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##£#%;«:,, ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, the last song on side b (and to some ,,:«;%#£##
###£#%;«:, extent the first song on side a) talks ,:«;%#£###
##£#%;«:,, for the whole album, not just their ,,:«;%#£##
###£#%;«:, side. the last song on side b is ,:«;%#£###
##£#%;«:,, probably the most important ,,:«;%#£##
###£#%;«:, opportunity, the most charged slot. ,:«;%#£###
##£#%;«:,, ,,:«;%#£##
###£#%;«:, ,£#£, ,:«;%#£###
##£#%;«:,, ,,:«;%#£##
###£#%;«:, the album is a singularity, an anomaly ,:«;%#£###
##£#%;«:,, in spacetime, a creature that knows ,,:«;%#£##
###£#%;«:, exactly how beautiful it is. ,:«;%#£###
##£#%;«:,, , ,,:«;%#£##
###£#%;«:, and the thing is: it sees itself in ,:«;%#£###
##£#%;«:,, three d. it knows that it's dying. ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, %%¤¤%%¤¤%%¤¤%%¤¤%%¤##¤%%¤¤%%¤¤%%¤¤%%¤¤%% ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, : dolphins and cats : ,,:«;%#£##
###£#%;«:, bring us ,:«;%#£###
##£#%;«:,, , flowers and honey , ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, : dolphins and cats : ,,:«;%#£##
###£#%;«:, bring us ,:«;%#£###
##£#%;«:,, , fairies and bees , ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, our boat is afloat ,,:«;%#£##
###£#%;«:, on a surface of lilies ,:«;%#£###
##£#%;«:,, : dolphins and cats : ,,:«;%#£##
###£#%;«:, drag us down ,:«;%#£###
##£#%;«:,, ,«% underneath %«, ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, %%¤¤%%¤¤%%¤¤%%¤¤%%¤##¤%%¤¤%%¤¤%%¤¤%%¤¤%% ,,:«;%#£##
###£#%;«:, ,:«;%#£###
##£#%;«:,, side a is foresty, and side b might ,,:«;%#£##
###£#%;«:, be lizardy. but the last song is full ,:«;%#£###
##£#%;«:,, of space. ,,:«;%#£##
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