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¨.-†*§§§§§ # §§§§§*†-.¨
¨.-†*§§### ¨LIZARDRY ###§§*†-.¨
¨.-†*§§### - # ## ### ################## ###§§*†-.¨
¨.-†*§§### ## THE ART OF C.NNECTING ###§§*†-.¨
¨.-†*§§### ¨ WITH THE OLD MIND ###§§*†-.¨
¨¨¨¨¨.††*§ §*††.¨¨¨¨¨
¨.-†*§§§## MY MIND IS BEING SKEWED. MI ##§§§*†-.¨
¨¨¨-†*§§## SKELETON IS STRINGY AND OLD AND ALIEN ##§§*†-¨¨¨
¨.-†*§§### THE SITUATION IS LITERALLY ###§§*†-.¨
¨¨¨¨.-*§§# PRESSED OUT THROUGH MY EYES, IT'S #§§*-.¨¨¨¨
¨.-†*§§§§# ECHOING LIKE #§§§§*†-.¨
¨.-†*§§### THE SUNSET OF THE ETERNAL ###§§*†-.¨
¨¨¨¨.†*§§# OCEAN #§§*†.¨¨¨¨
¨.-†*§§### PERSISTENTLY AGAINST MY EMULSION ###§§*†-.¨
¨..--†§§§# #§§§†--..¨
¨¨¨¨¨.-†§# IT'S UNGRASPABLE TO ME, WHAT OTHER #§†-.¨¨¨¨¨
¨.-††††*§§ HUMANS ARE DOING AND ABSTRACTING, §§*††††-.¨
¨¨¨¨¨.-†*§ AND ABOVE ALL ELSE, WHAT TIME THEY USE? §*†-.¨¨¨¨¨
¨¨¨.--*§§# HOW LONG A TIME HAS PASSED, FOR THEM? #§§*--.¨¨¨
¨¨¨¨¨.†**§ ¨ §**†.¨¨¨¨¨
¨.-†*§§### ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ###§§*†-.¨
¨.-†*§#### CONTINUOUSLY I'M CROWDING THROUGH ####§*†-.¨
¨¨¨¨¨¨-*§# ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ #§*-¨¨¨¨¨¨
¨.-†*§§### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###§§*†-.¨
¨¨¨¨¨..-*§ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY §*-..¨¨¨¨¨
¨.-†*§§### . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ###§§*†-.¨
¨¨¨¨¨¨-**§ . . DOWN IN THE DRAGONS THROAT. §**-¨¨¨¨¨¨
¨.-†*§§### . ###§§*†-.¨
¨.-†*§§### . ###§§*†-.¨
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