,:~^†%§¶@#                                          #@¶§%†^~:,
,:~^†§¶@##                                          ##@¶§†^~:,
,,,~~~†§§@                                          @§§†~~~,,,
,:~^†%§§¶¶                                          ¶¶§§%†^~:,
,:~^†%§¶@#                                          #@¶§%†^~:,
,:~^†%§¶@# delay  delay  d,la@  § †a,  : ,¶   ~   : #@¶§%†^~:,
,,,,:^†%§§                                          §§%†^:,,,,
,:::~~~^%§                                          §%^~~~:::,
,:~^†%§¶@#                                          #@¶§%†^~:,
,:~^†%§¶@#                                          #@¶§%†^~:,
,:::^†%%¶¶ "delay" means repetiton or likewise,     ¶¶%%†^:::,
,,,,:~†%¶¶ but it's mainly useless without          ¶¶%†~:,,,,
,:~^†%¶@## feedback,                                ##@¶%†^~:,
,:~^†%§¶@# to allow the delay to eat of it's own    #@¶§%†^~:,
,:~^†%§¶@# tail, like one of those eaty serpents.   #@¶§%†^~:,
,:~^†%§¶¶@ thus: it's the serpent effect!           @¶¶§%†^~:,
,:~^†%§¶¶@                                          @¶¶§%†^~:,
,,,,,~~~†§ it's to be revered as a creator of       §†~~~,,,,,
,,,,,~~†%¶ ambience and of space, if you treat it   ¶%†~~,,,,,
,:~^†%§¶## right. a somewhat more solid and         ##¶§%†^~:,
,:~^†%§¶@# slippery sibling of reverb.              #@¶§%†^~:,
,:~^†%%§§§                                          §§§%%†^~:,
,:~^†%§¶@#                                          #@¶§%†^~:,
,:~^†%§¶@@                                          @@¶§%†^~:,
,:~^†%§¶@#                                          #@¶§%†^~:,
,:~^^†††§¶                                          ¶§†††^^~:,