.-»:=¤&¶@# #@¶&¤=:»-.
.-»:==¤&¶@ @¶&¤==:»-.
.-»:=¤&¶@# #@¶&¤=:»-.
....--»:¤& &¤:»--....
...-»»»=&@ @&=»»»-...
...--:¤¤&¶ @@@@ ##### ¶&¤¤:--...
.....-:¤¤¶ TAPE DREAM ¶¤¤:-.....
.-»:=¤&¶¶@ #### @@@@@ @¶¶&¤=:»-.
.-»:=¤&@## ##@&¤=:»-.
.-»:=¤&&&¶ FOR STORING MUSIC ON. ALSO DATA BUT ¶&&&¤=:»-.
.-»:=¤&¶@@ AT THIS POINT IN TIME THAT'S NOT @@¶&¤=:»-.
.-»:=¤¶@## REALLY IMPORTANT I THINK. ##@¶¤=:»-.
.-»:=¤&¶@@ @@¶&¤=:»-.
...-»»==¤¶ ¶¤==»»-...
.-»:=¤&¶@@ :::::::: TYPES OF TAPE :::::::: @@¶&¤=:»-.
.-»:=¤&¶## ##¶&¤=:»-.
.-»:====&¶ CLASS I - "BAD" IRON ¶&====:»-.
.-»:===&¶@ CLASS II - GOOD CHROMIUM @¶&===:»-.
..---»===& CLASS III - BAD IRON PART TWO &===»---..
....--:¤¶¶ CLASS IV - DANGEROUS METALS ¶¶¤:--....
.-»:=¤&¶¶@ @¶¶&¤=:»-.
.-»:=¤&¶@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@¶&¤=:»-.
.-»:=&¶@## THAT IS ACTUALLY USEFUL. ##@¶&=:»-.
.-»:=¤&¶@# #@¶&¤=:»-.
.-:=¤&¶@## :: BIAS :: ##@¶&¤=:-.
.-»:=¤&¶@# #@¶&¤=:»-.
.-»:=¤&¶@# CLASS I USES ONE HUNDRED AND TWENTY #@¶&¤=:»-.
.-»:=¤&¶@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@¶&¤=:»-.
....»=¤¤¤& USE SEVENTY OF THE SAME UNIT. &¤¤¤=»....
.-»:=¤&¶@# #@¶&¤=:»-.
.-»:=¤&¶@@ @@¶&¤=:»-.
.-»:¤&¶@## ========= AHA AND ========= ##@¶&¤:»-.
.-»:=¤&¶## ##¶&¤=:»-.
.-»:=¤&¶@# CLASS IV IS APPARENTLY TOO STRONG TO #@¶&¤=:»-.
.-»:=¤&¶## BE USED ON CLASS I PLAYERS. IT WILL ##¶&¤=:»-.
.-»:=¤&¶@# SOUND TOO LOUND AND IT CANNOT BE #@¶&¤=:»-.
.-»:=¤¤¤&& COMPLETELY ERASED. THIS IS VERY WELL. &&¤¤¤=:»-.
.-»:::¤¤&¶ MAYBE SOME WONDERFUL BLENDING EFFECTS ¶&¤¤:::»-.
.-»:=¤&¶@# COULD BE ACHIEVED? #@¶&¤=:»-.
.--»::::¤¶ ¶¤::::»--.
.-»::::=&& THEY ALSO GNAW AT THE TAPE HEADS A BIT &&=::::»-.
.-»:=¤&¶@# BETTER THAN EARLIER TAPE TYPES. #@¶&¤=:»-.
.-»:=¤&¶@# #@¶&¤=:»-.
.-»:=¤&¶@# #@¶&¤=:»-.
.-»:=¤&¶@# :::::::: ARTIFACTS :::::::: #@¶&¤=:»-.
......-:¤¶ ¶¤:-......
.-»:=¤&&&@ GOOD TAPES ARE DECENT AND HAVE A GOOD @&&&¤=:»-.
.-»:=¤&¶@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@¶&¤=:»-.
.-»:=¤&&¶@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @¶&&¤=:»-.
.-»:=¤&¶@# LIKE IT. #@¶&¤=:»-.
......-:=& &=:-......
.-»:=¤&¶@@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @@¶&¤=:»-.
.-»:=¤&&¶@ KNOWS WHATS EVEN ON THERE ANYMORE @¶&&¤=:»-.
.-»:=¤¶@## ##@¶¤=:»-.
.-»:=¤&¶@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@¶&¤=:»-.
.-»:=¤&¶@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@¶&¤=:»-.
...-»:¤¤&@ @&¤¤:»-...
.---:==&¶¶ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¶¶&==:---.
.-»:=¤&¶@# SECONDS LONG. WHAT UP. BOTH OF THESE #@¶&¤=:»-.
.-»:=¤&¶@# INCREASE WHEN TAPE SPEED DECREASES. #@¶&¤=:»-.
..-»::=&¶@ @¶&=::»-..
-»:=¤&¶@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@¶&¤=:»-
.-»:=¤&¶@# OTHER IF THEYRE ALONE FOR TOO LONG #@¶&¤=:»-.
.-»:=¤¤&&@ @&&¤¤=:»-.
.-»:=¤&¶## ##¶&¤=:»-.
.-»:=¤&¶@@ @@¶&¤=:»-.
.-»::::¤¤& &¤¤::::»-.
.-»:=¤&¶@@ @@¶&¤=:»-.
.-»:=¤&¶@# #@¶&¤=:»-.