#@#%%†~:¨¨                                          ¨¨:~†%%#@#
##@#%%†~:¨                                          ¨:~†%%#@##
#@#%%†~:¨¨                                          ¨¨:~†%%#@#
@#%%†~:¨¨¨                                          ¨¨¨:~†%%#@
#%%†~:¨¨¨¨                                          ¨¨¨¨:~†%%#
@#%%†~:¨¨¨ delay  delay  d¨la@  @ %a¨  : ¨#   ~   : ¨¨¨:~†%%#@
#@#%%†~:¨¨                                          ¨¨:~†%%#@#
##@#%%†~:¨                                          ¨:~†%%#@##
#@#%%†~:¨¨                                          ¨¨:~†%%#@#
@#%%†~:¨¨¨                                          ¨¨¨:~†%%#@
#%%†~:¨¨¨¨ "delay" means repetiton or likewise,     ¨¨¨¨:~†%%#
@#%%†~:¨¨¨ but it's mainly useless without          ¨¨¨:~†%%#@
#@#%%†~:¨¨ feedback,                                ¨¨:~†%%#@#
##@#%%†~:¨ to allow the delay to eat of it's own    ¨:~†%%#@##
#@#%%†~:¨¨ tail, like one of those eaty serpents.   ¨¨:~†%%#@#
@#%%†~:¨¨¨ thus: it's the serpent effect!           ¨¨¨:~†%%#@
#%%†~:¨¨¨¨                                          ¨¨¨¨:~†%%#
@#%%†~:¨¨¨ it's to be revered as a creator of       ¨¨¨:~†%%#@
#@#%%†~:¨¨ ambience and of space, if you treat it   ¨¨:~†%%#@#
##@#%%†~:¨ right. a somewhat more solid and         ¨:~†%%#@##
#@#%%†~:¨¨ slippery sibling of reverb.              ¨¨:~†%%#@#
@#%%†~:¨¨¨                                          ¨¨¨:~†%%#@
#%%†~:¨¨¨¨                                          ¨¨¨¨:~†%%#
@#%%†~:¨¨¨                                          ¨¨¨:~†%%#@
#@#%%†~:¨¨                                          ¨¨:~†%%#@#
##@#%%†~:¨                                          ¨:~†%%#@##