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##....###.              .LIZARDRY                   ..#.##...#
.##...#.## ~           @ @@ @@@  @@@@@@@@@@@@@@@@@@ #...###..#
.###....## @@      THE ART OF C^NNECTING            ##..#.##..
.#.##...#.        .    WITH THE OLD MIND            .##...###.
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#..#.##...             MY MIND IS BEING SKEWED. MI  .#.##...##
##...###..  SKELETON IS STRINGY AND OLD AND ALIEN   ...###..#.
###..#.##.             THE SITUATION IS LITERALLY   ...#.##...
#.##...### PRESSED OUT THROUGH MY EYES, IT'S        #....###..
..###..#.# ECHOING LIKE                             ##...#.##.
..#.##...#             THE SUNSET OF THE ETERNAL    ###....###
#...###..# OCEAN                                    #.##...#.#
##..#.##..         PERSISTENTLY AGAINST MY EMULSION ..###....#
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.###..#.##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ....###...
.#.##...##   HUMANS ARE DOING AND ABSTRACTING,      ....#.##..
...###..#.  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ......###.
...#.##... HOW LONG A TIME HAS PASSED, FOR THEM?    #.....#.##
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##...#.##.  . ... .  ................   @@@@@@@     ..#.....#.
###....###   CONTINUOUSLY I'M CROWDING THROUGH      ...#......
#.##...#.# . THE FOURTH WALL  ^OUTWARDS IS WHAT   . #...#.....
..###....# .. I'M THINKING BUT IT'S WRONG.. A NEW   .#...#....
..#.##...# . . NARRATOR IS INTRODUCED, OCCASIONALLY ..#...#...
....###... ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . #..#...#..
....#.##.. ^   ^ DOWN IN THE DRAGONS THROAT.        ##..#...#.
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