,~-*§$@#@@ @@#@$§*-~,
,,,,,,-*$@ @$*-,,,,,,
,~-*§$@### ###@$§*-~,
,~-*§$$$@@ @@$$$§*-~,
,~-*§$@### ###@$§*-~,
,~-*§$@#@# Delay Delay D,La@ @ §A, ~ ,# - ~ #@#@$§*-~,
,~-*§$@#@# #@#@$§*-~,
,,,,,~*§@# #@§*~,,,,,
,,,,,~**$@ @$**~,,,,,
,,~--*$$@# #@$$*--~,,
~-*§$@#@## "Delay" Means Repetiton Or Likewise, ##@#@$§*-~
,~-*§$@@@# But It'S Mainly Useless Without #@@@$§*-~,
,,,~--§@@@ Feedback, @@@§--~,,,
,~-*§$@@@# To Allow The Delay To Eat Of It'S Own #@@@$§*-~,
,~-*§$@@## Tail, Like One Of Those Eaty Serpents. ##@@$§*-~,
,~-*§$@#@# Thus: It'S The Serpent Effect! #@#@$§*-~,
,,,,~-§$@@ @@$§-~,,,,
,~-*§$#@## It'S To Be Revered As A Creator Of ##@#$§*-~,
,~-*§$@#@# Ambience And Of Space, If You Treat It #@#@$§*-~,
,,,,,-*$@# Right. A Somewhat More Solid And #@$*-,,,,,
,,,,,~*$## Slippery Sibling Of Reverb. ##$*~,,,,,
,,,,-*§§$@ @$§§*-,,,,
,~-*§§$$@@ @@$$§§*-~,
,,,,,-§$@@ @@$§-,,,,,
,~~~~*§@#@ @#@§*~~~~,
,,,,~*§§@# #@§§*~,,,,