¨.~/^@#@## ##@#@^/~.¨
.--=*%@¶@# #@¶@%*=--.
.-»;†£§### ###§£†;»-.
,~=\§%£### ###£%§\=~,
..,.,*§¤ ¤§#&*,.,..
¨,~==$£### statuette ###£$==~,¨
.,¨¨¨^,~*§ §*~,^¨¨¨,.
.,~~;;%£%# £§%¤$*£%*%$££*$§«»~«-~»«%%££§§*@$&@$&%$@ #%£%;;~~,.
.¨.¨,^\*£& £%£$§§§*£ &£*\^,¨.¨.
,,~/%$@@## ##@@$%/~,,
.,«:§*@### forests around my childhood home. thick ###@*§:«,.
¨^-^*¤@@@# pine arcades that were planted and #@@@¤*^-^¨
¨..~,~=$¤# forgotten. wild boars roaming #¤$=~,~..¨
.-~*^§£### underneath, sniffing at the ground. it ###£§^*~-.
¨,~/$¤%§ is dark and moist, the canopy having #&§%¤$/~,¨
,:»:=£#### already soaked up all the sun. ####£=:»:,
¨.=^=%#@¶@ @¶@#%=^=.¨
¨,«:%£#### there's a river passing by, from east ####£%:«,¨
.,.¨¨,»**¤ to west, getting broader and deeper and ¤**»,¨¨.,.
.-~*%¤#@## slower as it goes. equisetum grow just ##@#¤%*~-.
¨..-»%%$#@ where the pine hands start to let @#$%%»-..¨
.-~;$%¤@## through light, horsemint on the rocky ##@¤%$;~-.
¨.,~:=§£§@ river bed. @§£§=:~,.¨
¨:-^*£§¶@# #@¶§£*^-:¨
,.=;$&§@## / ##@§&$;=.,
.,=†^@@@## ##@@@^†=,.
,,»/*&¤### the riverbanks reek of magic. tonight ###¤&*/»,,
.,-/=¤&@## they had been a swampworld with sylvan ##@&¤=/-,.
.,~/%££§&¶ water, stone rings and floating moss. ¶&§££%/~,.
¨^~*§@@£## you could've found me wallowing around ##£@@§*~^¨
,,-;%%§¶## on the southern shores until i got ##¶§%%;-,,
¨,-:=$##@# bitten. #@##$=:-,¨
,,=/*££### ###££*/=,,
¨¨.~†^§$@# but now i'm further back, on solid #@$§^†~.¨¨
¨,.,«=§* ground, in shoulder-high grass, with an #&*§=«,.,¨
,^«\=%¤@## orange tin radio and a translucent ##@¤%=\«^,
.^=/^%£#@@ umbrella which i'm sitting on. @@#£%^/=^.
.,¨.,†$#¤# #¤#$†,.¨,.
.,~~=»\*£¶ = ¶£*\»=~~,.
¨,«/†%@¶@@ @@¶@%†/«,¨
,^«†^&&@## somethings moving in the grass. it's ##@&&^†«^,
¨,-=†@£@## invisible to my eyes but i can feel ##@£@†=-,¨
¨.»=%*&@## through the ground just how large it is. ##@&*%=».¨
,,¨,~=-§^¤ ¤^§-=~,¨,,
¨~=;$£@@## the soil is muddy. i slip when trying ##@@£$;=~¨
,,-;=££@@# to get up, still looking at the #@@££=;-,,
¨..=†/&@*@ direction of sound rather than at my @*@&/†=..¨
¨.»\§£&# hands, who are busy putting things in ##&&£§\».¨
,-«^%*§@## my pockets. ##@§*%^«-,
,¨.,¨,=@&¶ ¶&@=,¨,.¨,
.^=/§%#### then i run east toward my home. ####%§/=^.
.....¨-^§§ §§^-¨.....
,¨,,¨,«^@¤ † ¤@^«,¨,,¨,
.-=/†@## ###&@†/=-.
,,~†$@£@## i am not followed, and slow down in the ##@£@$†~,,
¨~«*%$#@## clearing where you at first can spot ##@#$%*«~¨
.,«/$£@#@# the house, not yet really in the #@#@£$/«,.
¨.,,.¨»;$@ backyard. from my pockets i retrieve my @$;»¨.,,.¨
¨,~^†&£### radio (now dented) but also a small ###£&†^~,¨
¨,.¨~\^$%@ clay figure i've never seen before. it @%$^\~¨.,¨
¨^»†;=^%#@ must have been laying in the wet dirt, @#%^=;†»^¨
.¨¨,^,^=$@ and i must've picked it up with my @$=^,^,¨¨.
.--;†*§@## other belongings. ##@§*†;--.
,~«\†%¤@## ##@¤%†\«~,
..¨.«=§$¤# it's a statuette of a girl laying naked #¤$§=«.¨..
.,~=$@#@## on her stomach, feet in the air, ##@#@$=~,.
¨,¨.,.=* roughly seven centimeters long. it's #&*=.,.¨,¨
,.¨¨.--*¤£ freshly made, not yet completely dried. £¤*--.¨¨.,
¨^-/*%£### ###£%*/-^¨
¨~~:§¤§@## my mom is here now. i ask her for some ##@§¤§:~~¨
¨,~^*^@¤§# particle board for it to dry on, but #§¤@^*^~,¨
,:==^$$%£# she is worried and wants me to #£%$$^==:,
¨,¨¨~~^§## throw it away. ##§^~~¨¨,¨
,,~†*££##@ @##££*†~,,
..~†%§£### ###£§%†~..
.,,,««»\&£ £&\»««,,,.
,.,.^;:*#@ @#*:;^.,.,
¨,~/$@£¶## ##¶£@$/~,¨
,¨..,.~^%# #%^~.,..¨,