,,,.~*§£@#                                          #@£§*~.,,,
,,.~*§£@##                                          ##@£§*~.,,
,.~*§£@###                                          ###@£§*~.,
,,.~*§£@##                                          ##@£§*~.,,
,,,.~*§£@#                                          #@£§*~.,,,
,,,,.~*§£@                                          @£§*~.,,,,
,,,,,.~*§£                ,,£###£,,                 £§*~.,,,,,
,,,,,,.~*§       .. Pittsburgh Electronics ..       §*~.,,,,,,
,,,,,,,.~*             ~~ Lifeforms ~~              *~.,,,,,,,
,,,,,,,,.~               ** Sv One **               ~.,,,,,,,,
,,,,,,,,,.                                          .,,,,,,,,,
,,,,,,,,.~ This Is  A Eurorack Module But I  Bought ~.,,,,,,,,
,,,,,,,.~* The  Blackbox  One  So  It'S  Also  Not. *~.,,,,,,,
,,,,,,.~*§                                          §*~.,,,,,,
,,,,,.~*§£ It  Ships With  Too  Few  Patch  Cables. £§*~.,,,,,
,,,,.~*§£@                                          @£§*~.,,,,
,,,.~*§£@#             ,§£ Contains £§,             #@£§*~.,,,
,,.~*§£@##           Midi To Cv Converter           ##@£§*~.,,
,.~*§£@###                Two Vco'S                 ###@£§*~.,
,,.~*§£@## Four Channel Or Two X Two  Channel Mixer ##@£§*~.,,
,,,.~*§£@#       Two Sub Oscillators I Think        #@£§*~.,,,
,,,,.~*§£@         Two One To Two Splitters         @£§*~.,,,,
,,,,,.~*§£          White Noise Generator           £§*~.,,,,,
,,,,,,.~*§              Sample And Hold             §*~.,,,,,,
,,,,,,,.~*          Lfo Plus A Digital Lfo          *~.,,,,,,,
,,,,,,,,.~   Filter (Lowpass, Bandpass, Highpass)   ~.,,,,,,,,
,,,,,,,,,.               Adsr Envelope              .,,,,,,,,,
,,,,,,,,.~                  One Vca                 ~.,,,,,,,,
,,,,,,,.~*               Headphone Amp              *~.,,,,,,,
,,,,,,.~*§         Fourty Nine Patchpoints!         §*~.,,,,,,
,,,,,.~*§£                                          £§*~.,,,,,
,,,,.~*§£@                  ,.###.,                 @£§*~.,,,,
,,,.~*§£@#            ~§§ So What Now §§~           #@£§*~.,,,
,,.~*§£@##                  ,.###.,                 ##@£§*~.,,
,.~*§£@###                                          ###@£§*~.,
,,.~*§£@## Clock  Io  Goes To  Asdr In I  Think And ##@£§*~.,,
,,,.~*§£@# Maybe  Also To The  Sample And Hold. Put #@£§*~.,,,
,,,,.~*§£@ Subbase And Noise In  Channel Three  And @£§*~.,,,,
,,,,,.~*§£ Four.  Oscillator  One  Saw  To  Channel £§*~.,,,,,
,,,,,,.~*§ Two,  And Oscillator  Two Saw To Channel §*~.,,,,,,
,,,,,,,.~* One.   Sample  And   Hold   Out  To  The *~.,,,,,,,
,,,,,,,,.~   Filter... Maybe... Resonance At Half.  ~.,,,,,,,,
,,,,,,,,,. Some Frequency In The  First  Oscillator .,,,,,,,,,
,,,,,,,,.~ And Then The  Second Osc Four  Semitones ~.,,,,,,,,
,,,,,,,.~*                  Higher.                 *~.,,,,,,,
,,,,,,.~*§                                          §*~.,,,,,,
,,,,,.~*§£                 .~@£@~.                  £§*~.,,,,,
,,,,.~*§£@           *££ Desktop Synth ££*          @£§*~.,,,,
,,,.~*§£@#                 .~@£@~.                  #@£§*~.,,,
,,.~*§£@##                                          ##@£§*~.,,
,.~*§£@###                                          ###@£§*~.,
,,.~*§£@##                                          ##@£§*~.,,
,,,.~*§£@#                                          #@£§*~.,,,
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