,:«==%£### ###£%==«:,
,:«==%£#@@ @@#£%==«:,
,:«==%£### ###£%==«:,
,,,,,,««=£ £=««,,,,,,
,:«==%£#@@ @@#£%==«:,
,:«==£#@## @@@@ ##### ##@#£==«:,
,:«==%£#@# TAPE DREAM #@#£%==«:,
,:«=====£# #### @@@@@ #£=====«:,
,:«==%££## ##££%==«:,
,:«==%£#@# FOR STORING MUSIC ON. ALSO DATA BUT #@#£%==«:,
,:«=====%# AT THIS POINT IN TIME THAT'S NOT #%=====«:,
,:«==%%%£@ REALLY IMPORTANT I THINK. @£%%%==«:,
,:«====%%£ £%%====«:,
,:«==%£#@# #@#£%==«:,
,,,,,,:«=£ ======== TYPES OF TAPE ======== £=«:,,,,,,
,,,::==%%£ £%%==::,,,
,:«==%£#@@ CLASS I - "BAD" IRON @@#£%==«:,
,:«==%£#@# CLASS II - GOOD CHROMIUM #@#£%==«:,
,:«==%£#@# CLASS III - BAD IRON PART TWO #@#£%==«:,
,:«==%££££ CLASS IV - DANGEROUS METALS ££££%==«:,
,:«««««==£ £==«««««:,
,:«==%£### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###£%==«:,
,:«==%£#@# THAT IS ACTUALLY USEFUL. #@#£%==«:,
,,:«===££@ @££===«:,,
,:«==%£#@# == BIAS == #@#£%==«:,
,,,,,::=%£ £%=::,,,,,
,:«==%£### CLASS I USES ONE HUNDRED AND TWENTY ###£%==«:,
,,,,«==%£@ MICRO-SOMETHING WHILE THE OTHERS ALL @£%==«,,,,
,,,,::=%#@ USE SEVENTY OF THE SAME UNIT. @#%=::,,,,
,,,,,,«=%£ £%=«,,,,,,
,:«==%£#@@ @@#£%==«:,
,:«==%%£££ ========= AHA AND ========= £££%%==«:,
,:«==%£#@@ @@#£%==«:,
,:«==%£##@ CLASS IV IS APPARENTLY TOO STRONG TO @##£%==«:,
,:«==%£#@# BE USED ON CLASS I PLAYERS. IT WILL #@#£%==«:,
,:«==%£#@@ SOUND TOO LOUND AND IT CANNOT BE @@#£%==«:,
,,:««==£#@ COMPLETELY ERASED. THIS IS VERY WELL. @#£==««:,,
,:«==%%£#@ MAYBE SOME WONDERFUL BLENDING EFFECTS @#£%%==«:,
,,,::=%£## COULD BE ACHIEVED? ##£%=::,,,
,:«==%£#@@ @@#£%==«:,
,,,,:==%%# THEY ALSO GNAW AT THE TAPE HEADS A BIT #%%==:,,,,
,:«==%£#@# BETTER THAN EARLIER TAPE TYPES. #@#£%==«:,
,,,,«==£#@ @#£==«,,,,
,,,:«==£#@ @#£==«:,,,
,:«==%£##@ ======== ARTIFACTS ======== @##£%==«:,
,:«==%£### ###£%==«:,
,,,,:=%%#@ GOOD TAPES ARE DECENT AND HAVE A GOOD @#%%=:,,,,
,,,,««=£££ HIGH FREQUENCY PRESENCE, BAD TAPES ARE £££=««,,,,
,:«==%£@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@£%==«:,
,:«==%£#@# LIKE IT. #@#£%==«:,
,,,,:«=£## ##£=«:,,,,
,,,,,««=%£ BIAS LOSS: IF YOU FORGET THE BIAS WHO £%=««,,,,,
,:«==%%%## KNOWS WHATS EVEN ON THERE ANYMORE ##%%%==«:,
,,,««=%%%£ £%%%=««,,,
,:«==%£#@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@#£%==«:,
,:«==%£#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#£%==«:,
,,,«==%%£@ @£%%==«,,,
,,,:==%%£# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #£%%==:,,,
,:«==%£#@# SECONDS LONG. WHAT UP. BOTH OF THESE #@#£%==«:,
,,,,:«=%%# INCREASE WHEN TAPE SPEED DECREASES. #%%=«:,,,,
,,,,,:==£# #£==:,,,,,
,:«==%£#@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@#£%==«:,
,,,:««=%££ OTHER IF THEYRE ALONE FOR TOO LONG ££%=««:,,,
,:«====££# #££====«:,
,:«==%£#@@ @@#£%==«:,
,:«==%£#@# #@#£%==«:,
,:«==%£#@# #@#£%==«:,
,:«==%%%£@ @£%%%==«:,
,:«==%£#@# #@#£%==«:,