#@%%==:,,, ,,,:==%%@#
##@£%^=»:, ,:»=^%£@##
###@%^=»:, ,:»=^%@###
##@£%^=»:, ,:»=^%£@##
££^^===»:, ,:»===^^££
@@@£%^=»:, #### ##### ,:»=^%£@@@
#@@£%^=»:, TAPE DREAM ,:»=^%£@@#
##@£%^=»:, #### ##### ,:»=^%£@##
#@£^^=»»:, ,:»»=^^£@#
##@£%^=»:, FOR STORING MUSIC ON. ALSO DATA BUT ,:»=^%£@##
##@£%^=»:, AT THIS POINT IN TIME THAT'S NOT ,:»=^%£@##
#£^»:,,,,, REALLY IMPORTANT I THINK. ,,,,,:»^£#
##@£%^=»:, ,:»=^%£@##
@%==:,,,,, ,,,,,:==%@
###@%^=»:, ======== TYPES OF TAPE ======== ,:»=^%@###
£^^^=»:,,, ,,,:»=^^^£
£%%==:,,,, CLASS I - "BAD" IRON ,,,,:==%%£
##@£%^=»:, CLASS II - GOOD CHROMIUM ,:»=^%£@##
##@£%^=»:, CLASS III - BAD IRON PART TWO ,:»=^%£@##
##@£%^=»:, CLASS IV - DANGEROUS METALS ,:»=^%£@##
##@£%^=»:, ,:»=^%£@##
#@£%^»:::, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,:::»^%£@#
@%%^==:,,, THAT IS ACTUALLY USEFUL. ,,,:==^%%@
##@£%^=»:, ,:»=^%£@##
##@£%^=»:, == BIAS == ,:»=^%£@##
##@£%^=»:, ,:»=^%£@##
##@£%^=»:, CLASS I USES ONE HUNDRED AND TWENTY ,:»=^%£@##
##@£%^=»:, MICRO-SOMETHING WHILE THE OTHERS ALL ,:»=^%£@##
##@£%^=»:, USE SEVENTY OF THE SAME UNIT. ,:»=^%£@##
#@%%==:,,, ,,,:==%%@#
@%=»»,,,,, ,,,,,»»=%@
##@£%^=»:, ^^^^^^^^^ AHA AND ^^^^^^^^^ ,:»=^%£@##
##@£%^=»:, ,:»=^%£@##
##@£%^=»:, CLASS IV IS APPARENTLY TOO STRONG TO ,:»=^%£@##
@@%^»:,,,, BE USED ON CLASS I PLAYERS. IT WILL ,,,,:»^%@@
£^^^^»,,,, SOUND TOO LOUND AND IT CANNOT BE ,,,,»^^^^£
@%%==»:,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,:»==%%@
££££%^=»:, MAYBE SOME WONDERFUL BLENDING EFFECTS ,:»=^%££££
#@@£%^=»:, COULD BE ACHIEVED? ,:»=^%£@@#
#£%^^»»,,, ,,,»»^^%£#
##@£%^=»:, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,:»=^%£@##
##@£%^=»:, BETTER THAN EARLIER TAPE TYPES. ,:»=^%£@##
@@@£%^=»:, ,:»=^%£@@@
###@£%^»:, ,:»^%£@###
@@£%^==»:, ======== ARTIFACTS ======== ,:»==^%£@@
##@£%^=»:, ,:»=^%£@##
££%=:,,,,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,,,,:=%££
@@@£%^=»:, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,:»=^%£@@@
##@£%^=»:, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,:»=^%£@##
##@£%^=»:, LIKE IT. ,:»=^%£@##
##@£%^=»:, ,:»=^%£@##
@%=:,,,,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,,,,:=%@
£^»::,,,,, KNOWS WHATS EVEN ON THERE ANYMORE ,,,,,::»^£
##@£%^=»:, ,:»=^%£@##
£%%^==»::, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,::»==^%%£
###@%^=»:, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,:»=^%@###
##@£%^=»:, ,:»=^%£@##
##@£%^=»:, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,:»=^%£@##
@@£%==:,,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,,:==%£@@
££££%^=»:, INCREASE WHEN TAPE SPEED DECREASES. ,:»=^%££££
##@£%^=»:, ,:»=^%£@##
##@£%^=»:, PRINT THROUGH: TAPES RUB SOUND ON EACH ,:»=^%£@##
@@££%^=»:, OTHER IF THEYRE ALONE FOR TOO LONG ,:»=^%££@@
£%^^»»,,,, ,,,,»»^^%£
##@£%^=»:, ,:»=^%£@##
##@£%^=»:, ,:»=^%£@##
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