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¤¤...¤.¤.¤ .lizardry ¤¤¤¤¤¤.¤¤¤
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¤¤.¤....¤¤ ## the art of c^nnecting ....¤.¤...
.¤¤¤...¤.. . with the old mind ...¤¤¤¤..¤
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¤.¤¤.¤.¤.¤ my mind is being skewed. mi .¤¤..¤¤¤..
¤¤.¤¤¤¤¤¤¤ skeleton is stringy and old and alien ¤.¤.¤..¤.¤
.¤¤....... the situation is literally ¤¤¤¤¤.¤¤¤.
¤.¤....... pressed out through my eyes, it's ....¤¤..¤.
¤¤¤......¤ echoing like ...¤.¤.¤¤¤
..¤.....¤. the sunset of the eternal ..¤¤¤¤¤...
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¤.¤...¤..¤ persistently against my emulsion ¤¤...¤¤...
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..¤.¤.¤¤¤. it's ungraspable to me, what other ¤¤.¤¤¤¤.¤.
.¤¤¤¤¤..¤¤ humans are doing and abstracting, .¤¤...¤¤¤.
¤....¤.¤.. and above all else, what time they use? ¤.¤..¤..¤.
¤...¤¤¤¤.¤ how long a time has passed, for them? ¤¤¤.¤¤.¤¤¤
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¤¤.¤.¤¤¤.¤ continuously i'm crowding through ¤¤¤.¤¤¤.¤.
.¤¤¤¤..¤¤¤ . the fourth wall ^outwards is what . ..¤¤..¤¤¤¤
¤...¤.¤... .. i'm thinking but it's wrong.. a new .¤.¤.¤...¤
¤..¤¤¤¤..¤ . . narrator is introduced, occasionally ¤¤¤¤¤¤..¤.
¤.¤...¤.¤¤ ^ ^ aware of the previous one, deeper . .....¤.¤¤¤
¤¤¤..¤¤¤.¤ ^ ^ down in the dragons throat. ....¤¤¤...
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