.^«/§@@###                                          ###@@§/«^.
...^//§@@@                                          @@@§//^...
.^«/§@@###                                          ###@@§/«^.
...«/§§@@@                                          @@@§§/«...
.^«/§@@###                                          ###@@§/«^.
.^«/§@@###                                          ###@@§/«^.
.^«/§@@###                 ..@###@..                ###@@§/«^.
...«////@#       ^^ pittsburgh electronics ^^       #@////«...
.^«/§@@###              «« lifeforms ««             ###@@§/«^.
.....«§@@#               // sv one //               #@@§«.....
....«§§@##                                          ##@§§«....
...^«/@@## this  is a eurorack module but i  bought ##@@/«^...
.^«/§@@### the  blackbox  one  so  it's  also  not. ###@@§/«^.
....^^//@@                                          @@//^^....
.«/§@@#### it  ships  with  too few  patch  cables. ####@@§/«.
.^«/§@@###                                          ###@@§/«^.
.^«/§@@###             .§# contains #§.             ###@@§/«^.
.^«/§@@###           midi to cv converter           ###@@§/«^.
...«/§@@##                two vco's                 ##@@§/«...
.^«/§@@### four  channel or two x two channel mixer ###@@§/«^.
.^«/§@@###        two sub oscillators i think       ###@@§/«^.
.^«/§@@@@#         two one to two splitters         #@@@@§/«^.
.^«/§@@###          white noise generator           ###@@§/«^.
.^«/§@@###              sample and hold             ###@@§/«^.
.«/§@@####          lfo plus a digital lfo          ####@@§/«.
.^«/§@@###   filter (lowpass, bandpass, highpass)   ###@@§/«^.
....«///§@               adsr envelope              @§///«....
...^«§§@@#                 one vca                  #@@§§«^...
.^«/§@@###               headphone amp              ###@@§/«^.
.^«/§@@###         fourty nine patchpoints!         ###@@§/«^.
.^«/§@@###                                          ###@@§/«^.
....^«/@@#                  .^###^.                 #@@/«^....
..^^««§§@#           «§§ so what now §§«            #@§§««^^..
....^«/@@@                 .^###^.                  @@@/«^....
.^^^«/@@@@                                          @@@@/«^^^.
.^«/§@@### clock io  goes to  asdr in  i  think and ###@@§/«^.
.^«/§@@### maybe also to the  sample and  hold. put ###@@§/«^.
....^//§@@ subbase and noise in  channel  three and @@§//^....
.^«/§@@### four.  oscillator  one  saw  to  channel ###@@§/«^.
.....«/@@@ two, and oscillator  two saw  to channel @@@/«.....
.^«/§@@### one.   sample  and   hold  out   to  the ###@@§/«^.
.^«/§@@###   filter... maybe... resonance at half.  ###@@§/«^.
....^«§@## some  frequency  in the first oscillator ##@§«^....
.^«/§@#### and  then  the second osc four semitones ####@§/«^.
...^/§§@@#                  higher.                 #@@§§/^...
....^/§@@@                                          @@@§/^....
.^«/§@@###                  ^«@#@«^                 ###@@§/«^.
.^«/§@@###          /@@ desktop synth @@/           ###@@§/«^.
....^«§@@@                 ^«@#@«^                  @@@§«^....
....^//§§@                                          @§§//^....
.^«//§@@##                                          ##@@§//«^.
.^«/§@@###                                          ###@@§/«^.
...^//§@@@                                          @@@§//^...
.^«/§@@###                                          ###@@§/«^.
.^«/§@@###                                          ###@@§/«^.