.....-\&@@ @@&\-.....
......-\&& &&\-......
.-~\=&&@## ##@&&=\~-.
.-~\=&&&@@ @@&&&=\~-.
.-~\=&@### ###@&=\~-.
.-~\=&&&&& # &&&&&=\~-.
.-~\=&&@## .LIZARDRY ##@&&=\~-.
.-~\=&&@## ~ @ #@ ### ################## ##@&&=\~-.
...-~~~=&@ ## THE ART OF C-NNECTING @&=~~~-...
.-~\=&&@@@ . WITH THE OLD MIND @@@&&=\~-.
.-~\=&&@## ##@&&=\~-.
......-~=& MY MIND IS BEING SKEWED. MI &=~-......
.....~\=&& SKELETON IS STRINGY AND OLD AND ALIEN &&=\~.....
.-~\=&&&&@ THE SITUATION IS LITERALLY @&&&&=\~-.
.-~\=&&@## PRESSED OUT THROUGH MY EYES, IT'S ##@&&=\~-.
.-~\=&&@## ECHOING LIKE ##@&&=\~-.
.-\=&&@### THE SUNSET OF THE ETERNAL ###@&&=\-.
....-\\&&@ OCEAN @&&\\-....
.......~=& PERSISTENTLY AGAINST MY EMULSION &=~.......
.-~\=&&@## ##@&&=\~-.
.-~\==&&&# IT'S UNGRASPABLE TO ME, WHAT OTHER #&&&==\~-.
.-~\=&&@## HUMANS ARE DOING AND ABSTRACTING, ##@&&=\~-.
...-~\==&@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @&==\~-...
.-~\=&&@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@&&=\~-.
......~~=& . &=~~......
.-~\=&&&&# . ... . ................ @@@@@@@ #&&&&=\~-.
.-~\=&&&&@ CONTINUOUSLY I'M CROWDING THROUGH @&&&&=\~-.
.....-\=&@ . THE FOURTH WALL -OUTWARDS IS WHAT . @&=\-.....
.-~\=&&@## .. I'M THINKING BUT IT'S WRONG.. A NEW ##@&&=\~-.
......-\&@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @&\-......
....-~==&# - - AWARE OF THE PREVIOUS ONE, DEEPER . #&==~-....
.-~\=&&@@@ - - DOWN IN THE DRAGONS THROAT. @@@&&=\~-.
....-\==&@ - @&==\-....
......-\&@ - @&\-......
....-\&&&& &&&&\-....
.-~\=&&@## ##@&&=\~-.
.-~\=&&&&& &&&&&=\~-.
.-~\=&&@## ##@&&=\~-.
.-~\=&&@## ##@&&=\~-.
.-~\=&&@## ##@&&=\~-.