,,,,,,,,:» »:,,,,,,,,
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,,,,,,,:»* *»:,,,,,,,
,,,,,,:»*§ §*»:,,,,,,
,,,,,:»*§$ @@@@ ##### $§*»:,,,,,
,,,,:»*§$¤ tape dream ¤$§*»:,,,,
,,,:»*§$¤@ #### @@@@@ @¤$§*»:,,,
,,:»*§$¤@# #@¤$§*»:,,
,:»*§$¤@## for storing music on. also data but ##@¤$§*»:,
,,:»*§$¤@# at this point in time that's not #@¤$§*»:,,
,,,:»*§$¤@ really important i think. @¤$§*»:,,,
,,,,:»*§$¤ ¤$§*»:,,,,
,,,,,:»*§$ $§*»:,,,,,
,,,,,,:»*§ ******** types of tape ******** §*»:,,,,,,
,,,,,,,:»* *»:,,,,,,,
,,,,,,,,:» class i - "bad" iron »:,,,,,,,,
,,,,,,,,,: class ii - good chromium :,,,,,,,,,
,,,,,,,,:» class iii - bad iron part two »:,,,,,,,,
,,,,,,,:»* class iv - dangerous metals *»:,,,,,,,
,,,,,,:»*§ §*»:,,,,,,
,,,,,:»*§$ rumors exist about a secret class v tape $§*»:,,,,,
,,,,:»*§$¤ that is actually useful. ¤$§*»:,,,,
,,,:»*§$¤@ @¤$§*»:,,,
,,:»*§$¤@# ** bias ** #@¤$§*»:,,
,:»*§$¤@## ##@¤$§*»:,
,,:»*§$¤@# class i uses one hundred and twenty #@¤$§*»:,,
,,,:»*§$¤@ micro-something while the others all @¤$§*»:,,,
,,,,:»*§$¤ use seventy of the same unit. ¤$§*»:,,,,
,,,,,:»*§$ $§*»:,,,,,
,,,,,,:»*§ §*»:,,,,,,
,,,,,,,:»* §§§§§§§§§ aha and §§§§§§§§§ *»:,,,,,,,
,,,,,,,,:» »:,,,,,,,,
,,,,,,,,,: class iv is apparently too strong to :,,,,,,,,,
,,,,,,,,:» be used on class i players. it will »:,,,,,,,,
,,,,,,,:»* sound too lound and it cannot be *»:,,,,,,,
,,,,,,:»*§ completely erased. this is very well. §*»:,,,,,,
,,,,,:»*§$ maybe some wonderful blending effects $§*»:,,,,,
,,,,:»*§$¤ could be achieved? ¤$§*»:,,,,
,,,:»*§$¤@ @¤$§*»:,,,
,,:»*§$¤@# they also gnaw at the tape heads a bit #@¤$§*»:,,
,:»*§$¤@## better than earlier tape types. ##@¤$§*»:,
,,:»*§$¤@# #@¤$§*»:,,
,,,:»*§$¤@ @¤$§*»:,,,
,,,,:»*§$¤ ******** artifacts ******** ¤$§*»:,,,,
,,,,,:»*§$ $§*»:,,,,,
,,,,,,:»*§ good tapes are decent and have a good §*»:,,,,,,
,,,,,,,:»* high frequency presence, bad tapes are *»:,,,,,,,
,,,,,,,,:» lofi if not outright bad. idk, i kinda »:,,,,,,,,
,,,,,,,,,: like it. :,,,,,,,,,
,,,,,,,,:» »:,,,,,,,,
,,,,,,,:»* bias loss: if you forget the bias who *»:,,,,,,,
,,,,,,:»*§ knows whats even on there anymore §*»:,,,,,,
,,,,,:»*§$ $§*»:,,,,,
,,,,:»*§$¤ flutter: kinda quick pitch variations. ¤$§*»:,,,,
,,,:»*§$¤@ beautiful, wonderful, extraordinary. @¤$§*»:,,,
,,:»*§$¤@# #@¤$§*»:,,
,:»*§$¤@## wow: a slower flutter, usually several ##@¤$§*»:,
,,:»*§$¤@# seconds long. what up. both of these #@¤$§*»:,,
,,,:»*§$¤@ increase when tape speed decreases. @¤$§*»:,,,
,,,,:»*§$¤ ¤$§*»:,,,,
,,,,,:»*§$ print through: tapes rub sound on each $§*»:,,,,,
,,,,,,:»*§ other if theyre alone for too long §*»:,,,,,,
,,,,,,,:»* *»:,,,,,,,
,,,,,,,,:» »:,,,,,,,,
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,,,,,,,:»* *»:,,,,,,,
,,,,,,:»*§ §*»:,,,,,,