%*†-,..... .....,-†*%
#%*†-,.... ....,-†*%#
@#%*†-,... ...,-†*%#@
#@#%*†-,.. ..,-†*%#@#
##@#%*†-,. .,-†*%#@##
#@#%*†-,.. # ..,-†*%#@#
@#%*†-,... .LIZARDRY ...,-†*%#@
#%*†-,.... - @ #@ ### ################## ....,-†*%#
%*†-,..... ## THE ART OF C,NNECTING .....,-†*%
*†-,...... . WITH THE OLD MIND ......,-†*
†-,....... .......,-†
*†-,...... MY MIND IS BEING SKEWED. MI ......,-†*
%*†-,..... SKELETON IS STRINGY AND OLD AND ALIEN .....,-†*%
#%*†-,.... THE SITUATION IS LITERALLY ....,-†*%#
@#%*†-,... PRESSED OUT THROUGH MY EYES, IT'S ...,-†*%#@
#@#%*†-,.. ECHOING LIKE ..,-†*%#@#
##@#%*†-,. THE SUNSET OF THE ETERNAL .,-†*%#@##
#@#%*†-,.. OCEAN ..,-†*%#@#
@#%*†-,... PERSISTENTLY AGAINST MY EMULSION ...,-†*%#@
#%*†-,.... ....,-†*%#
%*†-,..... IT'S UNGRASPABLE TO ME, WHAT OTHER .....,-†*%
*†-,...... HUMANS ARE DOING AND ABSTRACTING, ......,-†*
†-,....... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .......,-†
*†-,...... HOW LONG A TIME HAS PASSED, FOR THEM? ......,-†*
%*†-,..... . .....,-†*%
#%*†-,.... . ... . ................ @@@@@@@ ....,-†*%#
@#%*†-,... CONTINUOUSLY I'M CROWDING THROUGH ...,-†*%#@
#@#%*†-,.. . THE FOURTH WALL ,OUTWARDS IS WHAT . ..,-†*%#@#
##@#%*†-,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,-†*%#@##
#@#%*†-,.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..,-†*%#@#
@#%*†-,... , , AWARE OF THE PREVIOUS ONE, DEEPER . ...,-†*%#@
#%*†-,.... , , DOWN IN THE DRAGONS THROAT. ....,-†*%#
%*†-,..... , .....,-†*%
*†-,...... , ......,-†*
†-,....... .......,-†
*†-,...... ......,-†*
%*†-,..... .....,-†*%
#%*†-,.... ....,-†*%#
@#%*†-,... ...,-†*%#@
#@#%*†-,.. ..,-†*%#@#