,~;*£@## ##@#&£*;~,
,,~;*£@# #@#&£*;~,,
,,,~;*£@ @#&£*;~,,,
,,,,~;*£ #&£*;~,,,,
,,,~;*£@ @#&£*;~,,,
,,~;*£@# #@#&£*;~,,
,~;*£@## NOW, USUALLY I FEEL GOOD (MAYBE?), BUT ##@#&£*;~,
,,~;*£@# THIS TIME OF CONFUSION ALSO LEADS TO #@#&£*;~,,
,,,~;*£@ ALL ANALYZES ENDING IN "USELESS" - I @#&£*;~,,,
,,,,~;*£ WAS BEING BOTHERED BY SOMETHING IN A #&£*;~,,,,
,,,~;*£@ SONG OR MOVIE OR BOOK, SO I THINK, HOW @#&£*;~,,,
,,~;*£@# WOULD I HAVE DONE IT, WHAT IS THE #@#&£*;~,,
,~;*£@## PURPOSE OF THIS PROCESS, WHAT DOES IT ##@#&£*;~,
,,~;*£@# CONSIST OF...? AND THROUGH THE PROCESS #@#&£*;~,,
,,,~;*£@ MORE AND MORE PIECES FALLS OFF UNTIL @#&£*;~,,,
,,,,~;*£ I'M STANDING THERE WITH NOTHING. #&£*;~,,,,
,,,~;*£@ @#&£*;~,,,
,,~;*£@# REDUCTIONIST HELL - #@#&£*;~,,
,~;*£@## I WAN'T A BOTTOM FLOOR, A CONCEPT ##@#&£*;~,
,,~;*£@# BEDROCK, BUT THE DEEPER I GO THE MORE #@#&£*;~,,
,,,~;*£@ ABSTRACT THEY ARE, THE THINGS, UNTIL @#&£*;~,,,
,,,,~;*£ THEY CEASE TO BE THINGS AT ALL #&£*;~,,,,
,,,~;*£@ @#&£*;~,,,
,,~;*£@# ARE WE JUST STACKED TRIANGLES? THERE IS #@#&£*;~,,
,~;*£@## NOTHING I CAN DO WITH TRIANGLES. THEY ##@#&£*;~,
,,~;*£@# CAN NOT SHELTER ME IN ANY MEANINGFUL #@#&£*;~,,
,,,~;*£@ SENSE. @#&£*;~,,,
,,,,~;*£ #&£*;~,,,,
,,,~;*£@ AND WHEN I CAN'T EVEN ANCHOR MYSELF, @#&£*;~,,,
,,~;*£@# WHEN I AM NOTHING BUT THE QUESTION, IT #@#&£*;~,,
,~;*£@## FEELS LIKE IT CAN ALL SLIP THROUGH MY ##@#&£*;~,
,,~;*£@# FINGERS... "WHOOPS", AND NOTHING EVER #@#&£*;~,,
,,,~;*£@ WAS AFTER THAT. @#&£*;~,,,
,,,,~;*£ #&£*;~,,,,
,,,~;*£@ @#&£*;~,,,
,,~;*£@# #@#&£*;~,,
,~;*£@## ##@#&£*;~,
,,~;*£@# #@#&£*;~,,