...^»»^%¤@ @¤%^»»^...
.^»^%$¤#@@ @@#¤$%^»^.
.....^^$¤# #¤$^^.....
.^»»»»»^$# #$^»»»»»^.
.^»^%$¤#@# #@#¤$%^»^.
.^»^%$¤#@# @ #@#¤$%^»^.
......»%¤@ .LIZARDRY @¤%»......
...^»»^$#@ » # @# @@@ @@@@@@@@@@@@@@@@@@ @#$^»»^...
.....»%$¤¤ @@ THE ART OF C^NNECTING ¤¤$%».....
...^^^^%¤# . WITH THE OLD MIND #¤%^^^^...
.^»^%$¤#@# #@#¤$%^»^.
.^»^%$¤### MY MIND IS BEING SKEWED. MI ###¤$%^»^.
.^»^%$¤#@# SKELETON IS STRINGY AND OLD AND ALIEN #@#¤$%^»^.
.^»^%$$¤## THE SITUATION IS LITERALLY ##¤$$%^»^.
...»^%%%¤# PRESSED OUT THROUGH MY EYES, IT'S #¤%%%^»...
.^»^%$#@## ECHOING LIKE ##@#$%^»^.
.^»^%$¤#@# THE SUNSET OF THE ETERNAL #@#¤$%^»^.
.^»^%$¤#@@ OCEAN @@#¤$%^»^.
.^»^%$¤#@# PERSISTENTLY AGAINST MY EMULSION #@#¤$%^»^.
.^»^%$¤#@# #@#¤$%^»^.
...^»^$$¤¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤$$^»^...
.....»»»%¤ HUMANS ARE DOING AND ABSTRACTING, ¤%»»».....
.^»^%$¤### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###¤$%^»^.
...^»^%$#@ HOW LONG A TIME HAS PASSED, FOR THEM? @#$%^»^...
....^^$¤¤# . #¤¤$^^....
....^^^%%¤ . ... . ................ ####### ¤%%^^^....
.^»^%$$¤## CONTINUOUSLY I'M CROWDING THROUGH ##¤$$%^»^.
.^»^%$¤#@@ . THE FOURTH WALL ^OUTWARDS IS WHAT . @@#¤$%^»^.
.^»^%$¤#@# .. I'M THINKING BUT IT'S WRONG.. A NEW #@#¤$%^»^.
.^»^%$¤#@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@#¤$%^»^.
.^»^%$¤#@# ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . #@#¤$%^»^.
.^»^%$¤#@# ^ ^ DOWN IN THE DRAGONS THROAT. #@#¤$%^»^.
.^»^%$¤#@@ ^ @@#¤$%^»^.
.^»^%$¤#@# ^ #@#¤$%^»^.
.....^^$$# #$$^^.....
.^^^^^^^$¤ ¤$^^^^^^^.
.^»^%%$$$¤ ¤$$$%%^»^.
.^»^%$¤#@# #@#¤$%^»^.
..^^^%$¤#@ @#¤$%^^^..
......»%¤@ @¤%»......