¶£/~,,,,,, ,,,,,,~/£¶
##¶#£%/-~, ,~-/%£#¶##
##¶#£%/-~, ,~-/%£#¶##
¶££///-,,, ,,,-///££¶
##£%%-~,,, ,,,~-%%£##
##¶#£%/-~, delay delay d,la# # %a, ~ ,¶ - ~ ,~-/%£#¶##
¶¶¶#£%/-~, ,~-/%£#¶¶¶
##¶#£%/-~, ,~-/%£#¶##
##¶#£%/-~, ,~-/%£#¶##
##£%-~~~,, ,,~~~-%£##
##¶#£%/-~, "delay" means repetiton or likewise, ,~-/%£#¶##
¶#£/-,,,,, but it's mainly useless without ,,,,,-/£#¶
##¶#£%/-~, feedback, ,~-/%£#¶##
#¶¶#£%/-~, to allow the delay to eat of it's own ,~-/%£#¶¶#
#£%%%-~,,, tail, like one of those eaty serpents. ,,,~-%%%£#
##¶#£%/-~, thus: it's the serpent effect! ,~-/%£#¶##
##%//-~,,, ,,,~-//%##
###%/-,,,, it's to be revered as a creator of ,,,,-/%###
##¶#£%/-~, ambience and of space, if you treat it ,~-/%£#¶##
##%//-~~,, right. a somewhat more solid and ,,~~-//%##
##¶#£%/-~, slippery sibling of reverb. ,~-/%£#¶##
##¶#£%/-~, ,~-/%£#¶##
##£%--~,,, ,,,~--%£##
¶£%/----~, ,~----/%£¶
#¶¶#£%/-~, ,~-/%£#¶¶#
##¶#£%/-~, ,~-/%£#¶##