,,./*%£@##                                          ##@£%*/.,,
,,,./*%£@#                                          #@£%*/.,,,
,,,,./*%£@                                          @£%*/.,,,,
,,,./*%£@#                                          #@£%*/.,,,
,,./*%£@##                                          ##@£%*/.,,
,./*%£@### the  last  song on  side b  (and to some ###@£%*/.,
,,./*%£@## extent the first song  on  side a) talks ##@£%*/.,,
,,,./*%£@# for  the  whole  album,  not just  their #@£%*/.,,,
,,,,./*%£@ side.  the  last  song   on  side  b  is @£%*/.,,,,
,,,./*%£@#       probably the most important        #@£%*/.,,,
,,./*%£@##   opportunity, the most charged slot.    ##@£%*/.,,
,./*%£@###                                          ###@£%*/.,
,,./*%£@##                   ,@#@,                  ##@£%*/.,,
,,,./*%£@#                                          #@£%*/.,,,
,,,,./*%£@ the  album is  a singularity, an anomaly @£%*/.,,,,
,,,./*%£@# in  spacetime,  a  creature  that  knows #@£%*/.,,,
,,./*%£@##       exactly how beautiful it is.       ##@£%*/.,,
,./*%£@###                    ,                     ###@£%*/.,
,,./*%£@## and  the thing  is:  it  sees  itself in ##@£%*/.,,
,,,./*%£@# three  d.  it  knows  that  it's  dying. #@£%*/.,,,
,,,,./*%£@                                          @£%*/.,,,,
,,,./*%£@# **%%**%%**%%**%%**%££%**%%**%%**%%**%%** #@£%*/.,,,
,,./*%£@##                                          ##@£%*/.,,
,./*%£@###           . dolphins and cats .          ###@£%*/.,
,,./*%£@##                 bring us                 ##@£%*/.,,
,,,./*%£@#          , flowers and honey ,           #@£%*/.,,,
,,,,./*%£@                                          @£%*/.,,,,
,,,./*%£@#          . dolphins and cats .           #@£%*/.,,,
,,./*%£@##                 bring us                 ##@£%*/.,,
,./*%£@###           , fairies and bees ,           ###@£%*/.,
,,./*%£@##                                          ##@£%*/.,,
,,,./*%£@#            our boat is afloat            #@£%*/.,,,
,,,,./*%£@          on a surface of lilies          @£%*/.,,,,
,,,./*%£@#          . dolphins and cats .           #@£%*/.,,,
,,./*%£@##               drag us down               ##@£%*/.,,
,./*%£@###            ,~* underneath *~,            ###@£%*/.,
,,./*%£@##                                          ##@£%*/.,,
,,,./*%£@# **%%**%%**%%**%%**%££%**%%**%%**%%**%%** #@£%*/.,,,
,,,,./*%£@                                          @£%*/.,,,,
,,,./*%£@# side  a  is  foresty,  and side b  might #@£%*/.,,,
,,./*%£@## be lizardy.  but  the last  song is full ##@£%*/.,,
,./*%£@###                of space.                 ###@£%*/.,
,,./*%£@##                                          ##@£%*/.,,
,,,./*%£@#                                          #@£%*/.,,,
,,,,./*%£@                                          @£%*/.,,,,
,,,./*%£@#                                          #@£%*/.,,,
,,./*%£@##                                          ##@£%*/.,,