,,,,,^«*§§                                          §§*«^,,,,,
,,,,,,^«*§                                          §*«^,,,,,,
,,,,,,,^«*                                          *«^,,,,,,,
,,,,,,^«*§                                          §*«^,,,,,,
,,,,,^«*§§                                          §§*«^,,,,,
,,,,^«*§§# delay  delay  d,la#  # §a,  ^ ,#   «   ^ #§§*«^,,,,
,,,^«*§§##                                          ##§§*«^,,,
,,^«*§§###                                          ###§§*«^,,
,^«*§§####                                          ####§§*«^,
,,^«*§§###                                          ###§§*«^,,
,,,^«*§§## "delay" means repetiton or likewise,     ##§§*«^,,,
,,,,^«*§§# but it's mainly useless without          #§§*«^,,,,
,,,,,^«*§§ feedback,                                §§*«^,,,,,
,,,,,,^«*§ to allow the delay to eat of it's own    §*«^,,,,,,
,,,,,,,^«* tail, like one of those eaty serpents.   *«^,,,,,,,
,,,,,,^«*§ thus: it's the serpent effect!           §*«^,,,,,,
,,,,,^«*§§                                          §§*«^,,,,,
,,,,^«*§§# it's to be revered as a creator of       #§§*«^,,,,
,,,^«*§§## ambience and of space, if you treat it   ##§§*«^,,,
,,^«*§§### right. a somewhat more solid and         ###§§*«^,,
,^«*§§#### slippery sibling of reverb.              ####§§*«^,
,,^«*§§###                                          ###§§*«^,,
,,,^«*§§##                                          ##§§*«^,,,
,,,,^«*§§#                                          #§§*«^,,,,
,,,,,^«*§§                                          §§*«^,,,,,
,,,,,,^«*§                                          §*«^,,,,,,