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&*^=,,,,,,                                          ,,,,,,=^*&
*^=,,,,,,,    @                                     ,,,,,,,=^*
^=,,,,,,,,              ,LIZARDRY                   ,,,,,,,,=^
=,,,,,,,,, =           @ @@ @@@  @@@@@@@@@@@@@@@@@@ ,,,,,,,,,=
^=,,,,,,,, @@      THE ART OF C,NNECTING            ,,,,,,,,=^
*^=,,,,,,,        ,    WITH THE OLD MIND            ,,,,,,,=^*
&*^=,,,,,,                                          ,,,,,,=^*&
&&*^=,,,,,             MY MIND IS BEING SKEWED. MI  ,,,,,=^*&&
@&&*^=,,,,  SKELETON IS STRINGY AND OLD AND ALIEN   ,,,,=^*&&@
@@&&*^=,,,             THE SITUATION IS LITERALLY   ,,,=^*&&@@
#@@&&*^=,, PRESSED OUT THROUGH MY EYES, IT'S        ,,=^*&&@@#
@@&&*^=,,, ECHOING LIKE                             ,,,=^*&&@@
@&&*^=,,,,             THE SUNSET OF THE ETERNAL    ,,,,=^*&&@
&&*^=,,,,, OCEAN                                    ,,,,,=^*&&
&*^=,,,,,,         PERSISTENTLY AGAINST MY EMULSION ,,,,,,=^*&
*^=,,,,,,,                                          ,,,,,,,=^*
^=,,,,,,,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,,,,,,,,=^
=,,,,,,,,,   HUMANS ARE DOING AND ABSTRACTING,      ,,,,,,,,,=
^=,,,,,,,,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,,,,=^
*^=,,,,,,, HOW LONG A TIME HAS PASSED, FOR THEM?    ,,,,,,,=^*
&*^=,,,,,,                                     ,    ,,,,,,=^*&
&&*^=,,,,,  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     ,,,,,=^*&&
@&&*^=,,,,   CONTINUOUSLY I'M CROWDING THROUGH      ,,,,=^*&&@
@@&&*^=,,, , THE FOURTH WALL  ,OUTWARDS IS WHAT   , ,,,=^*&&@@
#@@&&*^=,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,=^*&&@@#
@@&&*^=,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,=^*&&@@
@&&*^=,,,, ,  , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,=^*&&@
&&*^=,,,,, ,   , DOWN IN THE DRAGONS THROAT.        ,,,,,=^*&&
&*^=,,,,,,      ,                                   ,,,,,,=^*&
*^=,,,,,,,       ,                                  ,,,,,,,=^*
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