,,,,~/&&@@ @@&&/~,,,,
,,,,,/&@@@ @@@&/,,,,,
,,~/%&&&@@ @@&&&%/~,,
,,,,~/&&@@ @@&&/~,,,,
,,,,,,,/&@ @&/,,,,,,,
,,~/%&@@@@ @@@@ ##### @@@@&%/~,,
,,~/%&@@@@ TAPE DREAM @@@@&%/~,,
,,~/%&@@@@ #### @@@@@ @@@@&%/~,,
,,~///%&&@ @&&%///~,,
,,~/%&@@@# FOR STORING MUSIC ON. ALSO DATA BUT #@@@&%/~,,
,,~~~%&&&@ AT THIS POINT IN TIME THAT'S NOT @&&&%~~~,,
,,,~/%%&@@ REALLY IMPORTANT I THINK. @@&%%/~,,,
,,,,~/&&@@ @@&&/~,,,,
,,,~~%&&&@ @&&&%~~,,,
,,~/%&@@## //////// TYPES OF TAPE //////// ##@@&%/~,,
,,~/%&@@@# #@@@&%/~,,
,,,~~/&&@@ CLASS I - "BAD" IRON @@&&/~~,,,
,,,,~/%%&@ CLASS II - GOOD CHROMIUM @&%%/~,,,,
,,~/%&@@@# CLASS III - BAD IRON PART TWO #@@@&%/~,,
,,,,,/&&@@ CLASS IV - DANGEROUS METALS @@&&/,,,,,
,,~/%&@@## ##@@&%/~,,
,,~/%&@@@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@@@&%/~,,
,,~/%&@@@@ THAT IS ACTUALLY USEFUL. @@@@&%/~,,
,,~/%&&&@@ @@&&&%/~,,
,,,,,,/&@@ // BIAS // @@&/,,,,,,
,,,,,,~%&@ @&%~,,,,,,
,,,,,//%&@ CLASS I USES ONE HUNDRED AND TWENTY @&%//,,,,,
,,,,~/%%@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@%%/~,,,,
,,,,,/%@@@ USE SEVENTY OF THE SAME UNIT. @@@%/,,,,,
,,~/%&@@## ##@@&%/~,,
,,~/%&@@@# #@@@&%/~,,
,,,~~~%&@@ %%%%%%%%% AHA AND %%%%%%%%% @@&%~~~,,,
,,,~~%&&&@ @&&&%~~,,,
,,,,~/%&&@ CLASS IV IS APPARENTLY TOO STRONG TO @&&%/~,,,,
,,~/%%%@@@ BE USED ON CLASS I PLAYERS. IT WILL @@@%%%/~,,
,,~/%&@@@# SOUND TOO LOUND AND IT CANNOT BE #@@@&%/~,,
,,,,///&@@ COMPLETELY ERASED. THIS IS VERY WELL. @@&///,,,,
,,~~~~%&&@ MAYBE SOME WONDERFUL BLENDING EFFECTS @&&%~~~~,,
,,~/%&@@@@ COULD BE ACHIEVED? @@@@&%/~,,
,,~/%&@@@# #@@@&%/~,,
,,~/%&&@@@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @@@&&%/~,,
,,~/%&@@## BETTER THAN EARLIER TAPE TYPES. ##@@&%/~,,
,,~/%&@@@# #@@@&%/~,,
,,~/%&@@## ##@@&%/~,,
,,~/%&@@@# //////// ARTIFACTS //////// #@@@&%/~,,
,,~/%&@@@@ @@@@&%/~,,
,,~///%&@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@&%///~,,
,,,,/%&&@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@&&%/,,,,
,,~/%&&@@@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @@@&&%/~,,
,,~/%&@@@# LIKE IT. #@@@&%/~,,
,,~/%&@@@@ @@@@&%/~,,
,,~/%&@@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@@&%/~,,
,,~/&@@@## KNOWS WHATS EVEN ON THERE ANYMORE ##@@@&/~,,
,,,,,,~/%@ @%/~,,,,,,
,,~/%&@@@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@@@&%/~,,
,,,,,,~/&@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @&/~,,,,,,
,,~/%&@@@@ @@@@&%/~,,
,,,,,~%&@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@&%~,,,,,
,,,,,,,~%@ SECONDS LONG. WHAT UP. BOTH OF THESE @%~,,,,,,,
,,,~///&@@ INCREASE WHEN TAPE SPEED DECREASES. @@&///~,,,
,,,,,//&@@ @@&//,,,,,
,,~/%&@@@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@@@&%/~,,
,,,,,,/&&@ OTHER IF THEYRE ALONE FOR TOO LONG @&&/,,,,,,
,,~/%&@@## ##@@&%/~,,
,,~/%&@@@@ @@@@&%/~,,
,,~/%&@@## ##@@&%/~,,
,,,,,,,~%@ @%~,,,,,,,
,,~/%&&@@@ @@@&&%/~,,
,,~/%&&@@@ @@@&&%/~,,