#&&&&=/~-, ,-~/=&&&&#
####&=/~-, ,-~/=&####
#&==/~,,,, ,,,,~/==&#
&&=~---,,, ,,,---~=&&
####&&=~-, ,-~=&&####
&&&&//~-,, train dream ,,-~//&&&&
&&&==/~~-, ######,,,,-~--,,##################### ,-~~/==&&&
####&=/~-, /// ,-~/=&####
##&&&=/~-, ~ ,-~/=&&&##
###&&=/~-, ~ ,-~/=&&###
&=/--,,,,, ,,,,,--/=&
###&&=/~-, (situation) ,-~/=&&###
###&&=/~-, ,-~/=&&###
###&&=/~-, you find yourself in a rift - a ,-~/=&&###
#&&=~~~-,, clearing, narrow but immeasurably long. ,,-~~~=&&#
###&&=/~-, to your sides are walls made of trees, ,-~/=&&###
&=///--,,, thick and ready to swallow you. the sun ,,,--///=&
&==~-,,,,, is nowhere to be seen, but nontheless ,,,,,-~==&
###&&=/~-, it is very bright - the air feels light ,-~/=&&###
####&=/~-, blue, almost white. ,-~/=&####
&==/-,,,,, ,,,,,-/==&
###&&=/~-, along the span of the clearing lay two ,-~/=&&###
#&/~-,,,,, parallel silvery lines, dark hard ,,,,,-~/&#
###&&=/~-, metal. somehow you can see how heavy ,-~/=&&###
###&&=/~-, they are. ,-~/=&&###
###&&=/~-, ,-~/=&&###
###&&=/~-, they emit a high pitched whine... ,-~/=&&###
###&&=/~-, ,-~/=&&###
###&&=/~-, ~ ,-~/=&&###
###&&=/~-, ,,=,, ,-~/=&&###
###&&=/~-, ~ ,-~/=&&###
###&&=/~-, ,-~/=&&###
###&&=/~-, (situation) ,-~/=&&###
###&&=/~-, ,-~/=&&###
&===///~-, youre at the train station, on a ,-~///===&
&&/~-,,,,, catwalk above the rails. your train is ,,,,,-~/&&
#&&&//-,,, late, or you are late to the train. ,,,-//&&&#
###&&=/~-, it's a summer afternoon and the station ,-~/=&&###
##&=~,,,,, is busy, full of relaxed confidence. ,,,,,~=&##
##&//-,,,, ,,,,-//&##
###&&=/~-, you're in high spirits, although a bit ,-~/=&&###
####&=/~-, stressed about the time, while moving ,-~/=&####
###&&=/~-, up the stairs to your platform. the ,-~/=&&###
####&=/~-, station is in several levels, all ,-~/=&####
&=/~-,,,,, placed within eachother by some ,,,,,-~/=&
#&&&&=/~-, intelligent designer, and full of ,-~/=&&&&#
###&&=/~-, stairs, elevators, shortcuts, ,-~/=&&###
###&&=/~-, bazaars... you sight your train through ,-~/=&&###
###&&=/~-, some glass windows. it's... not where ,-~/=&&###
#&/-,,,,,, it's supposed to be? ,,,,,,-/&#
###&&=/~-, ,-~/=&&###
#&&==/~~-, ~ ,-~~/==&&#
#&===~-,,, --&-- ,,,-~===&#
#&&==//~-, ~ ,-~//==&&#
###&&=/~-, ,-~/=&&###
#&/-,,,,,, (situation) ,,,,,,-/&#
####&=/~-, ,-~/=&####
###&&=/~-, you're finally entering the city. while ,-~/=&&###
&&&&&=/~-, it is indeed a very high speed train ,-~/=&&&&&
#&&&&=/~-, you're traveling in, the journey has ,-~/=&&&&#
###&&=/~-, been long. but it's about to end! ,-~/=&&###
&&&&&=/~-, ,-~/=&&&&&
&&//~,,,,, society is growing denser around you, ,,,,,~//&&
###&&=/~-, through the windows you see first small ,-~/=&&###
##&&=/~--, shacks, built of metal and stone, then ,--~/=&&##
###&&=/~-, proper houses with mortar to keep them ,-~/=&&###
#&/-,,,,,, together... who in turn make way for ,,,,,,-/&#
#&=~--,,,, the industrial buildings, the urban ,,,,--~=&#
#&=/---,,, maze, protective walls, jungle ,,,---/=&#
###&&=/~-, network... ,-~/=&&###
&&&=/-,,,, ,,,,-/=&&&
#&====/~-, the tracks leave the ground, which is ,-~/====&#
####&&/~-, needed for other purposes. you are ,-~/&&####
#&&&&=/~-, carried gently, curving upwards until ,-~/=&&&&#
#&==/~,,,, you're moving upward along the wall of ,,,,~/==&#
#&&&&=/~-, a building. it's made of slabby stone, ,-~/=&&&&#
&&&&/~~~-, with great glassless window holes ,-~~~/&&&&
####&&/~-, looking out the way you came. it is ,-~/&&####
#&&&&=/~-, pitch black inside. ,-~/=&&&&#
###&&=/~-, ,-~/=&&###
##&/~~--,, ,,--~~/&##
###&&=/~-, ,-~/=&&###
&===//~~-, ,-~~//===&
&&&=~,,,,, ,,,,,~=&&&