.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                ..&###&..                 ##@£&*/~,.
..,~/*&£@#       ,, Pittsburgh Electronics ,,       #@£&*/~,..
.,~/*&£@##              ~~ Lifeforms ~~             ##@£&*/~,.
..,~/*&£@#               // Sv One //               #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@# This  Is A Eurorack Module But  I Bought #@£&*/~,..
.,~/*&£@## The  Blackbox  One  So  It'S  Also  Not. ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@## It  Ships With  Too  Few  Patch  Cables. ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##             .*@ Contains @*.             ##@£&*/~,.
..,~/*&£@#           Midi To Cv Converter           #@£&*/~,..
.,~/*&£@##                 Two Vco'S                ##@£&*/~,.
..,~/*&£@# Four Channel Or Two X Two  Channel Mixer #@£&*/~,..
.,~/*&£@##        Two Sub Oscillators I Think       ##@£&*/~,.
..,~/*&£@#         Two One To Two Splitters         #@£&*/~,..
.,~/*&£@##          White Noise Generator           ##@£&*/~,.
..,~/*&£@#             Sample And Hold              #@£&*/~,..
.,~/*&£@##          Lfo Plus A Digital Lfo          ##@£&*/~,.
..,~/*&£@#   Filter (Lowpass, Bandpass, Highpass)   #@£&*/~,..
.,~/*&£@##              Adsr Envelope               ##@£&*/~,.
..,~/*&£@#                 One Vca                  #@£&*/~,..
.,~/*&£@##              Headphone Amp               ##@£&*/~,.
..,~/*&£@#         Fourty Nine Patchpoints!         #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@#                 .,###,.                  #@£&*/~,..
.,~/*&£@##           ~** So What Now **~            ##@£&*/~,.
..,~/*&£@#                  .,###,.                 #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@# Clock  Io Goes To  Asdr  In I  Think And #@£&*/~,..
.,~/*&£@## Maybe  Also To The  Sample And Hold. Put ##@£&*/~,.
..,~/*&£@# Subbase  And  Noise In Channel Three And #@£&*/~,..
.,~/*&£@## Four.  Oscillator  One  Saw  To  Channel ##@£&*/~,.
..,~/*&£@# Two, And Oscillator Two  Saw To  Channel #@£&*/~,..
.,~/*&£@## One.   Sample   And  Hold   Out  To  The ##@£&*/~,.
..,~/*&£@#   Filter... Maybe... Resonance At Half.  #@£&*/~,..
.,~/*&£@## Some Frequency  In The  First Oscillator ##@£&*/~,.
..,~/*&£@# And Then  The  Second Osc Four Semitones #@£&*/~,..
.,~/*&£@##                 Higher.                  ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                  ,~£@£~,                 ##@£&*/~,.
..,~/*&£@#           /&& Desktop Synth &&/          #@£&*/~,..
.,~/*&£@##                  ,~£@£~,                 ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.
..,~/*&£@#                                          #@£&*/~,..
.,~/*&£@##                                          ##@£&*/~,.