..@@@@.@.. @@@..@@.@@
@.@...@@@. @..@.@.@@.
@@@@..@..@ @@.@@@@@.@
....@.@@.@ @.@@....@@
@...@@@.@@ .@@.@...@.
@@..@..@@. TRAIN DREAM @@.@@@..@@
..@.@@.@.@ ######....:«::..##################### @.@@..@.@.
..@@@.@@@@ === @@@.@.@@@@
@.@..@@... « ...@@@@...
@@@@.@.@.. « @..@...@..
@...@@@@@. @@.@@..@@.
@@..@....@ (SITUATION) @.@@.@.@.@
..@.@@...@ .@@.@@@@@@
@.@@@.@..@ YOU FIND YOURSELF IN A RIFT - A @@.@@.....
@@@..@@@.@ CLEARING, NARROW BUT IMMEASURABLY LONG. ..@@.@....
@..@.@..@@ TO YOUR SIDES ARE WALLS MADE OF TREES, ..@.@@@...
@@.@@@@.@. THICK AND READY TO SWALLOW YOU. THE SUN @.@@@..@..
@.@@...@@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS .@@..@.@@.
@@@.@..@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@.@.@@@.@
...@@@.@@. BLUE, ALMOST WHITE. @.@@@@..@@
@..@..@@.@ .@@...@.@.
@@.@@.@.@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@.@..@@@@
..@@.@@@@. PARALLEL SILVERY LINES, DARK HARD ..@@@.@...
..@.@@...@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..@..@@@..
..@@@.@..@ THEY ARE. @.@@.@..@.
..@..@@@.@ .@@.@@@.@@
@.@@.@..@@ THEY EMIT A HIGH PITCHED WHINE... @@.@@..@@.
@@@.@@@.@. @.@@.@.@.@
...@@..@@@ « .@@.@@@@@@
@..@.@.@.. ..*.. @@.@@.....
@@.@@@@@@. « ..@@.@....
@.@@.....@ @.@.@@@...
@@@.@....@ (SITUATION) .@@@@..@..
@..@@@...@ @@...@.@@.
@@.@..@..@ YOURE AT THE TRAIN STATION, ON A @.@..@@@.@
..@@@.@@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS .@@@.@..@@
@.@..@@.@@ LATE, OR YOU ARE LATE TO THE TRAIN. .@..@@@.@.
@@@@.@.@@. IT'S A SUMMER AFTERNOON AND THE STATION .@@.@..@@@
....@@@@.@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@.@@@.@..
....@...@@ @.@@..@@@.
....@@..@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@@.@.@..@
@...@.@.@@ STRESSED ABOUT THE TIME, WHILE MOVING @@.@@@@@.@
.@..@@@@@. UP THE STAIRS TO YOUR PLATFORM. THE ..@@....@@
@@@.@....@ STATION IS IN SEVERAL LEVELS, ALL ..@.@...@.
@..@@@...@ PLACED WITHIN EACHOTHER BY SOME @.@@@@..@@
.@.@..@..@ INTELLIGENT DESIGNER, AND FULL OF @@@...@.@.
.@@@@.@@.@ STAIRS, ELEVATORS, SHORTCUTS, @..@..@@@@
@@...@@.@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .@.@@.@...
@.@..@.@@. SOME GLASS WINDOWS. IT'S... NOT WHERE @@@@.@@@..
@@@@.@@@.@ IT'S SUPPOSED TO BE? ....@@..@.
@...@@..@@ @...@.@.@@
.@..@.@.@. « @@..@@@@@.
.@@.@@@@@@ ::$:: @.@.@....@
@@.@@..... « @@@@@@...@
..@@.@.... @.....@..@
@.@.@@@... (SITUATION) @@....@@.@
.@@@@..@.. @.@...@.@@
@@...@.@@. YOU'RE FINALLY ENTERING THE CITY. WHILE .@@@..@@@.
@.@..@@@.@ IT IS INDEED A VERY HIGH SPEED TRAIN @@..@.@..@
.@@@.@..@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @.@.@@@@.@
@@..@@@.@. BEEN LONG. BUT IT'S ABOUT TO END! .@@@@...@@
..@.@..@@@ .@...@..@.
..@@@@.@.. SOCIETY IS GROWING DENSER AROUND YOU, @@@..@@.@@
@.@...@@@. THROUGH THE WINDOWS YOU SEE FIRST SMALL @..@.@.@@.
@@@@..@..@ SHACKS, BUILT OF METAL AND STONE, THEN @@.@@@@@.@
....@.@@.@ PROPER HOUSES WITH MORTAR TO KEEP THEM @.@@....@@
@...@@@.@@ TOGETHER... WHO IN TURN MAKE WAY FOR .@@.@...@.
@@..@..@@. THE INDUSTRIAL BUILDINGS, THE URBAN @@.@@@..@@
..@.@@.@.@ MAZE, PROTECTIVE WALLS, JUNGLE @.@@..@.@.
..@@@.@@@@ NETWORK... @@@.@.@@@@
@.@..@@... ...@@@@...
@@@@.@.@.. THE TRACKS LEAVE THE GROUND, WHICH IS @..@...@..
@...@@@@@. NEEDED FOR OTHER PURPOSES. YOU ARE @@.@@..@@.
@@..@....@ CARRIED GENTLY, CURVING UPWARDS UNTIL @.@@.@.@.@
..@.@@...@ YOU'RE MOVING UPWARD ALONG THE WALL OF .@@.@@@@@@
@.@@@.@..@ A BUILDING. IT'S MADE OF SLABBY STONE, @@.@@.....
@@@..@@@.@ WITH GREAT GLASSLESS WINDOW HOLES ..@@.@....
@..@.@..@@ LOOKING OUT THE WAY YOU CAME. IT IS ..@.@@@...
@@.@@@@.@. PITCH BLACK INSIDE. @.@@@..@..
@.@@...@@@ .@@..@.@@.
@@@.@..@.. @@.@.@@@.@
...@@@.@@. @.@@@@..@@
@..@..@@.@ .@@...@.@.
@@.@@.@.@@ @@.@..@@@@