##@%$*».,,                                          ,,.»*$%@##
###@%$*».,                                          ,.»*$%@###
##@%$*».,,                                          ,,.»*$%@##
#@%$*».,,,                                          ,,,.»*$%@#
@%$*».,,,,                                          ,,,,.»*$%@
%$*».,,,,, delay  delay  d,la#  @ $a,  . ,#   »   . ,,,,,.»*$%
$*».,,,,,,                                          ,,,,,,.»*$
*».,,,,,,,                                          ,,,,,,,.»*
».,,,,,,,,                                          ,,,,,,,,.»
*».,,,,,,,                                          ,,,,,,,.»*
$*».,,,,,, "delay" means repetiton or likewise,     ,,,,,,.»*$
%$*».,,,,, but it's mainly useless without          ,,,,,.»*$%
@%$*».,,,, feedback,                                ,,,,.»*$%@
#@%$*».,,, to allow the delay to eat of it's own    ,,,.»*$%@#
##@%$*».,, tail, like one of those eaty serpents.   ,,.»*$%@##
###@%$*»., thus: it's the serpent effect!           ,.»*$%@###
##@%$*».,,                                          ,,.»*$%@##
#@%$*».,,, it's to be revered as a creator of       ,,,.»*$%@#
@%$*».,,,, ambience and of space, if you treat it   ,,,,.»*$%@
%$*».,,,,, right. a somewhat more solid and         ,,,,,.»*$%
$*».,,,,,, slippery sibling of reverb.              ,,,,,,.»*$
*».,,,,,,,                                          ,,,,,,,.»*
».,,,,,,,,                                          ,,,,,,,,.»
*».,,,,,,,                                          ,,,,,,,.»*
$*».,,,,,,                                          ,,,,,,.»*$
%$*».,,,,,                                          ,,,,,.»*$%