,~~/**&@##                                          ##@&**/~~,
,~~/**&@##                                          ##@&**/~~,
,~~/**&@##                                          ##@&**/~~,
,~~/**&@##                                          ##@&**/~~,
,~~/**&@##                                          ##@&**/~~,
,~~/**&@@#         ,,,,**## växjö ##**,,,,          #@@&**/~~,
,,,,,,~/*&                                          &*/~,,,,,,
,~~/**&@## the apartment smells  of old  coffee and ##@&**/~~,
,~~/**&@## sweeteners.  i don't know how  i  let it ##@&**/~~,
,~~/**&### get  like  this.  it's not  intentional. ###&**/~~,
,,,,~***&#                                          #&***~,,,,
,~~/**&@## i wear yellow tinted  glasses.  the room ##@&**/~~,
,~~/**&@## changes shape  a lot. right  now there's ##@&**/~~,
,~~/**&@## a   blue   sofa  with  yellow  seams.  i ##@&**/~~,
,~~/*****@     experiment with different colored    @*****/~~,
,~~/***&@@       lights. i'm learning things.       @@&***/~~,
,~~~///*@@                                          @@*///~~~,
,,,,,~/*&# my thoughts are  revolving around  time, #&*/~,,,,,
,~~/**&@## and the perception  of it. can i make it ##@&**/~~,
,,,,~//*&# rigid? if i  really want to, can i  make #&*//~,,,,
,,,~//**@# it  feel  like  there  is enough of  it? #@**//~,,,
,,,,,,~/*&    also, and maybe, ultimately, more     &*/~,,,,,,
,~~/****@# important - can i make it feel  like  it #@****/~~,
,,,~~~~/*@              doesn't matter?             @*/~~~~,,,
,~~/**&@##                                          ##@&**/~~,
,,,,,~/**&                                          &**/~,,,,,
,~~/**&@##                                          ##@&**/~~,
,~~/**&@##                                          ##@&**/~~,
,,,,,~//*@                                          @*//~,,,,,