@@#@¤§^»^, ,^»^§¤@#@@
@¤§»»^,,,, ,,,,^»»§¤@
@@@¤¤§^»^, ,^»^§¤¤@@@
#@#@¤§^»^, ,^»^§¤@#@#
#@#@¤§^»^, ,^»^§¤@#@#
##@@¤§^»^, delay delay d,la@ @ §a, ^ ,# » ^ ,^»^§¤@@##
#@#@¤§^»^, ,^»^§¤@#@#
##@¤^^^^,, ,,^^^^¤@##
#@#@¤§^»^, ,^»^§¤@#@#
@@#@¤§^»^, ,^»^§¤@#@@
#@#@¤§^»^, "delay" means repetiton or likewise, ,^»^§¤@#@#
@@§^^^^,,, but it's mainly useless without ,,,^^^^§@@
#@#@¤§^»^, feedback, ,^»^§¤@#@#
#@#@¤§^»^, to allow the delay to eat of it's own ,^»^§¤@#@#
@##@¤§^»^, tail, like one of those eaty serpents. ,^»^§¤@##@
#@#@¤§^»^, thus: it's the serpent effect! ,^»^§¤@#@#
###@¤§^»^, ,^»^§¤@###
#@#@¤§^»^, it's to be revered as a creator of ,^»^§¤@#@#
##@#@¤§»^, ambience and of space, if you treat it ,^»§¤@#@##
##¤§^»,,,, right. a somewhat more solid and ,,,,»^§¤##
@@#@¤§^»^, slippery sibling of reverb. ,^»^§¤@#@@
#@#@¤§^»^, ,^»^§¤@#@#
#@#@¤§^»^, ,^»^§¤@#@#
@@@¤§»,,,, ,,,,»§¤@@@
#@#@¤§^»^, ,^»^§¤@#@#
@@#@¤§^»^, ,^»^§¤@#@@