,-»**$@@## ##@@$**»-,
,-»****$@@ @@$****»-,
,,,,--»*@@ @@*»--,,,,
,-»**$@@## ##@@$**»-,
,,--»*$@@# #@@$*»--,,
,-»**$@@## delay delay d,la# @ *a, - ,@ » - ##@@$**»-,
,,,,-*$$@@ @@$$*-,,,,
-»**$@@### ###@@$**»-
,-»**$@@## ##@@$**»-,
,,,-***@@@ @@@***-,,,
,-»**$@@## "delay" means repetiton or likewise, ##@@$**»-,
,-»**$@@## but it's mainly useless without ##@@$**»-,
,,,,,»**@@ feedback, @@**»,,,,,
,,,,,-»*@@ to allow the delay to eat of it's own @@*»-,,,,,
,-»**$@@## tail, like one of those eaty serpents. ##@@$**»-,
,-»**$@@@@ thus: it's the serpent effect! @@@@$**»-,
,-»**$@@## ##@@$**»-,
,-»**$@@@@ it's to be revered as a creator of @@@@$**»-,
,-»**$@@## ambience and of space, if you treat it ##@@$**»-,
,-»**$@@@@ right. a somewhat more solid and @@@@$**»-,
,-»**$@@## slippery sibling of reverb. ##@@$**»-,
,-»**$@@## ##@@$**»-,
,-»**$$$@# #@$$$**»-,
,-»***$$$@ @$$$***»-,
,-»**$@@## ##@@$**»-,
,-»**$@@## ##@@$**»-,