¨@@¨¨@¨¨@¨ @¨@@@@@@¨¨
@¨@¨@@¨@@¨ @¨¨@@@@@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@@@@¨@
@¨@¨@@¨@@¨ @¨@¨¨@@@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ L U S H @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ A R P E G G I O @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ WHAT ARE THESE THINGS IF NOT BIRDSONG? @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ BLACKBIRD + NOISE CASCADE. @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ THE COMMODORE SOUND MAYBE. DIRTY, @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ MIRRORING, DISTORTED FLUTE, @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ ¨ ¨ ¨ ¨ ¨ ¨¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ DDRREEAAMMYY SSLLIIDDEESS @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ MIRAGES IN SOUND. ARPEGGIOS, CHORDS @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ MULTIPLEXED IN THE TIME DOMAIN, @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ REFACTORED, REFRACTORED, REMADE @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ , , ¨ ¨ ¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ † † † † = † @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ $ = $ = $ $ $ $ = @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ # # # # # @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@
@¨@¨@@¨@@¨ @¨@¨@¨¨@¨¨
@¨@¨¨@¨¨@¨ @¨@¨@¨@@¨@