.#.#..###. .......#.#
.#.#.#.##. ......##.#
.#.#.#..#. .....#.#.#
.#.#.#.##. ....##.#.#
.#.#.#..#. ...#.#.#.#
.#.#.#.##. §§§§§§§§§§ ..##.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. Lyra eight .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. .. .#.#.#.#.#
.#.#.#..#. . . .#.#.#.#.#
.#.#.#.##. ~ ~ .#.#.#.#.#
.#.#.#..#. \ \ .#.#.#.#.#
.#.#.#.##. § § .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. Cave Sculpter .#.#.#.#.#
.#.#.#..#. Dream To Chord Translator .#.#.#.#.#
.#.#.#.##. .#.#.#.#.#
.#.#.#..#. Eight Voiced Bleeding Fortune Teller .#.#.#.#.#
.#.#.#.##. .#.#.#.#.#
.#.#.#..#. Dual Self-Modulating Delay Line .#.#.#.#.#
.#.#.#.##. Switch For "Total Feedback" .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. Lick The Contact Pads .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. § § .#.#.#.#.#
.#.#.#..#. \ \ .#.#.#.#.#
.#.#.#.##. ~ ~ .#.#.#.#.#
.#.#.#..#. . . .#.#.#.#.#
.#.#.#.##. .. .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. Gearlist . Another Synth .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. §§§§§§§§§§§§§§§§§§§§§§§§§ .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#
.#.#.#.##. .#.#.#.#.#
.#.#.#..#. .#.#.#.#.#