¨,=^*@§¶## ##¶§@*^=,¨
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¨,=^*@§¶## ##¶§@*^=,¨
¨¨,=^*@§¶# #¶§@*^=,¨¨
¨,=^*@§¶## ##¶§@*^=,¨
¨¨,=^*@§¶# # #¶§@*^=,¨¨
¨,=^*@§¶## ¨LIZARDRY ##¶§@*^=,¨
¨¨,=^*@§¶# = ¶ #¶ ### ################## #¶§@*^=,¨¨
¨,=^*@§¶## ## THE ART OF C,NNECTING ##¶§@*^=,¨
¨¨,=^*@§¶# ¨ WITH THE OLD MIND #¶§@*^=,¨¨
¨,=^*@§¶## ##¶§@*^=,¨
¨¨,=^*@§¶# MY MIND IS BEING SKEWED. MI #¶§@*^=,¨¨
¨,=^*@§¶## SKELETON IS STRINGY AND OLD AND ALIEN ##¶§@*^=,¨
¨¨,=^*@§¶# THE SITUATION IS LITERALLY #¶§@*^=,¨¨
¨,=^*@§¶## PRESSED OUT THROUGH MY EYES, IT'S ##¶§@*^=,¨
¨¨,=^*@§¶# ECHOING LIKE #¶§@*^=,¨¨
¨,=^*@§¶## THE SUNSET OF THE ETERNAL ##¶§@*^=,¨
¨¨,=^*@§¶# OCEAN #¶§@*^=,¨¨
¨,=^*@§¶## PERSISTENTLY AGAINST MY EMULSION ##¶§@*^=,¨
¨¨,=^*@§¶# #¶§@*^=,¨¨
¨,=^*@§¶## IT'S UNGRASPABLE TO ME, WHAT OTHER ##¶§@*^=,¨
¨¨,=^*@§¶# HUMANS ARE DOING AND ABSTRACTING, #¶§@*^=,¨¨
¨,=^*@§¶## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##¶§@*^=,¨
¨¨,=^*@§¶# HOW LONG A TIME HAS PASSED, FOR THEM? #¶§@*^=,¨¨
¨,=^*@§¶## ¨ ##¶§@*^=,¨
¨¨,=^*@§¶# ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¶¶¶¶¶¶¶ #¶§@*^=,¨¨
¨,=^*@§¶## CONTINUOUSLY I'M CROWDING THROUGH ##¶§@*^=,¨
¨¨,=^*@§¶# ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ #¶§@*^=,¨¨
¨,=^*@§¶## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ##¶§@*^=,¨
¨¨,=^*@§¶# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #¶§@*^=,¨¨
¨,=^*@§¶## , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##¶§@*^=,¨
¨¨,=^*@§¶# , , DOWN IN THE DRAGONS THROAT. #¶§@*^=,¨¨
¨,=^*@§¶## , ##¶§@*^=,¨
¨¨,=^*@§¶# , #¶§@*^=,¨¨
¨,=^*@§¶## ##¶§@*^=,¨
¨¨,=^*@§¶# #¶§@*^=,¨¨
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¨¨,=^*@§¶# #¶§@*^=,¨¨
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