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^,,,,,,,,, ********** ,,,,,,,,,^
~^,,,,,,,, ,,,,,,,,^~
/~^,,,,,,, lyra eight ,,,,,,,^~/
@/~^,,,,,, ,,,,,,^~/@
#@/~^,,,,, ,, ,,,,,^~/@#
¶#@/~^,,,, ^ ^ ,,,,^~/@#¶
@¶#@/~^,,, ~ ~ ,,,^~/@#¶@
#@¶#@/~^,, / / ,,^~/@#¶@#
##@¶#@/~^, * * ,^~/@#¶@##
#@¶#@/~^,, ,,^~/@#¶@#
@¶#@/~^,,, cave sculpter ,,,^~/@#¶@
¶#@/~^,,,, dream to chord translator ,,,,^~/@#¶
#@/~^,,,,, ,,,,,^~/@#
@/~^,,,,,, eight voiced bleeding fortune teller ,,,,,,^~/@
/~^,,,,,,, ,,,,,,,^~/
~^,,,,,,,, dual self-modulating delay line ,,,,,,,,^~
^,,,,,,,,, switch for "total feedback" ,,,,,,,,,^
,,,,,,,,,, ,,,,,,,,,,
^,,,,,,,,, lick the contact pads ,,,,,,,,,^
~^,,,,,,,, ,,,,,,,,^~
/~^,,,,,,, * * ,,,,,,,^~/
@/~^,,,,,, / / ,,,,,,^~/@
#@/~^,,,,, ~ ~ ,,,,,^~/@#
¶#@/~^,,,, ^ ^ ,,,,^~/@#¶
@¶#@/~^,,, ,, ,,,^~/@#¶@
#@¶#@/~^,, ,,^~/@#¶@#
##@¶#@/~^, gearlist , another synth ,^~/@#¶@##
#@¶#@/~^,, ,,^~/@#¶@#
@¶#@/~^,,, ************************* ,,,^~/@#¶@
¶#@/~^,,,, ,,,,^~/@#¶
#@/~^,,,,, ,,,,,^~/@#
@/~^,,,,,, ,,,,,,^~/@
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