,.~:*¤@@@# #@@@¤*:~.,
,.~:¤@¶### ###¶@¤:~.,
,.~:*¤@¶## ##¶@¤*:~.,
,,,,,.~*@# #@*~.,,,,,
,,,.~***@¶ ¶@***~.,,,
,.~:*¤@¶## #### ##### ##¶@¤*:~.,
,.~:*¤@¶## TAPE DREAM ##¶@¤*:~.,
,.~:*¤¶### #### ##### ###¶¤*:~.,
,.~:*¤@¶## ##¶@¤*:~.,
,.~:*¤@¶## FOR STORING MUSIC ON. ALSO DATA BUT ##¶@¤*:~.,
,.~:*¤@¶## AT THIS POINT IN TIME THAT'S NOT ##¶@¤*:~.,
,.~:*¤@¶## REALLY IMPORTANT I THINK. ##¶@¤*:~.,
,,,,,,.~*@ @*~.,,,,,,
,.~:*¤@¶## ##¶@¤*:~.,
,.~:*¤@¶## :::::::: TYPES OF TAPE :::::::: ##¶@¤*:~.,
,.~:*¤@@@¶ ¶@@@¤*:~.,
,,...:*¤@# CLASS I - "BAD" IRON #@¤*:...,,
,,,,,,~:¤¶ CLASS II - GOOD CHROMIUM ¶¤:~,,,,,,
,.~:*¤@¶## CLASS III - BAD IRON PART TWO ##¶@¤*:~.,
,.~:*¤@¶## CLASS IV - DANGEROUS METALS ##¶@¤*:~.,
,.~:*¤@¶## ##¶@¤*:~.,
,,,,,~:¤¶¶ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ¶¶¤:~,,,,,
,.~:*¤@¶## THAT IS ACTUALLY USEFUL. ##¶@¤*:~.,
,,,,.~*@¶¶ ¶¶@*~.,,,,
,,,.~:¤¤¶¶ :: BIAS :: ¶¶¤¤:~.,,,
,.~:*¤@¶## ##¶@¤*:~.,
,.~:*¤@¶## CLASS I USES ONE HUNDRED AND TWENTY ##¶@¤*:~.,
,.~:*¤@¶¶# MICRO-SOMETHING WHILE THE OTHERS ALL #¶¶@¤*:~.,
,,,.~:*¤¶# USE SEVENTY OF THE SAME UNIT. #¶¤*:~.,,,
,.~:*¤¤¤@@ @@¤¤¤*:~.,
,.~:*¤@### ###@¤*:~.,
,.~:*¤@¶## ********* AHA AND ********* ##¶@¤*:~.,
,,,,.:**@@ @@**:.,,,,
,.~:*¤@¶## CLASS IV IS APPARENTLY TOO STRONG TO ##¶@¤*:~.,
,.~:*¤@¶## BE USED ON CLASS I PLAYERS. IT WILL ##¶@¤*:~.,
,.~:*¤@¶## SOUND TOO LOUND AND IT CANNOT BE ##¶@¤*:~.,
,.~:*@¶### COMPLETELY ERASED. THIS IS VERY WELL. ###¶@*:~.,
,.~:*¤@¶## MAYBE SOME WONDERFUL BLENDING EFFECTS ##¶@¤*:~.,
,,,,~~*¤@¶ COULD BE ACHIEVED? ¶@¤*~~,,,,
,.~:*¤@¶## ##¶@¤*:~.,
,,,,.:*¤¶¶ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¶¶¤*:.,,,,
,.~:*¤@¶## BETTER THAN EARLIER TAPE TYPES. ##¶@¤*:~.,
,,,..::¤¤@ @¤¤::..,,,
,,,.~~:¤@¶ ¶@¤:~~.,,,
,.~:*¤@¶## :::::::: ARTIFACTS :::::::: ##¶@¤*:~.,
,.~:*¤@¶## ##¶@¤*:~.,
,.~:*¤@¶¶¶ GOOD TAPES ARE DECENT AND HAVE A GOOD ¶¶¶@¤*:~.,
,.~:*¤@¶¶¶ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¶¶¶@¤*:~.,
,.~:*¤@¶## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##¶@¤*:~.,
,.~:*¤@¶## LIKE IT. ##¶@¤*:~.,
,.~:*¤@¶## ##¶@¤*:~.,
,.~:*¤@¶## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##¶@¤*:~.,
,~:*¤@¶### KNOWS WHATS EVEN ON THERE ANYMORE ###¶@¤*:~,
,,,,,,.~*@ @*~.,,,,,,
,,,,,.:*¤@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @¤*:.,,,,,
,.~:*¤@¶## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##¶@¤*:~.,
,,,,,~*@@@ @@@*~,,,,,
,.~:*¤@¶## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##¶@¤*:~.,
,.~~:::*@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@*:::~~.,
,.~:*¤@¶¶# INCREASE WHEN TAPE SPEED DECREASES. #¶¶@¤*:~.,
,.:*¤@¶### ###¶@¤*:.,
,.~:*¤@¶## PRINT THROUGH: TAPES RUB SOUND ON EACH ##¶@¤*:~.,
,.~:*¤@¶## OTHER IF THEYRE ALONE FOR TOO LONG ##¶@¤*:~.,
.~:*¤@¶### ###¶@¤*:~.
,.~:*¤@@¶# #¶@@¤*:~.,
,.~:*¤@¶## ##¶@¤*:~.,
,,,,,~:*@# #@*:~,,,,,
,.~:¤@¶### ###¶@¤:~.,
,,,,..:¤¶# #¶¤:..,,,,