¤¤.¤¤..¤¤. ¤.¤....¤¤¤
..¤¤.¤.¤.¤ .¤¤¤...¤..
..¤.¤¤¤¤¤¤ ¤¤..¤..¤¤.
..¤¤¤..... ¤.¤.¤¤.¤.¤
¤.¤..¤.... .¤¤¤¤.¤¤¤¤
.¤¤¤.¤¤... delay delay d.la# ¤ *a. . .@ - . .¤...¤¤...
.¤..¤¤.¤.. .¤¤..¤.¤..
.¤¤.¤.¤¤¤. .¤.¤.¤¤¤¤.
.¤.¤¤¤¤..¤ ¤¤¤¤¤¤...¤
¤¤¤¤...¤.¤ ¤.....¤..¤
....¤..¤¤¤ "delay" means repetiton or likewise, .¤....¤¤.¤
¤...¤¤.¤.. but it's mainly useless without .¤¤...¤.¤¤
.¤..¤.¤¤¤. feedback, .¤.¤..¤¤¤.
.¤¤.¤¤¤..¤ to allow the delay to eat of it's own ¤¤¤¤¤.¤..¤
¤¤.¤¤..¤.¤ tail, like one of those eaty serpents. ¤....¤¤¤.¤
..¤¤.¤.¤¤¤ thus: it's the serpent effect! .¤...¤..¤¤
¤.¤.¤¤¤¤.. .¤¤..¤¤.¤.
¤¤¤¤¤...¤. it's to be revered as a creator of .¤.¤.¤.¤¤¤
.....¤..¤¤ ambience and of space, if you treat it .¤¤¤¤¤¤¤..
.....¤¤.¤. right. a somewhat more solid and ¤¤......¤.
.....¤.¤¤¤ slippery sibling of reverb. ¤.¤.....¤¤
¤....¤¤¤.. ¤¤¤¤....¤.
¤¤...¤..¤. ¤...¤...¤¤
..¤..¤¤.¤¤ .¤..¤¤..¤.
..¤¤.¤.¤¤. ¤¤¤.¤.¤.¤¤
¤.¤.¤¤¤¤.¤ ¤..¤¤¤¤¤¤.