,-;**@@###                                          ###@@**;-,
,,-;**@@##                                          ##@@**;-,,
,,,-;**@@#                                          #@@**;-,,,
,,,,-;**@@                                          @@**;-,,,,
,,,-;**@@#                                          #@@**;-,,,
,,-;**@@##                                          ##@@**;-,,
,-;**@@###                ,,*###*,,                 ###@@**;-,
,,-;**@@##       -- PITTSBURGH ELECTRONICS --       ##@@**;-,,
,,,-;**@@#              -- LIFEFORMS --             #@@**;-,,,
,,,,-;**@@               ;; SV ONE ;;               @@**;-,,,,
,,,-;**@@#                                          #@@**;-,,,
,,-;**@@## THIS IS A  EURORACK MODULE BUT  I BOUGHT ##@@**;-,,
,-;**@@### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ###@@**;-,
,,-;**@@##                                          ##@@**;-,,
,,,-;**@@# IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. #@@**;-,,,
,,,,-;**@@                                          @@**;-,,,,
,,,-;**@@#             ,*@ CONTAINS @*,             #@@**;-,,,
,,-;**@@##           MIDI TO CV CONVERTER           ##@@**;-,,
,-;**@@###                TWO VCO'S                 ###@@**;-,
,,-;**@@## FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ##@@**;-,,
,,,-;**@@#        TWO SUB OSCILLATORS I THINK       #@@**;-,,,
,,,,-;**@@         TWO ONE TO TWO SPLITTERS         @@**;-,,,,
,,,-;**@@#          WHITE NOISE GENERATOR           #@@**;-,,,
,,-;**@@##             SAMPLE AND HOLD              ##@@**;-,,
,-;**@@###          LFO PLUS A DIGITAL LFO          ###@@**;-,
,,-;**@@##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##@@**;-,,
,,,-;**@@#              ADSR ENVELOPE               #@@**;-,,,
,,,,-;**@@                  ONE VCA                 @@**;-,,,,
,,,-;**@@#               HEADPHONE AMP              #@@**;-,,,
,,-;**@@##         FOURTY NINE PATCHPOINTS!         ##@@**;-,,
,-;**@@###                                          ###@@**;-,
,,-;**@@##                  ,-###-,                 ##@@**;-,,
,,,-;**@@#            -** SO WHAT NOW **-           #@@**;-,,,
,,,,-;**@@                  ,-###-,                 @@**;-,,,,
,,,-;**@@#                                          #@@**;-,,,
,,-;**@@## CLOCK IO  GOES  TO  ASDR IN  I THINK AND ##@@**;-,,
,-;**@@### MAYBE ALSO TO THE SAMPLE AND  HOLD.  PUT ###@@**;-,
,,-;**@@## SUBBASE AND  NOISE  IN CHANNEL THREE AND ##@@**;-,,
,,,-;**@@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@@**;-,,,
,,,,-;**@@ TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL @@**;-,,,,
,,,-;**@@# ONE.   SAMPLE  AND   HOLD  OUT  TO   THE #@@**;-,,,
,,-;**@@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@@**;-,,
,-;**@@### SOME FREQUENCY  IN  THE FIRST OSCILLATOR ###@@**;-,
,,-;**@@## AND THEN  THE SECOND  OSC FOUR SEMITONES ##@@**;-,,
,,,-;**@@#                  HIGHER.                 #@@**;-,,,
,,,,-;**@@                                          @@**;-,,,,
,,,-;**@@#                 --@@@--                  #@@**;-,,,
,,-;**@@##          ;** DESKTOP SYNTH **;           ##@@**;-,,
,-;**@@###                  --@@@--                 ###@@**;-,
,,-;**@@##                                          ##@@**;-,,
,,,-;**@@#                                          #@@**;-,,,
,,,,-;**@@                                          @@**;-,,,,
,,,-;**@@#                                          #@@**;-,,,
,,-;**@@##                                          ##@@**;-,,
,-;**@@###                                          ###@@**;-,