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£££#*%;«~, ,~«;%*#£££
@###*%;«~, @@@@ ##### ,~«;%*###@
£*%«,,,,,, tape dream ,,,,,,«%*£
@#*;;~~,,, #### @@@@@ ,,,~~;;*#@
£#*;«,,,,, ,,,,,«;*#£
#*;;«,,,,, for storing music on. also data but ,,,,,«;;*#
£*;«««~,,, at this point in time that's not ,,,~«««;*£
##@#*%;«~, really important i think. ,~«;%*#@##
@£*;;;~~,, ,,~~;;;*£@
£#%;«~~,,, ,,,~~«;%#£
#@£#*%;«~, ;;;;;;;; types of tape ;;;;;;;; ,~«;%*#£@#
@#*%%«,,,, ,,,,«%%*#@
#***%«««~, class i - "bad" iron ,~«««%***#
#@£#*%;«~, class ii - good chromium ,~«;%*#£@#
##@#*%;«~, class iii - bad iron part two ,~«;%*#@##
#@£#*%;«~, class iv - dangerous metals ,~«;%*#£@#
£££#*%;«~, ,~«;%*#£££
#@£#*%;«~, rumors exist about a secret class v tape ,~«;%*#£@#
@£*;«~,,,, that is actually useful. ,,,,~«;*£@
@££#*%;«~, ,~«;%*#££@
#@£#*%;«~, ;; bias ;; ,~«;%*#£@#
£#%;~,,,,, ,,,,,~;%#£
##@£#*%;~, class i uses one hundred and twenty ,~;%*#£@##
@£##*%;«~, micro-something while the others all ,~«;%*##£@
#@£#*%;«~, use seventy of the same unit. ,~«;%*#£@#
#@£#*%;«~, ,~«;%*#£@#
£*;~,,,,,, ,,,,,,~;*£
#@£#*%;«~, %%%%%%%%% aha and %%%%%%%%% ,~«;%*#£@#
#%«««,,,,, ,,,,,«««%#
#@£#*%;«~, class iv is apparently too strong to ,~«;%*#£@#
#@£#*%;«~, be used on class i players. it will ,~«;%*#£@#
#@£#*%;«~, sound too lound and it cannot be ,~«;%*#£@#
#@£#*%;«~, completely erased. this is very well. ,~«;%*#£@#
#@£#*%;«~, maybe some wonderful blending effects ,~«;%*#£@#
£#*;«,,,,, could be achieved? ,,,,,«;*#£
#@£#*%;«~, ,~«;%*#£@#
£**;~~,,,, they also gnaw at the tape heads a bit ,,,,~~;**£
##@£#%;«~, better than earlier tape types. ,~«;%#£@##
@###*%;«~, ,~«;%*###@
#%«~~,,,,, ,,,,,~~«%#
##%%%;;«~, ;;;;;;;; artifacts ;;;;;;;; ,~«;;%%%##
#@£#*%;«~, ,~«;%*#£@#
#@£#*%;«~, good tapes are decent and have a good ,~«;%*#£@#
#@£#*%;«~, high frequency presence, bad tapes are ,~«;%*#£@#
#@£#*%;«~, lofi if not outright bad. idk, i kinda ,~«;%*#£@#
#*%;;;;«~, like it. ,~«;;;;%*#
£##*;«,,,, ,,,,«;*##£
@£*;«,,,,, bias loss: if you forget the bias who ,,,,,«;*£@
£££#*%;«~, knows whats even on there anymore ,~«;%*#£££
#@£#*%;«~, ,~«;%*#£@#
#@£#*%;«~, flutter: kinda quick pitch variations. ,~«;%*#£@#
££*;~~~,,, beautiful, wonderful, extraordinary. ,,,~~~;*££
£#%«,,,,,, ,,,,,,«%#£
@@£#*%;«~, wow: a slower flutter, usually several ,~«;%*#£@@
@##*%%;«~, seconds long. what up. both of these ,~«;%%*##@
#@£#*%;«~, increase when tape speed decreases. ,~«;%*#£@#
##@£#%;«~, ,~«;%#£@##
@£#%«««,,, print through: tapes rub sound on each ,,,«««%#£@
#@£#*%;«~, other if theyre alone for too long ,~«;%*#£@#
#@£#*%;«~, ,~«;%*#£@#
#@£#*%;«~, ,~«;%*#£@#
#@£#*%;«~, ,~«;%*#£@#
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