¨§¨¨¨§§¨§¨ ¨§¨¨¨¨¨¨§§
¨§¨¨§¨§¨§¨ ¨§¨¨¨¨¨§¨§
¨§¨§§¨§¨§¨ ¨§¨¨¨¨§§¨§
¨§¨¨§¨§¨§¨ ¨§¨¨¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨¨§§¨§¨§
¨§¨¨§¨§¨§¨ THE SKYSCRAPER THAT MOVES ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ TAINARON IS A BUILDING OWNED AND ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ VISCIOUS PHASE OF THE TAINARON ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ECOSYSTEM. ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ THE GUESTS ARRIVING DURING THE EARLY ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ STRUCTURE (THE BUILDING FEATURES A ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ FURTHER THAN A FEW FLOORS). ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ SAME QUALITY AS THE SURROUNDING MIST: ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ PERHAPS THE OUTLINE OF SOME OTHER ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ BUILDING, FAR BELOW. ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ DURING THE NIGHT, AFTER TAINARON HAS ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ STARTED MOVING, THE LOWER FLOORS ARE ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ IT'S AT THIS POINT THAT THE SECOND SET ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ~~~~~ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ SIT IN ONE OF THE LARGE WINDOWS, ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ LOOKING THROUGH THE MIST FOR ANY ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ SHE TELLS ME THAT APART FROM COMING AND ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ DEMONSTRATION OF THE EXOBUBBLE. ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨§§¨§¨§¨ ¨§¨§¨§¨§¨§
¨§¨¨§¨§¨§¨ ¨§¨§¨§¨§¨§