¨,-=*¤&@## ##@&¤*=-,¨
¨¨¨,,==*¤& &¤*==,,¨¨¨
¨¨¨¨,,-*¤# #¤*-,,¨¨¨¨
¨,-=*¤&#@# #@#&¤*=-,¨
¨,-=*¤&#@# #@#&¤*=-,¨
¨,-=*¤&#@# @@@@ ##### #@#&¤*=-,¨
¨¨¨¨,--*¤& TAPE DREAM &¤*--,¨¨¨¨
¨,-=*¤&@## #### @@@@@ ##@&¤*=-,¨
¨¨¨¨¨,-*¤& &¤*-,¨¨¨¨¨
¨,-=*&#@## FOR STORING MUSIC ON. ALSO DATA BUT ##@#&*=-,¨
¨,-=*¤&#@# AT THIS POINT IN TIME THAT'S NOT #@#&¤*=-,¨
¨,-=*¤¤&## REALLY IMPORTANT I THINK. ##&¤¤*=-,¨
¨,-=¤&#@## ##@#&¤=-,¨
,-=*¤&#@## ##@#&¤*=-,
¨,-=*¤&#@# ======== TYPES OF TAPE ======== #@#&¤*=-,¨
¨,-=*¤&#@# #@#&¤*=-,¨
¨,-=*¤#@## CLASS I - "BAD" IRON ##@#¤*=-,¨
¨¨¨¨¨¨-=¤& CLASS II - GOOD CHROMIUM &¤=-¨¨¨¨¨¨
¨¨¨,--**¤& CLASS III - BAD IRON PART TWO &¤**--,¨¨¨
¨,-=*¤&#@# CLASS IV - DANGEROUS METALS #@#&¤*=-,¨
¨,-=*¤&&## ##&&¤*=-,¨
¨,-*¤&#@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@#&¤*-,¨
¨,-=*¤&#@@ THAT IS ACTUALLY USEFUL. @@#&¤*=-,¨
¨¨¨,,,,-*& &*-,,,,¨¨¨
¨-=*¤&#@## == BIAS == ##@#&¤*=-¨
¨¨¨¨¨,-*¤# #¤*-,¨¨¨¨¨
¨,-=*¤&#@# CLASS I USES ONE HUNDRED AND TWENTY #@#&¤*=-,¨
¨,-==**&## MICRO-SOMETHING WHILE THE OTHERS ALL ##&**==-,¨
¨,-=*¤&#@# USE SEVENTY OF THE SAME UNIT. #@#&¤*=-,¨
¨¨¨,---=¤# #¤=---,¨¨¨
¨,-=*¤&### ###&¤*=-,¨
¨¨¨,-**&&& ********* AHA AND ********* &&&**-,¨¨¨
¨¨¨¨¨,,-*& &*-,,¨¨¨¨¨
¨¨¨¨¨¨¨-*& CLASS IV IS APPARENTLY TOO STRONG TO &*-¨¨¨¨¨¨¨
¨¨,,,,-=¤& BE USED ON CLASS I PLAYERS. IT WILL &¤=-,,,,¨¨
¨¨¨¨¨,=*&@ SOUND TOO LOUND AND IT CANNOT BE @&*=,¨¨¨¨¨
¨¨¨¨,,=*¤& COMPLETELY ERASED. THIS IS VERY WELL. &¤*=,,¨¨¨¨
¨,-=*¤&#@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@#&¤*=-,¨
¨¨¨¨¨,-*&@ COULD BE ACHIEVED? @&*-,¨¨¨¨¨
¨¨¨¨¨--*&# #&*--¨¨¨¨¨
¨¨¨¨,,=*&# THEY ALSO GNAW AT THE TAPE HEADS A BIT #&*=,,¨¨¨¨
¨,-=*¤&#@# BETTER THAN EARLIER TAPE TYPES. #@#&¤*=-,¨
¨¨¨,-*¤&&@ @&&¤*-,¨¨¨
¨¨¨¨¨--**& &**--¨¨¨¨¨
¨,--=***&@ ======== ARTIFACTS ======== @&***=--,¨
¨,-=*¤&#@@ @@#&¤*=-,¨
¨¨,,,-=*¤# GOOD TAPES ARE DECENT AND HAVE A GOOD #¤*=-,,,¨¨
¨,-=*¤¤¤&& HIGH FREQUENCY PRESENCE, BAD TAPES ARE &&¤¤¤*=-,¨
¨,-=*¤&#@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@#&¤*=-,¨
¨,-=*¤#@## LIKE IT. ##@#¤*=-,¨
¨¨¨¨¨,=*&@ @&*=,¨¨¨¨¨
¨,-=*¤&#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#&¤*=-,¨
¨,-=*¤#@## KNOWS WHATS EVEN ON THERE ANYMORE ##@#¤*=-,¨
¨¨¨¨,=¤¤&# #&¤¤=,¨¨¨¨
¨¨¨¨¨¨-*&@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @&*-¨¨¨¨¨¨
¨,-=*¤&#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#&¤*=-,¨
¨¨¨¨,==*¤& &¤*==,¨¨¨¨
¨¨¨¨,==**& WOW: A SLOWER FLUTTER, USUALLY SEVERAL &**==,¨¨¨¨
¨¨,,,==¤&# SECONDS LONG. WHAT UP. BOTH OF THESE #&¤==,,,¨¨
¨,-=*¤&&#@ INCREASE WHEN TAPE SPEED DECREASES. @#&&¤*=-,¨
¨,-=*¤&@## ##@&¤*=-,¨
¨,-=*¤&#@@ PRINT THROUGH: TAPES RUB SOUND ON EACH @@#&¤*=-,¨
¨¨¨¨,,=¤¤& OTHER IF THEYRE ALONE FOR TOO LONG &¤¤=,,¨¨¨¨
¨,-=*¤&#@# #@#&¤*=-,¨
¨,-=*¤&#@# #@#&¤*=-,¨
¨,-=*¤#@## ##@#¤*=-,¨
¨¨¨¨¨¨,-*& &*-,¨¨¨¨¨¨
¨,-=*¤&### ###&¤*=-,¨
¨¨¨¨--**&# #&**--¨¨¨¨