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¤.¤.¤..¤.. # .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ .LIZARDRY .¤..¤.¤.¤.
¤.¤.¤..¤.. = # ## ### ################## .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ ## THE ART OF C:NNECTING .¤..¤.¤.¤.
¤.¤.¤..¤.. . WITH THE OLD MIND .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ .¤..¤.¤.¤.
¤.¤.¤..¤.. MY MIND IS BEING SKEWED. MI .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤..¤.¤.¤.
¤.¤.¤..¤.. THE SITUATION IS LITERALLY .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ PRESSED OUT THROUGH MY EYES, IT'S .¤..¤.¤.¤.
¤.¤.¤..¤.. ECHOING LIKE .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ THE SUNSET OF THE ETERNAL .¤..¤.¤.¤.
¤.¤.¤..¤.. OCEAN .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ PERSISTENTLY AGAINST MY EMULSION .¤..¤.¤.¤.
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¤.¤.¤.¤¤.¤ IT'S UNGRASPABLE TO ME, WHAT OTHER .¤..¤.¤.¤.
¤.¤.¤..¤.. HUMANS ARE DOING AND ABSTRACTING, .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤..¤.¤.¤.
¤.¤.¤..¤.. HOW LONG A TIME HAS PASSED, FOR THEM? .¤.¤¤.¤.¤.
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¤.¤.¤.¤¤.¤ CONTINUOUSLY I'M CROWDING THROUGH .¤..¤.¤.¤.
¤.¤.¤..¤.. . THE FOURTH WALL :OUTWARDS IS WHAT . .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤..¤.¤.¤.
¤.¤.¤..¤.. . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤.¤¤.¤.¤.
¤.¤.¤.¤¤.¤ : : AWARE OF THE PREVIOUS ONE, DEEPER . .¤..¤.¤.¤.
¤.¤.¤..¤.. : : DOWN IN THE DRAGONS THROAT. .¤.¤¤.¤.¤.
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