,,~~::†@@@ @@@†::~~,,
,~«:†@#@@# #@@#@†:«~,
,,,,«:@##@ @##@:«,,,,
,~«:†@#@## ##@#@†:«~,
,~«:†#@@## ##@@#†:«~,
,~«:†@#@@# @ #@@#@†:«~,
,~«:†@#@## ,LIZARDRY ##@#@†:«~,
,~«:†@#@## « @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@#@†:«~,
,,,,,,~:@# @@ THE ART OF C~NNECTING #@:~,,,,,,
,,~«::@### , WITH THE OLD MIND ###@::«~,,
,~«:†@#@@# #@@#@†:«~,
,~«:†@#@@@ MY MIND IS BEING SKEWED. MI @@@#@†:«~,
,,,~:†@##@ SKELETON IS STRINGY AND OLD AND ALIEN @##@†:~,,,
,~«:†@#@@# THE SITUATION IS LITERALLY #@@#@†:«~,
,,,,,«††## PRESSED OUT THROUGH MY EYES, IT'S ##††«,,,,,
,~«:†@#@@# ECHOING LIKE #@@#@†:«~,
,,,,,,,«†# THE SUNSET OF THE ETERNAL #†«,,,,,,,
,~««::††@@ OCEAN @@††::««~,
,~«:†@#@@@ PERSISTENTLY AGAINST MY EMULSION @@@#@†:«~,
,~«:†@#@@@ @@@#@†:«~,
,~«:†@###@ IT'S UNGRASPABLE TO ME, WHAT OTHER @###@†:«~,
,,,,,~~:†# HUMANS ARE DOING AND ABSTRACTING, #†:~~,,,,,
,~«:†@#@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@#@†:«~,
,~«:†@#@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@#@†:«~,
,~«:†@#@@# , #@@#@†:«~,
,~«:†@#### , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ####@†:«~,
,«:†@#@@## CONTINUOUSLY I'M CROWDING THROUGH ##@@#@†:«,
,,,,,~:†#@ , THE FOURTH WALL ~OUTWARDS IS WHAT , @#†:~,,,,,
,,,,~:†#@@ ,, I'M THINKING BUT IT'S WRONG.. A NEW @@#†:~,,,,
,~«:†@#@@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@@#@†:«~,
,,,,,,«†#@ ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , @#†«,,,,,,
,,,,,«:@#@ ~ ~ DOWN IN THE DRAGONS THROAT. @#@:«,,,,,
,~«:†@#@@# ~ #@@#@†:«~,
,~«:†#@@## ~ ##@@#†:«~,
,~«:†@#@@# #@@#@†:«~,
,~«:†@#@@# #@@#@†:«~,
,~«:†@@@@@ @@@@@†:«~,
,~«:†@#@@@ @@@#@†:«~,
,~«:†@#@## ##@#@†:«~,
,~«:††††#@ @#††††:«~,