#@$$§;;~-. .-~;;§$$@#
@@$$$§;~-. .-~;§$$$@@
###@$§;~-. .-~;§$@###
@@$§;;;~-. .-~;;;§$@@
@@@§§~-... ...-~§§@@@
#@$§;;;~-. TRAIN DREAM .-~;;;§$@#
@$;-...... ######....-~--..##################### ......-;$@
#@§§~..... ;;; .....~§§@#
#@§§~..... ~ .....~§§@#
##@@$§;~-. ~ .-~;§$@@##
###@$§;~-. .-~;§$@###
@@$;--.... (SITUATION) ....--;$@@
##@@$§;~-. .-~;§$@@##
@@@@$§;~-. YOU FIND YOURSELF IN A RIFT - A .-~;§$@@@@
@$;;-..... CLEARING, NARROW BUT IMMEASURABLY LONG. .....-;;$@
@$$$;;~-.. TO YOUR SIDES ARE WALLS MADE OF TREES, ..-~;;$$$@
##@@$§;~-. THICK AND READY TO SWALLOW YOU. THE SUN .-~;§$@@##
##@@$§;~-. IS NOWHERE TO BE SEEN, BUT NONTHELESS .-~;§$@@##
@@@@$§;~-. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .-~;§$@@@@
#@@@$§;~-. BLUE, ALMOST WHITE. .-~;§$@@@#
#@@@$§;~-. .-~;§$@@@#
###@$§;~-. ALONG THE SPAN OF THE CLEARING LAY TWO .-~;§$@###
@@$$§§;~-. PARALLEL SILVERY LINES, DARK HARD .-~;§§$$@@
#@@$§;-... METAL. SOMEHOW YOU CAN SEE HOW HEAVY ...-;§$@@#
@$§~~~~~-. THEY ARE. .-~~~~~§$@
#@$;~~.... ....~~;$@#
##@@$§;~-. THEY EMIT A HIGH PITCHED WHINE... .-~;§$@@##
###@$§;~-. .-~;§$@###
###@@$;~-. ~ .-~;$@@###
##@@$§;~-. ..§.. .-~;§$@@##
##@@$§;~-. ~ .-~;§$@@##
##@@$§;~-. .-~;§$@@##
##@@$§;~-. (SITUATION) .-~;§$@@##
@§;~-..... .....-~;§@
@$;;-..... YOURE AT THE TRAIN STATION, ON A .....-;;$@
##@@$§;~-. CATWALK ABOVE THE RAILS. YOUR TRAIN IS .-~;§$@@##
##@@$§;~-. LATE, OR YOU ARE LATE TO THE TRAIN. .-~;§$@@##
##@@$§;~-. IT'S A SUMMER AFTERNOON AND THE STATION .-~;§$@@##
@@$$;;~~-. IS BUSY, FULL OF RELAXED CONFIDENCE. .-~~;;$$@@
###@$§;~-. .-~;§$@###
##@@$§;~-. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .-~;§$@@##
@@§~...... STRESSED ABOUT THE TIME, WHILE MOVING ......~§@@
@@@@$§;~-. UP THE STAIRS TO YOUR PLATFORM. THE .-~;§$@@@@
##@@$§;~-. STATION IS IN SEVERAL LEVELS, ALL .-~;§$@@##
###@$§;~-. PLACED WITHIN EACHOTHER BY SOME .-~;§$@###
#@@§~..... INTELLIGENT DESIGNER, AND FULL OF .....~§@@#
#@$§§~~-.. STAIRS, ELEVATORS, SHORTCUTS, ..-~~§§$@#
##@@$§;~-. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .-~;§$@@##
@@§;-..... SOME GLASS WINDOWS. IT'S... NOT WHERE .....-;§@@
##@@$§;~-. IT'S SUPPOSED TO BE? .-~;§$@@##
##@@$§;~-. .-~;§$@@##
#@$;~~.... ~ ....~~;$@#
#@§;~~--.. --$-- ..--~~;§@#
@$$§§;;~-. ~ .-~;;§§$$@
###@$§;~-. .-~;§$@###
##@@$§;~-. (SITUATION) .-~;§$@@##
@§~-...... ......-~§@
@@@@$§;~-. YOU'RE FINALLY ENTERING THE CITY. WHILE .-~;§$@@@@
@§~~-..... IT IS INDEED A VERY HIGH SPEED TRAIN .....-~~§@
##@@$§;~-. YOU'RE TRAVELING IN, THE JOURNEY HAS .-~;§$@@##
##@@$§;~-. BEEN LONG. BUT IT'S ABOUT TO END! .-~;§$@@##
@@@$$§;~-. .-~;§$$@@@
@@@@$§;~-. SOCIETY IS GROWING DENSER AROUND YOU, .-~;§$@@@@
##@@$§;~-. THROUGH THE WINDOWS YOU SEE FIRST SMALL .-~;§$@@##
#@$$;~.... SHACKS, BUILT OF METAL AND STONE, THEN ....~;$$@#
##@@$§;~-. PROPER HOUSES WITH MORTAR TO KEEP THEM .-~;§$@@##
##@@$§;~-. TOGETHER... WHO IN TURN MAKE WAY FOR .-~;§$@@##
@@@@$§;~-. THE INDUSTRIAL BUILDINGS, THE URBAN .-~;§$@@@@
#@$§~~.... MAZE, PROTECTIVE WALLS, JUNGLE ....~~§$@#
##@@$§;~-. NETWORK... .-~;§$@@##
@§;~-..... .....-~;§@
#@@§~..... THE TRACKS LEAVE THE GROUND, WHICH IS .....~§@@#
##@@$§;~-. NEEDED FOR OTHER PURPOSES. YOU ARE .-~;§$@@##
@§§§~--... CARRIED GENTLY, CURVING UPWARDS UNTIL ...--~§§§@
#@$§~~~--. YOU'RE MOVING UPWARD ALONG THE WALL OF .--~~~§$@#
##@@$§;~-. A BUILDING. IT'S MADE OF SLABBY STONE, .-~;§$@@##
###@$§;~-. WITH GREAT GLASSLESS WINDOW HOLES .-~;§$@###
#@$§;;---. LOOKING OUT THE WAY YOU CAME. IT IS .---;;§$@#
##@@$§;~-. PITCH BLACK INSIDE. .-~;§$@@##
@@§§~---.. ..---~§§@@
@$;~~~~-.. ..-~~~~;$@
#@@@$§;~-. .-~;§$@@@#
@$$;;~.... ....~;;$$@
###@@§;~-. .-~;§@@###