,,,,^;%$@# #@$%;^,,,,
,,,,,^~%@# #@%~^,,,,,
,^~;%$@### ###@$%;~^,
,^~;%$@### ###@$%;~^,
,^~;%$#### ####$%;~^,
,^~;;%%@@# the last song on side b (and to some #@@%%;;~^,
,^^~~~%@@# extent the first song on side a) talks #@@%~~~^^,
,,,~;;%%@# for the whole album, not just their #@%%;;~,,,
,^~;%$@### side. the last song on side b is ###@$%;~^,
,^~;%$@### probably the most important ###@$%;~^,
,^~;%$@### opportunity, the most charged slot. ###@$%;~^,
,,,,,,^;$@ @$;^,,,,,,
,,,,~%$@## ,###, ##@$%~,,,,
,^~;%$@### ###@$%;~^,
,^~;%$@@@@ the album is a singularity, an anomaly @@@@$%;~^,
,^~;%$@### in spacetime, a creature that knows ###@$%;~^,
^~;%$@#### exactly how beautiful it is. ####@$%;~^
,^~;%$@### , ###@$%;~^,
,^~;%$@@@# and the thing is: it sees itself in #@@@$%;~^,
,^~;%$@### three d. it knows that it's dying. ###@$%;~^,
,^~;%$@### ###@$%;~^,
,,^^~;;$$@ %%$$%%$$%%$$%%$$%%$@@$%%$$%%$$%%$$%%$$%% @$$;;~^^,,
,^~;%$@### ###@$%;~^,
,^~;%$@### ^ dolphins and cats ^ ###@$%;~^,
,^~;%$#### bring us ####$%;~^,
,^~;%$@### , flowers and honey , ###@$%;~^,
,^~;%$@@@# #@@@$%;~^,
,^~;%@#### ^ dolphins and cats ^ ####@%;~^,
,^~;%$@### bring us ###@$%;~^,
,^~;%$@### , fairies and bees , ###@$%;~^,
,^~;%$@### ###@$%;~^,
,^~;%$$$@# our boat is afloat #@$$$%;~^,
,,^~~~%$$# on a surface of lilies #$$%~~~^,,
,^~;%$@### ^ dolphins and cats ^ ###@$%;~^,
,,^~;%%%@# drag us down #@%%%;~^,,
,,,^;%%%$# ,~% underneath %~, #$%%%;^,,,
,^~;%$@### ###@$%;~^,
,,,,~;;%%@ %%$$%%$$%%$$%%$$%%$@@$%%$$%%$$%%$$%%$$%% @%%;;~,,,,
,^~;%$@### ###@$%;~^,
,,,,,,~;%@ side a is foresty, and side b might @%;~,,,,,,
,^~;%$@### be lizardy. but the last song is full ###@$%;~^,
,,,,,,~%$# of space. #$%~,,,,,,
,,,^~~;;%@ @%;;~~^,,,
,^~;%$@### ###@$%;~^,
,^~;%$@### ###@$%;~^,
,,,,~;;$$@ @$$;;~,,,,
,,,,,^~%%@ @%%~^,,,,,