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#@£§@*=~-. TRAIN DREAM .-~=*@§£@#
#@£§@*=~-. ######....-~--..##################### .-~=*@§£@#
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£§§@*~~~-. .-~~~*@§§£
£§**==~... (SITUATION) ...~==**§£
§@=-...... ......-=@§
§**=---... YOU FIND YOURSELF IN A RIFT - A ...---=**§
@£@=~~.... CLEARING, NARROW BUT IMMEASURABLY LONG. ....~~=@£@
#@£§@*=~-. TO YOUR SIDES ARE WALLS MADE OF TREES, .-~=*@§£@#
#@£§@*=~-. THICK AND READY TO SWALLOW YOU. THE SUN .-~=*@§£@#
#@£§@*=~-. IS NOWHERE TO BE SEEN, BUT NONTHELESS .-~=*@§£@#
@£@*~~~-.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT ..-~~~*@£@
#@£§@*=~-. BLUE, ALMOST WHITE. .-~=*@§£@#
££§§@*=~-. .-~=*@§§££
@£§§@*=~-. ALONG THE SPAN OF THE CLEARING LAY TWO .-~=*@§§£@
##@£@*=~-. PARALLEL SILVERY LINES, DARK HARD .-~=*@£@##
#@£§@*=~-. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .-~=*@§£@#
@£@*~~--.. THEY ARE. ..--~~*@£@
£§@@==~... ...~==@@§£
#@£§@*=~-. THEY EMIT A HIGH PITCHED WHINE... .-~=*@§£@#
#@£§@*=~-. .-~=*@§£@#
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#@£§@*=~-. ..*.. .-~=*@§£@#
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@@£§@*=~-. (SITUATION) .-~=*@§£@@
#@£§@*=~-. .-~=*@§£@#
§§**=--... YOURE AT THE TRAIN STATION, ON A ...--=**§§
@@£§@*=~-. CATWALK ABOVE THE RAILS. YOUR TRAIN IS .-~=*@§£@@
#@£§@*=~-. LATE, OR YOU ARE LATE TO THE TRAIN. .-~=*@§£@#
#@£§@*=~-. IT'S A SUMMER AFTERNOON AND THE STATION .-~=*@§£@#
££@*===~-. IS BUSY, FULL OF RELAXED CONFIDENCE. .-~===*@££
#@£§@*=~-. .-~=*@§£@#
@§§**=~~-. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .-~~=**§§@
#@£§@*=~-. STRESSED ABOUT THE TIME, WHILE MOVING .-~=*@§£@#
@@£§@*=~-. UP THE STAIRS TO YOUR PLATFORM. THE .-~=*@§£@@
#@£§@*=~-. STATION IS IN SEVERAL LEVELS, ALL .-~=*@§£@#
@§*~~~-... PLACED WITHIN EACHOTHER BY SOME ...-~~~*§@
§§§**~--.. INTELLIGENT DESIGNER, AND FULL OF ..--~**§§§
#@£§@*=~-. STAIRS, ELEVATORS, SHORTCUTS, .-~=*@§£@#
§*~....... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .......~*§
##£§@*=~-. SOME GLASS WINDOWS. IT'S... NOT WHERE .-~=*@§£##
§@===~.... IT'S SUPPOSED TO BE? ....~===@§
#@£§@*=~-. .-~=*@§£@#
#@£§@*=~-. ~ .-~=*@§£@#
§§@==-.... --@-- ....-==@§§
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#@£§@*=~-. .-~=*@§£@#
§*=-...... (SITUATION) ......-=*§
@££§@*=~-. .-~=*@§££@
#@£§@*=~-. YOU'RE FINALLY ENTERING THE CITY. WHILE .-~=*@§£@#
§@==~..... IT IS INDEED A VERY HIGH SPEED TRAIN .....~==@§
@§*~~~~--. YOU'RE TRAVELING IN, THE JOURNEY HAS .--~~~~*§@
#@£§@*=~-. BEEN LONG. BUT IT'S ABOUT TO END! .-~=*@§£@#
§@***~~-.. ..-~~***@§
§§*=~-.... SOCIETY IS GROWING DENSER AROUND YOU, ....-~=*§§
§*~....... THROUGH THE WINDOWS YOU SEE FIRST SMALL .......~*§
§*~....... SHACKS, BUILT OF METAL AND STONE, THEN .......~*§
#@£§@*=~-. PROPER HOUSES WITH MORTAR TO KEEP THEM .-~=*@§£@#
##@£§*=~-. TOGETHER... WHO IN TURN MAKE WAY FOR .-~=*§£@##
##@£§@*=~- THE INDUSTRIAL BUILDINGS, THE URBAN -~=*@§£@##
##@§@*=~-. MAZE, PROTECTIVE WALLS, JUNGLE .-~=*@§@##
@£§§@*=~-. NETWORK... .-~=*@§§£@
##£§@*=~-. .-~=*@§£##
##£§@*=~-. THE TRACKS LEAVE THE GROUND, WHICH IS .-~=*@§£##
#@£§@*=~-. NEEDED FOR OTHER PURPOSES. YOU ARE .-~=*@§£@#
#@£§@*=~-. CARRIED GENTLY, CURVING UPWARDS UNTIL .-~=*@§£@#
##@£§@*~-. YOU'RE MOVING UPWARD ALONG THE WALL OF .-~*@§£@##
@@£§@*=~-. A BUILDING. IT'S MADE OF SLABBY STONE, .-~=*@§£@@
##@£§@*=~. WITH GREAT GLASSLESS WINDOW HOLES .~=*@§£@##
§*~---.... LOOKING OUT THE WAY YOU CAME. IT IS ....---~*§
§*~....... PITCH BLACK INSIDE. .......~*§
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