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¨¨.»^*%@##    #                                     ##@%*^».¨¨
¨¨¨.»^*%@#              ¨LIZARDRY                   #@%*^».¨¨¨
¨¨.»^*%@## »           # ## ###  ################## ##@%*^».¨¨
¨.»^*%@### ##      THE ART OF C.NNECTING            ###@%*^».¨
¨¨.»^*%@##        ¨    WITH THE OLD MIND            ##@%*^».¨¨
¨¨¨.»^*%@#                                          #@%*^».¨¨¨
¨¨.»^*%@##             MY MIND IS BEING SKEWED. MI  ##@%*^».¨¨
¨.»^*%@###  SKELETON IS STRINGY AND OLD AND ALIEN   ###@%*^».¨
¨¨.»^*%@##             THE SITUATION IS LITERALLY   ##@%*^».¨¨
¨¨¨.»^*%@# PRESSED OUT THROUGH MY EYES, IT'S        #@%*^».¨¨¨
¨¨.»^*%@## ECHOING LIKE                             ##@%*^».¨¨
¨.»^*%@###             THE SUNSET OF THE ETERNAL    ###@%*^».¨
¨¨.»^*%@## OCEAN                                    ##@%*^».¨¨
¨¨¨.»^*%@#         PERSISTENTLY AGAINST MY EMULSION #@%*^».¨¨¨
¨¨.»^*%@##                                          ##@%*^».¨¨
¨.»^*%@###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###@%*^».¨
¨¨.»^*%@##   HUMANS ARE DOING AND ABSTRACTING,      ##@%*^».¨¨
¨¨¨.»^*%@#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@%*^».¨¨¨
¨¨.»^*%@## HOW LONG A TIME HAS PASSED, FOR THEM?    ##@%*^».¨¨
¨.»^*%@###                                     ¨    ###@%*^».¨
¨¨.»^*%@##  ¨ ¨¨¨ ¨  ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨   #######     ##@%*^».¨¨
¨¨¨.»^*%@#   CONTINUOUSLY I'M CROWDING THROUGH      #@%*^».¨¨¨
¨¨.»^*%@## ¨ THE FOURTH WALL  .OUTWARDS IS WHAT   ¨ ##@%*^».¨¨
¨.»^*%@### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW   ###@%*^».¨
¨¨.»^*%@## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##@%*^».¨¨
¨¨¨.»^*%@# .  . AWARE OF THE PREVIOUS ONE, DEEPER ¨ #@%*^».¨¨¨
¨¨.»^*%@## .   . DOWN IN THE DRAGONS THROAT.        ##@%*^».¨¨
¨.»^*%@###      .                                   ###@%*^».¨
¨¨.»^*%@##       .                                  ##@%*^».¨¨
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