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.....=^%%#    #                                     #%%^=.....
.....==%§#              .LIZARDRY                   #§%==.....
..,,==%§## =           # ## ###  ################## ##§%==,,..
.,==^%§### ##      THE ART OF C,NNECTING            ###§%^==,.
.,==^§####        .    WITH THE OLD MIND            ####§^==,.
.,====^%%§                                          §%%^====,.
.,====^%§§             MY MIND IS BEING SKEWED. MI  §§%^====,.
.,==^%§###  SKELETON IS STRINGY AND OLD AND ALIEN   ###§%^==,.
.,==^%§###             THE SITUATION IS LITERALLY   ###§%^==,.
.,==^%§### PRESSED OUT THROUGH MY EYES, IT'S        ###§%^==,.
....,=^§## ECHOING LIKE                             ##§^=,....
.,==^%§###             THE SUNSET OF THE ETERNAL    ###§%^==,.
.,==^^^^§# OCEAN                                    #§^^^^==,.
.,==^%§###         PERSISTENTLY AGAINST MY EMULSION ###§%^==,.
.,,==^^§§#                                          #§§^^==,,.
.,==^%§###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###§%^==,.
.,==^%§###   HUMANS ARE DOING AND ABSTRACTING,      ###§%^==,.
.....,=%§§  AND ABOVE ALL ELSE, WHAT TIME THEY USE? §§%=,.....
....,=^§## HOW LONG A TIME HAS PASSED, FOR THEM?    ##§^=,....
.,==^%§###                                     .    ###§%^==,.
.,==^%§###  . ... .  ................   #######     ###§%^==,.
.,==^%§###   CONTINUOUSLY I'M CROWDING THROUGH      ###§%^==,.
,==^%§#### . THE FOURTH WALL  ,OUTWARDS IS WHAT   . ####§%^==,
.,==^%§### .. I'M THINKING BUT IT'S WRONG.. A NEW   ###§%^==,.
....,=^%§# . . NARRATOR IS INTRODUCED, OCCASIONALLY #§%^=,....
.,==^%§### ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ###§%^==,.
.,==^%§### ,   , DOWN IN THE DRAGONS THROAT.        ###§%^==,.
.,==^%§###      ,                                   ###§%^==,.
.,====^§§#       ,                                  #§§^====,.
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