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»^........ ........^»
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.......... # ..........
.......... .LIZARDRY ..........
.......... » @ #@ ### ################## ..........
^......... ## THE ART OF C^NNECTING .........^
»^........ . WITH THE OLD MIND ........^»
^»^....... .......^»^
$^»^...... MY MIND IS BEING SKEWED. MI ......^»^$
&$^»^..... SKELETON IS STRINGY AND OLD AND ALIEN .....^»^$&
@&$^»^.... THE SITUATION IS LITERALLY ....^»^$&@
#@&$^»^... PRESSED OUT THROUGH MY EYES, IT'S ...^»^$&@#
##@&$^»^.. ECHOING LIKE ..^»^$&@##
###@&$^»^. THE SUNSET OF THE ETERNAL .^»^$&@###
##@&$^»^.. OCEAN ..^»^$&@##
#@&$^»^... PERSISTENTLY AGAINST MY EMULSION ...^»^$&@#
@&$^»^.... ....^»^$&@
&$^»^..... IT'S UNGRASPABLE TO ME, WHAT OTHER .....^»^$&
$^»^...... HUMANS ARE DOING AND ABSTRACTING, ......^»^$
^»^....... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .......^»^
»^........ HOW LONG A TIME HAS PASSED, FOR THEM? ........^»
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.......... CONTINUOUSLY I'M CROWDING THROUGH ..........
.......... . THE FOURTH WALL ^OUTWARDS IS WHAT . ..........
.......... .. I'M THINKING BUT IT'S WRONG.. A NEW ..........
.......... . . NARRATOR IS INTRODUCED, OCCASIONALLY ..........
^......... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .........^
»^........ ^ ^ DOWN IN THE DRAGONS THROAT. ........^»
^»^....... ^ .......^»^
$^»^...... ^ ......^»^$
&$^»^..... .....^»^$&
@&$^»^.... ....^»^$&@
#@&$^»^... ...^»^$&@#
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