##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
#$$$§\\-~.                                          .~-\\§$$$#
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
@##$\\~...                                          ...~\\$##@
##@#$§\-~.                 ..$###$..                .~-\§$#@##
##@#$§\-~.       ~~ Pittsburgh Electronics ~~       .~-\§$#@##
###@$§\-~.             -- Lifeforms --              .~-\§$@###
##@#$§\-~.               \\ Sv One \\               .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~. This Is  A Eurorack  Module But I Bought .~-\§$#@##
#@##$§\-~. The  Blackbox  One  So  It'S  Also  Not. .~-\§$##@#
@##$$§\-~.                                          .~-\§$$##@
###$\\-... It  Ships  With  Too  Few Patch  Cables. ...-\\$###
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.             .§@ Contains @§.             .~-\§$#@##
#§-.......           Midi To Cv Converter           .......-§#
###@#$§-~.                Two Vco'S                 .~-§$#@###
###@#$\-~. Four Channel Or Two X  Two Channel Mixer .~-\$#@###
@@$§§§\-~.        Two Sub Oscillators I Think       .~-\§§§$@@
@$\-~.....         Two One To Two Splitters         .....~-\$@
#§§§-~~~~.          White Noise Generator           .~~~~-§§§#
#@#$\~....             Sample And Hold              ....~\$#@#
@#§\~~....          Lfo Plus A Digital Lfo          ....~~\§#@
##@#$§\-~.   Filter (Lowpass, Bandpass, Highpass)   .~-\§$#@##
@$$\~~....               Adsr Envelope              ....~~\$$@
##@#$§\-~.                 One Vca                  .~-\§$#@##
##@#$§\-~.               Headphone Amp              .~-\§$#@##
##@#$§\-~.         Fourty Nine Patchpoints!         .~-\§$#@##
@$\---....                                          ....---\$@
@##$§§\-~.                  .~###~.                 .~-\§§$##@
@@@#$§\-~.            -§§ So What Now §§-           .~-\§$#@@@
##@#$§\-~.                 .~###~.                  .~-\§$#@##
###§\~~...                                          ...~~\§###
@#$$\-.... Clock Io Goes  To  Asdr In  I Think  And ....-\$$#@
@#§-...... Maybe Also To  The Sample And  Hold. Put ......-§#@
@@#$$§\-~. Subbase And  Noise  In Channel Three And .~-\§$$#@@
#@$\~..... Four.  Oscillator  One  Saw  To  Channel .....~\$@#
##§§\-.... Two, And Oscillator Two  Saw To  Channel ....-\§§##
@@$§§--~~. One.  Sample   And  Hold  Out   To   The .~~--§§$@@
##@#$§\-~.  Filter... Maybe... Resonance At Half.   .~-\§$#@##
@###$§\-~. Some Frequency In  The  First Oscillator .~-\§$###@
##@#$§\-~. And  Then The Second  Osc Four Semitones .~-\§$#@##
##@#$§\-~.                  Higher.                 .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.                 ~-#@#-~                  .~-\§$#@##
##@#$§\-~.           \$$ Desktop Synth $$\          .~-\§$#@##
@$\---....                 ~-#@#-~                  ....---\$@
##$$§-....                                          ....-§$$##
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
##@#$§\-~.                                          .~-\§$#@##
@@#§\~~...                                          ...~~\§#@@