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,@@,@@,@,@ ,LizardRy @,@,,@,@,@
,,@,,@,@,@ = £ @£ @@@ @@@@@@@@@@@@@@@@@@ @,@,@@,@,@
,@@,@@,@,@ @@ The Art Of C~Nnecting @,@,,@,@,@
,,@,,@,@,@ , With The Old Mind @,@,@@,@,@
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,,@,,@,@,@ My Mind Is Being Skewed. Mi @,@,@@,@,@
,@@,@@,@,@ Skeleton Is Stringy And Old And Alien @,@,,@,@,@
,,@,,@,@,@ The Situation Is Literally @,@,@@,@,@
,@@,@@,@,@ Pressed Out Through My Eyes, It'S @,@,,@,@,@
,,@,,@,@,@ EchoIng Like @,@,@@,@,@
,@@,@@,@,@ The Sunset Of The Eternal @,@,,@,@,@
,,@,,@,@,@ Ocean @,@,@@,@,@
,@@,@@,@,@ Persistently Against My Emulsion @,@,,@,@,@
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,@@,@@,@,@ It'S Ungraspable To Me, What Other @,@,,@,@,@
,,@,,@,@,@ HumanS Are Doing And Abstracting, @,@,@@,@,@
,@@,@@,@,@ And Above All Else, What Time They Use? @,@,,@,@,@
,,@,,@,@,@ How Long A Time Has Passed, For Them? @,@,@@,@,@
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,,@,,@,@,@ , ,,, , ,,,,,,,,,,,,,,,, £££££££ @,@,@@,@,@
,@@,@@,@,@ Continuously I'M Crowding Through @,@,,@,@,@
,,@,,@,@,@ , The Fourth wall ~Outwards Is What , @,@,@@,@,@
,@@,@@,@,@ ,, I'M Thinking But It'S Wrong.. A New @,@,,@,@,@
,,@,,@,@,@ , , Narrator Is Introduced, Occasionally @,@,@@,@,@
,@@,@@,@,@ ~ ~ Aware Of The Previous One, Deeper , @,@,,@,@,@
,,@,,@,@,@ ~ ~ Down In The DragonS Throat. @,@,@@,@,@
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