.~»*$%@@@@ @@@@%$*»~.
.~»*$%@@@@ @@@@%$*»~.
.~»*$%@@@@ @@@@%$*»~.
.~»*$%@@## ##@@%$*»~.
.~»*$%@@@# #@@@%$*»~.
....~*%@@@ $$$$$$$$$$ @@@%*~....
.~»*$%@@@@ @@@@%$*»~.
...~~»$%@@ LYRA EIGHT @@%$»~~...
.~»*$%@@@@ @@@@%$*»~.
.~»*$%@@## .. ##@@%$*»~.
.......»$@ ~ ~ @$».......
.~»*$%@@@# » » #@@@%$*»~.
.~»*$%@@@@ * * @@@@%$*»~.
.~»*$%@@@# $ $ #@@@%$*»~.
.~»**$$$%@ @%$$$**»~.
.~»*$%@@@# CAVE SCULPTER #@@@%$*»~.
.~»*$%@@@# DREAM TO CHORD TRANSLATOR #@@@%$*»~.
...~~~*%%@ @%%*~~~...
.~»*$%@@@# EIGHT VOICED BLEEDING FORTUNE TELLER #@@@%$*»~.
.....~»$@@ @@$»~.....
.~»*$%@@@@ DUAL SELF-MODULATING DELAY LINE @@@@%$*»~.
.~»»»»*%@@ SWITCH FOR "TOTAL FEEDBACK" @@%*»»»»~.
...~**%%@@ @@%%**~...
.~»*$%@@@# LICK THE CONTACT PADS #@@@%$*»~.
.~»*$%@@@@ @@@@%$*»~.
.~»»*$%@@@ $ $ @@@%$*»»~.
......~»$@ * * @$»~......
.~~~»*$@@@ » » @@@$*»~~~.
.~»*****%@ ~ ~ @%*****»~.
.~»*$%@@@@ .. @@@@%$*»~.
.~»*$%@@@# #@@@%$*»~.
.~»*$%@@@# GEARLIST . ANOTHER SYNTH #@@@%$*»~.
.~»*$$$%@@ @@%$$$*»~.
....~**%@@ $$$$$$$$$$$$$$$$$$$$$$$$$ @@%**~....
.....~~*%@ @%*~~.....
....~~»$@@ @@$»~~....
....~~**%@ @%**~~....
.~»*$%@@@# #@@@%$*»~.
.~»*$%@@@# #@@@%$*»~.