......^-\$                                          $\-^......
.....^-\$$                                          $$\-^.....
....^-\$$@                                          @$$\-^....
...^-\$$@#                                          #@$$\-^...
..^-\$$@##                                          ##@$$\-^..
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..^-\$$@##                ..$###$..                 ##@$$\-^..
...^-\$$@#       ^^ PITTSBURGH ELECTRONICS ^^       #@$$\-^...
....^-\$$@              -- LIFEFORMS --             @$$\-^....
.....^-\$$               \\ SV ONE \\               $$\-^.....
......^-\$                                          $\-^......
.......^-\ THIS  IS A EURORACK  MODULE BUT I BOUGHT \-^.......
......^-\$ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. $\-^......
.....^-\$$                                          $$\-^.....
....^-\$$@ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. @$$\-^....
...^-\$$@#                                          #@$$\-^...
..^-\$$@##             .$£ CONTAINS £$.             ##@$$\-^..
.^-\$$@###           MIDI TO CV CONVERTER           ###@$$\-^.
..^-\$$@##                TWO VCO'S                 ##@$$\-^..
...^-\$$@# FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER #@$$\-^...
....^-\$$@       TWO SUB OSCILLATORS I THINK        @$$\-^....
.....^-\$$         TWO ONE TO TWO SPLITTERS         $$\-^.....
......^-\$           WHITE NOISE GENERATOR          $\-^......
.......^-\              SAMPLE AND HOLD             \-^.......
......^-\$          LFO PLUS A DIGITAL LFO          $\-^......
.....^-\$$   FILTER (LOWPASS, BANDPASS, HIGHPASS)   $$\-^.....
....^-\$$@              ADSR ENVELOPE               @$$\-^....
...^-\$$@#                  ONE VCA                 #@$$\-^...
..^-\$$@##               HEADPHONE AMP              ##@$$\-^..
.^-\$$@###         FOURTY NINE PATCHPOINTS!         ###@$$\-^.
..^-\$$@##                                          ##@$$\-^..
...^-\$$@#                  .^###^.                 #@$$\-^...
....^-\$$@            -$$ SO WHAT NOW $$-           @$$\-^....
.....^-\$$                 .^###^.                  $$\-^.....
......^-\$                                          $\-^......
.......^-\ CLOCK  IO GOES  TO  ASDR IN  I THINK AND \-^.......
......^-\$ MAYBE ALSO TO THE SAMPLE  AND HOLD.  PUT $\-^......
.....^-\$$ SUBBASE  AND NOISE  IN CHANNEL THREE AND $$\-^.....
....^-\$$@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @$$\-^....
...^-\$$@# TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL #@$$\-^...
..^-\$$@## ONE.  SAMPLE   AND   HOLD  OUT  TO   THE ##@$$\-^..
.^-\$$@###  FILTER... MAYBE... RESONANCE AT HALF.   ###@$$\-^.
..^-\$$@## SOME  FREQUENCY IN THE FIRST  OSCILLATOR ##@$$\-^..
...^-\$$@# AND THEN THE  SECOND OSC FOUR  SEMITONES #@$$\-^...
....^-\$$@                 HIGHER.                  @$$\-^....
.....^-\$$                                          $$\-^.....
......^-\$                 ^-@£@-^                  $\-^......
.......^-\          \$$ DESKTOP SYNTH $$\           \-^.......
......^-\$                  ^-@£@-^                 $\-^......
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