¨-«:%£§§§§ §§§§£%:«-¨
¨¨¨---:%§£ £§%:---¨¨¨
¨-«:%£§£## ##£§£%:«-¨
¨¨¨¨¨¨«%§# #§%«¨¨¨¨¨¨
¨-«:%£§### ###§£%:«-¨
¨¨¨¨¨-:%§# delay delay d¨la# § %a¨ - ¨£ « - #§%:-¨¨¨¨¨
¨-«:%£§§§£ £§§§£%:«-¨
¨¨¨¨-::££# #££::-¨¨¨¨
¨-«:%££### ###££%:«-¨
¨¨¨¨«««%£§ §£%«««¨¨¨¨
¨¨-«««%£££ "delay" means repetiton or likewise, £££%«««-¨¨
-«:%£§£### but it's mainly useless without ###£§£%:«-
¨-«:%£§### feedback, ###§£%:«-¨
¨-«%£§£### to allow the delay to eat of it's own ###£§£%«-¨
¨-«:%£§£## tail, like one of those eaty serpents. ##£§£%:«-¨
¨¨¨¨¨¨«:£§ thus: it's the serpent effect! §£:«¨¨¨¨¨¨
¨-«:%£§£## ##£§£%:«-¨
¨¨¨¨¨¨«%£§ it's to be revered as a creator of §£%«¨¨¨¨¨¨
¨-«:%£§£## ambience and of space, if you treat it ##£§£%:«-¨
¨-«:%£§£## right. a somewhat more solid and ##£§£%:«-¨
¨¨¨¨«%£§§§ slippery sibling of reverb. §§§£%«¨¨¨¨
¨¨¨¨¨«:£§§ §§£:«¨¨¨¨¨
¨-«:%£§£## ##£§£%:«-¨
¨¨¨¨-::£§£ £§£::-¨¨¨¨
¨-«:%££### ###££%:«-¨
¨¨¨¨-::££# #££::-¨¨¨¨