&%***=-¨¨¨ ¨¨¨-=***%&
&**=--¨¨¨¨ ¨¨¨¨--=**&
@@%=,¨¨¨¨¨ ¨¨¨¨¨,=%@@
@%%=,¨¨¨¨¨ ¨¨¨¨¨,=%%@
#@&*-¨¨¨¨¨ ¨¨¨¨¨-*&@#
##@&%*=-,¨ delay delay d¨la# & *a¨ , ¨@ - , ¨,-=*%&@##
&%%%%*=-,¨ ¨,-=*%%%%&
#@@&%*=-,¨ ¨,-=*%&@@#
@%=-¨¨¨¨¨¨ ¨¨¨¨¨¨-=%@
&&%%*==-,¨ ¨,-==*%%&&
&&%=,¨¨¨¨¨ "delay" means repetiton or likewise, ¨¨¨¨¨,=%&&
#@@&%*=-,¨ but it's mainly useless without ¨,-=*%&@@#
@@@&%*=-,¨ feedback, ¨,-=*%&@@@
&%==,¨¨¨¨¨ to allow the delay to eat of it's own ¨¨¨¨¨,==%&
###@&%=-,¨ tail, like one of those eaty serpents. ¨,-=%&@###
&%=,,¨¨¨¨¨ thus: it's the serpent effect! ¨¨¨¨¨,,=%&
##@&%*=-,¨ ¨,-=*%&@##
##@&%*=-,¨ it's to be revered as a creator of ¨,-=*%&@##
###&%*=-,¨ ambience and of space, if you treat it ¨,-=*%&###
&&&%===-,¨ right. a somewhat more solid and ¨,-===%&&&
##@&%*=-,¨ slippery sibling of reverb. ¨,-=*%&@##
@%=,,,¨¨¨¨ ¨¨¨¨,,,=%@
#&&***=-,¨ ¨,-=***&&#
@@@&%*=-,¨ ¨,-=*%&@@@
&&&&%*=-,¨ ¨,-=*%&&&&
@@&%=,¨¨¨¨ ¨¨¨¨,=%&@@