¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨¨¨.=*=£&#                                          #&£=*=.¨¨¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨.=*=£&#@#                                          #@#&£=*=.¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨¨¨.=*=£&#          ¨¨¨¨==@# växjö #@==¨¨¨¨         #&£=*=.¨¨¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨.=*=£&#@# the  apartment  smells of old coffee and #@#&£=*=.¨
¨¨.=*=£&#@ sweeteners. i don't  know  how i  let it @#&£=*=.¨¨
¨¨¨.=*=£&# get  like  this. it's  not  intentional. #&£=*=.¨¨¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨.=*=£&#@# i  wear yellow tinted  glasses. the room #@#&£=*=.¨
¨¨.=*=£&#@ changes  shape a lot. right  now there's @#&£=*=.¨¨
¨¨¨.=*=£&# a   blue  sofa  with   yellow  seams.  i #&£=*=.¨¨¨
¨¨.=*=£&#@    experiment with different colored     @#&£=*=.¨¨
¨.=*=£&#@#       lights. i'm learning things.       #@#&£=*=.¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨¨¨.=*=£&# my thoughts are revolving  around  time, #&£=*=.¨¨¨
¨¨.=*=£&#@ and the perception  of it. can i make it @#&£=*=.¨¨
¨.=*=£&#@# rigid?  if  i really want to, can i make #@#&£=*=.¨
¨¨.=*=£&#@ it  feel like  there  is  enough of  it? @#&£=*=.¨¨
¨¨¨.=*=£&#    also, and maybe, ultimately, more     #&£=*=.¨¨¨
¨¨.=*=£&#@ important -  can i make it  feel like it @#&£=*=.¨¨
¨.=*=£&#@#             doesn't matter?              #@#&£=*=.¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨¨¨.=*=£&#                                          #&£=*=.¨¨¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨
¨.=*=£&#@#                                          #@#&£=*=.¨
¨¨.=*=£&#@                                          @#&£=*=.¨¨