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¤¤¤¤¤¤.¤.¤ ¤...¤¤...¤
......¤¤¤¤ .¤..¤.¤..¤
¤.....¤... # .¤¤.¤¤¤¤.¤
.¤....¤¤.. .lizardry .¤.¤¤...¤¤
¤¤¤...¤.¤. « # ## ### ################## .¤¤¤.¤..¤.
¤..¤..¤¤¤¤ ## the art of c,nnecting ¤¤..¤¤¤.¤¤
.¤.¤¤.¤... . with the old mind ..¤.¤..¤¤.
.¤¤¤.¤¤¤.. ..¤¤¤¤.¤.¤
¤¤..¤¤..¤. my mind is being skewed. mi ¤.¤...¤¤¤¤
..¤.¤.¤.¤¤ skeleton is stringy and old and alien .¤¤¤..¤...
..¤¤¤¤¤¤¤. the situation is literally .¤..¤.¤¤..
..¤......¤ pressed out through my eyes, it's .¤¤.¤¤¤.¤.
..¤¤.....¤ echoing like ¤¤.¤¤..¤¤¤
¤.¤.¤....¤ the sunset of the eternal ¤.¤¤.¤.¤..
¤¤¤¤¤¤...¤ ocean ¤¤¤.¤¤¤¤¤.
¤.....¤..¤ persistently against my emulsion ...¤¤....¤
.¤....¤¤.¤ ...¤.¤...¤
¤¤¤...¤.¤¤ it's ungraspable to me, what other ...¤¤¤¤..¤
...¤..¤¤¤. humans are doing and abstracting, ¤..¤...¤.¤
¤..¤¤.¤..¤ and above all else, what time they use? .¤.¤¤..¤¤¤
.¤.¤.¤¤¤.¤ how long a time has passed, for them? ¤¤¤¤.¤.¤..
.¤¤¤¤¤..¤¤ . ....¤¤¤¤¤.
.¤....¤.¤. . ... . ................ ####### ....¤....¤
¤¤¤...¤¤¤¤ continuously i'm crowding through ¤...¤¤...¤
...¤..¤... . the fourth wall ,outwards is what . ¤¤..¤.¤..¤
¤..¤¤.¤¤.. .. i'm thinking but it's wrong.. a new ¤.¤.¤¤¤¤.¤
.¤.¤.¤¤.¤. . . narrator is introduced, occasionally ¤¤¤¤¤...¤¤
¤¤¤¤¤¤.¤¤¤ , , aware of the previous one, deeper . .....¤..¤.
¤.....¤¤.. , , down in the dragons throat. .....¤¤.¤¤
.¤....¤.¤. , ¤....¤.¤¤.
.¤¤...¤¤¤¤ , .¤...¤¤¤.¤
¤¤.¤..¤... .¤¤..¤..¤¤
..¤¤¤.¤¤.. .¤.¤.¤¤.¤.
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¤¤¤.¤¤¤¤.. .¤....¤.¤.
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