...~;==¤¤¶ ¶¤¤==;~...
.-~;=&¤¶@@ @@¶¤&=;~-.
.-~;;=&&¶@ @¶&&=;;~-.
.-~;=&¤¶¶¶ ¶¶¶¤&=;~-.
.-~;=&¤¶@@ @@¶¤&=;~-.
-~;=&¤¶@## TRAIN DREAM ##@¶¤&=;~-
.-~;=&¤¶@# ######....-~--..##################### #@¶¤&=;~-.
.-~;=&¤¶@# ;;; #@¶¤&=;~-.
......~;=¤ ~ ¤=;~......
....-;=¤¤¤ ~ ¤¤¤=;-....
...-~;;&¶@ @¶&;;~-...
.-~;;==¤¶@ (SITUATION) @¶¤==;;~-.
...-~~~~=¤ ¤=~~~~-...
......~=&¤ YOU FIND YOURSELF IN A RIFT - A ¤&=~......
....-~;=¤¤ CLEARING, NARROW BUT IMMEASURABLY LONG. ¤¤=;~-....
.-~;=&¤¤¤¤ TO YOUR SIDES ARE WALLS MADE OF TREES, ¤¤¤¤&=;~-.
...--~~==¤ THICK AND READY TO SWALLOW YOU. THE SUN ¤==~~--...
.-~;=&¤¶@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@¶¤&=;~-.
.-~;=&¤¶@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@¶¤&=;~-.
...~~~;=¤¶ BLUE, ALMOST WHITE. ¶¤=;~~~...
.....-;&¤@ @¤&;-.....
.-~;=&¤¶@# ALONG THE SPAN OF THE CLEARING LAY TWO #@¶¤&=;~-.
.-~;=&¤¶@# PARALLEL SILVERY LINES, DARK HARD #@¶¤&=;~-.
..-~;;;;&¶ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¶&;;;;~-..
.-~;=&¤¶¶@ THEY ARE. @¶¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
.....-;&&¤ THEY EMIT A HIGH PITCHED WHINE... ¤&&;-.....
.-~;=&¤¶@# #@¶¤&=;~-.
.-~;&¤¶@## ~ ##@¶¤&;~-.
.....~~;&¶ ..=.. ¶&;~~.....
.-~;=&¤¶@# ~ #@¶¤&=;~-.
....-;=¤¶@ @¶¤=;-....
.-~;=&¤¶@# (SITUATION) #@¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
....-~=&¤¤ YOURE AT THE TRAIN STATION, ON A ¤¤&=~-....
.-~;;==¤¶¶ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¶¶¤==;;~-.
.-~;=&¤¶¶@ LATE, OR YOU ARE LATE TO THE TRAIN. @¶¶¤&=;~-.
.-~;=&¤¶@# IT'S A SUMMER AFTERNOON AND THE STATION #@¶¤&=;~-.
.-~;=&¤¶@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
.-~;=&¤¶@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@¶¤&=;~-.
.-~;=&¤¶¶¶ STRESSED ABOUT THE TIME, WHILE MOVING ¶¶¶¤&=;~-.
...--~==&¤ UP THE STAIRS TO YOUR PLATFORM. THE ¤&==~--...
.-~;=&¤¤¶¶ STATION IS IN SEVERAL LEVELS, ALL ¶¶¤¤&=;~-.
.-~;=&¤¤¤¤ PLACED WITHIN EACHOTHER BY SOME ¤¤¤¤&=;~-.
.-~;=&¤¶@@ INTELLIGENT DESIGNER, AND FULL OF @@¶¤&=;~-.
....~=&¤¤¤ STAIRS, ELEVATORS, SHORTCUTS, ¤¤¤&=~....
...-~;=¤¶@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @¶¤=;~-...
.-~;=&¤¶@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@¶¤&=;~-.
.-~;=&¤¤¤¤ IT'S SUPPOSED TO BE? ¤¤¤¤&=;~-.
-~;=&¤¶@## ##@¶¤&=;~-
.-~;=&¤¶@# ~ #@¶¤&=;~-.
....-;;&¶@ --&-- @¶&;;-....
.-~;=&¤@## ~ ##@¤&=;~-.
....---~=¤ ¤=~---....
.....-~=&¶ (SITUATION) ¶&=~-.....
.-~;&¤¶@## ##@¶¤&;~-.
...---~~=¤ YOU'RE FINALLY ENTERING THE CITY. WHILE ¤=~~---...
.-~;=&¤¶@@ IT IS INDEED A VERY HIGH SPEED TRAIN @@¶¤&=;~-.
.-~;=&¤¶## YOU'RE TRAVELING IN, THE JOURNEY HAS ##¶¤&=;~-.
.......~=¤ BEEN LONG. BUT IT'S ABOUT TO END! ¤=~.......
.-~;=&¤¶## ##¶¤&=;~-.
.-~;=&¶@## SOCIETY IS GROWING DENSER AROUND YOU, ##@¶&=;~-.
......~==¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¤==~......
...--;;=¤¤ SHACKS, BUILT OF METAL AND STONE, THEN ¤¤=;;--...
.-~;=&¤¶@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@¶¤&=;~-.
.-~;=¤¶@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@¶¤=;~-.
...-;=&¤¤¤ THE INDUSTRIAL BUILDINGS, THE URBAN ¤¤¤&=;-...
.-~;=&¤¶@@ MAZE, PROTECTIVE WALLS, JUNGLE @@¶¤&=;~-.
.-~;=&¤¶@@ NETWORK... @@¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
.-~;=&¤¶@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@¶¤&=;~-.
....-~~=¤¶ NEEDED FOR OTHER PURPOSES. YOU ARE ¶¤=~~-....
.-~;=&¤@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@¤&=;~-.
.-~;;;&&¶@ YOU'RE MOVING UPWARD ALONG THE WALL OF @¶&&;;;~-.
.-~;=&¤@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@¤&=;~-.
......~=&¤ WITH GREAT GLASSLESS WINDOW HOLES ¤&=~......
..-~~~=&¶¶ LOOKING OUT THE WAY YOU CAME. IT IS ¶¶&=~~~-..
.-~;=&¤¶¶@ PITCH BLACK INSIDE. @¶¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
.-~;=&¤¶@# #@¶¤&=;~-.
...~;===¤@ @¤===;~...
..---;;&&¶ ¶&&;;---..