,,~=^££@@# #@@££^=~,,
,,,,,=^^£@ @£^^=,,,,,
,,~=^££@@@ @@@££^=~,,
,,,,,,~=££ ££=~,,,,,,
,,~==^^££@ @££^^==~,,
,~=^££@@## delay delay d,la@ £ ^a, , ,@ ~ , ##@@££^=~,
,,,,,,,=^£ £^=,,,,,,,
,,,,,,=^£@ @£^=,,,,,,
,,,,,,=^££ ££^=,,,,,,
,,~=^££@@@ @@@££^=~,,
,,~=^££@@@ "delay" means repetiton or likewise, @@@££^=~,,
,~=^££@@## but it's mainly useless without ##@@££^=~,
,,,,,=^££@ feedback, @££^=,,,,,
,,~=^££@@# to allow the delay to eat of it's own #@@££^=~,,
,,~=^££@@@ tail, like one of those eaty serpents. @@@££^=~,,
,,,,,=^^£@ thus: it's the serpent effect! @£^^=,,,,,
,,,~~~=£££ £££=~~~,,,
,,~=^££@@# it's to be revered as a creator of #@@££^=~,,
,,,,==^^££ ambience and of space, if you treat it ££^^==,,,,
,,~=^££@@# right. a somewhat more solid and #@@££^=~,,
,,~=^££@@# slippery sibling of reverb. #@@££^=~,,
,,,,,~^^£@ @£^^~,,,,,
,,,,,,,~^£ £^~,,,,,,,
,,,,~=^^^£ £^^^=~,,,,
,,~=^££@@# #@@££^=~,,
,,~=^££@## ##@££^=~,,