,:»^%£## ###&£%^»:,
,:»^%%%£ #&£%%%^»:,
,:»^%£## ###&£%^»:,
,:»^%£&&&& &&&&£%^»:,
,,:»^^^^£& &£^^^^»:,,
,,,,,,:^%& #&#&#&#&#&#&#&#&#&#& &%^:,,,,,,
,:»^%£## & BUILDINGS, TOWERS IN THE "GOLDEN & ###&£%^»:,
,,,,:^£&&& & BAY" (EVERYTHING MADE OF SANDSTONE). & &&&£^:,,,,
,:»^%£## # FIVE PARTICULAR HOUSES FOURTY # ###&£%^»:,
,:»^%%£& # STORIES TALL, HUNDRED METERS APART, # #&&£%%^»:,
,,,,,,»^£& & IN A SLIGHT ARC INWARDS. & &£^»,,,,,,
,:»^%£## & & ###&£%^»:,
,,,:»»»^£& # BETWEEN TWO MOUNTAINS; TO THE RIGHT # &£^»»»:,,,
,,,,,,»% # AND LEFT THE CITY CLIMBS QUICKLY. # #&%»,,,,,,
,:»^%£## & THE RIGHT PLATEAU HOSTS A LUSH AND & ###&£%^»:,
,::»^^^% & SHADED GARDEN WHICH MORPHS INTO A & #&%^^^»::,
,:»^^^^% # TERRACE OVERLOOKING THE SEA AND # #&%^^^^»:,
,:»^%£## # THE BUILDINGS. # ###&£%^»:,
,:»^%£## & & ###&£%^»:,
,,,,:^££## & TO THE LEFT THE HOUSES CLIMB & ##££^:,,,,
,:»^%£## # SIMILARLY BUT A LOT OF TUNNELS AND # ###&£%^»:,
,:»^^^%£## # HALLS HAVE BEEN DUG FROM THE # ##£%^^^»:,
,:»^%£## & MOUNTAIN. SOME HOUSES STAND & ###&£%^»:,
,:»^%£## & COMPLETELY "INSIDE". BECAUSE OF CAVE & ###&£%^»:,
,:»^%£## # CONDITIONS THE LOWER FLOORS HERE # ###&£%^»:,
,:»^%£## # ARE COVERED IN DARK ALGAE THAT THE # ###&£%^»:,
,,,,»»^£## & CITY LONG AGO STOPPED TRYING TO & ##£^»»,,,,
,,,,:»%££# & REMOVE. ESTABLISHMENTS USE NEON & #££%»:,,,,
,,,,,:^£ # SIGNS AS AN ACCENT TO THE DARK. # #&£^:,,,,,
,:»^%£## # THERE'S A CASINO. # ###&£%^»:,
,,,,,,»^£# & THERE'S AN INTERNET CAFE. & #£^»,,,,,,
,,,:^%££&& & & &&££%^:,,,
,,,,,»^%%& # MOST PEOPLE LIVING HERE HAVE LONG # &%%^»,,,,,
,,,,,,»^%& # SNOUTS AND BIG EARS. ALL SPACE IS # &%^»,,,,,,
,:»^%£## & SHARED (FEW ROOMS HAVE LOCKS OR & ###&£%^»:,
,:»^%£## & EVEN DOORS). INTERIOR DESIGN IS & ###&£%^»:,
,,,,,:»% # MOSTLY ART NOUVEAU AND MADE # #&%»:,,,,,
,:»^%£## # OUT OF COPPER. # ###&£%^»:,
,:»^%£## &#&#&#&#&###&#&#&#&#&& ###&£%^»:,
,:»^%£## ###&£%^»:,
,:»^%£## ###&£%^»:,
,:»^%£## ###&£%^»:,
,,,,::^% #&%^::,,,,
,,,,,:^% #&%^:,,,,,