,,,»\=§@## ##@§=\»,,,
,,»\=§@### ###@§=\»,,
,,,»\=§@## ##@§=\»,,,
,,,,»\=§@# #@§=\»,,,,
,,,,,»\=§@ @§=\»,,,,,
,,,,,,»\=§ delay delay d,la# § =a, , ,@ » , §=\»,,,,,,
,,,,,,,»\= =\»,,,,,,,
,,,,,,,,»\ \»,,,,,,,,
,,,,,,,,,» »,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, "delay" means repetiton or likewise, ,,,,,,,,,,
,,,,,,,,,, but it's mainly useless without ,,,,,,,,,,
,,,,,,,,,» feedback, »,,,,,,,,,
,,,,,,,,»\ to allow the delay to eat of it's own \»,,,,,,,,
,,,,,,,»\= tail, like one of those eaty serpents. =\»,,,,,,,
,,,,,,»\=§ thus: it's the serpent effect! §=\»,,,,,,
,,,,,»\=§@ @§=\»,,,,,
,,,,»\=§@# it's to be revered as a creator of #@§=\»,,,,
,,,»\=§@## ambience and of space, if you treat it ##@§=\»,,,
,,»\=§@### right. a somewhat more solid and ###@§=\»,,
,,,»\=§@## slippery sibling of reverb. ##@§=\»,,,
,,,,»\=§@# #@§=\»,,,,
,,,,,»\=§@ @§=\»,,,,,
,,,,,,»\=§ §=\»,,,,,,
,,,,,,,»\= =\»,,,,,,,
,,,,,,,,»\ \»,,,,,,,,