...,~\*$&¶ ¶&$*\~,...
....,~\*$& &$*\~,....
.....,~\*$ $*\~,.....
....,~\*$& &$*\~,....
...,~\*$&¶ ¶&$*\~,...
..,~\*$&¶# delay delay d.la# & *a. , .¶ ~ , #¶&$*\~,..
.,~\*$&¶## ##¶&$*\~,.
..,~\*$&¶# #¶&$*\~,..
...,~\*$&¶ ¶&$*\~,...
....,~\*$& &$*\~,....
.....,~\*$ "delay" means repetiton or likewise, $*\~,.....
....,~\*$& but it's mainly useless without &$*\~,....
...,~\*$&¶ feedback, ¶&$*\~,...
..,~\*$&¶# to allow the delay to eat of it's own #¶&$*\~,..
.,~\*$&¶## tail, like one of those eaty serpents. ##¶&$*\~,.
..,~\*$&¶# thus: it's the serpent effect! #¶&$*\~,..
...,~\*$&¶ ¶&$*\~,...
....,~\*$& it's to be revered as a creator of &$*\~,....
.....,~\*$ ambience and of space, if you treat it $*\~,.....
....,~\*$& right. a somewhat more solid and &$*\~,....
...,~\*$&¶ slippery sibling of reverb. ¶&$*\~,...
..,~\*$&¶# #¶&$*\~,..
.,~\*$&¶## ##¶&$*\~,.
..,~\*$&¶# #¶&$*\~,..
...,~\*$&¶ ¶&$*\~,...
....,~\*$& &$*\~,....