@^=^......                                          ......^=^@
##£@¤^==^.                                          .^==^¤@£##
@@¤^^^==^.                                          .^==^^^¤@@
££¤==^....                                          ....^==¤££
##£@¤^==^.                                          .^==^¤@£##
##£@¤^==^.         ....^^## VäXJö ##^^....          .^==^¤@£##
##£@¤^==^.                                          .^==^¤@£##
##£@¤^==^. THE  APARTMENT SMELLS  OF OLD COFFEE AND .^==^¤@£##
@¤^==^.... SWEETENERS.  I DON'T KNOW HOW  I  LET IT ....^==^¤@
£¤¤^==.... GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. ....==^¤¤£
@^=^......                                          ......^=^@
##£@¤^==^. I  WEAR YELLOW  TINTED GLASSES. THE ROOM .^==^¤@£##
@@^^===... CHANGES SHAPE  A LOT.  RIGHT NOW THERE'S ...===^^@@
££@^=..... A  BLUE   SOFA  WITH   YELLOW  SEAMS.  I .....=^@££
£@¤===....    EXPERIMENT WITH DIFFERENT COLORED     ....===¤@£
#@@^=^....       LIGHTS. I'M LEARNING THINGS.       ....^=^@@#
@@@^=.....                                          .....=^@@@
##£@¤^==^. MY  THOUGHTS ARE REVOLVING  AROUND TIME, .^==^¤@£##
##£@¤^==^. AND THE  PERCEPTION OF IT. CAN I MAKE IT .^==^¤@£##
@^======^. RIGID? IF I  REALLY  WANT TO, CAN I MAKE .^======^@
###@¤^==^. IT  FEEL  LIKE  THERE  IS ENOUGH OF  IT? .^==^¤@###
@@¤¤^=....    ALSO, AND MAYBE, ULTIMATELY, MORE     ....=^¤¤@@
£@@¤=^^^^. IMPORTANT -  CAN I MAKE  IT FEEL LIKE IT .^^^^=¤@@£
###£@¤==^.             DOESN'T MATTER?              .^==¤@£###
#@^=......                                          ......=^@#
@^=^^.....                                          .....^^=^@
#£@@¤^==^.                                          .^==^¤@@£#
##£@¤^==^.                                          .^==^¤@£##
##£@¤^==^.                                          .^==^¤@£##