,~-:£#@@## ##@@#£:-~,
¨¨,=\*&@## ##@&*\=,¨¨
¨-~;$£#### ####£$;~-¨
¨,^-^%§@## ##@§%^-^,¨
.-»**&£### ###£&**»-.
¨..-*§§### statuette ###§§*-..¨
¨~~=@##### #####@=~~¨
.¨.«:§@#@# @$§&$%£§$£&@*%%%~=»«-~~=@$¤$££&@£&£¤%$** #@#@§:«.¨.
¨,~/¤¤#### $%$$¤%%%@ ####¤¤/~,¨
.¨:«:§#### ####§:«:¨.
..~^£&#### forests around my childhood home. thick ####&£^~..
¨.--\&@£@# pine arcades that were planted and #@£@&\--.¨
,-~\%¤£### forgotten. wild boars roaming ###£¤%\~-,
.,,»^$¤#@# underneath, sniffing at the ground. it #@#¤$^»,,.
.:=:$&@### is dark and moist, the canopy having ###@&$:=:.
,.:~\£@¶## already soaked up all the sun. ##¶@£\~:.,
.^=:%¤#### ####¤%:=^.
¨..«;%¤### there's a river passing by, from east ###¤%;«..¨
¨^=**#¶### to west, getting broader and deeper and ###¶#**=^¨
.¨,=/¤&@## slower as it goes. equisetum grow just ##@&¤/=,¨.
¨:~*¤#@### where the pine hands start to let ###@#¤*~:¨
,.-~/£¤### through light, horsemint on the rocky ###¤£/~-.,
..»/%@#@## river bed. ##@#@%/»..
,,.-*£#@@# #@@#£*-.,,
,,=:¤@£@## : ##@£@¤:=,,
¨¨:»\$&¶## ##¶&$\»:¨¨
,:~;$¤¶@## the riverbanks reek of magic. tonight ##@¶¤$;~:,
,¨:==%@@## they had been a swampworld with sylvan ##@@%==:¨,
,.«/*&#### water, stone rings and floating moss. ####&*/«.,
.¨,~/&@@## you could've found me wallowing around ##@@&/~,¨.
.:-=$§¶### on the southern shores until i got ###¶§$=-:.
¨,~»/£@@@# bitten. #@@@£/»~,¨
¨^«/%@£### ###£@%/«^¨
¨,,»:$&### but now i'm further back, on solid ###&$:»,,¨
.,-:§§@### ground, in shoulder-high grass, with an ###@§§:-,.
¨,,==$§@@# orange tin radio and a translucent #@@§$==,,¨
.-«;£#@@## umbrella which i'm sitting on. ##@@#£;«-.
.,,»:%¤### ###¤%:»,,.
.,~=$¤#### * ####¤$=~,.
¨¨:«\&&@## ##@&&\«:¨¨
..«\¤£@### somethings moving in the grass. it's ###@£¤\«..
¨¨^«\£#¶## invisible to my eyes but i can feel ##¶#£\«^¨¨
,:~:¤@#### through the ground just how large it is. ####@¤:~:,
...-*¤£#@# #@#£¤*-...
.~=^&§¶### the soil is muddy. i slip when trying ###¶§&^=~.
,,,»^$§### to get up, still looking at the ###§$^»,,,
.:»†$£#### direction of sound rather than at my ####£$†»:.
,¨~-^%@### hands, who are busy putting things in ###@%^-~¨,
.,~:@£¶@## my pockets. ##@¶£@:~,.
...~/$#¶## ##¶#$/~...
.:»*&&¶@## then i run east toward my home. ##@¶&&*»:.
,,~~/§£#@# #@#£§/~~,,
¨.-\$&#### ^ ####&$\-.¨
..,»†£&#@# #@#&£†»,..
,,-=*§@### i am not followed, and slow down in the ###@§*=-,,
...-=£##@# clearing where you at first can spot #@##£=-...
¨:=†@§#### the house, not yet really in the ####§@†=:¨
¨¨:-/$§@@# backyard. from my pockets i retrieve my #@@§$/-:¨¨
.-=;$£@### radio (now dented) but also a small ###@£$;=-.
..:=†@§@## clay figure i've never seen before. it ##@§@†=:..
,,~†£#@### must have been laying in the wet dirt, ###@#£†~,,
.¨,~;§£¶@# and i must've picked it up with my #@¶£§;~,¨.
.~=;$##### other belongings. #####$;=~.
,,-»†$@¶## ##¶@$†»-,,
.--*%£@### it's a statuette of a girl laying naked ###@£%*--.
.,.=/¤£@## on her stomach, feet in the air, ##@£¤/=.,.
.,-:%£#@## roughly seven centimeters long. it's ##@#£%:-,.
..,»=%¤#@# freshly made, not yet completely dried. #@#¤%=»,..
.^~^$£#### ####£$^~^.
¨¨.»^$§#@# my mom is here now. i ask her for some #@#§$^».¨¨
..~;§¤@@## particle board for it to dry on, but ##@@¤§;~..
.,,==$&### she is worried and wants me to ###&$==,,.
.^-†&#@### throw it away. ###@#&†-^.
¨¨.»/%£¶## ##¶£%/».¨¨
.-«;£§¶@## ##@¶§£;«-.
,¨,»;¤@### ###@¤;»,¨,
.,-^%#@### ###@#%^-,.
..--;&£@## ##@£&;--..
¨,»\*£#@## ##@#£*\»,¨