###@£*;«,, ,,«;*£@###
###@£*;«,, ,,«;*£@###
#@**;,,,,, ,,,,,;**@#
@£*««««,,, ,,,««««*£@
#@****;«,, ,,«;****@#
@£***;,,,, delay delay d,la# @ *a, , ,# « , ,,,,;***£@
###@£*;«,, ,,«;*£@###
#@***«,,,, ,,,,«***@#
###@£*;«,, ,,«;*£@###
@**««,,,,, ,,,,,««**@
##@£;««,,, "delay" means repetiton or likewise, ,,,««;£@##
@£££*;,,,, but it's mainly useless without ,,,,;*£££@
###@£*;«,, feedback, ,,«;*£@###
###@£*;«,, to allow the delay to eat of it's own ,,«;*£@###
###@£*;«,, tail, like one of those eaty serpents. ,,«;*£@###
###@£*;«,, thus: it's the serpent effect! ,,«;*£@###
###@£*;«,, ,,«;*£@###
@@*«,,,,,, it's to be revered as a creator of ,,,,,,«*@@
###@£*;«,, ambience and of space, if you treat it ,,«;*£@###
##@@£*;«,, right. a somewhat more solid and ,,«;*£@@##
###@£*;«,, slippery sibling of reverb. ,,«;*£@###
##@£;««,,, ,,,««;£@##
###@£*;«,, ,,«;*£@###
#@*;;««,,, ,,,««;;*@#
###@£*;«,, ,,«;*£@###
###@£*;«,, ,,«;*£@###