,.»==**¤## ##¤**==».,
,.»=*¤£### ###£¤*=».,
,....=¤£## ##£¤=....,
,,,»»»**¤# #¤**»»»,,,
,.»=*¤#### ####¤*=».,
,,..»==¤££ L U S H ££¤==»..,,
,,,,..=*¤# A R P E G G I O #¤*=..,,,,
,.»=*¤£### , , , , , , , , , , ###£¤*=».,
,.»=*¤£### ###£¤*=».,
,.»=¤£#### WHAT ARE THESE THINGS IF NOT BIRDSONG? ####£¤=».,
,,,.»»*¤## BLACKBIRD + NOISE CASCADE. ##¤*»».,,,
,,...=*¤¤£ £¤¤*=...,,
,,,,,,»=¤# THE COMMODORE SOUND MAYBE. DIRTY, #¤=»,,,,,,
,.»=*¤£### MIRRORING, DISTORTED FLUTE, ###£¤*=».,
,.»=*¤£### ###£¤*=».,
,.»=*¤£### , , , , , ,, ###£¤*=».,
,.»=*£#### ####£*=».,
,,,,,.=*£# DDRREEAAMMYY SSLLIIDDEESS #£*=.,,,,,
,.»=*¤£### ###£¤*=».,
,.»=*¤£### MIRAGES IN SOUND. ARPEGGIOS, CHORDS ###£¤*=».,
,,,,.==¤£# MULTIPLEXED IN THE TIME DOMAIN, #£¤==.,,,,
,.»=*¤£### ###£¤*=».,
,.»=*¤#### REFACTORED, REFRACTORED, REMADE ####¤*=».,
,,,,,»=*¤£ . . , , , £¤*=»,,,,,
,.»=*¤£### = = = = * = ###£¤*=».,
,.»=***¤££ ¤ * ¤ * ¤ ¤ ¤ ¤ * ££¤***=».,
,,,,,,»*££ # # # # # ££*»,,,,,,
,,..»»=¤£# #£¤=»»..,,
,,.»====¤£ £¤====».,,
,,,..==¤£# #£¤==..,,,
,.»=*¤£### ###£¤*=».,
,.»=*¤#### ####¤*=».,
,.»=*¤£### ###£¤*=».,