.-»\*$## ###&$*\»-.
.-»\*$## ###&$*\»-.
.-»\*$&# ##&&$*\»-.
.-»\*$## ###&$*\»-.
......-\*& &*\-......
.-»\*$## delay delay d.la# & *a. - .# » - ###&$*\»-.
.....-»*$& &$*»-.....
......»*$& &$*»......
.-»\*$&& #&&&$*\»-.
.-»\*$## ###&$*\»-.
.-»\\\*$$& "delay" means repetiton or likewise, &$$*\\\»-.
.-»*$### but it's mainly useless without ####&$*»-.
...-»»\$$& feedback, &$$\»»-...
.-»\*$## to allow the delay to eat of it's own ###&$*\»-.
.-»\*$## tail, like one of those eaty serpents. ###&$*\»-.
.-»\*$## thus: it's the serpent effect! ###&$*\»-.
.-»\*$## ###&$*\»-.
.-»\*$## it's to be revered as a creator of ###&$*\»-.
.-»\**$& ambience and of space, if you treat it #&&$**\»-.
.-»\*$#### right. a somewhat more solid and ####$*\»-.
.-»\*$## slippery sibling of reverb. ###&$*\»-.
.-»\*$## ###&$*\»-.
.-»\*$## ###&$*\»-.
.......»*& &*».......
.-»\*$$# ##&$$*\»-.
.-»\*$## ###&$*\»-.