.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ A COOL ENOUGH SONY WALKMAN CALLED .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ # # # .¤..¤.¤.¤.
.¤.¤.¤¤..¤ ### TCM ONEFIFTY ### .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ # # # .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ IT'S BATTERY POWERED (TWO AA BATTERIES) .¤..¤.¤.¤.
.¤.¤.¤¤..¤ AND HAS A MICROPHONE. IT DOES FEATURE A .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ SPEED HOLE BUT IT'S HIDDEN BENEATH ITS .¤..¤.¤.¤.
.¤.¤.¤¤..¤ SHELL. .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ A COOL THING IS THE SPEAKER ON THE .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ FRONT. BUT ISN'T THAT A MAGNET CLOSE TO .¤..¤.¤.¤.
.¤.¤.¤¤..¤ THE TAPE? YES .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ ## IS IT GOOD ## .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ WELL. IT HAS SOME VERY REAL COMPRESSION .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ GOING ON SO CLOSE VOX AND OTHER HIGH .¤..¤.¤.¤.
.¤.¤.¤¤..¤ VOLUME THINGS ARE VERY CRISP AND WITH .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ KIND OF LOW NOISE. BUT WHEN THERE'S .¤..¤.¤.¤.
.¤.¤.¤¤..¤ MORE OF AN AMBIENCE, ALL YOU HEAR IS .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ HISS AND MOTOR NOISE. .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ DENOISING TECHNIQUES ARE SIMPLE. ACTUAL .¤..¤.¤.¤.
.¤.¤.¤¤..¤ DENOISING FOR THE NOISE, AND MAYBE AN .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ EQ FOR THE MOTOR. .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ ## WHAT IS IT FOR ## .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ I USE IT FOR TALKING TO WHEN I'M DRUNK. .¤..¤.¤.¤.
.¤.¤.¤¤..¤ IT DOES THIS VERY GOOD. THE PAUSE .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ BUTTON IS A SMALL STOP, THE STOP BUTTON .¤..¤.¤.¤.
.¤.¤.¤¤..¤ IS A MAJOR STOP. .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ ## SOME QUIRKS ## .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ WHEN UNPAUSING, RECORDING BEGINS BEFORE .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ THE ENGINE IS FULLY SPUN UP, RESULTING .¤..¤.¤.¤.
.¤.¤.¤¤..¤ IN A NICE SWOOP BEING RECORDED. .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ IT MADE ME BUY A VHS CAM .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ # # # .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ REST IN PIECES, LITERALLY .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ , MAY TWENTY FIFTEEN , .¤..¤.¤.¤.
.¤.¤.¤¤..¤ . TO . .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ » JULY TWENTY EIGHTEEN » .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ SUPERSEDED BY THE TCM TWENTY .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.
¤¤.¤..¤.¤¤ .¤..¤.¤.¤.
.¤.¤.¤¤..¤ .¤.¤¤.¤.¤.