,,,,,===%@ @%===,,,,,
,-====%%%@ @%%%====-,
,-=†%$@@## ##@@$%†=-,
,-=†%$@### ###@$%†=-,
,,,,,-=%$@ @$%=-,,,,,
,,,,,-†%@@ delay delay d,la# @ %a, - ,@ = - @@%†-,,,,,
,,,,,=%$@# #@$%=,,,,,
,-=†%$@@## ##@@$%†=-,
,-=†%$@### ###@$%†=-,
,,,,=%%@@@ @@@%%=,,,,
,-=†$@@### "delay" means repetiton or likewise, ###@@$†=-,
,-=†%$@@@# but it's mainly useless without #@@@$%†=-,
,-=†%$@@@# feedback, #@@@$%†=-,
,-=†%$@@## to allow the delay to eat of it's own ##@@$%†=-,
,,,==††%@@ tail, like one of those eaty serpents. @@%††==,,,
,-=†%$@@## thus: it's the serpent effect! ##@@$%†=-,
,-=†%$@@## ##@@$%†=-,
,-=†%$@@## it's to be revered as a creator of ##@@$%†=-,
,-=†%$@### ambience and of space, if you treat it ###@$%†=-,
,,,,,-†$$@ right. a somewhat more solid and @$$†-,,,,,
,,,,,-=%$@ slippery sibling of reverb. @$%=-,,,,,
,-=†%$@@## ##@@$%†=-,
,-=†%$@@## ##@@$%†=-,
,-=†%$@@## ##@@$%†=-,
,-=†%$@@@# #@@@$%†=-,
,,,-===%$@ @$%===-,,,