....-*§&££ ££&§*-....
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.......-§& &§-.......
..-*§*£@## @ ##@£*§*-..
..-*§*&£@# .lizardry #@£&*§*-..
..----§§&£ - £ @£ @@@ @@@@@@@@@@@@@@@@@@ £&§§----..
.....--§&£ @@ the art of c.nnecting £&§--.....
..-*§*&£@# . with the old mind #@£&*§*-..
..-*§*&£@# #@£&*§*-..
..-*§*&£@@ my mind is being skewed. mi @@£&*§*-..
..-*§*&£@# skeleton is stringy and old and alien #@£&*§*-..
..-*§*&£@# the situation is literally #@£&*§*-..
.......-§& pressed out through my eyes, it's &§-.......
..-*§*&£@# echoing like #@£&*§*-..
.......-§& the sunset of the eternal &§-.......
..-*§*&£@@ ocean @@£&*§*-..
.......**& persistently against my emulsion &**.......
..-*§*&£## ##£&*§*-..
......**££ it's ungraspable to me, what other ££**......
..-*§*&£## humans are doing and abstracting, ##£&*§*-..
..-*§*&£@# and above all else, what time they use? #@£&*§*-..
..-*§*&£@# how long a time has passed, for them? #@£&*§*-..
..-*§*&£@@ . @@£&*§*-..
......**§& . ... . ................ £££££££ &§**......
..-*§*&£@# continuously i'm crowding through #@£&*§*-..
..-*§*&£@# . the fourth wall .outwards is what . #@£&*§*-..
..-**&£@## .. i'm thinking but it's wrong.. a new ##@£&**-..
..-*§*&£@# . . narrator is introduced, occasionally #@£&*§*-..
..-*§*&&££ . . aware of the previous one, deeper . ££&&*§*-..
......**££ . . down in the dragons throat. ££**......
..-*§*&£@# . #@£&*§*-..
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