,~~;^*@### ###@*^;~~,
,~~;^*@### ###@*^;~~,
,~~;^*@### ###@*^;~~,
,,~~;;;**@ @**;;;~~,,
,~~~;;;*## ##*;;;~~~,
,~~;^*@### delay delay d,la# @ ^a, ~ ,# ~ ~ ###@*^;~~,
,,,,~;**## ##**;~,,,,
,,,,~~;**# #**;~~,,,,
,,,,,,~;*@ @*;~,,,,,,
,~~;^*@### ###@*^;~~,
,,,,,~;*@@ "delay" means repetiton or likewise, @@*;~,,,,,
,~~;^*@### but it's mainly useless without ###@*^;~~,
,~~;^*@@@@ feedback, @@@@*^;~~,
,~~;^*@### to allow the delay to eat of it's own ###@*^;~~,
,~~~~^^**@ tail, like one of those eaty serpents. @**^^~~~~,
,~~;^*@### thus: it's the serpent effect! ###@*^;~~,
,~~;^*@### ###@*^;~~,
,~~;^*@### it's to be revered as a creator of ###@*^;~~,
,~~;*@#### ambience and of space, if you treat it ####@*;~~,
,~~;^*@### right. a somewhat more solid and ###@*^;~~,
,~~;^*@### slippery sibling of reverb. ###@*^;~~,
,~~~~^^^@# #@^^^~~~~,
,~~;^*@### ###@*^;~~,
,,,,~~;;^@ @^;;~~,,,,
,,,~~~;^@@ @@^;~~~,,,
,~~;^*@### ###@*^;~~,