@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                ¨¨¤###¤¨¨                 ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨       ,, PITTSBURGH ELECTRONICS ,,       ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨             ~~ LIFEFORMS ~~              ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨               ^^ SV ONE ^^               ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨ THIS IS A  EURORACK  MODULE BUT I BOUGHT ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨             ¨=@ CONTAINS @=¨             ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨           MIDI TO CV CONVERTER           ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                TWO VCO'S                 ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨ FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨       TWO SUB OSCILLATORS I THINK        ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨         TWO ONE TO TWO SPLITTERS         ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨           WHITE NOISE GENERATOR          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨             SAMPLE AND HOLD              ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨          LFO PLUS A DIGITAL LFO          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨              ADSR ENVELOPE               ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                  ONE VCA                 ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨              HEADPHONE AMP               ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨         FOURTY NINE PATCHPOINTS!         ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                  ¨,###,¨                 ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨           ~== SO WHAT NOW ==~            ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                  ¨,###,¨                 ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨ CLOCK IO  GOES  TO ASDR IN  I THINK  AND ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨ MAYBE ALSO  TO THE  SAMPLE AND HOLD. PUT ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨ SUBBASE AND NOISE IN  CHANNEL THREE  AND ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨ TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨ ONE.   SAMPLE   AND  HOLD  OUT  TO   THE ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨   FILTER... MAYBE... RESONANCE AT HALF.  ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨ SOME  FREQUENCY  IN THE FIRST OSCILLATOR ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨ AND THEN  THE SECOND OSC FOUR  SEMITONES ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                 HIGHER.                  ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                 ,~@@@~,                  ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨           ^¤¤ DESKTOP SYNTH ¤¤^          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                 ,~@@@~,                  ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@
@¨¨@¨@@¨@¨                                          ¨@¨@¨@¨@¨¨
@¨@@¨¨@¨@¨                                          ¨@¨@¨@¨@¨@