#@&@†;-:,, ,,:-;†@&@#
##@&@†;-:, ,:-;†@&@##
#@&@†;-:,, ,,:-;†@&@#
@&@†;-:,,, ,,,:-;†@&@
&@†;-:,,,, ,,,,:-;†@&
@&@†;-:,,, delay delay d,la# & †a, : ,@ - : ,,,:-;†@&@
#@&@†;-:,, ,,:-;†@&@#
##@&@†;-:, ,:-;†@&@##
#@&@†;-:,, ,,:-;†@&@#
@&@†;-:,,, ,,,:-;†@&@
&@†;-:,,,, "delay" means repetiton or likewise, ,,,,:-;†@&
@&@†;-:,,, but it's mainly useless without ,,,:-;†@&@
#@&@†;-:,, feedback, ,,:-;†@&@#
##@&@†;-:, to allow the delay to eat of it's own ,:-;†@&@##
#@&@†;-:,, tail, like one of those eaty serpents. ,,:-;†@&@#
@&@†;-:,,, thus: it's the serpent effect! ,,,:-;†@&@
&@†;-:,,,, ,,,,:-;†@&
@&@†;-:,,, it's to be revered as a creator of ,,,:-;†@&@
#@&@†;-:,, ambience and of space, if you treat it ,,:-;†@&@#
##@&@†;-:, right. a somewhat more solid and ,:-;†@&@##
#@&@†;-:,, slippery sibling of reverb. ,,:-;†@&@#
@&@†;-:,,, ,,,:-;†@&@
&@†;-:,,,, ,,,,:-;†@&
@&@†;-:,,, ,,,:-;†@&@
#@&@†;-:,, ,,:-;†@&@#
##@&@†;-:, ,:-;†@&@##