.-«=§£@###                                          ###@£§=«-.
..-«=§£@##                                          ##@£§=«-..
...-«=§£@#                                          #@£§=«-...
....-«=§£@                                          @£§=«-....
...-«=§£@#                                          #@£§=«-...
..-«=§£@## delay  delay  d.la#  @ §a.  - .#   «   - ##@£§=«-..
.-«=§£@###                                          ###@£§=«-.
..-«=§£@##                                          ##@£§=«-..
...-«=§£@#                                          #@£§=«-...
....-«=§£@                                          @£§=«-....
...-«=§£@# "delay" means repetiton or likewise,     #@£§=«-...
..-«=§£@## but it's mainly useless without          ##@£§=«-..
.-«=§£@### feedback,                                ###@£§=«-.
..-«=§£@## to allow the delay to eat of it's own    ##@£§=«-..
...-«=§£@# tail, like one of those eaty serpents.   #@£§=«-...
....-«=§£@ thus: it's the serpent effect!           @£§=«-....
...-«=§£@#                                          #@£§=«-...
..-«=§£@## it's to be revered as a creator of       ##@£§=«-..
.-«=§£@### ambience and of space, if you treat it   ###@£§=«-.
..-«=§£@## right. a somewhat more solid and         ##@£§=«-..
...-«=§£@# slippery sibling of reverb.              #@£§=«-...
....-«=§£@                                          @£§=«-....
...-«=§£@#                                          #@£§=«-...
..-«=§£@##                                          ##@£§=«-..
.-«=§£@###                                          ###@£§=«-.
..-«=§£@##                                          ##@£§=«-..