#&*^=,,,,, ,,,,,=^*
##@&%*^=:, ,:=^*%&@##
##@&%*^=:, ,:=^*%&@##
###&%*^=:, ,:=^*%##
##@&%*^=:, ,:=^*%&@##
##@&%*^=:, #### ##### ,:=^*%&@##
#&*^^::,,, TAPE DREAM ,,,::^^*
###@%*^=:, #### ##### ,:=^*%@###
##@&%*^=:, ,:=^*%&@##
##@&%*^=:, FOR STORING MUSIC ON. ALSO DATA BUT ,:=^*%&@##
@@%**===:, AT THIS POINT IN TIME THAT'S NOT ,:===**%@@
##@&%*^=:, REALLY IMPORTANT I THINK. ,:=^*%&@##
@&&&%*^=:, ,:=^*%&&&@
&*^:::,,,, ,,,,:::^*&
##@&%*^=:, ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ ,:=^*%&@##
###&%*^=:, ,:=^*%##
@@@&%*^=:, CLASS I - "BAD" IRON ,:=^*%&@@@
##@&%*^=:, CLASS II - GOOD CHROMIUM ,:=^*%&@##
&&%^^^:,,, CLASS III - BAD IRON PART TWO ,,,:^^^%&&
###@&%^=:, CLASS IV - DANGEROUS METALS ,:=^%&@###
@&%^^=:,,, ,,,:=^^%&@
###@%*^=:, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,:=^*%@###
@&*==,,,,, THAT IS ACTUALLY USEFUL. ,,,,,==*&@
@%^====,,, ,,,====^%@
@@&**^:,,, ^^ BIAS ^^ ,,,:^**&@@
@@%%*=,,,, ,,,,=*%%@@
###@&%*^=: CLASS I USES ONE HUNDRED AND TWENTY :=^*%&@###
###@&*^=:, MICRO-SOMETHING WHILE THE OTHERS ALL ,:=^*&@###
#&&%*^:,,, USE SEVENTY OF THE SAME UNIT. ,,,:^*%&
@%%%**^=:, ,:=^**%%%@
@@&%^::,,, ,,,::^%&@@
&*^^=:,,,, ********* AHA AND ********* ,,,,:=^^*&
##@&%*^=:, ,:=^*%&@##
&%%^^^=::, CLASS IV IS APPARENTLY TOO STRONG TO ,::=^^^%%&
##@&%*^=:, BE USED ON CLASS I PLAYERS. IT WILL ,:=^*%&@##
&%%*=,,,,, SOUND TOO LOUND AND IT CANNOT BE ,,,,,=*%%&
##@&%*^=:, COMPLETELY ERASED. THIS IS VERY WELL. ,:=^*%&@##
##@&%*^=:, MAYBE SOME WONDERFUL BLENDING EFFECTS ,:=^*%&@##
##@&%*^=:, COULD BE ACHIEVED? ,:=^*%&@##
#@%^===,,, ,,,===^%@#
##@&%*^=:, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,:=^*%&@##
&*^=:,,,,, BETTER THAN EARLIER TAPE TYPES. ,,,,,:=^*&
##@&%*^=:, ,:=^*%&@##
##@&%*^=:, ,:=^*%&@##
##@&%*^=:, ^^^^^^^^ ARTIFACTS ^^^^^^^^ ,:=^*%&@##
#@@&%*^=:, ,:=^*%&@@#
&*==:,,,,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,,,,:==*&
##@&%*^=:, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,:=^*%&@##
##@&%*^=:, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,:=^*%&@##
#@&&%*^=:, LIKE IT. ,:=^*%&&@#
@%*^:::,,, ,,,:::^*%@
#&%%*^^=:, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,:=^^*%%
##@&%*^=:, KNOWS WHATS EVEN ON THERE ANYMORE ,:=^*%&@##
##@&%*^=:, ,:=^*%&@##
&*^=:,,,,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,,,,:=^*&
&*^^^^:,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,:^^^^*&
##@&%*^=:, ,:=^*%&@##
@@@&%*^=:, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,:=^*%&@@@
#&&&%*^=:, SECONDS LONG. WHAT UP. BOTH OF THESE ,:=^*%&&
@@@&%*^=:, INCREASE WHEN TAPE SPEED DECREASES. ,:=^*%&@@@
&**=:,,,,, ,,,,,:=**&
##@&%*^=:, PRINT THROUGH: TAPES RUB SOUND ON EACH ,:=^*%&@##
#&%%%*^=:, OTHER IF THEYRE ALONE FOR TOO LONG ,:=^*%%%
#&%*^^^=:, ,:=^^^*%
@%%^====:, ,:====^%%@
&&*^^==,,, ,,,==^^*&&
###&%*^=:, ,:=^*%##
&&*^^:,,,, ,,,,:^^*&&
##@&%*^=:, ,:=^*%&@##