,,-**%%&&& &&&%%**-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&&&¶ ¶&&&&%*-,,
,,-*%&&¶## delay delay d,la# & %a, , ,¶ - , ##¶&&%*-,,
,,-*%&&¶¶¶ ¶¶¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&&&¶ "delay" means repetiton or likewise, ¶&&&&%*-,,
,,,,,-*%&# but it's mainly useless without #&%*-,,,,,
,,,,,,-*&& feedback, &&*-,,,,,,
,,,-**%&&¶ to allow the delay to eat of it's own ¶&&%**-,,,
,,-*%&&¶## tail, like one of those eaty serpents. ##¶&&%*-,,
,,-*%&&¶## thus: it's the serpent effect! ##¶&&%*-,,
,,-*%%%&&¶ ¶&&%%%*-,,
,,-*%&&¶## it's to be revered as a creator of ##¶&&%*-,,
,,,,,,-%&¶ ambience and of space, if you treat it ¶&%-,,,,,,
,,,,,,-%&& right. a somewhat more solid and &&%-,,,,,,
,,-*%&&¶## slippery sibling of reverb. ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,-*%&&¶## ##¶&&%*-,,
,,,,,,-%%& &%%-,,,,,,