.^~*%%##@# #@##%%*~^.
¨,,,^«~†¤# #¤†~«^,,,¨
¨,«;%%@### ###@%%;«,¨
¨:»^^¤@@## ##@@¤^^»:¨
.-~††%§@@# #@@§%††~-.
,-=;$$¤### statuette ###¤$$;=-,
¨,~^*£§@## ##@§£*^~,¨
.,«^^†§$&@ £§%@@¤%££&&%§¤%$~=~»»~==*§£*$%¤%@§¤$&%@& @&$§†^^«,.
,^~††£§#@# &&¤*%@§** #@#§£††~^,
¨.=†=£@£## ##£@£=†=.¨
,-»:^@£¶## forests around my childhood home. thick ##¶£@^:»-,
,,,¨~.†;$& pine arcades that were planted and &$;†.~¨,,,
.~«:**§¶## forgotten. wild boars roaming ##¶§**:«~.
¨¨¨.,.,;*# underneath, sniffing at the ground. it #*;,.,.¨¨¨
.,,¨-»\†&¶ is dark and moist, the canopy having ¶&†\»-¨,,.
¨..¨.~\§&& already soaked up all the sun. &&§\~.¨..¨
..¨,^:%£%£ £%£%:^,¨..
¨.»\$*¤@@# there's a river passing by, from east #@@¤*$\».¨
.:~;^¤#### to west, getting broader and deeper and ####¤^;~:.
,.,¨..~:%@ slower as it goes. equisetum grow just @%:~..¨,.,
,,»/:^*£ where the pine hands start to let #&£*^:/»,,
¨,,^\;§£@# through light, horsemint on the rocky #@£§;\^,,¨
,.~=$%†§§£ river bed. £§§†%$=~.,
¨,¨~~$*%@# #@%*$~~¨,¨
¨¨¨^~»;=%¤ / ¤%=;»~^¨¨¨
,,~*§$¤### ###¤$§*~,,
¨.=/§$§£## the riverbanks reek of magic. tonight ##£§$§/=.¨
¨^»^§%%¶ they had been a swampworld with sylvan ¶#&%%§^»^¨
.,~^*^%#@# water, stone rings and floating moss. #@#%^*^~,.
,.»:=*@### you could've found me wallowing around ###@*=:».,
.^»:%^*%#@ on the southern shores until i got @#%*^%:»^.
.,,.~^†££# bitten. #££†^~.,,.
.,.:-»^^#@ @#^^»-:.,.
¨,,.,~§$## but now i'm further back, on solid ##$§~,.,,¨
,~~*%£§@## ground, in shoulder-high grass, with an ##@§£%*~~,
.,~\*§@¶£# orange tin radio and a translucent #£¶@§*\~,.
,,¨.~:*^£& umbrella which i'm sitting on. &£^*:~.¨,,
¨.»*$#@@## ##@@#$*».¨
,--\§### † ####&§\--,
¨:«†*$§¶#@ @#¶§$*†«:¨
¨-«*%$##@# somethings moving in the grass. it's #@##$%*«-¨
¨,¨¨,-§=§# invisible to my eyes but i can feel #§=§-,¨¨,¨
,,»;*%#### through the ground just how large it is. ####%*;»,,
.^~,^;%£#@ @#£%;^,~^.
.:«:$§#### the soil is muddy. i slip when trying ####§$:«:.
,.»:%$¶@## to get up, still looking at the ##@¶$%:».,
,.,.~^*£$£ direction of sound rather than at my £$£*^~.,.,
,-»;§$#@## hands, who are busy putting things in ##@#$§;»-,
..=*%%££@# my pockets. #@££%%*=..
¨:~†§*@@## ##@@*§†~:¨
..,,,-«*@£ then i run east toward my home. £@*«-,,,..
¨^«;*@££@# #@££@*;«^¨
..»:$£#¶## * ##¶#£$:»..
..~:§£¤£## ##£¤£§:~..
.,,¨»«==&£ i am not followed, and slow down in the £&==«»¨,,.
.¨^»/†&@## clearing where you at first can spot ##@&†/»^¨.
.¨.¨..~^@# the house, not yet really in the #@^~..¨.¨.
,¨.¨»:$=§§ backyard. from my pockets i retrieve my §§=$:»¨.¨,
,,~/%%¤@@@ radio (now dented) but also a small @@@¤%%/~,,
¨,~;§%§£## clay figure i've never seen before. it ##£§%§;~,¨
¨,«†$$£@## must have been laying in the wet dirt, ##@£$$†«,¨
.:~=*$¤### and i must've picked it up with my ###¤$*=~:.
¨.,=†^%$&@ other belongings. @&$%^†=,.¨
¨¨¨¨,.«* #&*«.,¨¨¨¨
..¨¨,,,»%# it's a statuette of a girl laying naked #%»,,,¨¨..
.^=*%£¤¶## on her stomach, feet in the air, ##¶¤£%*=^.
¨,»:*&§£## roughly seven centimeters long. it's ##£§&*:»,¨
,.,¨,:%^## freshly made, not yet completely dried. ##^%:,¨,.,
,-=:$$&@#@ @#@&$$:=-,
.¨,¨¨:~$¤# my mom is here now. i ask her for some #¤$~:¨¨,¨.
¨,~*†£&*#@ particle board for it to dry on, but @#*&£†*~,¨
,,«*$£&&@¶ she is worried and wants me to ¶@&&£$*«,,
.¨¨¨»=^^%@ throw it away. @%^^=»¨¨¨.
¨,-*=;*¤&@ @&¤*;=*-,¨
,^~*$*@¶## ##¶@*$*~^,
.«\%£@£### ###£@£%\«.
¨¨¨,~=*£@# #@£*=~,¨¨¨
.,«;*&@@## ##@@&*;«,.
,~-:=$&@## ##@&$=:-~,