.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤##@ @##¤¤*=~,.
.....~~*¤# #¤*~~.....
.,~==***¤@ @¤***==~,.
.....~*¤¤¤ ¤¤¤*~.....
.,~=*¤¤#@# TRAIN DREAM #@#¤¤*=~,.
.,~=*¤¤##@ ######....,~,,..##################### @##¤¤*=~,.
.,~=*¤¤#@# === #@#¤¤*=~,.
......~=¤# ~ #¤=~......
.,~=*¤¤#@@ ~ @@#¤¤*=~,.
.,~=*¤¤@## ##@¤¤*=~,.
.,~=*¤¤#@# (SITUATION) #@#¤¤*=~,.
....~=¤¤¤@ @¤¤¤=~....
.,~=*¤¤#@# YOU FIND YOURSELF IN A RIFT - A #@#¤¤*=~,.
....,~=*¤# CLEARING, NARROW BUT IMMEASURABLY LONG. #¤*=~,....
.,~=*¤¤#@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@#¤¤*=~,.
.,~=*¤¤#@# THICK AND READY TO SWALLOW YOU. THE SUN #@#¤¤*=~,.
.,~=*¤¤¤¤# IS NOWHERE TO BE SEEN, BUT NONTHELESS #¤¤¤¤*=~,.
.,~=*¤¤¤¤@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @¤¤¤¤*=~,.
...,,~=*¤@ BLUE, ALMOST WHITE. @¤*=~,,...
.,~=*¤¤### ###¤¤*=~,.
.,~=*¤¤#@# ALONG THE SPAN OF THE CLEARING LAY TWO #@#¤¤*=~,.
....~=*¤¤¤ PARALLEL SILVERY LINES, DARK HARD ¤¤¤*=~....
....,,~=*¤ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¤*=~,,....
....,,==*¤ THEY ARE. ¤*==,,....
.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤¤#@ THEY EMIT A HIGH PITCHED WHINE... @#¤¤¤*=~,.
.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤#@# ~ #@#¤¤*=~,.
......~*¤@ ..*.. @¤*~......
.,~=*¤¤@## ~ ##@¤¤*=~,.
.,~=*¤¤### ###¤¤*=~,.
.,~=*¤¤### (SITUATION) ###¤¤*=~,.
.,~=*¤¤### ###¤¤*=~,.
.,~=*¤¤#@# YOURE AT THE TRAIN STATION, ON A #@#¤¤*=~,.
.,~=*¤¤#@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@#¤¤*=~,.
.,~=***¤¤# LATE, OR YOU ARE LATE TO THE TRAIN. #¤¤***=~,.
.,~=*¤¤¤¤¤ IT'S A SUMMER AFTERNOON AND THE STATION ¤¤¤¤¤*=~,.
...~~==¤¤¤ IS BUSY, FULL OF RELAXED CONFIDENCE. ¤¤¤==~~...
.,~=*¤¤¤¤# #¤¤¤¤*=~,.
.,~=*¤¤¤¤# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #¤¤¤¤*=~,.
.,~=*¤¤@## STRESSED ABOUT THE TIME, WHILE MOVING ##@¤¤*=~,.
.,~=*¤¤#@# UP THE STAIRS TO YOUR PLATFORM. THE #@#¤¤*=~,.
.,~=*¤¤#@# STATION IS IN SEVERAL LEVELS, ALL #@#¤¤*=~,.
..,~~~=¤¤¤ PLACED WITHIN EACHOTHER BY SOME ¤¤¤=~~~,..
.,~=*¤¤¤#@ INTELLIGENT DESIGNER, AND FULL OF @#¤¤¤*=~,.
.,~=*¤¤### STAIRS, ELEVATORS, SHORTCUTS, ###¤¤*=~,.
.,~=*¤¤### BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ###¤¤*=~,.
..,~=**¤## SOME GLASS WINDOWS. IT'S... NOT WHERE ##¤**=~,..
.,~=*¤¤#@# IT'S SUPPOSED TO BE? #@#¤¤*=~,.
.....~**¤¤ ¤¤**~.....
.,~=*¤¤#@# ~ #@#¤¤*=~,.
.,~=*¤¤#@# ,,¤,, #@#¤¤*=~,.
....~~*¤¤¤ ~ ¤¤¤*~~....
....,=*¤#@ @#¤*=,....
...,,,=*¤# (SITUATION) #¤*=,,,...
.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤#@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@#¤¤*=~,.
....,,~~*¤ IT IS INDEED A VERY HIGH SPEED TRAIN ¤*~~,,....
...,=**¤## YOU'RE TRAVELING IN, THE JOURNEY HAS ##¤**=,...
.,~=*¤¤@## BEEN LONG. BUT IT'S ABOUT TO END! ##@¤¤*=~,.
.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤#@# SOCIETY IS GROWING DENSER AROUND YOU, #@#¤¤*=~,.
.,~=*¤¤@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@¤¤*=~,.
.,~=*¤¤#@# SHACKS, BUILT OF METAL AND STONE, THEN #@#¤¤*=~,.
.,~=*¤¤#@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@#¤¤*=~,.
....,~==¤¤ TOGETHER... WHO IN TURN MAKE WAY FOR ¤¤==~,....
..,,~**¤#@ THE INDUSTRIAL BUILDINGS, THE URBAN @#¤**~,,..
.,~===*¤¤@ MAZE, PROTECTIVE WALLS, JUNGLE @¤¤*===~,.
.,~=*¤#@## NETWORK... ##@#¤*=~,.
.,~=*¤¤¤¤¤ ¤¤¤¤¤*=~,.
.....,=¤¤¤ THE TRACKS LEAVE THE GROUND, WHICH IS ¤¤¤=,.....
.,~~~==*¤¤ NEEDED FOR OTHER PURPOSES. YOU ARE ¤¤*==~~~,.
....,~~=¤¤ CARRIED GENTLY, CURVING UPWARDS UNTIL ¤¤=~~,....
.,~=*¤¤#@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@#¤¤*=~,.
.,~=*¤¤#@# A BUILDING. IT'S MADE OF SLABBY STONE, #@#¤¤*=~,.
.,~=*¤¤@## WITH GREAT GLASSLESS WINDOW HOLES ##@¤¤*=~,.
...,,,~=¤# LOOKING OUT THE WAY YOU CAME. IT IS #¤=~,,,...
.....~*¤¤@ PITCH BLACK INSIDE. @¤¤*~.....
....,==**¤ ¤**==,....
.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤#@@ @@#¤¤*=~,.
.,~=*¤¤#@# #@#¤¤*=~,.
.,~=*¤¤### ###¤¤*=~,.