@£@;«,,,,, ,,,,,«;@£@
£££@@*;«,, ,,«;*@@£££
££*;«««,,, ,,,«««;*££
@@@@;,,,,, ,,,,,;@@@@
@@@£@*;«,, ,,«;*@£@@@
#@@£@*;«,, @ ,,«;*@£@@#
@@£@;;;«,, ,LIZARDRY ,,«;;;@£@@
@£@;;,,,,, « @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,,,,;;@£@
##@@@*;«,, @@ THE ART OF C,NNECTING ,,«;*@@@##
£@**;;««,, , WITH THE OLD MIND ,,««;;**@£
#@@£@*;«,, ,,«;*@£@@#
@@@*;«,,,, MY MIND IS BEING SKEWED. MI ,,,,«;*@@@
£@***;««,, SKELETON IS STRINGY AND OLD AND ALIEN ,,««;***@£
£**;,,,,,, THE SITUATION IS LITERALLY ,,,,,,;**£
@@££@*;«,, PRESSED OUT THROUGH MY EYES, IT'S ,,«;*@££@@
@@@@@*;«,, ECHOING LIKE ,,«;*@@@@@
@@@£@*;«,, THE SUNSET OF THE ETERNAL ,,«;*@£@@@
£@;«,,,,,, OCEAN ,,,,,,«;@£
#@@£@*;«,, PERSISTENTLY AGAINST MY EMULSION ,,«;*@£@@#
£**««,,,,, ,,,,,««**£
@@@@*;;«,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,«;;*@@@@
#@@£@*;«,, HUMANS ARE DOING AND ABSTRACTING, ,,«;*@£@@#
@@@;,,,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,,;@@@
@£@;,,,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,,;@£@
£@@;,,,,,, , ,,,,,,;@@£
£*«,,,,,,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,,,,,,«*£
@£@@;;;«,, CONTINUOUSLY I'M CROWDING THROUGH ,,«;;;@@£@
@£@@@*;«,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,«;*@@@£@
##@@£@*;«, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,«;*@£@@##
@£@*;,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,;*@£@
£*;«,,,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,«;*£
#@@£@*;«,, , , DOWN IN THE DRAGONS THROAT. ,,«;*@£@@#
£@@***;«,, , ,,«;***@@£
@@*;;«,,,, , ,,,,«;;*@@
@£@;;«,,,, ,,,,«;;@£@
@@@£@*;«,, ,,«;*@£@@@
@£@***;«,, ,,«;***@£@
#@@£@*;«,, ,,«;*@£@@#
@£@@@*;«,, ,,«;*@@@£@
#@@£@*;«,, ,,«;*@£@@#