,,,,,,,,,- -,,,,,,,,,
,,,,,,,,-» »-,,,,,,,,
,,,,,,,-»* *»-,,,,,,,
,,,,,,-»** **»-,,,,,,
,,,,,-»**¤ ¤**»-,,,,,
,,,,-»**¤@ delay delay d,la# @ *a, - ,£ » - @¤**»-,,,,
,,,-»**¤@£ £@¤**»-,,,
,,-»**¤@£# #£@¤**»-,,
,-»**¤@£## ##£@¤**»-,
,,-»**¤@£# #£@¤**»-,,
,,,-»**¤@£ "delay" means repetiton or likewise, £@¤**»-,,,
,,,,-»**¤@ but it's mainly useless without @¤**»-,,,,
,,,,,-»**¤ feedback, ¤**»-,,,,,
,,,,,,-»** to allow the delay to eat of it's own **»-,,,,,,
,,,,,,,-»* tail, like one of those eaty serpents. *»-,,,,,,,
,,,,,,,,-» thus: it's the serpent effect! »-,,,,,,,,
,,,,,,,,,- -,,,,,,,,,
,,,,,,,,,, it's to be revered as a creator of ,,,,,,,,,,
,,,,,,,,,, ambience and of space, if you treat it ,,,,,,,,,,
,,,,,,,,,, right. a somewhat more solid and ,,,,,,,,,,
,,,,,,,,,, slippery sibling of reverb. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,- -,,,,,,,,,
,,,,,,,,-» »-,,,,,,,,
,,,,,,,-»* *»-,,,,,,,
,,,,,,-»** **»-,,,,,,