,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# %%%%%%%%%% #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# lyra eight #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# ,, #@#£%;»,,,
,,»;%£#@## , , ##@#£%;»,,
,,,»;%£#@# » » #@#£%;»,,,
,,»;%£#@## ; ; ##@#£%;»,,
,,,»;%£#@# % % #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# cave sculpter #@#£%;»,,,
,,»;%£#@## dream to chord translator ##@#£%;»,,
,,,»;%£#@# #@#£%;»,,,
,,»;%£#@## eight voiced bleeding fortune teller ##@#£%;»,,
,,,»;%£#@# #@#£%;»,,,
,,»;%£#@## dual self-modulating delay line ##@#£%;»,,
,,,»;%£#@# switch for "total feedback" #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# lick the contact pads #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# % % #@#£%;»,,,
,,»;%£#@## ; ; ##@#£%;»,,
,,,»;%£#@# » » #@#£%;»,,,
,,»;%£#@## , , ##@#£%;»,,
,,,»;%£#@# ,, #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# gearlist , another synth #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# %%%%%%%%%%%%%%%%%%%%%%%%% #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,
,,,»;%£#@# #@#£%;»,,,
,,»;%£#@## ##@#£%;»,,