#¶&%%=-~,, ,,~-=%%&¶#
##¶&%%=-~, ,~-=%%&¶##
#¶&%%=-~,, ,,~-=%%&¶#
¶&%%=-~,,, ,,,~-=%%&¶
#¶&%%=-~,, ,,~-=%%&¶#
##¶&%%=-~, delay delay d,la# & %a, ~ ,¶ - ~ ,~-=%%&¶##
#¶&%%=-~,, ,,~-=%%&¶#
¶&%%=-~,,, ,,,~-=%%&¶
#¶&%%=-~,, ,,~-=%%&¶#
##¶&%%=-~, ,~-=%%&¶##
#¶&%%=-~,, "delay" means repetiton or likewise, ,,~-=%%&¶#
¶&%%=-~,,, but it's mainly useless without ,,,~-=%%&¶
#¶&%%=-~,, feedback, ,,~-=%%&¶#
##¶&%%=-~, to allow the delay to eat of it's own ,~-=%%&¶##
#¶&%%=-~,, tail, like one of those eaty serpents. ,,~-=%%&¶#
¶&%%=-~,,, thus: it's the serpent effect! ,,,~-=%%&¶
#¶&%%=-~,, ,,~-=%%&¶#
##¶&%%=-~, it's to be revered as a creator of ,~-=%%&¶##
#¶&%%=-~,, ambience and of space, if you treat it ,,~-=%%&¶#
¶&%%=-~,,, right. a somewhat more solid and ,,,~-=%%&¶
#¶&%%=-~,, slippery sibling of reverb. ,,~-=%%&¶#
##¶&%%=-~, ,~-=%%&¶##
#¶&%%=-~,, ,,~-=%%&¶#
¶&%%=-~,,, ,,,~-=%%&¶
#¶&%%=-~,, ,,~-=%%&¶#
##¶&%%=-~, ,~-=%%&¶##