,@@,@,,@,,                                          ,,@,@,,@@,
@,@,@,@@,@                                          ,@@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,                 ,,$###$,,                @,@,@,@,@,
@,@,@,@@,@       ~~ PITTSBURGH ELECTRONICS ~~       @,@,@,@,@,
@,@,@,,@,,              ~~ LIFEFORMS ~~             @,@,@,@,@,
@,@,@,@@,@               // SV ONE //               @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@ THIS  IS A  EURORACK MODULE BUT I BOUGHT @,@,@,@,@,
@,@,@,,@,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,, IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,             ,=# CONTAINS #=,             @,@,@,@,@,
@,@,@,@@,@           MIDI TO CV CONVERTER           @,@,@,@,@,
@,@,@,,@,,                 TWO VCO'S                @,@,@,@,@,
@,@,@,@@,@ FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER @,@,@,@,@,
@,@,@,,@,,        TWO SUB OSCILLATORS I THINK       @,@,@,@,@,
@,@,@,@@,@         TWO ONE TO TWO SPLITTERS         @,@,@,@,@,
@,@,@,,@,,          WHITE NOISE GENERATOR           @,@,@,@,@,
@,@,@,@@,@              SAMPLE AND HOLD             @,@,@,@,@,
@,@,@,,@,,          LFO PLUS A DIGITAL LFO          @,@,@,@,@,
@,@,@,@@,@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @,@,@,@,@,
@,@,@,,@,,              ADSR ENVELOPE               @,@,@,@,@,
@,@,@,@@,@                 ONE VCA                  @,@,@,@,@,
@,@,@,,@,,              HEADPHONE AMP               @,@,@,@,@,
@,@,@,@@,@         FOURTY NINE PATCHPOINTS!         @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@                 ,~###~,                  @,@,@,@,@,
@,@,@,,@,,           ~== SO WHAT NOW ==~            @,@,@,@,@,
@,@,@,@@,@                  ,~###~,                 @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@ CLOCK  IO GOES  TO ASDR  IN I THINK  AND @,@,@,@,@,
@,@,@,,@,, MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT @,@,@,@,@,
@,@,@,@@,@ SUBBASE AND NOISE IN  CHANNEL  THREE AND @,@,@,@,@,
@,@,@,,@,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @,@,@,@,@,
@,@,@,@@,@ TWO, AND OSCILLATOR  TWO SAW  TO CHANNEL @,@,@,@,@,
@,@,@,,@,, ONE.  SAMPLE  AND  HOLD   OUT   TO   THE @,@,@,@,@,
@,@,@,@@,@  FILTER... MAYBE... RESONANCE AT HALF.   @,@,@,@,@,
@,@,@,,@,, SOME FREQUENCY IN THE  FIRST  OSCILLATOR @,@,@,@,@,
@,@,@,@@,@ AND  THEN THE SECOND OSC FOUR  SEMITONES @,@,@,@,@,
@,@,@,,@,,                  HIGHER.                 @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,                 ~~@#@~~                  @,@,@,@,@,
@,@,@,@@,@          /$$ DESKTOP SYNTH $$/           @,@,@,@,@,
@,@,@,,@,,                 ~~@#@~~                  @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,
@,@,@,@@,@                                          @,@,@,@,@,
@,@,@,,@,,                                          @,@,@,@,@,