.~»\*%£@## ##@£%*\»~.
.~»\*%£@## ##@£%*\»~.
.....»\\%£ £%\\».....
.~»\*%£@## ##@£%*\»~.
.~»\***%%£ £%%***\»~.
.~»\*%£@## #### ##### ##@£%*\»~.
.~»\*%£@@# Tape Dream #@@£%*\»~.
.~»\*%@### #### ##### ###@%*\»~.
.....~»*%@ @%*»~.....
.~»\*%£@## For Storing Music On. Also Data But ##@£%*\»~.
.~»\*%£@## At This Point In Time That'S Not ##@£%*\»~.
.~»\*%£@## Really Important I Think. ##@£%*\»~.
....»***%@ @%***»....
.~»\*%£@## ##@£%*\»~.
...~\\*££# \\\\\\\\ Types Of Tape \\\\\\\\ #££*\\~...
...~~~»\%@ @%\»~~~...
.~»\*%£@## Class I - "Bad" Iron ##@£%*\»~.
.~»\*%@### Class Ii - Good Chromium ###@%*\»~.
.~»»\\%%££ Class Iii - Bad Iron Part Two ££%%\\»»~.
...»»\%££# Class Iv - Dangerous Metals #££%\»»...
.~»\\\%%%£ £%%%\\\»~.
.~»\*%£@## Rumors Exist About A Secret Class V Tape ##@£%*\»~.
...»\***%£ That Is Actually Useful. £%***\»...
.~»\*%£@## ##@£%*\»~.
......»*%£ \\ Bias \\ £%*»......
.~»\*%££££ ££££%*\»~.
.~»\*%£@## Class I Uses One Hundred And Twenty ##@£%*\»~.
....~\*£@@ Micro-Something While The Others All @@£*\~....
..~»»\*%@@ Use Seventy Of The Same Unit. @@%*\»»~..
.~»\*%£@## ##@£%*\»~.
...~~\%%£# #£%%\~~...
.~»\*%£@@@ ********* Aha And ********* @@@£%*\»~.
.....~\\%@ @%\\~.....
.~»\*%£@## Class Iv Is Apparently Too Strong To ##@£%*\»~.
.~»\*%£@## Be Used On Class I Players. It Will ##@£%*\»~.
.~»\*%££@# Sound Too Lound And It Cannot Be #@££%*\»~.
......»**£ Completely Erased. This Is Very Well. £**»......
.~»\\\%%@# Maybe Some Wonderful Blending Effects #@%%\\\»~.
....~\*£@# Could Be Achieved? #@£*\~....
....»»\*£@ @£*\»»....
..~»»\*£@@ They Also Gnaw At The Tape Heads A Bit @@£*\»»~..
.~»»»**%£# Better Than Earlier Tape Types. #£%**»»»~.
.~»\*%£@@@ @@@£%*\»~.
....»\*%%£ £%%*\»....
.~»\*%£@## \\\\\\\\ Artifacts \\\\\\\\ ##@£%*\»~.
.~»\\\%£@# #@£%\\\»~.
.~»\*%£@## Good Tapes Are Decent And Have A Good ##@£%*\»~.
.~»\*%£@## High Frequency Presence, Bad Tapes Are ##@£%*\»~.
.~»\*%£@## Lofi If Not Outright Bad. Idk, I Kinda ##@£%*\»~.
.~»\*%£@## Like It. ##@£%*\»~.
.~»\*%£@## ##@£%*\»~.
.~»\*%££@# Bias Loss: If You Forget The Bias Who #@££%*\»~.
....~~»\%£ Knows Whats Even On There Anymore £%\»~~....
.~»\*%£@@@ @@@£%*\»~.
...~~\\%%@ Flutter: Kinda Quick Pitch Variations. @%%\\~~...
.~»\*%@### Beautiful, Wonderful, Extraordinary. ###@%*\»~.
.~»\*%£@## ##@£%*\»~.
......»*%@ Wow: A Slower Flutter, Usually Several @%*»......
.~»\*%£@## Seconds Long. What Up. Both Of These ##@£%*\»~.
....~~\%£# Increase When Tape Speed Decreases. #£%\~~....
.~»\*%£@## ##@£%*\»~.
.~»\*%£@## Print through: Tapes Rub Sound On Each ##@£%*\»~.
.~»\*%£@## Other If Theyre Alone For Too Long ##@£%*\»~.
.~»\*%£££@ @£££%*\»~.
.~»\*%@### ###@%*\»~.
.~»\***£££ £££***\»~.
.~»\*%£@## ##@£%*\»~.
.~»\*%£@## ##@£%*\»~.
.~»\*£@### ###@£*\»~.