,,,,~**$@#                                          #@$**~,,,,
,,,,,~**$@                                          @$**~,,,,,
,,,,~**$@#                                          #@$**~,,,,
,,,~**$@##                                          ##@$**~,,,
,,~**$@###                                          ###@$**~,,
,,,~**$@##                                          ##@$**~,,,
,,,,~**$@#                ,,$###$,,                 #@$**~,,,,
,,,,,~**$@       ,, PITTSBURGH ELECTRONICS ,,       @$**~,,,,,
,,,,~**$@#              ~~ LIFEFORMS ~~             #@$**~,,,,
,,,~**$@##               ** SV ONE **               ##@$**~,,,
,,~**$@###                                          ###@$**~,,
,,,~**$@## THIS IS A  EURORACK MODULE  BUT I BOUGHT ##@$**~,,,
,,,,~**$@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@$**~,,,,
,,,,,~**$@                                          @$**~,,,,,
,,,,~**$@# IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. #@$**~,,,,
,,,~**$@##                                          ##@$**~,,,
,,~**$@###             ,*@ CONTAINS @*,             ###@$**~,,
,,,~**$@##           MIDI TO CV CONVERTER           ##@$**~,,,
,,,,~**$@#                TWO VCO'S                 #@$**~,,,,
,,,,,~**$@ FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER @$**~,,,,,
,,,,~**$@#        TWO SUB OSCILLATORS I THINK       #@$**~,,,,
,,,~**$@##         TWO ONE TO TWO SPLITTERS         ##@$**~,,,
,,~**$@###           WHITE NOISE GENERATOR          ###@$**~,,
,,,~**$@##              SAMPLE AND HOLD             ##@$**~,,,
,,,,~**$@#          LFO PLUS A DIGITAL LFO          #@$**~,,,,
,,,,,~**$@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @$**~,,,,,
,,,,~**$@#               ADSR ENVELOPE              #@$**~,,,,
,,,~**$@##                  ONE VCA                 ##@$**~,,,
,,~**$@###              HEADPHONE AMP               ###@$**~,,
,,,~**$@##         FOURTY NINE PATCHPOINTS!         ##@$**~,,,
,,,,~**$@#                                          #@$**~,,,,
,,,,,~**$@                 ,,###,,                  @$**~,,,,,
,,,,~**$@#           ~** SO WHAT NOW **~            #@$**~,,,,
,,,~**$@##                 ,,###,,                  ##@$**~,,,
,,~**$@###                                          ###@$**~,,
,,,~**$@## CLOCK IO GOES TO  ASDR IN  I  THINK  AND ##@$**~,,,
,,,,~**$@# MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT #@$**~,,,,
,,,,,~**$@ SUBBASE AND  NOISE  IN CHANNEL THREE AND @$**~,,,,,
,,,,~**$@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@$**~,,,,
,,,~**$@## TWO, AND  OSCILLATOR TWO  SAW TO CHANNEL ##@$**~,,,
,,~**$@### ONE.  SAMPLE  AND   HOLD   OUT   TO  THE ###@$**~,,
,,,~**$@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@$**~,,,
,,,,~**$@# SOME FREQUENCY  IN  THE FIRST OSCILLATOR #@$**~,,,,
,,,,,~**$@ AND  THEN  THE SECOND OSC FOUR SEMITONES @$**~,,,,,
,,,,~**$@#                  HIGHER.                 #@$**~,,,,
,,,~**$@##                                          ##@$**~,,,
,,~**$@###                  ,~£@£~,                 ###@$**~,,
,,,~**$@##          *$$ DESKTOP SYNTH $$*           ##@$**~,,,
,,,,~**$@#                 ,~£@£~,                  #@$**~,,,,
,,,,,~**$@                                          @$**~,,,,,
,,,,~**$@#                                          #@$**~,,,,
,,,~**$@##                                          ##@$**~,,,
,,~**$@###                                          ###@$**~,,
,,,~**$@##                                          ##@$**~,,,
,,,,~**$@#                                          #@$**~,,,,