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,,=*^£§@##    #                                     ##@§£^*=,,
,,,,,=^^§@              ,LIZARDRY                   @§^^=,,,,,
,,=*^£§### =           @ #@ ###  ################## ###§£^*=,,
,,=*^£§@## ##      THE ART OF C,NNECTING            ##@§£^*=,,
,,,,,==^§@        ,    WITH THE OLD MIND            @§^==,,,,,
,,=*^£§@##                                          ##@§£^*=,,
,,=*^£§@##             MY MIND IS BEING SKEWED. MI  ##@§£^*=,,
,,,,=^^§@@  SKELETON IS STRINGY AND OLD AND ALIEN   @@§^^=,,,,
,,=*^£§@##             THE SITUATION IS LITERALLY   ##@§£^*=,,
,,,,,,*^§@ PRESSED OUT THROUGH MY EYES, IT'S        @§^*,,,,,,
,,,,***£@# ECHOING LIKE                             #@£***,,,,
,,=***^££@             THE SUNSET OF THE ETERNAL    @££^***=,,
,,,,=*^£§# OCEAN                                    #§£^*=,,,,
,,,,,,=^£@         PERSISTENTLY AGAINST MY EMULSION @£^=,,,,,,
,,,,,,=^§#                                          #§^=,,,,,,
,,=*^^£§§@    IT'S UNGRASPABLE TO ME, WHAT OTHER    @§§£^^*=,,
,,=*^£§@##   HUMANS ARE DOING AND ABSTRACTING,      ##@§£^*=,,
,,,=***£§§  AND ABOVE ALL ELSE, WHAT TIME THEY USE? §§£***=,,,
,,=*^£§@## HOW LONG A TIME HAS PASSED, FOR THEM?    ##@§£^*=,,
,,,,==*^§§                                     ,    §§^*==,,,,
,,=*^£§@##  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     ##@§£^*=,,
,,=*^£§@##   CONTINUOUSLY I'M CROWDING THROUGH      ##@§£^*=,,
,,=*^£§### , THE FOURTH WALL  ,OUTWARDS IS WHAT   , ###§£^*=,,
,,=*^£§@## ,, I'M THINKING BUT IT'S WRONG.. A NEW   ##@§£^*=,,
,,=*^£§@## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##@§£^*=,,
,,=*^££§@# ,  , AWARE OF THE PREVIOUS ONE, DEEPER , #@§££^*=,,
,,=*^£§§@@ ,   , DOWN IN THE DRAGONS THROAT.        @@§§£^*=,,
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