££§§/,¨¨¨¨ ¨¨¨¨,/§§££
££&§§§/=,¨ ¨,=/§§§&££
#@£&§§/=,¨ ¨,=/§§&£@#
#@£&§§/=,¨ ¨,=/§§&£@#
##@£§§/=,¨ ¨,=/§§£@##
#@£&§§/=,¨ @ ¨,=/§§&£@#
#@£&§§/=,¨ ¨lizardry ¨,=/§§&£@#
££§§§//=,¨ = £ @£ @@@ @@@@@@@@@@@@@@@@@@ ¨,=//§§§££
£&&&§§/=,¨ @@ the art of c,nnecting ¨,=/§§&&&£
£&&&§§/=,¨ ¨ with the old mind ¨,=/§§&&&£
#@£&§§/=,¨ ¨,=/§§&£@#
&&§=¨¨¨¨¨¨ my mind is being skewed. mi ¨¨¨¨¨¨=§&&
&&&&§§/=,¨ skeleton is stringy and old and alien ¨,=/§§&&&&
#@£&§§/=,¨ the situation is literally ¨,=/§§&£@#
##@£&§§=,¨ pressed out through my eyes, it's ¨,=§§&£@##
#@£&§§/=,¨ echoing like ¨,=/§§&£@#
@£&§§§/=,¨ the sunset of the eternal ¨,=/§§§&£@
#@£&§§/=,¨ ocean ¨,=/§§&£@#
£&§§//,,,¨ persistently against my emulsion ¨,,,//§§&£
#@£&§§/=,¨ ¨,=/§§&£@#
£§//,¨¨¨¨¨ it's ungraspable to me, what other ¨¨¨¨¨,//§£
£&&§==,,,¨ humans are doing and abstracting, ¨,,,==§&&£
@££&§§/=,¨ and above all else, what time they use? ¨,=/§§&££@
£££&§§/=,¨ how long a time has passed, for them? ¨,=/§§&£££
@&§§§§/=,¨ ¨ ¨,=/§§§§&@
##@£&§/=,¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ ¨,=/§&£@##
##@&§§/=,¨ continuously i'm crowding through ¨,=/§§&@##
&§§=,¨¨¨¨¨ ¨ the fourth wall ,outwards is what ¨ ¨¨¨¨¨,=§§&
##@£&§§/=, ¨¨ i'm thinking but it's wrong.. a new ,=/§§&£@##
#@£&§§/=,¨ ¨ ¨ narrator is introduced, occasionally ¨,=/§§&£@#
@&§§§/,¨¨¨ , , aware of the previous one, deeper ¨ ¨¨¨,/§§§&@
#@£&§§/=,¨ , , down in the dragons throat. ¨,=/§§&£@#
#@£&§§/=,¨ , ¨,=/§§&£@#
&§==,¨¨¨¨¨ , ¨¨¨¨¨,==§&
#@£&§§/=,¨ ¨,=/§§&£@#
£££&§§/=,¨ ¨,=/§§&£££
##@£&§/=,¨ ¨,=/§&£@##
&§==,¨¨¨¨¨ ¨¨¨¨¨,==§&
£§§§§§/=,¨ ¨,=/§§§§§£
@@£&§§/=,¨ ¨,=/§§&£@@