,,,,-§§§ #&§§§-,,,,
,~-*§### ####&§*-~,
,~-*§#@# #@##&§*-~,
,~-*§#@# #@##&§*-~,
,~-*§#@# #@##&§*-~,
,,,,,,-§## §§§§§§§§§§ ##§-,,,,,,
,,,,~*§# ##&§*~,,,,
,,,,,~*§ LYRA EIGHT #&§*~,,,,,
,~-*§#@@ @@##&§*-~,
,~-*§##@ ,, @###&§*-~,
,~-*§##@ ~ ~ @###&§*-~,
,,,~~~-§ - - #&§-~~~,,,
,,~-**§# * * ##&§**-~,,
,~-*§@## § § ##@#&§*-~,
,,,,,~-* #&*-~,,,,,
,,,,~-§§ CAVE SCULPTER #&§§-~,,,,
,~-*§### DREAM TO CHORD TRANSLATOR ####&§*-~,
,~-*§### ####&§*-~,
,,,,,,-§## EIGHT VOICED BLEEDING FORTUNE TELLER ##§-,,,,,,
,~-*§#@# #@##&§*-~,
,~-*§#@# DUAL SELF-MODULATING DELAY LINE #@##&§*-~,
,~-*§#@# SWITCH FOR "TOTAL FEEDBACK" #@##&§*-~,
,~-*§### ####&§*-~,
,~-*§§§§## LICK THE CONTACT PADS ##§§§§*-~,
,~-*§@## ##@#&§*-~,
,,,,~-*@ § § @#&*-~,,,,
,~-*§#@# * * #@##&§*-~,
,~-*§#@# - - #@##&§*-~,
,~-*§#@# ~ ~ #@##&§*-~,
,~-*§#@@ ,, @@##&§*-~,
~-*§#@## ##@##&§*-~
,~-*§##@ GEARLIST , ANOTHER SYNTH @###&§*-~,
,,,,~**§#@ @#§**~,,,,
,~-*§&#@ §§§§§§§§§§§§§§§§§§§§§§§§§ @##&&§*-~,
,,,-*§§§## ##§§§*-,,,
,,,,,,,-§# #§-,,,,,,,
,~-*§#@# #@##&§*-~,
,,,,~-*# ##&*-~,,,,
,~-*§&&# ##&&&§*-~,