^^^^^^^^
^^^^ ^^^^
^^ ^^
^ ^
^ ^
^ the glass factory. ^
^ ^
^ ^
^^ ^^
^^^^ ^^^^
^^^^^^^^
##@&$^/=., several centuries after it had last ,.=/^$&@##
#@&$^/=.,, belonged to us, we went on an outing to ,,.=/^$&@#
##@&$^/=., the glass factory that bore our family ,.=/^$&@##
#@&$^/=.,, name. it had changed owners many times ,,.=/^$&@#
##@&$^/=., since our ancestors death, and then ,.=/^$&@##
#@&$^/=.,, stood abandoned for a long while. ,,.=/^$&@#
##@&$^/=., finally, the natural end station for ,.=/^$&@##
#@&$^/=.,, the buildings that survive: a museum, ,,.=/^$&@#
##@&$^/=., and a gift shop. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., there's a long time since my family ,.=/^$&@##
#@&$^/=.,, made anything. by many, we would be ,,.=/^$&@#
##@&$^/=., considered poor. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., there are two main factory buildings, ,.=/^$&@##
#@&$^/=.,, domed things of several floors, made in ,,.=/^$&@#
##@&$^/=., yellow brick. large but narrow windows, ,.=/^$&@##
#@&$^/=.,, reminescent of some cathedral. ,,.=/^$&@#
##@&$^/=., custom-made glass, of course, large and ,.=/^$&@##
#@&$^/=.,, leaded, and ashen. a bit too dark to be ,,.=/^$&@#
##@&$^/=., practical. on the eastern building, ,.=/^$&@##
#@&$^/=.,, some are shattered. ,,.=/^$&@#
##@&$^/=., ,.=/^$&@##
#@&$^/=.,, the other one is publicly open. there's ,,.=/^$&@#
##@&$^/=., a museum, with wax figures of my great ,.=/^$&@##
#@&$^/=.,, great great grandfather, or something. ,,.=/^$&@#
##@&$^/=., various tools (or replicas) laid out on ,.=/^$&@##
#@&$^/=.,, tables, with explaining texts. a lot of ,,.=/^$&@#
##@&$^/=., glass of varying thickness. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., ^^ ,.=/^$&@##
#@&$^/=.,, ^^ ^^ ,,.=/^$&@#
##@&$^/=., ======= ^ ^ ======= ,.=/^$&@##
#@&$^/=.,, ^^ ^^ ,,.=/^$&@#
##@&$^/=., ^^ ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., i quickly sneak out, and climb into the ,.=/^$&@##
#@&$^/=.,, other building. the contrast is ,,.=/^$&@#
##@&$^/=., overwhelming. it must have stood ,.=/^$&@##
#@&$^/=.,, derelict for a long time, windows ,,.=/^$&@#
##@&$^/=., broken, metallic trash and pools of ,.=/^$&@##
#@&$^/=.,, dark glass all over the floor. no ,,.=/^$&@#
##@&$^/=., electric lights, but i can see by the ,.=/^$&@##
#@&$^/=.,, light that shines in wherever the dark ,,.=/^$&@#
##@&$^/=., windows are missing a pane. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., however, the greatest difference is the ,.=/^$&@##
#@&$^/=.,, higher floors: this building has none. ,,.=/^$&@#
##@&$^/=., it is one massive hall, stretching away ,.=/^$&@##
#@&$^/=.,, infinitely above me. somewhere up there ,,.=/^$&@#
##@&$^/=., is some great iron latticework, from ,.=/^$&@##
#@&$^/=.,, where chains are suspended, and parts ,,.=/^$&@#
##@&$^/=., of machinery has been falling down. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., there is, in the middle of the great ,.=/^$&@##
#@&$^/=.,, hall, a thin spiral staircase that ,,.=/^$&@#
##@&$^/=., leads up there. i sneak over there, and ,.=/^$&@##
#@&$^/=.,, take a few reluctant steps. after just ,,.=/^$&@#
##@&$^/=., a revolution, i notice that for each ,.=/^$&@##
#@&$^/=.,, step the building starts to glow, the ,,.=/^$&@#
##@&$^/=., bricks turning a dark red, and then ,.=/^$&@##
#@&$^/=.,, orange, all the piled up debree being ,,.=/^$&@#
##@&$^/=., lit from behind. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., i stop ready to run down and out, but ,.=/^$&@##
#@&$^/=.,, there's someone else on the staircase ,,.=/^$&@#
##@&$^/=., with me now, pressed close. he's ,.=/^$&@##
#@&$^/=.,, looking like me, short hair and thin ,,.=/^$&@#
##@&$^/=., arms, but with ears from some animal, ,.=/^$&@##
#@&$^/=.,, and more disturbingly, completely made ,,.=/^$&@#
##@&$^/=., of dark liquid glass. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., ^^ ,.=/^$&@##
#@&$^/=.,, ^^ ^^ ,,.=/^$&@#
##@&$^/=., ======= ^ ^ ======= ,.=/^$&@##
#@&$^/=.,, ^^ ^^ ,,.=/^$&@#
##@&$^/=., ^^ ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., my fear holds me in place while he ,.=/^$&@##
#@&$^/=.,, starts operating levers and dials set ,,.=/^$&@#
##@&$^/=., in the center of the staircase. slowly, ,.=/^$&@##
#@&$^/=.,, it starts spinning, circling upwards. ,,.=/^$&@#
##@&$^/=., it's an elevator! i start to run ,.=/^$&@##
#@&$^/=.,, downwards, but now the liquid boy ,,.=/^$&@#
##@&$^/=., creature grabs hold of me. i try to ,.=/^$&@##
#@&$^/=.,, shake him off, but he's too strong, and ,,.=/^$&@#
##@&$^/=., pulls me back up beside him. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., this time, i turn angry instead. what ,.=/^$&@##
#@&$^/=.,, the hell? who is this guy, acting like ,,.=/^$&@#
##@&$^/=., this? i reach out my free arm and slam ,.=/^$&@##
#@&$^/=.,, a random lever. some metal bar is ,,.=/^$&@#
##@&$^/=., suddenly released between us, hitting ,.=/^$&@##
#@&$^/=.,, him on the arm, forcing my release. i ,,.=/^$&@#
##@&$^/=., shove him off of me, and he falls into ,.=/^$&@##
#@&$^/=.,, the levers, messing them up. ,,.=/^$&@#
##@&$^/=., immediately, a thin rusty chainmail ,.=/^$&@##
#@&$^/=.,, curtain is dropped around me. but the ,,.=/^$&@#
##@&$^/=., elevator also speeds up significantly. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., the walls are flaring now, yellow, ,.=/^$&@##
#@&$^/=.,, white, almost blue. i close my eyes and ,,.=/^$&@#
##@&$^/=., curl into a ball. but then, the glass ,.=/^$&@##
#@&$^/=.,, boy screams, a piercing sound that ,,.=/^$&@#
##@&$^/=., forces my eyes back open. i watch as he ,.=/^$&@##
#@&$^/=.,, becomes too liquid, his body pooling ,,.=/^$&@#
##@&$^/=., down in his now massive tail, and the ,.=/^$&@##
#@&$^/=.,, tip of it suddenly breaks of in a glass ,,.=/^$&@#
##@&$^/=., drop that falls toward the factory ,.=/^$&@##
#@&$^/=.,, floor. ,,.=/^$&@#
##@&$^/=., ,.=/^$&@##
#@&$^/=.,, he's crawling on the stairs, unable to ,,.=/^$&@#
##@&$^/=., keep his body upright. can't reach the ,.=/^$&@##
#@&$^/=.,, levers, claws at my chainmail cage, ,,.=/^$&@#
##@&$^/=., while his body is turning into dark ,.=/^$&@##
#@&$^/=.,, pearls. finally, he's lost too much of ,,.=/^$&@#
##@&$^/=., himself and the scream is cut short. ,.=/^$&@##
#@&$^/=.,, the last of him rains down. ,,.=/^$&@#
##@&$^/=., ,.=/^$&@##
#@&$^/=.,, i still can't reach the levers from ,,.=/^$&@#
##@&$^/=., within my cage. looking up, i try to ,.=/^$&@##
#@&$^/=.,, make out the ceiling, but it's all a ,,.=/^$&@#
##@&$^/=., whirling sea of colours. below me glows ,.=/^$&@##
#@&$^/=.,, the hellfire of the factory walls, but ,,.=/^$&@#
##@&$^/=., very faint. i sit down, curl back up, ,.=/^$&@##
#@&$^/=.,, become still. ,,.=/^$&@#
##@&$^/=., ,.=/^$&@##
#@&$^/=.,, ^^ ,,.=/^$&@#
##@&$^/=., ^^ ^^ ,.=/^$&@##
#@&$^/=.,, ======= ^ ^ ======= ,,.=/^$&@#
##@&$^/=., ^^ ^^ ,.=/^$&@##
#@&$^/=.,, ^^ ,,.=/^$&@#
##@&$^/=., ,.=/^$&@##
#@&$^/=.,, a large clunk shakes my entire body, ,,.=/^$&@#
##@&$^/=., and snaps me back into reality. i'm ,.=/^$&@##
#@&$^/=.,, back at the factory floor, but the ,,.=/^$&@#
##@&$^/=., stairs are still moving slightly, ,.=/^$&@##
#@&$^/=.,, clicking in place, carrying me the last ,,.=/^$&@#
##@&$^/=., few centimeters. i came from below, ,.=/^$&@##
#@&$^/=.,, somehow. the chainmail is retracted, ,,.=/^$&@#
##@&$^/=., and i slowly dismount the stairs. ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., shaking and crying, i make my way over ,.=/^$&@##
#@&$^/=.,, the factory floor, wading through dark ,,.=/^$&@#
##@&$^/=., glass marbles. a quick glance down, and ,.=/^$&@##
#@&$^/=.,, i see there's something faint inside ,,.=/^$&@#
##@&$^/=., them. embryos? are these eggs? ,.=/^$&@##
#@&$^/=.,, ,,.=/^$&@#
##@&$^/=., i shudder, and climb back out. ,.=/^$&@##
^^
^^ ^^
^ ^
^^ ^^
^^