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† the glass factory. †
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##@&§†^»:, several centuries after it had last ,:»^†§&@##
#@&§†^»:,, belonged to us, we went on an outing to ,,:»^†§&@#
##@&§†^»:, the glass factory that bore our family ,:»^†§&@##
#@&§†^»:,, name. it had changed owners many times ,,:»^†§&@#
##@&§†^»:, since our ancestors death, and then ,:»^†§&@##
#@&§†^»:,, stood abandoned for a long while. ,,:»^†§&@#
##@&§†^»:, finally, the natural end station for ,:»^†§&@##
#@&§†^»:,, the buildings that survive: a museum, ,,:»^†§&@#
##@&§†^»:, and a gift shop. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, there's a long time since my family ,:»^†§&@##
#@&§†^»:,, made anything. by many, we would be ,,:»^†§&@#
##@&§†^»:, considered poor. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, there are two main factory buildings, ,:»^†§&@##
#@&§†^»:,, domed things of several floors, made in ,,:»^†§&@#
##@&§†^»:, yellow brick. large but narrow windows, ,:»^†§&@##
#@&§†^»:,, reminescent of some cathedral. ,,:»^†§&@#
##@&§†^»:, custom-made glass, of course, large and ,:»^†§&@##
#@&§†^»:,, leaded, and ashen. a bit too dark to be ,,:»^†§&@#
##@&§†^»:, practical. on the eastern building, ,:»^†§&@##
#@&§†^»:,, some are shattered. ,,:»^†§&@#
##@&§†^»:, ,:»^†§&@##
#@&§†^»:,, the other one is publicly open. there's ,,:»^†§&@#
##@&§†^»:, a museum, with wax figures of my great ,:»^†§&@##
#@&§†^»:,, great great grandfather, or something. ,,:»^†§&@#
##@&§†^»:, various tools (or replicas) laid out on ,:»^†§&@##
#@&§†^»:,, tables, with explaining texts. a lot of ,,:»^†§&@#
##@&§†^»:, glass of varying thickness. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, †† ,:»^†§&@##
#@&§†^»:,, †† †† ,,:»^†§&@#
##@&§†^»:, »»»»»»» † † »»»»»»» ,:»^†§&@##
#@&§†^»:,, †† †† ,,:»^†§&@#
##@&§†^»:, †† ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, i quickly sneak out, and climb into the ,:»^†§&@##
#@&§†^»:,, other building. the contrast is ,,:»^†§&@#
##@&§†^»:, overwhelming. it must have stood ,:»^†§&@##
#@&§†^»:,, derelict for a long time, windows ,,:»^†§&@#
##@&§†^»:, broken, metallic trash and pools of ,:»^†§&@##
#@&§†^»:,, dark glass all over the floor. no ,,:»^†§&@#
##@&§†^»:, electric lights, but i can see by the ,:»^†§&@##
#@&§†^»:,, light that shines in wherever the dark ,,:»^†§&@#
##@&§†^»:, windows are missing a pane. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, however, the greatest difference is the ,:»^†§&@##
#@&§†^»:,, higher floors: this building has none. ,,:»^†§&@#
##@&§†^»:, it is one massive hall, stretching away ,:»^†§&@##
#@&§†^»:,, infinitely above me. somewhere up there ,,:»^†§&@#
##@&§†^»:, is some great iron latticework, from ,:»^†§&@##
#@&§†^»:,, where chains are suspended, and parts ,,:»^†§&@#
##@&§†^»:, of machinery has been falling down. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, there is, in the middle of the great ,:»^†§&@##
#@&§†^»:,, hall, a thin spiral staircase that ,,:»^†§&@#
##@&§†^»:, leads up there. i sneak over there, and ,:»^†§&@##
#@&§†^»:,, take a few reluctant steps. after just ,,:»^†§&@#
##@&§†^»:, a revolution, i notice that for each ,:»^†§&@##
#@&§†^»:,, step the building starts to glow, the ,,:»^†§&@#
##@&§†^»:, bricks turning a dark red, and then ,:»^†§&@##
#@&§†^»:,, orange, all the piled up debree being ,,:»^†§&@#
##@&§†^»:, lit from behind. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, i stop ready to run down and out, but ,:»^†§&@##
#@&§†^»:,, there's someone else on the staircase ,,:»^†§&@#
##@&§†^»:, with me now, pressed close. he's ,:»^†§&@##
#@&§†^»:,, looking like me, short hair and thin ,,:»^†§&@#
##@&§†^»:, arms, but with ears from some animal, ,:»^†§&@##
#@&§†^»:,, and more disturbingly, completely made ,,:»^†§&@#
##@&§†^»:, of dark liquid glass. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, †† ,:»^†§&@##
#@&§†^»:,, †† †† ,,:»^†§&@#
##@&§†^»:, »»»»»»» † † »»»»»»» ,:»^†§&@##
#@&§†^»:,, †† †† ,,:»^†§&@#
##@&§†^»:, †† ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, my fear holds me in place while he ,:»^†§&@##
#@&§†^»:,, starts operating levers and dials set ,,:»^†§&@#
##@&§†^»:, in the center of the staircase. slowly, ,:»^†§&@##
#@&§†^»:,, it starts spinning, circling upwards. ,,:»^†§&@#
##@&§†^»:, it's an elevator! i start to run ,:»^†§&@##
#@&§†^»:,, downwards, but now the liquid boy ,,:»^†§&@#
##@&§†^»:, creature grabs hold of me. i try to ,:»^†§&@##
#@&§†^»:,, shake him off, but he's too strong, and ,,:»^†§&@#
##@&§†^»:, pulls me back up beside him. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, this time, i turn angry instead. what ,:»^†§&@##
#@&§†^»:,, the hell? who is this guy, acting like ,,:»^†§&@#
##@&§†^»:, this? i reach out my free arm and slam ,:»^†§&@##
#@&§†^»:,, a random lever. some metal bar is ,,:»^†§&@#
##@&§†^»:, suddenly released between us, hitting ,:»^†§&@##
#@&§†^»:,, him on the arm, forcing my release. i ,,:»^†§&@#
##@&§†^»:, shove him off of me, and he falls into ,:»^†§&@##
#@&§†^»:,, the levers, messing them up. ,,:»^†§&@#
##@&§†^»:, immediately, a thin rusty chainmail ,:»^†§&@##
#@&§†^»:,, curtain is dropped around me. but the ,,:»^†§&@#
##@&§†^»:, elevator also speeds up significantly. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, the walls are flaring now, yellow, ,:»^†§&@##
#@&§†^»:,, white, almost blue. i close my eyes and ,,:»^†§&@#
##@&§†^»:, curl into a ball. but then, the glass ,:»^†§&@##
#@&§†^»:,, boy screams, a piercing sound that ,,:»^†§&@#
##@&§†^»:, forces my eyes back open. i watch as he ,:»^†§&@##
#@&§†^»:,, becomes too liquid, his body pooling ,,:»^†§&@#
##@&§†^»:, down in his now massive tail, and the ,:»^†§&@##
#@&§†^»:,, tip of it suddenly breaks of in a glass ,,:»^†§&@#
##@&§†^»:, drop that falls toward the factory ,:»^†§&@##
#@&§†^»:,, floor. ,,:»^†§&@#
##@&§†^»:, ,:»^†§&@##
#@&§†^»:,, he's crawling on the stairs, unable to ,,:»^†§&@#
##@&§†^»:, keep his body upright. can't reach the ,:»^†§&@##
#@&§†^»:,, levers, claws at my chainmail cage, ,,:»^†§&@#
##@&§†^»:, while his body is turning into dark ,:»^†§&@##
#@&§†^»:,, pearls. finally, he's lost too much of ,,:»^†§&@#
##@&§†^»:, himself and the scream is cut short. ,:»^†§&@##
#@&§†^»:,, the last of him rains down. ,,:»^†§&@#
##@&§†^»:, ,:»^†§&@##
#@&§†^»:,, i still can't reach the levers from ,,:»^†§&@#
##@&§†^»:, within my cage. looking up, i try to ,:»^†§&@##
#@&§†^»:,, make out the ceiling, but it's all a ,,:»^†§&@#
##@&§†^»:, whirling sea of colours. below me glows ,:»^†§&@##
#@&§†^»:,, the hellfire of the factory walls, but ,,:»^†§&@#
##@&§†^»:, very faint. i sit down, curl back up, ,:»^†§&@##
#@&§†^»:,, become still. ,,:»^†§&@#
##@&§†^»:, ,:»^†§&@##
#@&§†^»:,, †† ,,:»^†§&@#
##@&§†^»:, †† †† ,:»^†§&@##
#@&§†^»:,, »»»»»»» † † »»»»»»» ,,:»^†§&@#
##@&§†^»:, †† †† ,:»^†§&@##
#@&§†^»:,, †† ,,:»^†§&@#
##@&§†^»:, ,:»^†§&@##
#@&§†^»:,, a large clunk shakes my entire body, ,,:»^†§&@#
##@&§†^»:, and snaps me back into reality. i'm ,:»^†§&@##
#@&§†^»:,, back at the factory floor, but the ,,:»^†§&@#
##@&§†^»:, stairs are still moving slightly, ,:»^†§&@##
#@&§†^»:,, clicking in place, carrying me the last ,,:»^†§&@#
##@&§†^»:, few centimeters. i came from below, ,:»^†§&@##
#@&§†^»:,, somehow. the chainmail is retracted, ,,:»^†§&@#
##@&§†^»:, and i slowly dismount the stairs. ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, shaking and crying, i make my way over ,:»^†§&@##
#@&§†^»:,, the factory floor, wading through dark ,,:»^†§&@#
##@&§†^»:, glass marbles. a quick glance down, and ,:»^†§&@##
#@&§†^»:,, i see there's something faint inside ,,:»^†§&@#
##@&§†^»:, them. embryos? are these eggs? ,:»^†§&@##
#@&§†^»:,, ,,:»^†§&@#
##@&§†^»:, i shudder, and climb back out. ,:»^†§&@##
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