,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ @@@@ ##### @@&*%^~.,,
,,,.~^%*&@ TAPE DREAM @&*%^~.,,,
,,.~^%*&@@ #### @@@@@ @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ FOR STORING MUSIC ON. ALSO DATA BUT @@&*%^~.,,
,,,.~^%*&@ AT THIS POINT IN TIME THAT'S NOT @&*%^~.,,,
,,.~^%*&@@ REALLY IMPORTANT I THINK. @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# CLASS I - "BAD" IRON #@@&*%^~.,
,,.~^%*&@@ CLASS II - GOOD CHROMIUM @@&*%^~.,,
,,,.~^%*&@ CLASS III - BAD IRON PART TWO @&*%^~.,,,
,,.~^%*&@@ CLASS IV - DANGEROUS METALS @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@&*%^~.,,
,,,.~^%*&@ THAT IS ACTUALLY USEFUL. @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# ^^ BIAS ^^ #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ CLASS I USES ONE HUNDRED AND TWENTY @&*%^~.,,,
,,.~^%*&@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@&*%^~.,,
,.~^%*&@@# USE SEVENTY OF THE SAME UNIT. #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ @&*%^~.,,,
,,.~^%*&@@ %%%%%%%%% AHA AND %%%%%%%%% @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ CLASS IV IS APPARENTLY TOO STRONG TO @@&*%^~.,,
,,,.~^%*&@ BE USED ON CLASS I PLAYERS. IT WILL @&*%^~.,,,
,,.~^%*&@@ SOUND TOO LOUND AND IT CANNOT BE @@&*%^~.,,
,.~^%*&@@# COMPLETELY ERASED. THIS IS VERY WELL. #@@&*%^~.,
,,.~^%*&@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@&*%^~.,,
,,,.~^%*&@ COULD BE ACHIEVED? @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@@&*%^~.,
,,.~^%*&@@ BETTER THAN EARLIER TAPE TYPES. @@&*%^~.,,
,,,.~^%*&@ @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# ^^^^^^^^ ARTIFACTS ^^^^^^^^ #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ GOOD TAPES ARE DECENT AND HAVE A GOOD @&*%^~.,,,
,,.~^%*&@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@&*%^~.,,
,.~^%*&@@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@@&*%^~.,
,,.~^%*&@@ LIKE IT. @@&*%^~.,,
,,,.~^%*&@ @&*%^~.,,,
,,.~^%*&@@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @@&*%^~.,,
,.~^%*&@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @&*%^~.,,,
,,.~^%*&@@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@&*%^~.,,
,,,.~^%*&@ SECONDS LONG. WHAT UP. BOTH OF THESE @&*%^~.,,,
,,.~^%*&@@ INCREASE WHEN TAPE SPEED DECREASES. @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ PRINT THROUGH: TAPES RUB SOUND ON EACH @@&*%^~.,,
,,,.~^%*&@ OTHER IF THEYRE ALONE FOR TOO LONG @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,
,,.~^%*&@@ @@&*%^~.,,
,,,.~^%*&@ @&*%^~.,,,
,,.~^%*&@@ @@&*%^~.,,
,.~^%*&@@# #@@&*%^~.,