,,,,,^~;*%                                          %*;~^,,,,,
,,,,^~;*%#                                          #%*;~^,,,,
,,,^~;*%##                                          ##%*;~^,,,
,,^~;*%###                                          ###%*;~^,,
,^~;*%####                                          ####%*;~^,
,,^~;*%### delay  delay  d,la#  # *a,  ^ ,#   ~   ^ ###%*;~^,,
,,,^~;*%##                                          ##%*;~^,,,
,,,,^~;*%#                                          #%*;~^,,,,
,,,,,^~;*%                                          %*;~^,,,,,
,,,,,,^~;*                                          *;~^,,,,,,
,,,,,,,^~; "delay" means repetiton or likewise,     ;~^,,,,,,,
,,,,,,,,^~ but it's mainly useless without          ~^,,,,,,,,
,,,,,,,,,^ feedback,                                ^,,,,,,,,,
,,,,,,,,^~ to allow the delay to eat of it's own    ~^,,,,,,,,
,,,,,,,^~; tail, like one of those eaty serpents.   ;~^,,,,,,,
,,,,,,^~;* thus: it's the serpent effect!           *;~^,,,,,,
,,,,,^~;*%                                          %*;~^,,,,,
,,,,^~;*%# it's to be revered as a creator of       #%*;~^,,,,
,,,^~;*%## ambience and of space, if you treat it   ##%*;~^,,,
,,^~;*%### right. a somewhat more solid and         ###%*;~^,,
,^~;*%#### slippery sibling of reverb.              ####%*;~^,
,,^~;*%###                                          ###%*;~^,,
,,,^~;*%##                                          ##%*;~^,,,
,,,,^~;*%#                                          #%*;~^,,,,
,,,,,^~;*%                                          %*;~^,,,,,
,,,,,,^~;*                                          *;~^,,,,,,