¨¨¨¨^-*=%§                                          §%=*-^¨¨¨¨
¨¨¨^-*=%§@                                          @§%=*-^¨¨¨
¨¨^-*=%§@#                                          #@§%=*-^¨¨
¨^-*=%§@##                                          ##@§%=*-^¨
¨¨^-*=%§@#                                          #@§%=*-^¨¨
¨¨¨^-*=%§@ delay  delay  d¨la#  § =a¨  ^ ¨@   -   ^ @§%=*-^¨¨¨
¨¨¨¨^-*=%§                                          §%=*-^¨¨¨¨
¨¨¨¨¨^-*=%                                          %=*-^¨¨¨¨¨
¨¨¨¨^-*=%§                                          §%=*-^¨¨¨¨
¨¨¨^-*=%§@                                          @§%=*-^¨¨¨
¨¨^-*=%§@# "delay" means repetiton or likewise,     #@§%=*-^¨¨
¨^-*=%§@## but it's mainly useless without          ##@§%=*-^¨
¨¨^-*=%§@# feedback,                                #@§%=*-^¨¨
¨¨¨^-*=%§@ to allow the delay to eat of it's own    @§%=*-^¨¨¨
¨¨¨¨^-*=%§ tail, like one of those eaty serpents.   §%=*-^¨¨¨¨
¨¨¨¨¨^-*=% thus: it's the serpent effect!           %=*-^¨¨¨¨¨
¨¨¨¨^-*=%§                                          §%=*-^¨¨¨¨
¨¨¨^-*=%§@ it's to be revered as a creator of       @§%=*-^¨¨¨
¨¨^-*=%§@# ambience and of space, if you treat it   #@§%=*-^¨¨
¨^-*=%§@## right. a somewhat more solid and         ##@§%=*-^¨
¨¨^-*=%§@# slippery sibling of reverb.              #@§%=*-^¨¨
¨¨¨^-*=%§@                                          @§%=*-^¨¨¨
¨¨¨¨^-*=%§                                          §%=*-^¨¨¨¨
¨¨¨¨¨^-*=%                                          %=*-^¨¨¨¨¨
¨¨¨¨^-*=%§                                          §%=*-^¨¨¨¨
¨¨¨^-*=%§@                                          @§%=*-^¨¨¨