.#..###..#                                          ...#.##.##
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.#.#..#..#                                          .#.#.##.##
.#.#.##.##                                          ##.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.##               TRAIN DREAM                .#.#..#..#
.#.#..#..#  ######....,=,,..#####################   .#.#.##.##
.#.#.##.##                    ;;;                   .#.#..#..#
.#.#..#..#                    =                     .#.#.##.##
.#.#.##.##                    =                     .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.##               (SITUATION)                .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.## YOU  FIND  YOURSELF   IN  A  RIFT  -   A .#.#..#..#
.#.#..#..# CLEARING, NARROW BUT IMMEASURABLY LONG.  .#.#.##.##
.#.#.##.## TO YOUR  SIDES ARE  WALLS MADE OF TREES, .#.#..#..#
.#.#..#..# THICK AND READY TO  SWALLOW YOU. THE SUN .#.#.##.##
.#.#.##.## IS NOWHERE TO  BE  SEEN, BUT  NONTHELESS .#.#..#..#
.#.#..#..# IT IS VERY BRIGHT -  THE AIR FEELS LIGHT .#.#.##.##
.#.#.##.##           BLUE, ALMOST WHITE.            .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.## ALONG THE  SPAN OF THE CLEARING LAY  TWO .#.#..#..#
.#.#..#..#    PARALLEL SILVERY LINES, DARK HARD     .#.#.##.##
.#.#.##.## METAL.  SOMEHOW  YOU  CAN SEE  HOW HEAVY .#.#..#..#
.#.#..#..#                 THEY ARE.                .#.#.##.##
.#.#.##.##                                          .#.#..#..#
.#.#..#..# THEY   EMIT  A  HIGH   PITCHED  WHINE... .#.#.##.##
.#.#.##.##                                          .#.#..#..#
.#.#..#..#                     =                    .#.#.##.##
.#.#.##.##                   ..*..                  .#.#..#..#
.#.#..#..#                    =                     .#.#.##.##
.#.#.##.##                                          .#.#..#..#
.#.#..#..#               (SITUATION)                .#.#.##.##
.#.#.##.##                                          .#.#..#..#
.#.#..#..# YOURE   AT   THE  TRAIN STATION,  ON   A .#.#.##.##
.#.#.##.## CATWALK ABOVE THE  RAILS. YOUR  TRAIN IS .#.#..#..#
.#.#..#..# LATE,  OR  YOU  ARE  LATE TO  THE TRAIN. .#.#.##.##
.#.#.##.## IT'S A  SUMMER AFTERNOON AND THE STATION .#.#..#..#
.#.#..#..# IS  BUSY,  FULL  OF  RELAXED CONFIDENCE. .#.#.##.##
.#.#.##.##                                          .#.#..#..#
.#.#..#..# YOU'RE IN HIGH SPIRITS, ALTHOUGH  A  BIT .#.#.##.##
.#.#.##.## STRESSED ABOUT  THE  TIME,  WHILE MOVING .#.#..#..#
.#.#..#..# UP  THE  STAIRS  TO  YOUR  PLATFORM. THE .#.#.##.##
.#.#.##.## STATION  IS  IN   SEVERAL  LEVELS,   ALL .#.#..#..#
.#.#..#..#      PLACED WITHIN EACHOTHER BY SOME     .#.#.##.##
.#.#.##.##     INTELLIGENT DESIGNER, AND FULL OF    .#.#..#..#
.#.#..#..#       STAIRS, ELEVATORS, SHORTCUTS,      .#.#.##.##
.#.#.##.## BAZAARS... YOU  SIGHT YOUR TRAIN THROUGH .#.#..#..#
.#.#..#..# SOME GLASS  WINDOWS.  IT'S... NOT  WHERE .#.#.##.##
.#.#.##.##           IT'S SUPPOSED TO BE?           .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.##                    =                     .#.#..#..#
.#.#..#..#                   ,,@,,                  .#.#.##.##
.#.#.##.##                     =                    .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.##               (SITUATION)                .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.## YOU'RE FINALLY ENTERING THE  CITY. WHILE .#.#..#..#
.#.#..#..# IT  IS  INDEED  A VERY HIGH  SPEED TRAIN .#.#.##.##
.#.#.##.## YOU'RE  TRAVELING  IN,  THE  JOURNEY HAS .#.#..#..#
.#.#..#..# BEEN  LONG.   BUT  IT'S  ABOUT  TO  END! .#.#.##.##
.#.#.##.##                                          .#.#..#..#
.#.#..#..# SOCIETY  IS  GROWING DENSER AROUND  YOU, .#.#.##.##
.#.#.##.## THROUGH THE WINDOWS  YOU SEE FIRST SMALL .#.#..#..#
.#.#..#..# SHACKS,  BUILT OF METAL  AND STONE, THEN .#.#.##.##
.#.#.##.## PROPER HOUSES WITH  MORTAR  TO KEEP THEM .#.#..#..#
.#.#..#..# TOGETHER...  WHO  IN TURN  MAKE WAY  FOR .#.#.##.##
.#.#.##.##   THE INDUSTRIAL BUILDINGS, THE URBAN    .#.#..#..#
.#.#..#..#      MAZE, PROTECTIVE WALLS, JUNGLE      .#.#.##.##
.#.#.##.##                NETWORK...                .#.#..#..#
.#.#..#..#                                          .#.#.##.##
.#.#.##.## THE  TRACKS  LEAVE THE GROUND, WHICH  IS .#.#..#..#
.#.#..#..# NEEDED  FOR   OTHER  PURPOSES.  YOU  ARE .#.#.##.##
.#.#.##.##  CARRIED GENTLY, CURVING UPWARDS UNTIL   .#.#..#..#
.#.#..#..# YOU'RE MOVING UPWARD ALONG THE  WALL  OF .#.#.##.##
.#.#.##.## A BUILDING. IT'S MADE OF  SLABBY  STONE, .#.#..#..#
.#.#..#..#     WITH GREAT GLASSLESS WINDOW HOLES    .#.#.##.##
.#.#.##.## LOOKING OUT  THE  WAY  YOU  CAME.  IT IS .#.#..#..#
.#.#..#..#           PITCH BLACK INSIDE.            .#.#.##.##
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