¨¨¨:;*** #&***;:¨¨¨
¨¨:-;;;**@ @**;;;-:¨¨
¨:-;**&@## ##@&**;-:¨
¨¨:--;*&@@ @@&*;--:¨¨
¨¨¨¨¨¨-*&@ @&*-¨¨¨¨¨¨
¨:-;**&@## the last song on side b (and to some ##@&**;-:¨
¨:-;**&@## extent the first song on side a) talks ##@&**;-:¨
¨:-;**&@@@ for the whole album, not just their @@@&**;-:¨
¨:-;**&@## side. the last song on side b is ##@&**;-:¨
¨:-;***&&& probably the most important &&&***;-:¨
¨:-;**&@## opportunity, the most charged slot. ##@&**;-:¨
¨:-;**&@## ##@&**;-:¨
¨:-;**## ¨@#@¨ ###&**;-:¨
¨¨¨¨---;*& &*;---¨¨¨¨
¨:-;*&@### the album is a singularity, an anomaly ###@&*;-:¨
¨:-;**&@## in spacetime, a creature that knows ##@&**;-:¨
¨:-;**&@## exactly how beautiful it is. ##@&**;-:¨
¨:-;**&@@# ¨ #@@&**;-:¨
¨:-;**&@## and the thing is: it sees itself in ##@&**;-:¨
¨¨¨¨¨:-;*& three d. it knows that it's dying. &*;-:¨¨¨¨¨
¨¨¨¨¨:;*&@ @&*;:¨¨¨¨¨
¨¨¨¨¨-***& *******************&&******************* &***-¨¨¨¨¨
¨:-;**&@## ##@&**;-:¨
¨¨¨:--;*&@ : dolphins and cats : @&*;--:¨¨¨
¨:-;**@### bring us ###@**;-:¨
¨¨¨¨:;*& ¨ flowers and honey ¨ #&&*;:¨¨¨¨
¨:-;;;;*&& &&*;;;;-:¨
¨:-;**&@## : dolphins and cats : ##@&**;-:¨
¨:-;**&@## bring us ##@&**;-:¨
¨¨¨¨:;*&@@ ¨ fairies and bees ¨ @@&*;:¨¨¨¨
¨¨¨¨¨:;*@# #@*;:¨¨¨¨¨
¨:-;**&@## our boat is afloat ##@&**;-:¨
¨:-;**&@## on a surface of lilies ##@&**;-:¨
¨¨¨::-;*&& : dolphins and cats : &&*;-::¨¨¨
¨:-;**&@## drag us down ##@&**;-:¨
¨¨¨¨¨-**&& ¨-* underneath *-¨ &&**-¨¨¨¨¨
¨:-;**&@## ##@&**;-:¨
¨:-;***&&& *******************&&******************* &&&***;-:¨
¨:-;**&& #&&&**;-:¨
¨¨:--;*&@@ side a is foresty, and side b might @@&*;--:¨¨
¨:-;**&@## be lizardy. but the last song is full ##@&**;-:¨
¨¨¨-;;**@@ of space. @@**;;-¨¨¨
¨¨¨¨¨¨-**@ @**-¨¨¨¨¨¨
¨:-;***&@@ @@&***;-:¨
¨:-;**&@## ##@&**;-:¨
¨¨::::-;*& &*;-::::¨¨
¨¨¨¨¨¨:;*@ @*;:¨¨¨¨¨¨