¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                 ¨¨$###$¨¨                ####$%†~^¨
¨¨^~†%$###       ^^ PITTSBURGH ELECTRONICS ^^       ###$%†~^¨¨
¨^~†%$####              ~~ LIFEFORMS ~~             ####$%†~^¨
¨¨^~†%$###               †† SV ONE ††               ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$### THIS IS A EURORACK  MODULE BUT I  BOUGHT ###$%†~^¨¨
¨^~†%$#### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$#### IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####             ¨%£ CONTAINS £%¨             ####$%†~^¨
¨¨^~†%$###           MIDI TO CV CONVERTER           ###$%†~^¨¨
¨^~†%$####                 TWO VCO'S                ####$%†~^¨
¨¨^~†%$### FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ###$%†~^¨¨
¨^~†%$####        TWO SUB OSCILLATORS I THINK       ####$%†~^¨
¨¨^~†%$###         TWO ONE TO TWO SPLITTERS         ###$%†~^¨¨
¨^~†%$####           WHITE NOISE GENERATOR          ####$%†~^¨
¨¨^~†%$###             SAMPLE AND HOLD              ###$%†~^¨¨
¨^~†%$####          LFO PLUS A DIGITAL LFO          ####$%†~^¨
¨¨^~†%$###   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ###$%†~^¨¨
¨^~†%$####               ADSR ENVELOPE              ####$%†~^¨
¨¨^~†%$###                 ONE VCA                  ###$%†~^¨¨
¨^~†%$####              HEADPHONE AMP               ####$%†~^¨
¨¨^~†%$###         FOURTY NINE PATCHPOINTS!         ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$###                 ¨^###^¨                  ###$%†~^¨¨
¨^~†%$####            ~%% SO WHAT NOW %%~           ####$%†~^¨
¨¨^~†%$###                  ¨^###^¨                 ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$### CLOCK IO GOES TO  ASDR  IN  I  THINK AND ###$%†~^¨¨
¨^~†%$#### MAYBE ALSO TO  THE  SAMPLE AND HOLD. PUT ####$%†~^¨
¨¨^~†%$### SUBBASE AND  NOISE IN  CHANNEL THREE AND ###$%†~^¨¨
¨^~†%$#### FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ####$%†~^¨
¨¨^~†%$### TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL ###$%†~^¨¨
¨^~†%$#### ONE.  SAMPLE  AND   HOLD  OUT   TO   THE ####$%†~^¨
¨¨^~†%$###  FILTER... MAYBE... RESONANCE AT HALF.   ###$%†~^¨¨
¨^~†%$#### SOME  FREQUENCY IN THE  FIRST OSCILLATOR ####$%†~^¨
¨¨^~†%$### AND THEN THE  SECOND OSC  FOUR SEMITONES ###$%†~^¨¨
¨^~†%$####                  HIGHER.                 ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                 ^~#£#~^                  ####$%†~^¨
¨¨^~†%$###           †$$ DESKTOP SYNTH $$†          ###$%†~^¨¨
¨^~†%$####                 ^~#£#~^                  ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨
¨¨^~†%$###                                          ###$%†~^¨¨
¨^~†%$####                                          ####$%†~^¨