##£#@^*~~, ,~~*^@#£##
#£#@^*~~,, ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£
#£#@^*~~,, ,,~~*^@#£#
##£#@^*~~, ,~~*^@#£##
#£#@^*~~,, the last song on side b (and to some ,,~~*^@#£#
£#@^*~~,,, extent the first song on side a) talks ,,,~~*^@#£
#£#@^*~~,, for the whole album, not just their ,,~~*^@#£#
##£#@^*~~, side. the last song on side b is ,~~*^@#£##
#£#@^*~~,, probably the most important ,,~~*^@#£#
£#@^*~~,,, opportunity, the most charged slot. ,,,~~*^@#£
#£#@^*~~,, ,,~~*^@#£#
##£#@^*~~, ,£#£, ,~~*^@#£##
#£#@^*~~,, ,,~~*^@#£#
£#@^*~~,,, the album is a singularity, an anomaly ,,,~~*^@#£
#£#@^*~~,, in spacetime, a creature that knows ,,~~*^@#£#
##£#@^*~~, exactly how beautiful it is. ,~~*^@#£##
#£#@^*~~,, , ,,~~*^@#£#
£#@^*~~,,, and the thing is: it sees itself in ,,,~~*^@#£
#£#@^*~~,, three d. it knows that it's dying. ,,~~*^@#£#
##£#@^*~~, ,~~*^@#£##
#£#@^*~~,, ^^@@^^@@^^@@^^@@^^@##@^^@@^^@@^^@@^^@@^^ ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£
#£#@^*~~,, ~ dolphins and cats ~ ,,~~*^@#£#
##£#@^*~~, bring us ,~~*^@#£##
#£#@^*~~,, , flowers and honey , ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£
#£#@^*~~,, ~ dolphins and cats ~ ,,~~*^@#£#
##£#@^*~~, bring us ,~~*^@#£##
#£#@^*~~,, , fairies and bees , ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£
#£#@^*~~,, our boat is afloat ,,~~*^@#£#
##£#@^*~~, on a surface of lilies ,~~*^@#£##
#£#@^*~~,, ~ dolphins and cats ~ ,,~~*^@#£#
£#@^*~~,,, drag us down ,,,~~*^@#£
#£#@^*~~,, ,~^ underneath ^~, ,,~~*^@#£#
##£#@^*~~, ,~~*^@#£##
#£#@^*~~,, ^^@@^^@@^^@@^^@@^^@##@^^@@^^@@^^@@^^@@^^ ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£
#£#@^*~~,, side a is foresty, and side b might ,,~~*^@#£#
##£#@^*~~, be lizardy. but the last song is full ,~~*^@#£##
#£#@^*~~,, of space. ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£
#£#@^*~~,, ,,~~*^@#£#
##£#@^*~~, ,~~*^@#£##
#£#@^*~~,, ,,~~*^@#£#
£#@^*~~,,, ,,,~~*^@#£