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#@@&£*^~,, the last song on side b (and to some ,,~^*£&@@#
#@@&£*^~,, extent the first song on side a) talks ,,~^*£&@@#
#@@&£*^~,, for the whole album, not just their ,,~^*£&@@#
@@£££*^~,, side. the last song on side b is ,,~^*£££@@
#@@&£*^~,, probably the most important ,,~^*£&@@#
#@@&£*^~,, opportunity, the most charged slot. ,,~^*£&@@#
&&&*~~,,,, ,,,,~~*&&&
#@@&£*^~,, ,@#@, ,,~^*£&@@#
##@&£*^~,, ,,~^*£&@##
@£*^~~~,,, the album is a singularity, an anomaly ,,,~~~^*£@
&&£*~,,,,, in spacetime, a creature that knows ,,,,,~*£&&
@@@&£*^~,, exactly how beautiful it is. ,,~^*£&@@@
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@&£*^^^~,, and the thing is: it sees itself in ,,~^^^*£&@
@£^~~,,,,, three d. it knows that it's dying. ,,,,,~~^£@
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#@@&£*^~,, **££**££**££**££**£&&£**££**££**££**££** ,,~^*£&@@#
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@&£*^^,,,, , dolphins and cats , ,,,,^^*£&@
&&&*~,,,,, bring us ,,,,,~*&&&
##@&£*^~,, , flowers and honey , ,,~^*£&@##
@&£££*^~,, ,,~^*£££&@
#@@&£*^~,, , dolphins and cats , ,,~^*£&@@#
#@@&£*^~,, bring us ,,~^*£&@@#
#@@&£*^~,, , fairies and bees , ,,~^*£&@@#
@&&&£*^~,, ,,~^*£&&&@
@&£££*^~,, our boat is afloat ,,~^*£££&@
##@&£*^~,, on a surface of lilies ,,~^*£&@##
@£££^~,,,, , dolphins and cats , ,,,,~^£££@
##@@£*^~,, drag us down ,,~^*£@@##
#@@&£*^~,, ,~* underneath *~, ,,~^*£&@@#
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@&*~,,,,,, **££**££**££**££**£&&£**££**££**££**££** ,,,,,,~*&@
@@@&£*^~,, ,,~^*£&@@@
&£^^~,,,,, side a is foresty, and side b might ,,,,,~^^£&
##@&£*^~,, be lizardy. but the last song is full ,,~^*£&@##
&&&***^~,, of space. ,,~^***&&&
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