.^-†*%&### ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%#### ####%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%&### TRAIN DREAM ###&%*†-^.
......-*%# ######....^-^^..##################### #%*-......
.^-†*%&### ††† ###&%*†-^.
.^-†*%&### - ###&%*†-^.
.^-†****%# - #%****†-^.
..^^^-†*&# #&*†-^^^..
.^-†*%&### (SITUATION) ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%&### YOU FIND YOURSELF IN A RIFT - A ###&%*†-^.
.^-†*%&### CLEARING, NARROW BUT IMMEASURABLY LONG. ###&%*†-^.
.^-†%&#### TO YOUR SIDES ARE WALLS MADE OF TREES, ####&%†-^.
.^-†*%&### THICK AND READY TO SWALLOW YOU. THE SUN ###&%*†-^.
....-*%%&# IS NOWHERE TO BE SEEN, BUT NONTHELESS #&%%*-....
......-*&# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #&*-......
...^††*%&# BLUE, ALMOST WHITE. #&%*††^...
.^-†*%&### ###&%*†-^.
.^-†*%&### ALONG THE SPAN OF THE CLEARING LAY TWO ###&%*†-^.
...^-†%%&# PARALLEL SILVERY LINES, DARK HARD #&%%†-^...
....^-†*%# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #%*†-^....
.^-†*%#### THEY ARE. ####%*†-^.
......-**& &**-......
.^-†*%&### THEY EMIT A HIGH PITCHED WHINE... ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%&### - ###&%*†-^.
.^-†*%&&## ..*.. ##&&%*†-^.
.^-†*%&### - ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%&### (SITUATION) ###&%*†-^.
.....^-*&& &&*-^.....
.^-†*%&### YOURE AT THE TRAIN STATION, ON A ###&%*†-^.
.^-†*%%&## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##&%%*†-^.
.^-†*%&### LATE, OR YOU ARE LATE TO THE TRAIN. ###&%*†-^.
.^-†*%&### IT'S A SUMMER AFTERNOON AND THE STATION ###&%*†-^.
.^---*%%%# IS BUSY, FULL OF RELAXED CONFIDENCE. #%%%*---^.
.^-†*%&### ###&%*†-^.
.....^†*&# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #&*†^.....
.^-†*%&### STRESSED ABOUT THE TIME, WHILE MOVING ###&%*†-^.
.^-†*%&### UP THE STAIRS TO YOUR PLATFORM. THE ###&%*†-^.
.^-†*%&### STATION IS IN SEVERAL LEVELS, ALL ###&%*†-^.
.^-†*&#### PLACED WITHIN EACHOTHER BY SOME ####&*†-^.
.^-†*%&### INTELLIGENT DESIGNER, AND FULL OF ###&%*†-^.
.^-†*%&### STAIRS, ELEVATORS, SHORTCUTS, ###&%*†-^.
.^-†*%%&&# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #&&%%*†-^.
.^-†*%&### SOME GLASS WINDOWS. IT'S... NOT WHERE ###&%*†-^.
.^-†*%&### IT'S SUPPOSED TO BE? ###&%*†-^.
.^-†*&#### ####&*†-^.
.^-†*%&### - ###&%*†-^.
.^-†*%&&## ^^%^^ ##&&%*†-^.
^-†*%&#### - ####&%*†-^
.^-†*%&### ###&%*†-^.
....^^†%&& (SITUATION) &&%†^^....
...^^-†*&& &&*†-^^...
.^-†*%&### YOU'RE FINALLY ENTERING THE CITY. WHILE ###&%*†-^.
.....^-*&& IT IS INDEED A VERY HIGH SPEED TRAIN &&*-^.....
.....^†*&# YOU'RE TRAVELING IN, THE JOURNEY HAS #&*†^.....
...^--**&# BEEN LONG. BUT IT'S ABOUT TO END! #&**--^...
.-†*%&#### ####&%*†-.
.......-*& SOCIETY IS GROWING DENSER AROUND YOU, &*-.......
.^-†*%&&&# THROUGH THE WINDOWS YOU SEE FIRST SMALL #&&&%*†-^.
.^-†*%&### SHACKS, BUILT OF METAL AND STONE, THEN ###&%*†-^.
....^†%%&# PROPER HOUSES WITH MORTAR TO KEEP THEM #&%%†^....
.^-†*%&### TOGETHER... WHO IN TURN MAKE WAY FOR ###&%*†-^.
.^-†*%&&&# THE INDUSTRIAL BUILDINGS, THE URBAN #&&&%*†-^.
.^-††**%## MAZE, PROTECTIVE WALLS, JUNGLE ##%**††-^.
......-**& NETWORK... &**-......
.^-†*%&### ###&%*†-^.
.^^^^†%%%# THE TRACKS LEAVE THE GROUND, WHICH IS #%%%†^^^^.
.^--††**&# NEEDED FOR OTHER PURPOSES. YOU ARE #&**††--^.
.^-†*%&### CARRIED GENTLY, CURVING UPWARDS UNTIL ###&%*†-^.
.^-†*%&### YOU'RE MOVING UPWARD ALONG THE WALL OF ###&%*†-^.
.^-†*%&### A BUILDING. IT'S MADE OF SLABBY STONE, ###&%*†-^.
.^-†*%&### WITH GREAT GLASSLESS WINDOW HOLES ###&%*†-^.
...^--*%%# LOOKING OUT THE WAY YOU CAME. IT IS #%%*--^...
.^-†*%&### PITCH BLACK INSIDE. ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^-†*%&### ###&%*†-^.
.^†*%&#### ####&%*†^.
..^--*%%%# #%%%*--^..
.^-†*%&### ###&%*†-^.