¨.»*^¤@£## ##£@¤^*».¨
¨.»*^¤@£## ##£@¤^*».¨
¨.»*^¤@£## ##£@¤^*».¨
¨..»»*^^¤£ £¤^^*»»..¨
¨.»*^¤@£## ##£@¤^*».¨
¨.»*^¤@£## delay delay d¨la# @ ^a¨ . ¨£ » . ##£@¤^*».¨
¨.»*^¤@£## ##£@¤^*».¨
¨.»*^¤@£## ##£@¤^*».¨
¨.»*^^^¤£# #£¤^^^*».¨
¨.»*^¤@### ###@¤^*».¨
¨.*^¤@£### "delay" means repetiton or likewise, ###£@¤^*.¨
¨¨¨¨.*^¤¤@ but it's mainly useless without @¤¤^*.¨¨¨¨
¨.»*^¤@£## feedback, ##£@¤^*».¨
¨.»*^¤@£## to allow the delay to eat of it's own ##£@¤^*».¨
¨.»**^¤@@@ tail, like one of those eaty serpents. @@@¤^**».¨
¨.»*^^¤@@# thus: it's the serpent effect! #@@¤^^*».¨
¨¨¨¨»*¤¤££ ££¤¤*»¨¨¨¨
¨.»*^¤@£## it's to be revered as a creator of ##£@¤^*».¨
¨.»*^¤@### ambience and of space, if you treat it ###@¤^*».¨
¨.»*^¤@£## right. a somewhat more solid and ##£@¤^*».¨
¨¨¨¨¨¨»*^@ slippery sibling of reverb. @^*»¨¨¨¨¨¨
¨.»*^¤@££# #££@¤^*».¨
¨.»*^¤@£## ##£@¤^*».¨
¨¨¨¨¨.»*¤@ @¤*».¨¨¨¨¨
¨.»*^¤@£## ##£@¤^*».¨
¨.»*^¤@£## ##£@¤^*».¨