....^«=%*&                                          &*%=«^....
...^«=%*&@                                          @&*%=«^...
..^«=%*&@#                                          #@&*%=«^..
.^«=%*&@##                                          ##@&*%=«^.
..^«=%*&@#                                          #@&*%=«^..
...^«=%*&@ Delay  Delay  D.La@  & %A.  ^ .#   «   ^ @&*%=«^...
....^«=%*&                                          &*%=«^....
.....^«=%*                                          *%=«^.....
....^«=%*&                                          &*%=«^....
...^«=%*&@                                          @&*%=«^...
..^«=%*&@# "Delay" Means Repetiton Or Likewise,     #@&*%=«^..
.^«=%*&@## But It'S Mainly Useless Without          ##@&*%=«^.
..^«=%*&@# Feedback,                                #@&*%=«^..
...^«=%*&@ To Allow The Delay To Eat Of It'S Own    @&*%=«^...
....^«=%*& Tail, Like One Of Those Eaty Serpents.   &*%=«^....
.....^«=%* Thus: It'S The Serpent Effect!           *%=«^.....
....^«=%*&                                          &*%=«^....
...^«=%*&@ It'S To Be Revered As A Creator Of       @&*%=«^...
..^«=%*&@# Ambience And Of Space, If You Treat It   #@&*%=«^..
.^«=%*&@## Right. A Somewhat More Solid And         ##@&*%=«^.
..^«=%*&@# Slippery Sibling Of Reverb.              #@&*%=«^..
...^«=%*&@                                          @&*%=«^...
....^«=%*&                                          &*%=«^....
.....^«=%*                                          *%=«^.....
....^«=%*&                                          &*%=«^....
...^«=%*&@                                          @&*%=«^...