,^=\%&@@## ##@@&%\=^,
,^=\%&@@## ##@@&%\=^,
,,^^^=%@@# #@@%=^^^,,
,,,,^\&@@@ @@@&\^,,,,
,^=\%&@@## ##@@&%\=^,
,^=\%&@@@# TRAIN DREAM #@@@&%\=^,
,^=\%&@@## ######,,,,^=^^,,##################### ##@@&%\=^,
^=\%&@@### \\\ ###@@&%\=^
,,,,,,^\&@ = @&\^,,,,,,
,,,^==\\%@ = @%\\==^,,,
,^=\%&@### ###@&%\=^,
,^=\%&@@## (SITUATION) ##@@&%\=^,
,,,,,,=%&@ @&%=,,,,,,
,,,,,^\\&@ YOU FIND YOURSELF IN A RIFT - A @&\\^,,,,,
,^=\%&@@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@@&%\=^,
,^=\%&@@@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@@@&%\=^,
,^=\%&@@## THICK AND READY TO SWALLOW YOU. THE SUN ##@@&%\=^,
,^=\%%&&@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@&&%%\=^,
,^=\%&@@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@@&%\=^,
,,,^^==%@# BLUE, ALMOST WHITE. #@%==^^,,,
,,,==\%@@# #@@%\==,,,
,^=\%&@@@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@@@&%\=^,
,,,^=%&@@# PARALLEL SILVERY LINES, DARK HARD #@@&%=^,,,
,^=\%&@### METAL. SOMEHOW YOU CAN SEE HOW HEAVY ###@&%\=^,
,^=\%&@@## THEY ARE. ##@@&%\=^,
,^=\\\%&&@ @&&%\\\=^,
,^=\\%%&&@ THEY EMIT A HIGH PITCHED WHINE... @&&%%\\=^,
,,,,,,^\%@ @%\^,,,,,,
,^=\%&@@## = ##@@&%\=^,
,^=\%&@@## ,,%,, ##@@&%\=^,
,,,^^\&@@@ = @@@&\^^,,,
,,,^==%@@@ @@@%==^,,,
,^=\%&@@@# (SITUATION) #@@@&%\=^,
,^=\%&@@@@ @@@@&%\=^,
,^=\%@@### YOURE AT THE TRAIN STATION, ON A ###@@%\=^,
,^=\%&@@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@@&%\=^,
,^=\%&@@@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@@@&%\=^,
,^=\&@@### IT'S A SUMMER AFTERNOON AND THE STATION ###@@&\=^,
,^=\%&@@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@@&%\=^,
,^\%&@@### ###@@&%\^,
,^=\%&@@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@@&%\=^,
,^=\%&@@@@ STRESSED ABOUT THE TIME, WHILE MOVING @@@@&%\=^,
,^=\%&@### UP THE STAIRS TO YOUR PLATFORM. THE ###@&%\=^,
,^=\%&@@## STATION IS IN SEVERAL LEVELS, ALL ##@@&%\=^,
,^=\%&@@@# PLACED WITHIN EACHOTHER BY SOME #@@@&%\=^,
,^=\%&@@## INTELLIGENT DESIGNER, AND FULL OF ##@@&%\=^,
,,,,^\%%@@ STAIRS, ELEVATORS, SHORTCUTS, @@%%\^,,,,
,^=\%&@@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@@&%\=^,
,^=%&@@### SOME GLASS WINDOWS. IT'S... NOT WHERE ###@@&%=^,
,^=\%&@### IT'S SUPPOSED TO BE? ###@&%\=^,
,,,,,,^\&@ @&\^,,,,,,
,^=\%%&&@@ = @@&&%%\=^,
,^=\%&&&&@ ^^&^^ @&&&&%\=^,
,^=\%&@@## = ##@@&%\=^,
,^=\%&@@## ##@@&%\=^,
,^=\%&@@## (SITUATION) ##@@&%\=^,
,,,,,,,=%@ @%=,,,,,,,
,,,,==\\&@ YOU'RE FINALLY ENTERING THE CITY. WHILE @&\\==,,,,
,^=\%&@@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@@&%\=^,
,^=\%&@@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@@&%\=^,
,^=\%&@@## BEEN LONG. BUT IT'S ABOUT TO END! ##@@&%\=^,
,,,,,=%@@@ @@@%=,,,,,
,,,,=%&@@@ SOCIETY IS GROWING DENSER AROUND YOU, @@@&%=,,,,
,^=\%&@@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@@&%\=^,
,,,^==\%&@ SHACKS, BUILT OF METAL AND STONE, THEN @&%\==^,,,
,,,^^\&@@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@@&\^^,,,
,,,,=%%@@@ TOGETHER... WHO IN TURN MAKE WAY FOR @@@%%=,,,,
,^=\%&@@@# THE INDUSTRIAL BUILDINGS, THE URBAN #@@@&%\=^,
,,,,^^\&@@ MAZE, PROTECTIVE WALLS, JUNGLE @@&\^^,,,,
,^=\%%&&@@ NETWORK... @@&&%%\=^,
,^=\%&@@## ##@@&%\=^,
,,,^^\\%@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@%\\^^,,,
,^=\%&@### NEEDED FOR OTHER PURPOSES. YOU ARE ###@&%\=^,
,^=\%&@@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@@&%\=^,
,^=\%&@@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@@&%\=^,
,^=\%&@@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@@&%\=^,
,^=\%&@@## WITH GREAT GLASSLESS WINDOW HOLES ##@@&%\=^,
,,,,,=\%@@ LOOKING OUT THE WAY YOU CAME. IT IS @@%\=,,,,,
,^=\%&@@## PITCH BLACK INSIDE. ##@@&%\=^,
,^=\%&@@@# #@@@&%\=^,
,^=\%&@@## ##@@&%\=^,
,,,^^=%&@# #@&%=^^,,,
,,,^\%%%&@ @&%%%\^,,,
,^=\%&@@## ##@@&%\=^,