#@##§*;«~. .~«;*§##@#
@@##§*;«~. .~«;*§##@@
##@#§*;«~. .~«;*§#@##
@@##§*;«~. .~«;*§##@@
@#**;«~... ...~«;**#@
@@##§*;«~. delay delay d.la@ # *a. ~ .# « ~ .~«;*§##@@
###§§*;«~. .~«;*§§###
####§*;«~. .~«;*§####
@###§*;«~. .~«;*§###@
#@##§*;«~. .~«;*§##@#
##§;~~~... "delay" means repetiton or likewise, ...~~~;§##
#@##§*;«~. but it's mainly useless without .~«;*§##@#
#@##§*;«~. feedback, .~«;*§##@#
####§*;«~. to allow the delay to eat of it's own .~«;*§####
@##*;«~... tail, like one of those eaty serpents. ...~«;*##@
##§;««~... thus: it's the serpent effect! ...~««;§##
#@##§*;«~. .~«;*§##@#
@#§;«..... it's to be revered as a creator of .....«;§#@
##§§§*;«~. ambience and of space, if you treat it .~«;*§§§##
##§;;«««~. right. a somewhat more solid and .~«««;;§##
##§;;~.... slippery sibling of reverb. ....~;;§##
#@##§*;«~. .~«;*§##@#
@#§;;~~... ...~~;;§#@
#@##§*;«~. .~«;*§##@#
#@##§*;«~. .~«;*§##@#
#§§**«.... ....«**§§#