......^/*¤ ¤*/^......
......»**¤ ¤**»......
.^»/**¤@## ##@¤**/»^.
...^^//**@ @**//^^...
.^»/**¤@## ##@¤**/»^.
.^»/**¤@## the last song on side b (and to some ##@¤**/»^.
.^»/**¤@## extent the first song on side a) talks ##@¤**/»^.
.^»/**¤@## for the whole album, not just their ##@¤**/»^.
.^»/**¤@## side. the last song on side b is ##@¤**/»^.
......^»*¤ probably the most important ¤*»^......
.^»/**¤@## opportunity, the most charged slot. ##@¤**/»^.
.^»/**¤@@@ @@@¤**/»^.
....»»*¤¤@ .@#@. @¤¤*»»....
....^^//*@ @*//^^....
.^»/**¤@@@ the album is a singularity, an anomaly @@@¤**/»^.
.^»/**¤@## in spacetime, a creature that knows ##@¤**/»^.
.^»/***¤¤# exactly how beautiful it is. #¤¤***/»^.
.^»/**¤@## . ##@¤**/»^.
...^»/**@# and the thing is: it sees itself in #@**/»^...
......»/*¤ three d. it knows that it's dying. ¤*/»......
......»/*@ @*/»......
....^»**@# *******************¤¤******************* #@**»^....
....^»»*¤¤ ¤¤*»»^....
.^»/**¤¤¤@ ^ dolphins and cats ^ @¤¤¤**/»^.
.^»/**¤@## bring us ##@¤**/»^.
.^»»»»**¤¤ . flowers and honey . ¤¤**»»»»^.
.^»/**¤@## ##@¤**/»^.
....^^^/*@ ^ dolphins and cats ^ @*/^^^....
.^»/**¤@## bring us ##@¤**/»^.
.^»/**¤@## . fairies and bees . ##@¤**/»^.
...^»//*¤@ @¤*//»^...
.^»/**¤@## our boat is afloat ##@¤**/»^.
.^»/**¤@## on a surface of lilies ##@¤**/»^.
.^»/**¤@## ^ dolphins and cats ^ ##@¤**/»^.
......»**¤ drag us down ¤**»......
.^»/**¤@## .»* underneath *». ##@¤**/»^.
.^»/**@### ###@**/»^.
.^»////*¤¤ *******************¤¤******************* ¤¤*////»^.
.....»»»*¤ ¤*»»».....
.^»/**¤@## side a is foresty, and side b might ##@¤**/»^.
.^»**¤@### be lizardy. but the last song is full ###@¤**»^.
.^»/**¤@@# of space. #@@¤**/»^.
.^»/**¤@## ##@¤**/»^.
...^»***@# #@***»^...
.^»/**¤@## ##@¤**/»^.
...^»//**¤ ¤**//»^...
.^»/*¤@### ###@¤*/»^.