,-=;^%@### ###@%^;=-,
,,,,==^@## ##@^==,,,,
,-=;^%@### ###@%^;=-,
,,,,-;%@@# #@@%;-,,,,
,-=;^%@### ###@%^;=-,
,-=;^%@### ^^^^^^^^^^ ###@%^;=-,
,-=;^%@### ###@%^;=-,
,,,,,=;^%# lyra eight #%^;=,,,,,
,,,,,-;%%@ @%%;-,,,,,
,,,,-=^@@# ,, #@@^=-,,,,
,,,,,,-=^@ - - @^=-,,,,,,
,,,,,,=^^@ = = @^^=,,,,,,
,-=;^%@### ; ; ###@%^;=-,
,-=;^%@### ^ ^ ###@%^;=-,
,,,,=;;%%# #%%;;=,,,,
,,,,,==^@@ cave sculpter @@^==,,,,,
,,,,-;^^^@ dream to chord translator @^^^;-,,,,
,,,,==^@@# #@@^==,,,,
,-=;^%@### eight voiced bleeding fortune teller ###@%^;=-,
,-=;^%#### ####%^;=-,
,-=^%@#### dual self-modulating delay line ####@%^=-,
,-=;^%@### switch for "total feedback" ###@%^;=-,
,-=;^%%@@# #@@%%^;=-,
,-=;^%@### lick the contact pads ###@%^;=-,
,,,,,-=^@# #@^=-,,,,,
,,,,,,=^^@ ^ ^ @^^=,,,,,,
,-=;^%@### ; ; ###@%^;=-,
,-=;^%@### = = ###@%^;=-,
,-=;^%@### - - ###@%^;=-,
,,,,,,=;^@ ,, @^;=,,,,,,
,-=;^%@@@@ @@@@%^;=-,
,,,,,=;^^@ gearlist , another synth @^^;=,,,,,
,-=;^%@### ###@%^;=-,
,-=;^%@### ^^^^^^^^^^^^^^^^^^^^^^^^^ ###@%^;=-,
,-=;^%@@## ##@@%^;=-,
,-=;^%@### ###@%^;=-,
,-=;^%@### ###@%^;=-,
,-=;^%@### ###@%^;=-,
,-=;^%@### ###@%^;=-,