THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE  GLASS FACTORY THAT  BORE OUR FAMILY 
 NAME.  IT HAD CHANGED OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE BUILDINGS  THAT SURVIVE:  A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE  BUT NARROW WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE  GLASS, OF COURSE, LARGE AND 
 LEADED, AND ASHEN.  A BIT TOO DARK TO BE 
 PRACTICAL.  ON  THE   EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY OPEN.  THERE'S 
 A MUSEUM, WITH  WAX FIGURES OF  MY GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS  TOOLS (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS.  A LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I  QUICKLY SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I  CAN  SEE BY THE 
 LIGHT  THAT SHINES IN WHEREVER THE  DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE  IS THE 
 HIGHER FLOORS: THIS  BUILDING  HAS NONE. 
 IT  IS ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE  MIDDLE  OF THE  GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE  A FEW RELUCTANT STEPS. AFTER  JUST 
 A REVOLUTION,  I  NOTICE  THAT FOR  EACH 
 STEP THE BUILDING  STARTS TO  GLOW,  THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE, ALL  THE PILED  UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY  TO RUN  DOWN AND OUT, BUT 
 THERE'S SOMEONE ELSE  ON  THE  STAIRCASE 
 WITH  ME   NOW,   PRESSED  CLOSE.   HE'S 
 LOOKING  LIKE  ME,  SHORT HAIR AND  THIN 
 ARMS, BUT WITH  EARS  FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND  DIALS SET 
 IN THE CENTER OF THE  STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN  ELEVATOR!  I   START   TO  RUN 
 DOWNWARDS,  BUT   NOW  THE   LIQUID  BOY 
 CREATURE GRABS  HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM OFF, BUT  HE'S TOO STRONG, AND 
 PULLS   ME    BACK   UP    BESIDE   HIM. 
                                          
 THIS  TIME,  I TURN ANGRY  INSTEAD. WHAT 
 THE HELL? WHO IS  THIS  GUY, ACTING LIKE 
 THIS? I REACH  OUT MY FREE ARM  AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED  BETWEEN  US, HITTING 
 HIM ON THE  ARM,  FORCING MY RELEASE.  I 
 SHOVE HIM OFF OF ME,  AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN IS  DROPPED AROUND  ME. BUT  THE 
 ELEVATOR ALSO  SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE   WALLS  ARE  FLARING  NOW,  YELLOW, 
 WHITE,  ALMOST BLUE. I CLOSE MY EYES AND 
 CURL  INTO A BALL. BUT THEN,  THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES  MY EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS BODY  POOLING 
 DOWN  IN  HIS NOW MASSIVE TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN A  GLASS 
 DROP   THAT  FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON THE  STAIRS, UNABLE TO 
 KEEP HIS  BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE HIS  BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S LOST  TOO  MUCH OF 
 HIMSELF AND  THE  SCREAM  IS  CUT SHORT. 
 THE    LAST   OF    HIM   RAINS    DOWN. 
                                          
 I STILL  CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN  MY CAGE.  LOOKING UP, I  TRY  TO 
 MAKE OUT  THE  CEILING, BUT  IT'S ALL  A 
 WHIRLING SEA OF  COLOURS. BELOW ME GLOWS 
 THE  HELLFIRE OF THE  FACTORY WALLS, BUT 
 VERY  FAINT.  I SIT  DOWN, CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE CLUNK  SHAKES  MY  ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN PLACE,  CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I   SLOWLY  DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND CRYING, I MAKE  MY WAY  OVER 
 THE FACTORY  FLOOR, WADING THROUGH  DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.