###@£*†~,¨                                          ¨,~†*£@###
£*=,,¨¨¨¨¨                                          ¨¨¨¨¨,,=*£
££££*†=~,¨                                          ¨,~=†*££££
##@£*†=~,¨                                          ¨,~=†*£@##
#@£*=~¨¨¨¨                                          ¨¨¨¨~=*£@#
#@@£*†=~,¨ delay  delay  d¨la#  £ †a¨  , ¨@   ~   , ¨,~=†*£@@#
##@£*†=~,¨                                          ¨,~=†*£@##
@£**††=~,¨                                          ¨,~=††**£@
###£*†=~,¨                                          ¨,~=†*£###
##@£*†=~,¨                                          ¨,~=†*£@##
£†==~,,¨¨¨ "delay" means repetiton or likewise,     ¨¨¨,,~==†£
##@£*†=~,¨ but it's mainly useless without          ¨,~=†*£@##
###@*†=~,¨ feedback,                                ¨,~=†*@###
#£*=~~,,¨¨ to allow the delay to eat of it's own    ¨¨,,~~=*£#
##@£*†=~,¨ tail, like one of those eaty serpents.   ¨,~=†*£@##
#£*†~,¨¨¨¨ thus: it's the serpent effect!           ¨¨¨¨,~†*£#
##@£*†=~,¨                                          ¨,~=†*£@##
##@£*†=~,¨ it's to be revered as a creator of       ¨,~=†*£@##
@£***†=~,¨ ambience and of space, if you treat it   ¨,~=†***£@
###@£*=~,¨ right. a somewhat more solid and         ¨,~=*£@###
£*†=~~,¨¨¨ slippery sibling of reverb.              ¨¨¨,~~=†*£
##@£*†=~,¨                                          ¨,~=†*£@##
£**=~~~¨¨¨                                          ¨¨¨~~~=**£
##@£*†=~,¨                                          ¨,~=†*£@##
#@@£*†=~,¨                                          ¨,~=†*£@@#
@@@£*†=~,¨                                          ¨,~=†*£@@@