.-«*%¤@### ###@¤%*«-.
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...-«*%¤@# #@¤%*«-...
....-«*%¤@ @¤%*«-....
.....-«*%¤ ¤%*«-.....
......-«*% delay delay d.la# @ %a. - .# « - %*«-......
.......-«* *«-.......
........-« «-........
.........- -.........
.......... ..........
.......... "delay" means repetiton or likewise, ..........
.......... but it's mainly useless without ..........
.........- feedback, -.........
........-« to allow the delay to eat of it's own «-........
.......-«* tail, like one of those eaty serpents. *«-.......
......-«*% thus: it's the serpent effect! %*«-......
.....-«*%¤ ¤%*«-.....
....-«*%¤@ it's to be revered as a creator of @¤%*«-....
...-«*%¤@# ambience and of space, if you treat it #@¤%*«-...
..-«*%¤@## right. a somewhat more solid and ##@¤%*«-..
.-«*%¤@### slippery sibling of reverb. ###@¤%*«-.
..-«*%¤@## ##@¤%*«-..
...-«*%¤@# #@¤%*«-...
....-«*%¤@ @¤%*«-....
.....-«*%¤ ¤%*«-.....
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