..@@...@@@ ..@..@....
..@@@..@.@ ...@..@...
..@.@@.... ....@..@..
....@@@... @....@..@.
....@.@@.. @@....@..@
@.....@@@. THE PHOSPHOR .***** A DARK, WET, .@@....@..
.@....@.@@ REALITY CHECK .***** CONCRETE .@@@....@.
..@.....@@ SYSTEM: .%%%%* BUILDING, A DAMP .@.@@....@
@..@....@. IMPROVING .@@@@# SMELL - ...@@@....
.@..@..... ACCURACY AND .¶¶¶¶# SOMETHING IS @..@.@@...
..@..@.... EFFICIENCY IN .@@@@# GROWING HERE. @@...@@@..
...@..@... LAW ENFORCEMENT .##### ALGAE? THOSE @@@..@.@@.
....@..@.. .@#### INHABITING THE @.@@...@@@
@....@..@. .*#### LABYRINTH CARE ..@@@..@.@
@@....@..@ ..#### NOT SO MUCH ..@.@@...@
.@@....@.. ..*### ABOUT THE ....@@@..@
.@@@....@. ...### JANITORIAL ....@.@@..
.@.@@....@ ...*## SIDE OF THINGS. @.....@@@.
...@@@.... SO, A GREEN TINT THEN, ON THE WALLS AND .@....@.@@
@..@.@@... FLOORS. THAT'S FINE, THERE'S A MUCH ..@.....@@
@@...@@@.. MORE IMPORTANT COLOR - THE CRIMSON ...@....@.
@@@..@.@@. FIRE. HIDDEN AWAY, DEEP IN BUREAUCRATIC ....@.....
@.@@...@@@ AND ARCHITECTURAL MAZES BOTH, THE ONLY @....@....
..@@@..@.@ PLACE WHERE THEY DARE SET IT ABLAZE, @@....@...
..@.@@...@ AND THUS WHERE THEY NEED TO GO TO @@@....@..
....@@@..@ UTILIZE THE FLAME. @.@@....@.
....@.@@.. ..@@@....@
@.....@@@. A THOUGHT, A FACE, A FLICKER IN THE RED ..@.@@....
.@....@.@@ FIRE. ANOTHER THOUGHT, THE PRESUMED @...@@@...
..@.....@@ CONTACT, ANOTHER SHIVER IN THE LIGHT. @@..@.@@..
...@....@. THEN, THE INTERROGATOR IMAGINING THEIR .@@...@@@.
....@..... MEETING, TALKING PERHAPS, EXCHANGING .@@@..@.@@
@....@.... NOTES. THE FIRE IS STILL. NO RESONANCE. .@.@@...@@
@@....@... ...@@@..@.
@@@....@.. ...@.@@...
@.@@....@. @....@@@..
..@@@....@ .@...@.@@.
..@.@@.... ..@....@@@