@£#&†*-~..                                          ..~-*†&#£@
#@£#&†*-~.                                          .~-*†&#£@#
##@£#&†*-~                                          ~-*†&#£@##
#@£#&†*-~.                                          .~-*†&#£@#
@£#&†*-~..                                          ..~-*†&#£@
£#&†*-~... delay  delay  d.la@  # †a.  ~ .£   -   ~ ...~-*†&#£
#&†*-~....                                          ....~-*†&#
£#&†*-~...                                          ...~-*†&#£
@£#&†*-~..                                          ..~-*†&#£@
#@£#&†*-~.                                          .~-*†&#£@#
##@£#&†*-~ "delay" means repetiton or likewise,     ~-*†&#£@##
#@£#&†*-~. but it's mainly useless without          .~-*†&#£@#
@£#&†*-~.. feedback,                                ..~-*†&#£@
£#&†*-~... to allow the delay to eat of it's own    ...~-*†&#£
#&†*-~.... tail, like one of those eaty serpents.   ....~-*†&#
£#&†*-~... thus: it's the serpent effect!           ...~-*†&#£
@£#&†*-~..                                          ..~-*†&#£@
#@£#&†*-~. it's to be revered as a creator of       .~-*†&#£@#
##@£#&†*-~ ambience and of space, if you treat it   ~-*†&#£@##
#@£#&†*-~. right. a somewhat more solid and         .~-*†&#£@#
@£#&†*-~.. slippery sibling of reverb.              ..~-*†&#£@
£#&†*-~...                                          ...~-*†&#£
#&†*-~....                                          ....~-*†&#
£#&†*-~...                                          ...~-*†&#£
@£#&†*-~..                                          ..~-*†&#£@
#@£#&†*-~.                                          .~-*†&#£@#