¶&*««-,,,, ,,,,-««*&¶
##¶#&**«-, ,-«**&#¶##
##&*«,,,,, ,,,,,«*&##
##&***«--, ,--«***&##
###¶#&*«-, ,-«*&#¶###
#**«-,,,,, #### ##### ,,,,,-«**#
####&**«-, TAPE DREAM ,-«**&####
¶#**««,,,, #### ##### ,,,,««**#¶
¶#*«--,,,, ,,,,--«*#¶
###***«,,, FOR STORING MUSIC ON. ALSO DATA BUT ,,,«***###
##**«--,,, AT THIS POINT IN TIME THAT'S NOT ,,,--«**##
##¶#&**«-, REALLY IMPORTANT I THINK. ,-«**&#¶##
¶###&**«-, ,-«**&###¶
¶¶##&**«-, ,-«**&##¶¶
####&**«-, ******** TYPES OF TAPE ******** ,-«**&####
###¶#**«-, ,-«**#¶###
#&&**««-,, CLASS I - "BAD" IRON ,,-««**&&#
####&**«-, CLASS II - GOOD CHROMIUM ,-«**&####
¶&&&*-,,,, CLASS III - BAD IRON PART TWO ,,,,-*&&&¶
#***«-,,,, CLASS IV - DANGEROUS METALS ,,,,-«***#
#&&*««««-, ,-««««*&&#
##¶#&**«-, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,-«**&#¶##
##**-,,,,, THAT IS ACTUALLY USEFUL. ,,,,,-**##
#¶¶#&**«-, ,-«**&#¶¶#
##¶#&**«-, ** BIAS ** ,-«**&#¶##
##&***««-, ,-««***&##
####&**«-, CLASS I USES ONE HUNDRED AND TWENTY ,-«**&####
##*««,,,,, MICRO-SOMETHING WHILE THE OTHERS ALL ,,,,,««*##
##¶#&**«-, USE SEVENTY OF THE SAME UNIT. ,-«**&#¶##
¶¶&*««««-, ,-««««*&¶¶
##¶#&**«-, ,-«**&#¶##
###¶#&**«- ********* AHA AND ********* -«**&#¶###
##¶#&**«-, ,-«**&#¶##
¶¶¶#&**«-, CLASS IV IS APPARENTLY TOO STRONG TO ,-«**&#¶¶¶
¶&&*«---,, BE USED ON CLASS I PLAYERS. IT WILL ,,---«*&&¶
##¶#&**«-, SOUND TOO LOUND AND IT CANNOT BE ,-«**&#¶##
##&*-,,,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,,,-*&##
¶&&&***«-, MAYBE SOME WONDERFUL BLENDING EFFECTS ,-«***&&&¶
##¶#&**«-, COULD BE ACHIEVED? ,-«**&#¶##
##&*«««,,, ,,,«««*&##
###¶#&*«-, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,-«*&#¶###
##*«,,,,,, BETTER THAN EARLIER TAPE TYPES. ,,,,,,«*##
#¶##&**«-, ,-«**&##¶#
##¶#&**«-, ,-«**&#¶##
##¶#&**«-, ******** ARTIFACTS ******** ,-«**&#¶##
#&*«,,,,,, ,,,,,,«*&#
#¶&&&**«-, GOOD TAPES ARE DECENT AND HAVE A GOOD ,-«**&&&¶#
#*«---,,,, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,,,,---«*#
¶&*--,,,,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,,,,--*&¶
##**««,,,, LIKE IT. ,,,,««**##
##¶#&**«-, ,-«**&#¶##
##¶#&**«-, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,-«**&#¶##
##¶#&**«-, KNOWS WHATS EVEN ON THERE ANYMORE ,-«**&#¶##
#***«---,, ,,---«***#
####&**«-, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,-«**&####
###&**---, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,---**&###
¶¶#&**-,,, ,,,-**&#¶¶
#&&&***«-, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,-«***&&&#
#*«,,,,,,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,,,,,,«*#
###¶&**«-, INCREASE WHEN TAPE SPEED DECREASES. ,-«**&¶###
##¶#&**«-, ,-«**&#¶##
##¶#&**«-, PRINT THROUGH: TAPES RUB SOUND ON EACH ,-«**&#¶##
##&**«-,,, OTHER IF THEYRE ALONE FOR TOO LONG ,,,-«**&##
#&***««--, ,--««***&#
####&**«-, ,-«**&####
#**«--,,,, ,,,,--«**#
#**«-,,,,, ,,,,,-«**#
##*****«-, ,-«*****##
##¶#&**«-, ,-«**&#¶##