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¨&¨&¨&¨&&¨ # &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ ¨LIZARDRY &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ ~ # ## ### ################## &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ ## THE ART OF C-NNECTING &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ ¨ WITH THE OLD MIND &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ MY MIND IS BEING SKEWED. MI &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ SKELETON IS STRINGY AND OLD AND ALIEN &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ THE SITUATION IS LITERALLY &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ PRESSED OUT THROUGH MY EYES, IT'S &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ ECHOING LIKE &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ THE SUNSET OF THE ETERNAL &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ OCEAN &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ PERSISTENTLY AGAINST MY EMULSION &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ IT'S UNGRASPABLE TO ME, WHAT OTHER &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ HUMANS ARE DOING AND ABSTRACTING, &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ HOW LONG A TIME HAS PASSED, FOR THEM? &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ ¨ &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ CONTINUOUSLY I'M CROWDING THROUGH &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ ¨ THE FOURTH WALL -OUTWARDS IS WHAT ¨ &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ - - AWARE OF THE PREVIOUS ONE, DEEPER ¨ &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ - - DOWN IN THE DRAGONS THROAT. &¨&¨¨&¨&¨&
¨&¨&¨&¨¨&¨ - &¨&¨&&¨&¨&
¨&¨&¨&¨&&¨ - &¨&¨¨&¨&¨&
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