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..&...&...    #                                     ...&&&....
...&...&..              .LIZARDRY                   ...&.&&...
....&...&. ~           £ #£ ###  ################## &....&&&..
.....&...& ##      THE ART OF C.NNECTING            &&...&.&&.
......&...        .    WITH THE OLD MIND            .&&....&&&
&......&..                                          .&&&...&.&
&&......&.             MY MIND IS BEING SKEWED. MI  .&.&&....&
.&&......&  SKELETON IS STRINGY AND OLD AND ALIEN   ...&&&...&
.&&&......             THE SITUATION IS LITERALLY   &..&.&&...
.&.&&..... PRESSED OUT THROUGH MY EYES, IT'S        &&...&&&..
...&&&.... ECHOING LIKE                             &&&..&.&&.
...&.&&...             THE SUNSET OF THE ETERNAL    &.&&...&&&
&....&&&.. OCEAN                                    ..&&&..&.&
&&...&.&&.         PERSISTENTLY AGAINST MY EMULSION ..&.&&...&
.&&....&&&                                          &...&&&..&
.&&&...&.&    IT'S UNGRASPABLE TO ME, WHAT OTHER    .&..&.&&..
.&.&&....&   HUMANS ARE DOING AND ABSTRACTING,      ..&...&&&.
...&&&...&  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...&..&.&&
&..&.&&... HOW LONG A TIME HAS PASSED, FOR THEM?    ....&...&&
&&...&&&..                                     .    &....&..&.
&&&..&.&&.  . ... .  ................   £££££££     &&....&...
&.&&...&&&   CONTINUOUSLY I'M CROWDING THROUGH      .&&....&..
..&&&..&.& . THE FOURTH WALL  .OUTWARDS IS WHAT   . .&&&....&.
..&.&&...& .. I'M THINKING BUT IT'S WRONG.. A NEW   .&.&&....&
&...&&&..& . . NARRATOR IS INTRODUCED, OCCASIONALLY ...&&&....
.&..&.&&.. .  . AWARE OF THE PREVIOUS ONE, DEEPER . ...&.&&...
..&...&&&. .   . DOWN IN THE DRAGONS THROAT.        &....&&&..
...&..&.&&      .                                   &&...&.&&.
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