###&@=/«.¨ ¨.«/=@&###
##&@=/«.¨¨ ¨¨.«/=@&##
#&@=/«.¨¨¨ ¨¨¨.«/=@&#
&@=/«.¨¨¨¨ ¨¨¨¨.«/=@&
@=/«.¨¨¨¨¨ ¨¨¨¨¨.«/=@
&@=/«.¨¨¨¨ # ¨¨¨¨.«/=@&
#&@=/«.¨¨¨ ¨LIZARDRY ¨¨¨.«/=@&#
##&@=/«.¨¨ « # ## ### ################## ¨¨.«/=@&##
###&@=/«.¨ ## THE ART OF C.NNECTING ¨.«/=@&###
##&@=/«.¨¨ ¨ WITH THE OLD MIND ¨¨.«/=@&##
#&@=/«.¨¨¨ ¨¨¨.«/=@&#
&@=/«.¨¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨¨.«/=@&
@=/«.¨¨¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨¨¨.«/=@
&@=/«.¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨.«/=@&
#&@=/«.¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨.«/=@&#
##&@=/«.¨¨ ECHOING LIKE ¨¨.«/=@&##
###&@=/«.¨ THE SUNSET OF THE ETERNAL ¨.«/=@&###
##&@=/«.¨¨ OCEAN ¨¨.«/=@&##
#&@=/«.¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨.«/=@&#
&@=/«.¨¨¨¨ ¨¨¨¨.«/=@&
@=/«.¨¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨¨.«/=@
&@=/«.¨¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨¨.«/=@&
#&@=/«.¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨.«/=@&#
##&@=/«.¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨.«/=@&##
###&@=/«.¨ ¨ ¨.«/=@&###
##&@=/«.¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ¨¨.«/=@&##
#&@=/«.¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨.«/=@&#
&@=/«.¨¨¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨¨¨¨.«/=@&
@=/«.¨¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨¨.«/=@
&@=/«.¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨.«/=@&
#&@=/«.¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨.«/=@&#
##&@=/«.¨¨ . . DOWN IN THE DRAGONS THROAT. ¨¨.«/=@&##
###&@=/«.¨ . ¨.«/=@&###
##&@=/«.¨¨ . ¨¨.«/=@&##
#&@=/«.¨¨¨ ¨¨¨.«/=@&#
&@=/«.¨¨¨¨ ¨¨¨¨.«/=@&
@=/«.¨¨¨¨¨ ¨¨¨¨¨.«/=@
&@=/«.¨¨¨¨ ¨¨¨¨.«/=@&
#&@=/«.¨¨¨ ¨¨¨.«/=@&#
##&@=/«.¨¨ ¨¨.«/=@&##