¶&&†--::,, ,,::--†&&¶
@@¶&&††-:, ,:-††&&¶@@
&&&††††-:, ,:-††††&&&
¶&&††-,,,, ,,,,-††&&¶
&&&&†-,,,, ,,,,-†&&&&
#@¶&&††-:, delay delay d,la@ & †a, : ,¶ - : ,:-††&&¶@#
#@¶&&††-:, ,:-††&&¶@#
#@¶&&††-:, ,:-††&&¶@#
¶&†††††-:, ,:-†††††&¶
&&&†-:,,,, ,,,,:-†&&&
#@¶&&††-:, "delay" means repetiton or likewise, ,:-††&&¶@#
¶&††-,,,,, but it's mainly useless without ,,,,,-††&¶
#@¶&&††-:, feedback, ,:-††&&¶@#
@&&††-,,,, to allow the delay to eat of it's own ,,,,-††&&@
#@¶&&††-:, tail, like one of those eaty serpents. ,:-††&&¶@#
@@¶&&††-:, thus: it's the serpent effect! ,:-††&&¶@@
##@&&††-:, ,:-††&&@##
##@¶&††-:, it's to be revered as a creator of ,:-††&¶@##
##¶&&††-:, ambience and of space, if you treat it ,:-††&&¶##
&††:,,,,,, right. a somewhat more solid and ,,,,,,:††&
¶&&††::,,, slippery sibling of reverb. ,,,::††&&¶
&&†:,,,,,, ,,,,,,:†&&
¶&&†:,,,,, ,,,,,:†&&¶
##@¶&&††-: :-††&&¶@##
#@¶&&††-:, ,:-††&&¶@#
##@&&††-:, ,:-††&&@##