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¨¨^--%&&££                ¨¨&###&¨¨                 ££&&%--^¨¨
¨^-^%&&££#       ^^ pittsburgh electronics ^^       #££&&%^-^¨
¨^-^%&&£##              -- lifeforms --             ##£&&%^-^¨
¨¨¨¨¨¨-^%&               ^^ sv one ^^               &%^-¨¨¨¨¨¨
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¨^-^%&&£## this is a eurorack  module  but i bought ##£&&%^-^¨
¨¨¨¨¨^^%&£ the  blackbox  one  so  it's  also  not. £&%^^¨¨¨¨¨
¨^-^%&&££#                                          #££&&%^-^¨
¨^-^%&&£## it  ships  with  too few  patch  cables. ##£&&%^-^¨
¨¨¨¨¨¨-^%&                                          &%^-¨¨¨¨¨¨
¨^^^^^-%%&             ¨%£ contains £%¨             &%%-^^^^^¨
¨¨¨¨^^-%&£           midi to cv converter           £&%-^^¨¨¨¨
¨^-^%&&£##                 two vco's                ##£&&%^-^¨
¨¨¨---^%&& four channel or two x  two channel mixer &&%^---¨¨¨
¨¨¨¨¨¨-%%&        two sub oscillators i think       &%%-¨¨¨¨¨¨
¨^-^%&&&&#         two one to two splitters         #&&&&%^-^¨
¨^-^%&&£##          white noise generator           ##£&&%^-^¨
¨^-^%&&&&£              sample and hold             £&&&&%^-^¨
¨¨¨¨¨^^%&£          lfo plus a digital lfo          £&%^^¨¨¨¨¨
¨^-^%&&&&&   filter (lowpass, bandpass, highpass)   &&&&&%^-^¨
¨^-^%&&£##               adsr envelope              ##£&&%^-^¨
¨^-^%%%&&&                  one vca                 &&&%%%^-^¨
¨¨¨¨--^&&#              headphone amp               #&&^--¨¨¨¨
¨¨¨-^%&&£#         fourty nine patchpoints!         #£&&%^-¨¨¨
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¨^-^%&£###                  ¨^###^¨                 ###£&%^-^¨
¨^-^%&&&££           -%% so what now %%-            ££&&&%^-^¨
¨¨¨¨¨-^&££                 ¨^###^¨                  ££&^-¨¨¨¨¨
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¨^---^%&&£ clock  io goes to asdr in  i  think  and £&&%^---^¨
¨^-^%&&&&# maybe also to the sample  and  hold. put #&&&&%^-^¨
¨^^--^^^%& subbase  and noise in channel three  and &%^^^--^^¨
¨^-^%%%&&£ four.  oscillator  one  saw  to  channel £&&%%%^-^¨
¨^-^%&&£## two, and  oscillator two saw to  channel ##£&&%^-^¨
¨^-^%&&£## one.  sample  and  hold   out   to   the ##£&&%^-^¨
¨^-^%&&£##   filter... maybe... resonance at half.  ##£&&%^-^¨
¨^-^%&&&&£ some frequency  in  the first oscillator £&&&&%^-^¨
¨^-^%&&£## and then the  second  osc four semitones ##£&&%^-^¨
¨^-^%%&&&£                  higher.                 £&&&%%^-^¨
¨^-^%&&£##                                          ##£&&%^-^¨
¨^-^%&&££#                 ^-&£&-^                  #££&&%^-^¨
¨^-^%&£###          ^&& desktop synth &&^           ###£&%^-^¨
¨^-^%&&&&&                  ^-&£&-^                 &&&&&%^-^¨
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