...,~†$*&¶ ¶&*$†~,...
..,~†$*&¶# #¶&*$†~,..
.,~†$*&¶## ##¶&*$†~,.
..,~†$*&¶# #¶&*$†~,..
...,~†$*&¶ ¶&*$†~,...
....,~†$*& # &*$†~,....
.....,~†$* .LIZARDRY *$†~,.....
....,~†$*& ~ ¶ #¶ ### ################## &*$†~,....
...,~†$*&¶ ## THE ART OF C,NNECTING ¶&*$†~,...
..,~†$*&¶# . WITH THE OLD MIND #¶&*$†~,..
.,~†$*&¶## ##¶&*$†~,.
..,~†$*&¶# MY MIND IS BEING SKEWED. MI #¶&*$†~,..
...,~†$*&¶ SKELETON IS STRINGY AND OLD AND ALIEN ¶&*$†~,...
....,~†$*& THE SITUATION IS LITERALLY &*$†~,....
.....,~†$* PRESSED OUT THROUGH MY EYES, IT'S *$†~,.....
....,~†$*& ECHOING LIKE &*$†~,....
...,~†$*&¶ THE SUNSET OF THE ETERNAL ¶&*$†~,...
..,~†$*&¶# OCEAN #¶&*$†~,..
.,~†$*&¶## PERSISTENTLY AGAINST MY EMULSION ##¶&*$†~,.
..,~†$*&¶# #¶&*$†~,..
...,~†$*&¶ IT'S UNGRASPABLE TO ME, WHAT OTHER ¶&*$†~,...
....,~†$*& HUMANS ARE DOING AND ABSTRACTING, &*$†~,....
.....,~†$* AND ABOVE ALL ELSE, WHAT TIME THEY USE? *$†~,.....
....,~†$*& HOW LONG A TIME HAS PASSED, FOR THEM? &*$†~,....
...,~†$*&¶ . ¶&*$†~,...
..,~†$*&¶# . ... . ................ ¶¶¶¶¶¶¶ #¶&*$†~,..
.,~†$*&¶## CONTINUOUSLY I'M CROWDING THROUGH ##¶&*$†~,.
..,~†$*&¶# . THE FOURTH WALL ,OUTWARDS IS WHAT . #¶&*$†~,..
...,~†$*&¶ .. I'M THINKING BUT IT'S WRONG.. A NEW ¶&*$†~,...
....,~†$*& . . NARRATOR IS INTRODUCED, OCCASIONALLY &*$†~,....
.....,~†$* , , AWARE OF THE PREVIOUS ONE, DEEPER . *$†~,.....
....,~†$*& , , DOWN IN THE DRAGONS THROAT. &*$†~,....
...,~†$*&¶ , ¶&*$†~,...
..,~†$*&¶# , #¶&*$†~,..
.,~†$*&¶## ##¶&*$†~,.
..,~†$*&¶# #¶&*$†~,..
...,~†$*&¶ ¶&*$†~,...
....,~†$*& &*$†~,....
.....,~†$* *$†~,.....
....,~†$*& &*$†~,....