, he's lost too much of @@=*=,,,,,
,,,,,,=*=@ himself and the scream is cut short. @=*=,,,,,,
,,,,,,,=*= the last of him rains down. =*=,,,,,,,
,,,,,,,,=* *=,,,,,,,,
,,,,,,,,,= i still can't reach the levers from =,,,,,,,,,
,,,,,,,,=* within my cage. looking up, i try to *=,,,,,,,,
,,,,,,,=*= make out the ceiling, but it's all a =*=,,,,,,,
,,,,,,=*=@ whirling sea of colours. below me glows @=*=,,,,,,
,,,,,=*=@@ the hellfire of the factory walls, but @@=*=,,,,,
,,,,=*=@@# very faint. i sit down, curl back up, #@@=*=,,,,
,,,=*=@@## become still. ##@@=*=,,,
,,=*=@@### ###@@=*=,,
,,,=*=@@## == ##@@=*=,,,
,,,,=*=@@# == == #@@=*=,,,,
,,,,,=*=@@ ======= = = ======= @@=*=,,,,,
,,,,,,=*=@ == == @=*=,,,,,,
,,,,,,,=*= == =*=,,,,,,,
,,,,,,,,=* *=,,,,,,,,
,,,,,,,,,= a large clunk shakes my entire body, =,,,,,,,,,
,,,,,,,,=* and snaps me back into reality. i'm *=,,,,,,,,
,,,,,,,=*= back at the factory floor, but the =*=,,,,,,,
,,,,,,=*=@ stairs are still moving slightly, @=*=,,,,,,
,,,,,=*=@@ clicking in place, carrying me the last @@=*=,,,,,
,,,,=*=@@# few centimeters. i came from below, #@@=*=,,,,
,,,=*=@@## somehow. the chainmail is retracted, ##@@=*=,,,
,,=*=@@### and i slowly dismount the stairs. ###@@=*=,,
,,,=*=@@## ##@@=*=,,,
,,,,=*=@@# shaking and crying, i make my way over #@@=*=,,,,
,,,,,=*=@@ the factory floor, wading through dark @@=*=,,,,,
,,,,,,=*=@ glass marbles. a quick glance down, and @=*=,,,,,,
,,,,,,,=*= i see there's something faint inside =*=,,,,,,,
,,,,,,,,=* them. embryos? are these eggs? *=,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=* i shudder, and climb back out. *=,,,,,,,,
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