.-;%$### ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## --;;-- ###&$%;-.,
.-;%$### ,,, SLEEP ,,, ####&$%;-.
,.-;%$## ..--.. ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## SLEEP IS THE MOST IMPORTANT MEAL OF THE ###&$%;-.,
.-;%$### DAY. SLEEP IS SAYING GOODBYE FOR A ####&$%;-.
,.-;%$## WHILE. IF YOU CAN DREAM, YOU ALSO GET ###&$%;-.,
.-;%$### TO VISIT FRIENDS AND OTHER ANIMALS. ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ,,..,, ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### DEEPER THAN DEATH IS TO BE ALIVE AND ####&$%;-.
,.-;%$## ASLEEP. IT IS DEATH IF IT WAS TEMPORARY ###&$%;-.,
.-;%$### AND REJUVENATING. ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ,,..,, ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### SLEEP IS A BLACK MARBLE OUTSIDE OF ####&$%;-.
,.-;%$## WHICH THERE IS NOTHING. INSIDE IS ALL ###&$%;-.,
.-;%$### THE STARS AND IN THE MIDDLE A ####&$%;-.
,.-;%$## BLACK LAKE. AT THE FOOT OF THIS LAKE ###&$%;-.,
.-;%$### STANDS AN OLD FRIEND. ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ,,..,, ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### WHEN YOU SLEEP ALL SOUND IS INTERNAL. ####&$%;-.
,.-;%$## WHEN YOU SLEEP YOUR BRAIN SHRINKS. ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## ,,..,, ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## IF YOU WISH TO MEASURE SLEEP, USE THESE ###&$%;-.,
.-;%$### FOUR QUANTIFIERS:: GRIP, DEEPNESS, ####&$%;-.
,.-;%$## OTHERWORLDINESS AND REVITALIZATION. ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## GRIP GOES FROM NOT BEING ABLE TO LET GO ###&$%;-.,
.-;%$### ALL DAY (LEFT) TO NOT CARING TO ####&$%;-.
,.-;%$## REMEMBER (RIGHT). ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## DEEPNESS GOES FROM BEING SEVERAL ###&$%;-.,
.-;%$### HUNDRED METERS DOWN (LEFT) TO BARELY ####&$%;-.
,.-;%$## TOUCHING THE SURFACE (RIGHT). ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## OTHERWORLDLINESS GOES FROM A SINGLE ###&$%;-.,
.-;%$### COHERENT DREAMSCAPE (LEFT), VIA NORMAL ####&$%;-.
,.-;%$## DREAM AMOUNTS (MIDDLE) TO NO DREAMS ###&$%;-.,
.-;%$### (RIGHT). ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### REVITALIZATION GOES FROM A FEELING OF ####&$%;-.
,.-;%$## NOT HAVING SLEPT AT ALL (LEFT) TO BEING ###&$%;-.,
.-;%$### FULL OF ENERGY AND MAYBE OPTIMISM ####&$%;-.
,.-;%$## (RIGHT). ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## .. ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## HIGH OTHERWORLDLINESS AND HIGH GRIP IS ###&$%;-.,
.-;%$### A PARTICULARLY EFFECTIVE COMBO. ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### --;;-- ####&$%;-.
,.-;%$## ,,, SEE ALSO ,,, ###&$%;-.,
.-;%$### ..--.. ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### SLEEP DEITIES ####&$%;-.
,.-;%$## THE BLACKBIRD ###&$%;-.,
.-;%$### SOLIPSISM ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### --;;-- ####&$%;-.
,.-;%$## ,,, FURTHERMORE ,,, ###&$%;-.,
.-;%$### ..--.. ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### THIS IS STILL A PLACE: HERE, IN THE ####&$%;-.
,.-;%$## SILENCE, DARKNESS AND NIGHT - AND ###&$%;-.,
.-;%$### LONELINESS, HOLDING A KIND OF DILUTION ####&$%;-.
,.-;%$## OF REALITY, AND SUDDENLY IT'S NOT ###&$%;-.,
.-;%$### IMPORTANT THAT I LIE IN MY BED, THE ####&$%;-.
,.-;%$## LACK OF PRESENCE BRINGS THE NOTION ###&$%;-.,
.-;%$### THAT, IF I DO NOT CHOOSE SLEEP, I ####&$%;-.
,.-;%$## CHOOSE PAST, FUTURE, SOMETHING WITH ###&$%;-.,
.-;%$### MORE SUBSTANCE THAN THE OBJECTS I ####&$%;-.
,.-;%$## SURROUND MYSELF WITH. ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## ###&$%;-.,
.-;%$### ####&$%;-.
,.-;%$## ###&$%;-.,