@@,,@,@,@@ ,,@,,,@,@,
@,@,@@@@@, @,@@,,@@@@
,@@@@,,,,@ ,@@,@,@,,,
,@,,,@,,,@ @@,@@@@@,,
,@@,,@@,,@ ,,@@,,,,@,
,@,@,@,@,@ the last song on side b (and to some @,@,@,,,@@
@@@@@@@@@@ extent the first song on side a) talks @@@@@@,,@,
@,,,,,,,,, for the whole album, not just their @,,,,,@,@@
,@,,,,,,,, side. the last song on side b is ,@,,,,@@@,
,@@,,,,,,, probably the most important ,@@,,,@,,@
@@,@,,,,,, opportunity, the most charged slot. @@,@,,@@,@
,,@@@,,,,, ,,@@@,@,@@
@,@,,@,,,, ,###, @,@,,@@@@,
@@@@,@@,,, @@@@,@,,,@
,,,,@@,@,, the album is a singularity, an anomaly ,,,,@@@,,@
@,,,@,@@@, in spacetime, a creature that knows ,,,,@,,@,@
,@,,@@@,,@ exactly how beautiful it is. @,,,@@,@@@
@@@,@,,@,@ , ,@,,@,@@,,
@,,@@@,@@@ and the thing is: it sees itself in @@@,@@@,@,
@@,@,,@@,, three d. it knows that it's dying. ,,,@@,,@@@
,,@@@,@,@, @,,@,@,@,,
,,@,,@@@@@ %%&&%%&&%%&&%%&&%%&@@&%%&&%%&&%%&&%%&&%% @@,@@@@@@,
,,@@,@,,,, ,,@@,,,,,@
@,@,@@@,,, . dolphins and cats . @,@,@,,,,@
,@@@@,,@,, bring us ,@@@@@,,,@
@@,,,@,@@, , flowers and honey , ,@,,,,@,,@
,,@,,@@@,@ ,@@,,,@@,@
@,@@,@,,@@ . dolphins and cats . @@,@,,@,@@
,@@,@@@,@, bring us ,,@@@,@@@,
,@,@@,,@@@ , fairies and bees , @,@,,@@,,@
@@@@,@,@,, ,@@@,@,@,@
,,,,@@@@@, our boat is afloat ,@,,@@@@@@
@,,,@,,,,@ on a surface of lilies ,@@,@,,,,,
@@,,@@,,,@ . dolphins and cats . @@,@@@,,,,
@,@,@,@,,@ drag us down ,,@@,,@,,,
@@@@@@@@,@ ,-% underneath %-, ,,@,@,@@,,
@,,,,,,,@@ @,@@@@@,@,
@@,,,,,,@, %%&&%%&&%%&&%%&&%%&@@&%%&&%%&&%%&&%%&&%% ,@@,,,,@@@
,,@,,,,,@@ ,@,@,,,@,,
,,@@,,,,@, side a is foresty, and side b might ,@@@@,,@@,
,,@,@,,,@@ be lizardy. but the last song is full @@,,,@,@,@
@,@@@@,,@, of space. ,,@,,@@@@@
,@@,,,@,@@ ,,@@,@,,,,
,@,@,,@@@, ,,@,@@@,,,
,@@@@,@,,@ ,,@@@,,@,,
,@,,,@@@,@ @,@,,@,@@,
,@@,,@,,@@ ,@@@,@@@,@