¶¶¶@§$\~:, ,:~\$§@¶¶¶
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###¶@§\~:, ,:~\§@¶###
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@§§\:,,,,, ,,,,,:\§§@
##¶@§$\~:, delay delay d,la# @ $a, : ,¶ ~ : ,:~\$§@¶##
##¶@§$\~:, ,:~\$§@¶##
@§§$~::,,, ,,,::~$§§@
##¶@§$\~:, ,:~\$§@¶##
¶@§§$$\~:, ,:~\$$§§@¶
##¶@§$\~:, "delay" means repetiton or likewise, ,:~\$§@¶##
##¶@§$\~:, but it's mainly useless without ,:~\$§@¶##
##¶@§$\~:, feedback, ,:~\$§@¶##
##¶@§$\~:, to allow the delay to eat of it's own ,:~\$§@¶##
#@@§\\\~:, tail, like one of those eaty serpents. ,:~\\\§@@#
#¶¶@§$\~:, thus: it's the serpent effect! ,:~\$§@¶¶#
¶@§§§$\~:, ,:~\$§§§@¶
@§$\\~:::, it's to be revered as a creator of ,:::~\\$§@
¶¶¶@§$\~:, ambience and of space, if you treat it ,:~\$§@¶¶¶
@@§\\\~,,, right. a somewhat more solid and ,,,~\\\§@@
##¶@§$\~:, slippery sibling of reverb. ,:~\$§@¶##
##¶@§$\~:, ,:~\$§@¶##
@@@$~~,,,, ,,,,~~$@@@
¶§\:,,,,,, ,,,,,,:\§¶
###@§$\~:, ,:~\$§@###
##¶@§$\~:, ,:~\$§@¶##