¨.»†§*¤£££ £££¤*§†».¨
¨.»†§*¤£@# #@£¤*§†».¨
¨.»†§§§§¤¤ ¤¤§§§§†».¨
¨¨¨¨¨»»†§¤ ¤§†»»¨¨¨¨¨
¨.»†§*¤£@# #@£¤*§†».¨
¨.»†§§***¤ delay delay d¨la@ ¤ §a¨ . ¨£ » . ¤***§§†».¨
¨.»†§***£@ @£***§†».¨
¨¨¨..†*¤¤£ £¤¤*†..¨¨¨
¨.»†§*¤££@ @££¤*§†».¨
¨.»†§*¤£## ##£¤*§†».¨
¨.»†§*¤£@@ "delay" means repetiton or likewise, @@£¤*§†».¨
¨.»†§*¤£@# but it's mainly useless without #@£¤*§†».¨
¨¨¨¨¨..†*£ feedback, £*†..¨¨¨¨¨
¨.»†§*¤£@@ to allow the delay to eat of it's own @@£¤*§†».¨
¨¨¨¨¨»§§*£ tail, like one of those eaty serpents. £*§§»¨¨¨¨¨
¨.»†§*¤£@# thus: it's the serpent effect! #@£¤*§†».¨
¨¨¨.††§*¤¤ ¤¤*§††.¨¨¨
¨.»†§*¤£@# it's to be revered as a creator of #@£¤*§†».¨
¨.»†§*¤£@# ambience and of space, if you treat it #@£¤*§†».¨
¨.»†††§¤¤¤ right. a somewhat more solid and ¤¤¤§†††».¨
¨.»†§*¤£@@ slippery sibling of reverb. @@£¤*§†».¨
¨.»†§*¤£@# #@£¤*§†».¨
.»†§*¤£@## ##@£¤*§†».
¨¨¨¨..††*¤ ¤*††..¨¨¨¨
¨.»†§*¤£@# #@£¤*§†».¨
¨.»†§*¤£@# #@£¤*§†».¨