####%^;«-, ,-«;^%####
###%^;«-,, ,,-«;^%###
##%^;«-,,, ,,,-«;^%##
#%^;«-,,,, ,,,,-«;^%#
##%^;«-,,, ,,,-«;^%##
###%^;«-,, the last song on side b (and to some ,,-«;^%###
####%^;«-, extent the first song on side a) talks ,-«;^%####
###%^;«-,, for the whole album, not just their ,,-«;^%###
##%^;«-,,, side. the last song on side b is ,,,-«;^%##
#%^;«-,,,, probably the most important ,,,,-«;^%#
##%^;«-,,, opportunity, the most charged slot. ,,,-«;^%##
###%^;«-,, ,,-«;^%###
####%^;«-, ,###, ,-«;^%####
###%^;«-,, ,,-«;^%###
##%^;«-,,, the album is a singularity, an anomaly ,,,-«;^%##
#%^;«-,,,, in spacetime, a creature that knows ,,,,-«;^%#
##%^;«-,,, exactly how beautiful it is. ,,,-«;^%##
###%^;«-,, , ,,-«;^%###
####%^;«-, and the thing is: it sees itself in ,-«;^%####
###%^;«-,, three d. it knows that it's dying. ,,-«;^%###
##%^;«-,,, ,,,-«;^%##
#%^;«-,,,, ^^%%^^%%^^%%^^%%^^%##%^^%%^^%%^^%%^^%%^^ ,,,,-«;^%#
##%^;«-,,, ,,,-«;^%##
###%^;«-,, - dolphins and cats - ,,-«;^%###
####%^;«-, bring us ,-«;^%####
###%^;«-,, , flowers and honey , ,,-«;^%###
##%^;«-,,, ,,,-«;^%##
#%^;«-,,,, - dolphins and cats - ,,,,-«;^%#
##%^;«-,,, bring us ,,,-«;^%##
###%^;«-,, , fairies and bees , ,,-«;^%###
####%^;«-, ,-«;^%####
###%^;«-,, our boat is afloat ,,-«;^%###
##%^;«-,,, on a surface of lilies ,,,-«;^%##
#%^;«-,,,, - dolphins and cats - ,,,,-«;^%#
##%^;«-,,, drag us down ,,,-«;^%##
###%^;«-,, ,«^ underneath ^«, ,,-«;^%###
####%^;«-, ,-«;^%####
###%^;«-,, ^^%%^^%%^^%%^^%%^^%##%^^%%^^%%^^%%^^%%^^ ,,-«;^%###
##%^;«-,,, ,,,-«;^%##
#%^;«-,,,, side a is foresty, and side b might ,,,,-«;^%#
##%^;«-,,, be lizardy. but the last song is full ,,,-«;^%##
###%^;«-,, of space. ,,-«;^%###
####%^;«-, ,-«;^%####
###%^;«-,, ,,-«;^%###
##%^;«-,,, ,,,-«;^%##
#%^;«-,,,, ,,,,-«;^%#
##%^;«-,,, ,,,-«;^%##