@¤*^^~.,,, ,,,.~^^*¤@
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#@¤*^^~.,, ,,.~^^*¤@#
@¤*^^~.,,, ,,,.~^^*¤@
¤*^^~.,,,, @ ,,,,.~^^*¤
*^^~.,,,,, ,LIZARDRY ,,,,,.~^^*
^^~.,,,,,, ~ # @# @@@ @@@@@@@@@@@@@@@@@@ ,,,,,,.~^^
^~.,,,,,,, @@ THE ART OF C.NNECTING ,,,,,,,.~^
^^~.,,,,,, , WITH THE OLD MIND ,,,,,,.~^^
*^^~.,,,,, ,,,,,.~^^*
¤*^^~.,,,, MY MIND IS BEING SKEWED. MI ,,,,.~^^*¤
@¤*^^~.,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,.~^^*¤@
#@¤*^^~.,, THE SITUATION IS LITERALLY ,,.~^^*¤@#
##@¤*^^~., PRESSED OUT THROUGH MY EYES, IT'S ,.~^^*¤@##
#@¤*^^~.,, ECHOING LIKE ,,.~^^*¤@#
@¤*^^~.,,, THE SUNSET OF THE ETERNAL ,,,.~^^*¤@
¤*^^~.,,,, OCEAN ,,,,.~^^*¤
*^^~.,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,.~^^*
^^~.,,,,,, ,,,,,,.~^^
^~.,,,,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,,,,.~^
^^~.,,,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,,,.~^^
*^^~.,,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,.~^^*
¤*^^~.,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,.~^^*¤
@¤*^^~.,,, , ,,,.~^^*¤@
#@¤*^^~.,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,.~^^*¤@#
##@¤*^^~., CONTINUOUSLY I'M CROWDING THROUGH ,.~^^*¤@##
#@¤*^^~.,, , THE FOURTH WALL .OUTWARDS IS WHAT , ,,.~^^*¤@#
@¤*^^~.,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,.~^^*¤@
¤*^^~.,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,.~^^*¤
*^^~.,,,,, . . AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,.~^^*
^^~.,,,,,, . . DOWN IN THE DRAGONS THROAT. ,,,,,,.~^^
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^^~.,,,,,, . ,,,,,,.~^^
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