##@&@=\=,¨                                          ¨,=\=@&@##
###@&@==,¨                                          ¨,==@&@###
#&&==,,¨¨¨                                          ¨¨¨,,==&&#
#@@\==¨¨¨¨                                          ¨¨¨¨==\@@#
##@&@=\=,¨                                          ¨,=\=@&@##
@@@@@=\=,¨                                          ¨,=\=@@@@@
##@&@=\=,¨                ¨¨@###@¨¨                 ¨,=\=@&@##
#@@\,,¨¨¨¨       ,, pittsburgh electronics ,,       ¨¨¨¨,,\@@#
&@@\,¨¨¨¨¨              == lifeforms ==             ¨¨¨¨¨,\@@&
##@&@=\=,¨               \\ sv one \\               ¨,=\=@&@##
###@&=\=,¨                                          ¨,=\=&@###
##@&@=\=,¨ this  is a eurorack module  but i bought ¨,=\=@&@##
##@&@=\=,¨ the  blackbox  one  so  it's  also  not. ¨,=\=@&@##
##@&@=\=,¨                                          ¨,=\=@&@##
##@&@=\=,¨ it ships  with  too  few  patch  cables. ¨,=\=@&@##
&=\\==,¨¨¨                                          ¨¨¨,==\\=&
#@@\\===,¨             ¨=@ contains @=¨             ¨,===\\@@#
##@&@=\=,¨           midi to cv converter           ¨,=\=@&@##
&&@@\,¨¨¨¨                 two vco's                ¨¨¨¨,\@@&&
@&@@@=\=,¨ four channel or two  x two channel mixer ¨,=\=@@@&@
##@&@=\=,¨       two sub oscillators i think        ¨,=\=@&@##
#@@==,¨¨¨¨         two one to two splitters         ¨¨¨¨,==@@#
##@&@=\=,¨          white noise generator           ¨,=\=@&@##
&&=\,,¨¨¨¨              sample and hold             ¨¨¨¨,,\=&&
&&=\,¨¨¨¨¨          lfo plus a digital lfo          ¨¨¨¨¨,\=&&
@@====\=,¨   filter (lowpass, bandpass, highpass)   ¨,=\====@@
##@&@=\=,¨              adsr envelope               ¨,=\=@&@##
##@&@=\=,¨                 one vca                  ¨,=\=@&@##
@@@=\,¨¨¨¨              headphone amp               ¨¨¨¨,\=@@@
##@&@=\=,¨         fourty nine patchpoints!         ¨,=\=@&@##
&=\=¨¨¨¨¨¨                                          ¨¨¨¨¨¨=\=&
##@&@=\=,¨                  ¨,###,¨                 ¨,=\=@&@##
@@\,,¨¨¨¨¨            === so what now ===           ¨¨¨¨¨,,\@@
##@&@=\=,¨                  ¨,###,¨                 ¨,=\=@&@##
@@===\,¨¨¨                                          ¨¨¨,\===@@
@@@&@=\=,¨ clock  io goes to asdr  in i  think  and ¨,=\=@&@@@
##@&@=\=,¨ maybe  also to  the sample and hold. put ¨,=\=@&@##
##@&@=\=,¨ subbase and noise  in channel three  and ¨,=\=@&@##
&&&===,¨¨¨ four.  oscillator  one  saw  to  channel ¨¨¨,===&&&
##@&@=\=,¨ two,  and oscillator  two saw to channel ¨,=\=@&@##
##@&@=\=,¨ one.  sample  and  hold   out   to   the ¨,=\=@&@##
@@&@@=\=,¨   filter... maybe... resonance at half.  ¨,=\=@@&@@
#&&@\\==,¨ some frequency  in  the first oscillator ¨,==\\@&&#
&&@=\,¨¨¨¨ and  then the second osc  four semitones ¨¨¨¨,\=@&&
@@\=,,¨¨¨¨                  higher.                 ¨¨¨¨,,=\@@
&@====¨¨¨¨                                          ¨¨¨¨====@&
##@&@=\=,¨                  ,=&@&=,                 ¨,=\=@&@##
###&@=\=,¨          \@@ desktop synth @@\           ¨,=\=@&###
&=\==,,¨¨¨                  ,=&@&=,                 ¨¨¨,,==\=&
##@&@=\=,¨                                          ¨,=\=@&@##
@&=====,¨¨                                          ¨¨,=====&@
&&@====¨¨¨                                          ¨¨¨====@&&
##@&@=\=,¨                                          ¨,=\=@&@##
##@&@=\=,¨                                          ¨,=\=@&@##
#&&&@=\=,¨                                          ¨,=\=@&&&#