###££%/-:. .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. TRAIN DREAM ..:-/%££##
###££%/-:. ######....:-::..##################### .:-/%££###
##££%/-:.. /// ..:-/%££##
###££%/-:. - .:-/%££###
##££%/-:.. - ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. (SITUATION) ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. YOU FIND YOURSELF IN A RIFT - A ..:-/%££##
###££%/-:. CLEARING, NARROW BUT IMMEASURABLY LONG. .:-/%££###
##££%/-:.. TO YOUR SIDES ARE WALLS MADE OF TREES, ..:-/%££##
###££%/-:. THICK AND READY TO SWALLOW YOU. THE SUN .:-/%££###
##££%/-:.. IS NOWHERE TO BE SEEN, BUT NONTHELESS ..:-/%££##
###££%/-:. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .:-/%££###
##££%/-:.. BLUE, ALMOST WHITE. ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. ALONG THE SPAN OF THE CLEARING LAY TWO ..:-/%££##
###££%/-:. PARALLEL SILVERY LINES, DARK HARD .:-/%££###
##££%/-:.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..:-/%££##
###££%/-:. THEY ARE. .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. THEY EMIT A HIGH PITCHED WHINE... .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. - .:-/%££###
##££%/-:.. ..%.. ..:-/%££##
###££%/-:. - .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. (SITUATION) .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. YOURE AT THE TRAIN STATION, ON A .:-/%££###
##££%/-:.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..:-/%££##
###££%/-:. LATE, OR YOU ARE LATE TO THE TRAIN. .:-/%££###
##££%/-:.. IT'S A SUMMER AFTERNOON AND THE STATION ..:-/%££##
###££%/-:. IS BUSY, FULL OF RELAXED CONFIDENCE. .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .:-/%££###
##££%/-:.. STRESSED ABOUT THE TIME, WHILE MOVING ..:-/%££##
###££%/-:. UP THE STAIRS TO YOUR PLATFORM. THE .:-/%££###
##££%/-:.. STATION IS IN SEVERAL LEVELS, ALL ..:-/%££##
###££%/-:. PLACED WITHIN EACHOTHER BY SOME .:-/%££###
##££%/-:.. INTELLIGENT DESIGNER, AND FULL OF ..:-/%££##
###££%/-:. STAIRS, ELEVATORS, SHORTCUTS, .:-/%££###
##££%/-:.. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..:-/%££##
###££%/-:. SOME GLASS WINDOWS. IT'S... NOT WHERE .:-/%££###
##££%/-:.. IT'S SUPPOSED TO BE? ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. - ..:-/%££##
###££%/-:. ::£:: .:-/%££###
##££%/-:.. - ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. (SITUATION) ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. YOU'RE FINALLY ENTERING THE CITY. WHILE ..:-/%££##
###££%/-:. IT IS INDEED A VERY HIGH SPEED TRAIN .:-/%££###
##££%/-:.. YOU'RE TRAVELING IN, THE JOURNEY HAS ..:-/%££##
###££%/-:. BEEN LONG. BUT IT'S ABOUT TO END! .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. SOCIETY IS GROWING DENSER AROUND YOU, .:-/%££###
##££%/-:.. THROUGH THE WINDOWS YOU SEE FIRST SMALL ..:-/%££##
###££%/-:. SHACKS, BUILT OF METAL AND STONE, THEN .:-/%££###
##££%/-:.. PROPER HOUSES WITH MORTAR TO KEEP THEM ..:-/%££##
###££%/-:. TOGETHER... WHO IN TURN MAKE WAY FOR .:-/%££###
##££%/-:.. THE INDUSTRIAL BUILDINGS, THE URBAN ..:-/%££##
###££%/-:. MAZE, PROTECTIVE WALLS, JUNGLE .:-/%££###
##££%/-:.. NETWORK... ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. THE TRACKS LEAVE THE GROUND, WHICH IS ..:-/%££##
###££%/-:. NEEDED FOR OTHER PURPOSES. YOU ARE .:-/%££###
##££%/-:.. CARRIED GENTLY, CURVING UPWARDS UNTIL ..:-/%££##
###££%/-:. YOU'RE MOVING UPWARD ALONG THE WALL OF .:-/%££###
##££%/-:.. A BUILDING. IT'S MADE OF SLABBY STONE, ..:-/%££##
###££%/-:. WITH GREAT GLASSLESS WINDOW HOLES .:-/%££###
##££%/-:.. LOOKING OUT THE WAY YOU CAME. IT IS ..:-/%££##
###££%/-:. PITCH BLACK INSIDE. .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. ..:-/%££##
###££%/-:. .:-/%££###
##££%/-:.. ..:-/%££##