##@¤&*:=,. .,=:*&¤@##
¤¤&&&*:=,. .,=:*&&&¤¤
¤&::,..... .....,::&¤
@&&&&*:=,. .,=:*&&&&@
##@¤&*:=,. .,=:*&¤@##
##@¤&*:=,. delay delay d.la# ¤ *a. , .@ = , .,=:*&¤@##
¤*=....... .......=*¤
¤&:=,..... .....,=:&¤
##@¤&*:=,. .,=:*&¤@##
¤*====.... ....====*¤
@¤*=,..... "delay" means repetiton or likewise, .....,=*¤@
##@¤&*:=,. but it's mainly useless without .,=:*&¤@##
@&:==,.... feedback, ....,==:&@
###¤&*:=,. to allow the delay to eat of it's own .,=:*&¤###
¤¤*::,.... tail, like one of those eaty serpents. ....,::*¤¤
##@¤&*:=,. thus: it's the serpent effect! .,=:*&¤@##
@¤*:=,.... ....,=:*¤@
@&&::===,. it's to be revered as a creator of .,===::&&@
@¤&:,,.... ambience and of space, if you treat it ....,,:&¤@
##@¤&*:=,. right. a somewhat more solid and .,=:*&¤@##
@¤&&::=... slippery sibling of reverb. ...=::&&¤@
@¤¤*:==... ...==:*¤¤@
##@¤&*:=,. .,=:*&¤@##
#@@¤&*:=,. .,=:*&¤@@#
¤**==,.... ....,==**¤
#@¤*:,,... ...,,:*¤@#