,-~†§£@###                                          ###@£§†~-,
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,-~†%§£@##                                          ##@£§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
,,,-††%%££                                          ££%%††-,,,
,-~†%§££££ Delay  Delay  D,La#  £ %A,  - ,@   ~   - ££££§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
,,,,,-†§@#                                          #@§†-,,,,,
,,,,-~†%§£ "Delay" Means Repetiton Or Likewise,     £§%†~-,,,,
,,,-~~†§§@ But It'S Mainly Useless Without          @§§†~~-,,,
,-~†%§£@## Feedback,                                ##@£§%†~-,
,-~†%§£@## To Allow The Delay To Eat Of It'S Own    ##@£§%†~-,
,,,,,,,~%£ Tail, Like One Of Those Eaty Serpents.   £%~,,,,,,,
,,,,,-†%£@ Thus: It'S The Serpent Effect!           @£%†-,,,,,
,,,~†%%£££                                          £££%%†~,,,
,-~†%§£@## It'S To Be Revered As A Creator Of       ##@£§%†~-,
,,,,,~%§££ Ambience And Of Space, If You Treat It   ££§%~,,,,,
,,-~~~%%§£ Right. A Somewhat More Solid And         £§%%~~~-,,
,-~†%§£@## Slippery Sibling Of Reverb.              ##@£§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
,-~†%§£@##                                          ##@£§%†~-,
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