,^~*=$¤#@# #@#¤$=*~^,
,,^~*=$¤#@ @#¤$=*~^,,
,,,^~*=$¤# #¤$=*~^,,,
,,,,^~*=$¤ ¤$=*~^,,,,
,,,,,^~*=$ $=*~^,,,,,
,,,,,,^~*= delay delay d,la@ ¤ =a, ^ ,# ~ ^ =*~^,,,,,,
,,,,,,,^~* *~^,,,,,,,
,,,,,,,,^~ ~^,,,,,,,,
,,,,,,,,,^ ^,,,,,,,,,
,,,,,,,,^~ ~^,,,,,,,,
,,,,,,,^~* "delay" means repetiton or likewise, *~^,,,,,,,
,,,,,,^~*= but it's mainly useless without =*~^,,,,,,
,,,,,^~*=$ feedback, $=*~^,,,,,
,,,,^~*=$¤ to allow the delay to eat of it's own ¤$=*~^,,,,
,,,^~*=$¤# tail, like one of those eaty serpents. #¤$=*~^,,,
,,^~*=$¤#@ thus: it's the serpent effect! @#¤$=*~^,,
,^~*=$¤#@# #@#¤$=*~^,
,,^~*=$¤#@ it's to be revered as a creator of @#¤$=*~^,,
,,,^~*=$¤# ambience and of space, if you treat it #¤$=*~^,,,
,,,,^~*=$¤ right. a somewhat more solid and ¤$=*~^,,,,
,,,,,^~*=$ slippery sibling of reverb. $=*~^,,,,,
,,,,,,^~*= =*~^,,,,,,
,,,,,,,^~* *~^,,,,,,,
,,,,,,,,^~ ~^,,,,,,,,
,,,,,,,,,^ ^,,,,,,,,,
,,,,,,,,^~ ~^,,,,,,,,