..--/%$§@#                                          #@§$%/--..
.--/%$§@##                                          ##@§$%/--.
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...--/%$§@                                          @§$%/--...
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......--/%              .LIZARDRY                   %/--......
.....--/%$ -           @ #@ ###  ################## $%/--.....
....--/%$§ ##      THE ART OF C-NNECTING            §$%/--....
...--/%$§@        .    WITH THE OLD MIND            @§$%/--...
..--/%$§@#                                          #@§$%/--..
.--/%$§@##             MY MIND IS BEING SKEWED. MI  ##@§$%/--.
..--/%$§@#  SKELETON IS STRINGY AND OLD AND ALIEN   #@§$%/--..
...--/%$§@             THE SITUATION IS LITERALLY   @§$%/--...
....--/%$§ PRESSED OUT THROUGH MY EYES, IT'S        §$%/--....
.....--/%$ ECHOING LIKE                             $%/--.....
......--/%             THE SUNSET OF THE ETERNAL    %/--......
.....--/%$ OCEAN                                    $%/--.....
....--/%$§         PERSISTENTLY AGAINST MY EMULSION §$%/--....
...--/%$§@                                          @§$%/--...
..--/%$§@#    IT'S UNGRASPABLE TO ME, WHAT OTHER    #@§$%/--..
.--/%$§@##   HUMANS ARE DOING AND ABSTRACTING,      ##@§$%/--.
..--/%$§@#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@§$%/--..
...--/%$§@ HOW LONG A TIME HAS PASSED, FOR THEM?    @§$%/--...
....--/%$§                                     .    §$%/--....
.....--/%$  . ... .  ................   @@@@@@@     $%/--.....
......--/%   CONTINUOUSLY I'M CROWDING THROUGH      %/--......
.....--/%$ . THE FOURTH WALL  -OUTWARDS IS WHAT   . $%/--.....
....--/%$§ .. I'M THINKING BUT IT'S WRONG.. A NEW   §$%/--....
...--/%$§@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @§$%/--...
..--/%$§@# -  - AWARE OF THE PREVIOUS ONE, DEEPER . #@§$%/--..
.--/%$§@## -   - DOWN IN THE DRAGONS THROAT.        ##@§$%/--.
..--/%$§@#      -                                   #@§$%/--..
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