####@§^-:¨ ¨:-^§@####
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####§*^-:¨ ¨:-^*§####
#§*^:¨¨¨¨¨ ¨¨¨¨¨:^*§#
###@§*^-:¨ ¨:-^*§@###
###@§*^-:¨ # ¨:-^*§@###
#§^-:¨¨¨¨¨ ¨LIZARDRY ¨¨¨¨¨:-^§#
@*^-:::¨¨¨ - # ## ### ################## ¨¨¨:::-^*@
###@§*^-:¨ ## THE ART OF C:NNECTING ¨:-^*§@###
###@§*^-:¨ ¨ WITH THE OLD MIND ¨:-^*§@###
#@*^---¨¨¨ ¨¨¨---^*@#
###@§*^-:¨ MY MIND IS BEING SKEWED. MI ¨:-^*§@###
###@§*^-:¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨:-^*§@###
##@§*^-¨¨¨ THE SITUATION IS LITERALLY ¨¨¨-^*§@##
@§*-¨¨¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨¨¨-*§@
###@§*^-:¨ ECHOING LIKE ¨:-^*§@###
@*--:¨¨¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨¨¨:--*@
###@§*^-:¨ OCEAN ¨:-^*§@###
###@§*^-:¨ PERSISTENTLY AGAINST MY EMULSION ¨:-^*§@###
###@§*^-:¨ ¨:-^*§@###
@§*^-¨¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨¨-^*§@
#@**^-:::¨ HUMANS ARE DOING AND ABSTRACTING, ¨:::-^**@#
@*^^::::¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨::::^^*@
###@§*^-:¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨:-^*§@###
###@§*^-:¨ ¨ ¨:-^*§@###
@*--::¨¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ¨¨¨¨::--*@
####@§*^-: CONTINUOUSLY I'M CROWDING THROUGH :-^*§@####
####@§^-:¨ ¨ THE FOURTH WALL :OUTWARDS IS WHAT ¨ ¨:-^§@####
###@§*^-:¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨:-^*§@###
@§*--¨¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨¨--*§@
###@§*^-:¨ : : AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨:-^*§@###
#@@§^:¨¨¨¨ : : DOWN IN THE DRAGONS THROAT. ¨¨¨¨:^§@@#
#§^:¨¨¨¨¨¨ : ¨¨¨¨¨¨:^§#
@@§***^-:¨ : ¨:-^***§@@
#@@@§*^-:¨ ¨:-^*§@@@#
#@§^^^^-:¨ ¨:-^^^^§@#
#§^^:¨¨¨¨¨ ¨¨¨¨¨:^^§#
@@§*^^^-:¨ ¨:-^^^*§@@
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#@§*-¨¨¨¨¨ ¨¨¨¨¨-*§@#