^»-,,,,,,, ,,,,,,,-»^
»-,,,,,,,, ,,,,,,,,-»
-,,,,,,,,, ,,,,,,,,,-
»-,,,,,,,, ,,,,,,,,-»
^»-,,,,,,, ,,,,,,,-»^
*^»-,,,,,, train dream ,,,,,,-»^*
£*^»-,,,,, ######,,,,-»--,,##################### ,,,,,-»^*£
&£*^»-,,,, ^^^ ,,,,-»^*£&
#&£*^»-,,, » ,,,-»^*£&#
##&£*^»-,, » ,,-»^*£&##
###&£*^»-, ,-»^*£&###
##&£*^»-,, (situation) ,,-»^*£&##
#&£*^»-,,, ,,,-»^*£&#
&£*^»-,,,, you find yourself in a rift - a ,,,,-»^*£&
£*^»-,,,,, clearing, narrow but immeasurably long. ,,,,,-»^*£
*^»-,,,,,, to your sides are walls made of trees, ,,,,,,-»^*
^»-,,,,,,, thick and ready to swallow you. the sun ,,,,,,,-»^
»-,,,,,,,, is nowhere to be seen, but nontheless ,,,,,,,,-»
-,,,,,,,,, it is very bright - the air feels light ,,,,,,,,,-
»-,,,,,,,, blue, almost white. ,,,,,,,,-»
^»-,,,,,,, ,,,,,,,-»^
*^»-,,,,,, along the span of the clearing lay two ,,,,,,-»^*
£*^»-,,,,, parallel silvery lines, dark hard ,,,,,-»^*£
&£*^»-,,,, metal. somehow you can see how heavy ,,,,-»^*£&
#&£*^»-,,, they are. ,,,-»^*£&#
##&£*^»-,, ,,-»^*£&##
###&£*^»-, they emit a high pitched whine... ,-»^*£&###
##&£*^»-,, ,,-»^*£&##
#&£*^»-,,, » ,,,-»^*£&#
&£*^»-,,,, ,,*,, ,,,,-»^*£&
£*^»-,,,,, » ,,,,,-»^*£
*^»-,,,,,, ,,,,,,-»^*
^»-,,,,,,, (situation) ,,,,,,,-»^
»-,,,,,,,, ,,,,,,,,-»
-,,,,,,,,, youre at the train station, on a ,,,,,,,,,-
»-,,,,,,,, catwalk above the rails. your train is ,,,,,,,,-»
^»-,,,,,,, late, or you are late to the train. ,,,,,,,-»^
*^»-,,,,,, it's a summer afternoon and the station ,,,,,,-»^*
£*^»-,,,,, is busy, full of relaxed confidence. ,,,,,-»^*£
&£*^»-,,,, ,,,,-»^*£&
#&£*^»-,,, you're in high spirits, although a bit ,,,-»^*£&#
##&£*^»-,, stressed about the time, while moving ,,-»^*£&##
###&£*^»-, up the stairs to your platform. the ,-»^*£&###
##&£*^»-,, station is in several levels, all ,,-»^*£&##
#&£*^»-,,, placed within eachother by some ,,,-»^*£&#
&£*^»-,,,, intelligent designer, and full of ,,,,-»^*£&
£*^»-,,,,, stairs, elevators, shortcuts, ,,,,,-»^*£
*^»-,,,,,, bazaars... you sight your train through ,,,,,,-»^*
^»-,,,,,,, some glass windows. it's... not where ,,,,,,,-»^
»-,,,,,,,, it's supposed to be? ,,,,,,,,-»
-,,,,,,,,, ,,,,,,,,,-
»-,,,,,,,, » ,,,,,,,,-»
^»-,,,,,,, --£-- ,,,,,,,-»^
*^»-,,,,,, » ,,,,,,-»^*
£*^»-,,,,, ,,,,,-»^*£
&£*^»-,,,, (situation) ,,,,-»^*£&
#&£*^»-,,, ,,,-»^*£&#
##&£*^»-,, you're finally entering the city. while ,,-»^*£&##
###&£*^»-, it is indeed a very high speed train ,-»^*£&###
##&£*^»-,, you're traveling in, the journey has ,,-»^*£&##
#&£*^»-,,, been long. but it's about to end! ,,,-»^*£&#
&£*^»-,,,, ,,,,-»^*£&
£*^»-,,,,, society is growing denser around you, ,,,,,-»^*£
*^»-,,,,,, through the windows you see first small ,,,,,,-»^*
^»-,,,,,,, shacks, built of metal and stone, then ,,,,,,,-»^
»-,,,,,,,, proper houses with mortar to keep them ,,,,,,,,-»
-,,,,,,,,, together... who in turn make way for ,,,,,,,,,-
»-,,,,,,,, the industrial buildings, the urban ,,,,,,,,-»
^»-,,,,,,, maze, protective walls, jungle ,,,,,,,-»^
*^»-,,,,,, network... ,,,,,,-»^*
£*^»-,,,,, ,,,,,-»^*£
&£*^»-,,,, the tracks leave the ground, which is ,,,,-»^*£&
#&£*^»-,,, needed for other purposes. you are ,,,-»^*£&#
##&£*^»-,, carried gently, curving upwards until ,,-»^*£&##
###&£*^»-, you're moving upward along the wall of ,-»^*£&###
##&£*^»-,, a building. it's made of slabby stone, ,,-»^*£&##
#&£*^»-,,, with great glassless window holes ,,,-»^*£&#
&£*^»-,,,, looking out the way you came. it is ,,,,-»^*£&
£*^»-,,,,, pitch black inside. ,,,,,-»^*£
*^»-,,,,,, ,,,,,,-»^*
^»-,,,,,,, ,,,,,,,-»^
»-,,,,,,,, ,,,,,,,,-»
-,,,,,,,,, ,,,,,,,,,-
»-,,,,,,,, ,,,,,,,,-»