,:~\=*#¶##                                          ##¶#*=\~:,
,,:~\=*#¶#                                          #¶#*=\~:,,
,,,:~\=*#¶                                          ¶#*=\~:,,,
,,,,:~\=*#                                          #*=\~:,,,,
,,,,,:~\=*                                          *=\~:,,,,,
,,,,:~\=*#                                          #*=\~:,,,,
,,,:~\=*#¶                ,,*###*,,                 ¶#*=\~:,,,
,,:~\=*#¶#       :: PITTSBURGH ELECTRONICS ::       #¶#*=\~:,,
,:~\=*#¶##             ~~ LIFEFORMS ~~              ##¶#*=\~:,
,,:~\=*#¶#               \\ SV ONE \\               #¶#*=\~:,,
,,,:~\=*#¶                                          ¶#*=\~:,,,
,,,,:~\=*# THIS IS A EURORACK  MODULE BUT  I BOUGHT #*=\~:,,,,
,,,,,:~\=* THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. *=\~:,,,,,
,,,,:~\=*#                                          #*=\~:,,,,
,,,:~\=*#¶ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ¶#*=\~:,,,
,,:~\=*#¶#                                          #¶#*=\~:,,
,:~\=*#¶##             ,=¶ CONTAINS ¶=,             ##¶#*=\~:,
,,:~\=*#¶#           MIDI TO CV CONVERTER           #¶#*=\~:,,
,,,:~\=*#¶                TWO VCO'S                 ¶#*=\~:,,,
,,,,:~\=*# FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER #*=\~:,,,,
,,,,,:~\=*       TWO SUB OSCILLATORS I THINK        *=\~:,,,,,
,,,,:~\=*#         TWO ONE TO TWO SPLITTERS         #*=\~:,,,,
,,,:~\=*#¶          WHITE NOISE GENERATOR           ¶#*=\~:,,,
,,:~\=*#¶#             SAMPLE AND HOLD              #¶#*=\~:,,
,:~\=*#¶##          LFO PLUS A DIGITAL LFO          ##¶#*=\~:,
,,:~\=*#¶#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #¶#*=\~:,,
,,,:~\=*#¶              ADSR ENVELOPE               ¶#*=\~:,,,
,,,,:~\=*#                 ONE VCA                  #*=\~:,,,,
,,,,,:~\=*              HEADPHONE AMP               *=\~:,,,,,
,,,,:~\=*#         FOURTY NINE PATCHPOINTS!         #*=\~:,,,,
,,,:~\=*#¶                                          ¶#*=\~:,,,
,,:~\=*#¶#                  ,:###:,                 #¶#*=\~:,,
,:~\=*#¶##           ~== SO WHAT NOW ==~            ##¶#*=\~:,
,,:~\=*#¶#                  ,:###:,                 #¶#*=\~:,,
,,,:~\=*#¶                                          ¶#*=\~:,,,
,,,,:~\=*# CLOCK  IO GOES  TO  ASDR  IN I THINK AND #*=\~:,,,,
,,,,,:~\=* MAYBE ALSO  TO THE SAMPLE AND  HOLD. PUT *=\~:,,,,,
,,,,:~\=*# SUBBASE  AND NOISE IN CHANNEL THREE  AND #*=\~:,,,,
,,,:~\=*#¶ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¶#*=\~:,,,
,,:~\=*#¶# TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL #¶#*=\~:,,
,:~\=*#¶## ONE.  SAMPLE   AND   HOLD  OUT   TO  THE ##¶#*=\~:,
,,:~\=*#¶#   FILTER... MAYBE... RESONANCE AT HALF.  #¶#*=\~:,,
,,,:~\=*#¶ SOME FREQUENCY  IN  THE FIRST OSCILLATOR ¶#*=\~:,,,
,,,,:~\=*# AND THEN THE SECOND OSC  FOUR  SEMITONES #*=\~:,,,,
,,,,,:~\=*                 HIGHER.                  *=\~:,,,,,
,,,,:~\=*#                                          #*=\~:,,,,
,,,:~\=*#¶                  :~#¶#~:                 ¶#*=\~:,,,
,,:~\=*#¶#          \** DESKTOP SYNTH **\           #¶#*=\~:,,
,:~\=*#¶##                 :~#¶#~:                  ##¶#*=\~:,
,,:~\=*#¶#                                          #¶#*=\~:,,
,,,:~\=*#¶                                          ¶#*=\~:,,,
,,,,:~\=*#                                          #*=\~:,,,,
,,,,,:~\=*                                          *=\~:,,,,,
,,,,:~\=*#                                          #*=\~:,,,,
,,,:~\=*#¶                                          ¶#*=\~:,,,