.^«:*&§@##                                          ##@§&*:«^.
..^««:&&§§                                          §§&&:««^..
.^«:*&§@##                                          ##@§&*:«^.
.^«:*&§@##                                          ##@§&*:«^.
..^^«*&&&@                                          @&&&*«^^..
....^^:&@#                                          #@&:^^....
.^«:*&§@##                 ..&###&..                ##@§&*:«^.
....^:&§§@       ^^ pittsburgh electronics ^^       @§§&:^....
....««::*§             «« lifeforms ««              §*::««....
.....«**&§               :: sv one ::               §&**«.....
.^«:*&&&§#                                          #§&&&*:«^.
.^«:*&§@## this  is a eurorack  module but i bought ##@§&*:«^.
......«*§§ the  blackbox  one  so  it's  also  not. §§*«......
.....^:*&§                                          §&*:^.....
.......«*§ it  ships with  too  few  patch  cables. §*«.......
.^«:*&§@@@                                          @@@§&*:«^.
.^«:*&§@##             .*@ contains @*.             ##@§&*:«^.
.^«:*&§@##           midi to cv converter           ##@§&*:«^.
.^«««::*§§                 two vco's                §§*::«««^.
.....^:&&§ four  channel or two x two channel mixer §&&:^.....
.^«:*&§@##        two sub oscillators i think       ##@§&*:«^.
...««««*§@         two one to two splitters         @§*««««...
...^««:&§@           white noise generator          @§&:««^...
.^«:*&§@##              sample and hold             ##@§&*:«^.
.^«:*&§@##          lfo plus a digital lfo          ##@§&*:«^.
...«««*§§§   filter (lowpass, bandpass, highpass)   §§§*«««...
.^^^^«:&@@               adsr envelope              @@&:«^^^^.
.^^««:*&@#                 one vca                  #@&*:««^^.
.^«:*&@###               headphone amp              ###@&*:«^.
......^:&@         fourty nine patchpoints!         @&:^......
......«*§#                                          #§*«......
.^«:*&§@##                  .^###^.                 ##@§&*:«^.
.^«:*&§@##           «** so what now **«            ##@§&*:«^.
.^«:*&§@##                  .^###^.                 ##@§&*:«^.
......^«*§                                          §*«^......
.^«:*&§@## clock  io  goes to asdr in  i  think and ##@§&*:«^.
.^«:*&§@## maybe also to the  sample  and hold. put ##@§&*:«^.
.^«:*&§§§# subbase  and noise in channel  three and #§§§&*:«^.
..^^::&§§@ four.  oscillator  one  saw  to  channel @§§&::^^..
.^«:*&§@## two, and oscillator  two  saw to channel ##@§&*:«^.
.^«««****§ one.  sample  and  hold   out   to   the §****«««^.
.......«*§  filter... maybe... resonance at half.   §*«.......
..^^::::&§ some frequency in  the first  oscillator §&::::^^..
...^«**§@@ and  then the second  osc four semitones @@§**«^...
..^^«:*§§§                  higher.                 §§§*:«^^..
....^«:&§@                                          @§&:«^....
.^«:*&§@##                  ^«§@§«^                 ##@§&*:«^.
.^«:*&§@##           :&& desktop synth &&:          ##@§&*:«^.
.^«:*&§@##                  ^«§@§«^                 ##@§&*:«^.
.....^«*§@                                          @§*«^.....
.^«::*&§@@                                          @@§&*::«^.
.^«:*&&§§@                                          @§§&&*:«^.
..^^:**&§#                                          #§&**:^^..
.....^::&@                                          @&::^.....
..^^«:&&§§                                          §§&&:«^^..