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#§&&£*;~:¨ IT'S VERY DARK IN HERE. DARK AND BIG, A ¨:~;*£&&§#
#$%†,,¨.,¨ FEW COLORED LIGHTS SCATTERED IN AN ¨,.¨,,†%$#
##@@@=:~,. ENORMOUS HALL. COINCIDENTALLY, THIS IS .,~:=@@@##
§§§%«-:,., WHERE I WORK. ,.,:-«%§§§
#@#£¤*/~~, ,~~/*¤£#@#
#@#£*%==^, I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ,^==%*£#@#
#@#@£%†-^. JUST THE NATURE OF THE PLACE, BUT IT .^-†%£@#@#
£¶£@¤§^»~, FEELS LIKE I HAVE EATEN A DRUG. TOO ,~»^§¤@£¶£
###¤%%\«,¨ CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ¨,«\%%¤###
##@@£†*-,¨ TOO GOOD TO BE BORED, WHICH I GUESS IS ¨,-*†£@@##
#@¤&§%^-., THE POINT. ,.-^%§&¤@#
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@#¶&*†*»,¨ I DOZE OFF, DAYDREAM... OR MAYBE I FALL ¨,»*†*&¶#@
#§%*$=--,. ASLEEP FOR REAL. I DREAM OF WORK, AND .,--=$*%§#
###£*†;~^¨ WAKE UP AT WORK, SO THE LINE IS BLURRY. ¨^~;†*£###
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#@¶&£$/~~, SOMEONE NEW HAS COME WHEN I WAS OUT. ,~~/$£&¶@#
####$†/=,¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨,=/†$####
##@#¤†^=~. THE HAZY NEBULOSAS MIRRORED IN THE .~=^†¤#@##
##¶¤%$:»~¨ OBSIDIAN FLOOR. I TAKE THEIR MONEY, ¨~»:$%¤¶##
###§£*†=:¨ WHICH I DON'T UNDERSTAND, BUT THE ¨:=†*£§###
£@†^:¨¨..¨ MACHINE ACCEPTS IT. ¨..¨¨:^†@£
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£¤£%=,.,.¨ FROM OUTSIDE THERE'S A BUNCH OF WHINING ¨.,.,=%£¤£
#@£=*:,,.. TONES, LIKE A CHORD. THE BEVERAGE ..,,:*=£@#
####@^\=~, FRIDGE ADDS A SHARP, DARK DRONE. THE ,~=\^@####
##@§¤%\«,. DINING AREA IS VAST AND PEOPLE ARE .,«\%¤§@##
##@£%$^=:, CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ,:=^$%£@##
&%/\†^=».. VOICES IN ANOTHER LANGUAGE. OR IN ..»=^†\/%&
####§%=/.. ANOTHER MEDIUM, AND I'M ONLY ABLE TO ../=%§####
###¤&*^~.. PERCIEVE THE WAKE OF THEIR WORDS. ..~^*&¤###
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