.......^~* *~^.......
........^~ ~^........
.........^ ^.........
.......... ..........
.......... ..........
.......... @ ..........
.......... .LIZARDRY ..........
.......... ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ..........
.......... @@ THE ART OF C^NNECTING ..........
.......... . WITH THE OLD MIND ..........
.......... ..........
.......... MY MIND IS BEING SKEWED. MI ..........
.........^ SKELETON IS STRINGY AND OLD AND ALIEN ^.........
........^~ THE SITUATION IS LITERALLY ~^........
.......^~* PRESSED OUT THROUGH MY EYES, IT'S *~^.......
......^~*^ ECHOING LIKE ^*~^......
.....^~*^% THE SUNSET OF THE ETERNAL %^*~^.....
....^~*^%£ OCEAN £%^*~^....
...^~*^%£@ PERSISTENTLY AGAINST MY EMULSION @£%^*~^...
..^~*^%£@@ @@£%^*~^..
.^~*^%£@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@£%^*~^.
..^~*^%£@@ HUMANS ARE DOING AND ABSTRACTING, @@£%^*~^..
...^~*^%£@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @£%^*~^...
....^~*^%£ HOW LONG A TIME HAS PASSED, FOR THEM? £%^*~^....
.....^~*^% . %^*~^.....
......^~*^ . ... . ................ @@@@@@@ ^*~^......
.......^~* CONTINUOUSLY I'M CROWDING THROUGH *~^.......
........^~ . THE FOURTH WALL ^OUTWARDS IS WHAT . ~^........
.........^ .. I'M THINKING BUT IT'S WRONG.. A NEW ^.........
.......... . . NARRATOR IS INTRODUCED, OCCASIONALLY ..........
.......... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ..........
.......... ^ ^ DOWN IN THE DRAGONS THROAT. ..........
.......... ^ ..........
.......... ^ ..........
.......... ..........
.......... ..........
.......... ..........
.......... ..........
.........^ ^.........
........^~ ~^........