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##¤$$:~,.. # ..,~:$$¤##
###¤$$:~,. .LIZARDRY .,~:$$¤###
##¤$$:~,.. ~ # ## ### ################## ..,~:$$¤##
###¤$$:~,. ## THE ART OF C,NNECTING .,~:$$¤###
##¤$$:~,.. . WITH THE OLD MIND ..,~:$$¤##
###¤$$:~,. .,~:$$¤###
##¤$$:~,.. MY MIND IS BEING SKEWED. MI ..,~:$$¤##
###¤$$:~,. SKELETON IS STRINGY AND OLD AND ALIEN .,~:$$¤###
##¤$$:~,.. THE SITUATION IS LITERALLY ..,~:$$¤##
###¤$$:~,. PRESSED OUT THROUGH MY EYES, IT'S .,~:$$¤###
##¤$$:~,.. ECHOING LIKE ..,~:$$¤##
###¤$$:~,. THE SUNSET OF THE ETERNAL .,~:$$¤###
##¤$$:~,.. OCEAN ..,~:$$¤##
###¤$$:~,. PERSISTENTLY AGAINST MY EMULSION .,~:$$¤###
##¤$$:~,.. ..,~:$$¤##
###¤$$:~,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,~:$$¤###
##¤$$:~,.. HUMANS ARE DOING AND ABSTRACTING, ..,~:$$¤##
###¤$$:~,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,~:$$¤###
##¤$$:~,.. HOW LONG A TIME HAS PASSED, FOR THEM? ..,~:$$¤##
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##¤$$:~,.. . ... . ................ ####### ..,~:$$¤##
###¤$$:~,. CONTINUOUSLY I'M CROWDING THROUGH .,~:$$¤###
##¤$$:~,.. . THE FOURTH WALL ,OUTWARDS IS WHAT . ..,~:$$¤##
###¤$$:~,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,~:$$¤###
##¤$$:~,.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..,~:$$¤##
###¤$$:~,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,~:$$¤###
##¤$$:~,.. , , DOWN IN THE DRAGONS THROAT. ..,~:$$¤##
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