@¨@@¨¨¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨¨@@¨@                                          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@                                          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@ delay  delay  d¨la@  @ ^a¨  , ¨£   -   , ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@                                          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@                                          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@ "delay" means repetiton or likewise,     ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@ but it's mainly useless without          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@ feedback,                                ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@ to allow the delay to eat of it's own    ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@ tail, like one of those eaty serpents.   ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@ thus: it's the serpent effect!           ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@ it's to be revered as a creator of       ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@ ambience and of space, if you treat it   ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@ right. a somewhat more solid and         ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@ slippery sibling of reverb.              ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@                                          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@                                          ¨@¨@¨@¨@¨@
@¨@@¨@¨@¨@                                          ¨@¨@¨@¨@¨¨
@¨¨@¨@¨@¨@                                          ¨@¨@¨@¨@¨@