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.#######.#          ART SCHOOL HOUSE DREAM.         #.#.#.#.#.
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#..#####.#        #------------------------#        #.#.#.#.#.
#.#.####.#                                          #.#.#.#.#.
#.#..###.# SLIGHTLY UPTOWN ON  A GRASSY HILL LIES A #.#.#.#.#.
#.#.#.##.#    LARGE REPURPOSED INSTITUTION. IT'S    #.#.#.#.#.
#.#.#..#.# SEVERAL  FLOORS,  A  FEW  HUNDRED METERS #.#.#.#.#.
#.#.#.##.#       WIDE. MADE OF YELLOW BRICKS.       #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.#  COMBINED NIGHTCLUB, CAFE, GALLERY, ART  #.#.#.#.#.
#.#.#..#.# SCHOOL. IT'S  ALWAYS  OPEN, PEOPLE  COME #.#.#.#.#.
#.#.#.##.# AND GO. THE BASEMENT IS  DEEPER THAN YOU #.#.#.#.#.
#.#.#..#.#               WOULD GUESS.               #.#.#.#.#.
#.#.#.##.#                                          #.#.#.#.#.
#.#.#..#.# IT'S MESSY.  I'VE  SPREAD MY THINGS OVER #.#.#.#.#.
#.#.#.##.#             SEVERAL FLOORS,              #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.# AND DUE  TO  A  FEW MANY BEERS AND  SOME #.#.#.#.#.
#.#.#..#.# SECRET  RIVALRIES,  I  DECIDE  I  SHOULD #.#.#.#.#.
#.#.#.##.# LEAVE.  BUT  WHERE   ARE   MY   SHOES... #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.#      #--- (LOOKING FOR SHOES) ---#       #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.# AFTER  A WHILE THEY  APPEAR ON MY  FEET. #.#.#.#.#.
#.#.#..#.#                    OK.                   #.#.#.#.#.
#.#.#.##.#                                          #.#.#.#.#.
#.#.#..#.# I'M CRYING  OF JOY, I  HUG  A FRIEND AND #.#.#.#.#.
#.#.#.##.# IT'S  GOOD,  WE'RE  CLOSE  NOW,  HE  CAN #.#.#.#.#.
#.#.#..#.# SMELL  ME  (ALL   ACCORDING  TO   PLAN). #.#.#.#.#.
#.#.#.##.#                                          #.#.#.#.#.
#.#.#..#.# I FIND OUT WHO  RUINED MY PAINTINGS  AND #.#.#.#.#.
#.#.#.##.# I PULL HER  HAIR. SHE  CRIES  FROM  PAIN #.#.#.#.#.
#.#.#..#.#       BUT DOES NOT BEG FORGIVENESS.      #.#.#.#.#.
#.#.#.##.#                                          #.#.#.#.#.
#.#.#..#.#      #--- (IN THE BACKGROUND) ---#       #.#.#.#.#.
#.#.#.##.#                                          #.#.#.#.#.
#.#.#..#.# SUNSET,  ORANGE  AND  PINK,  CITY  IS  A #.#.#.#.#.
#.#.#.##.#      BLACK CUTOUT. THERE'S FIRES AND     #.#.#.#.#.
#.#.#..#.#        EXPLOSIONS ON THE GROUND.         #.#.#.#.#.
#.#.#.##.#                                          #.#.#.#.#.
#.#.#..#.# "THE NEW WAY  OF  SHIPPING  IRON -  WITH #.#.#.#.#.
#.#.#.##.# THE  RAILGUN. THE IRON  SLAG  IS SHOT AT #.#.#.#.#.
#.#.#..#.# THREE HUNDRED  AND THIRTY  THREE  METERS #.#.#.#.#.
#.#.#.##.# PER SECOND,  AND AT THE RECEIVING END AN #.#.#.#.#.
#.#.#..#.# EIGHT   SQUARE  METER   WOODEN  CUBE  IS #.#.#.#.#.
#.#.#.##.#        LAUNCHED TO INTERCEPT IT."        #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.# IT  LOOKS  LIKE  INTERSTELLAR  WAR.  THE #.#.#.#.#.
#.#.#..#.# WOODEN  BLOCK  SHATTER INTO HUNDREDS  OF #.#.#.#.#.
#.#.#.##.#                  WANDS.                  #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.#        #------------------------#        #.#.#.#.#.
#.#.#..#.#                                          #.#.#.#.#.
#.#.#.##.# # HOUSE DREAM  ; RAILGUN  ; STRUCTURE  # #.#.#.#.#.
#.#.#..#.#          # INSTITUTION ; MAZE #          #.#.#.#.#.
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