..@...@.@. ..@@@@@@..
..@@..@@@@ ..@.....@.
..@.@.@... ..@@....@@
@.@@@@@@.. @.@.@...@.
@@@.....@. .@@@@@..@@
...@....@@ .~ ~~~~~~~ ~~~~~~~ ~~~~~~~ ~. .@....@.@.
...@@...@. NICK WILDE IS A RED FOX AND A CONMAN. @@@...@@@@
@..@.@..@@ .~ ~~~~~~~ ~~~~~~~ ~~~~~~~ ~. ...@..@...
@@.@@@@.@. @..@@.@@..
@.@@...@@@ HE'S NOT ABOVE PETTY CRIME, BUT HE @@.@.@@.@.
@@@.@..@.. KNOWS THAT IF HE PUTS IN A BIT OF WORK, @.@@@@.@@@
...@@@.@@. HE WILL FIND MUCH MORE LUCRATIVE .@@...@@..
...@..@@.@ REWARDS. .@.@..@.@.
...@@.@.@@ .@@@@.@@@@
@..@.@@@@. AND THUS HE'S CURRENTLY WORKING .@...@@...
@@.@@@...@ ALONGSIDE HATSUNE MIKU FOR A COMPANY .@@..@.@..
@.@@..@..@ THAT MAKES SYNTHETIC MEAL REPLACEMENTS. .@.@.@@@@.
@@@.@.@@.@ HE'S GOT A VAGUE OUTLINE OF A PLAN, TO @@@@@@...@
...@@@@.@@ SCATTER WITH SOME PRODUCT, OR EVEN ......@..@
@..@...@@. BETTER, SOME FORMULA? THESE THINGS ARE @.....@@.@
.@.@@..@.@ WORTH A LOT TO A COMPETITOR. .@....@.@@
@@@@.@.@@@ .@@...@@@.
@...@@@@.. HE'S BEEN LUCKY; THE PLACE IS .@.@..@..@
.@..@...@. SURPRISINGLY UNGUARDED. ONCE HE'S GOT @@@@@.@@.@
@@@.@@..@@ HIS PAWS ON SOMETHING WORTHWHILE, IT'LL .....@@.@@
...@@.@.@. BE EASY TO JUST WALTZ OUT. UNTIL THEN, .....@.@@.
...@.@@@@@ KEEP DOING THE WORK... .....@@@.@
@..@@@.... @....@..@@
.@.@..@... COME TO THINK OF IT, THE PLACE IS @@...@@.@.
.@@@@.@@.. ALMOST EERILY EMPTY. THERE ARE FEW @.@..@.@@@
@@...@@.@. COWORKERS. (IN FACT THE COMPANY IS @@@@.@@@..
@.@..@.@@@ AI-RUN AND ONLY A FEW KEY ROLES ARE @...@@..@.
@@@@.@@@.. FILLED BY ACTUAL PEOPLE. @@..@.@.@@
....@@..@. ..@.@@@@@.
....@.@.@@ NONE OF THE EMPLOYEES KNOW THIS.) ..@@@....@
@...@@@@@. @.@..@...@
.@..@....@ ~~~ ~~~ @@@@.@@..@
@@@.@@...@ ~~~ ~~~ ~~~ ....@@.@.@
...@@.@..@ ~~~ ~~~ @...@.@@@@
@..@.@@@.@ .@..@@@...
@@.@@@..@@ NICK AND MIKU ARE BOTH STATIONED IN @@@.@..@..
@.@@..@.@. EARLY PROCESSING, HOUSED IN A STATE OF ...@@@.@@.
@@@.@.@@@@ THE ART FACTORY CLOSE TO THE DOCKS. @..@..@@.@
...@@@@... THEY CREATE THE EARLY BUILDING BLOCKS .@.@@.@.@@
@..@...@.. THAT ARE LATER COMBINED INTO THE MEALS @@@@.@@@@.
@@.@@..@@. THAT'S SOLD TO CUSTOMERS. ....@@...@
..@@.@.@.@ ....@.@..@
@.@.@@@@@@ THE BASES ARE MOSTLY SLUDGES ....@@@@.@
.@@@@..... OR PASTES, SUCH AS: @...@...@@
@@...@.... @@..@@..@.
@.@..@@... \~ PLANT MATTER @.@.@.@.@@
.@@@.@.@.. \~ BLOOD COLONY .@@@@@@@@.
.@..@@@@@. (MADE WITH A TYPE OF BACTERIA) @@.......@
@@@.@....@ \~ WILD FLESH ..@......@
...@@@...@ (FREE ROAMING ANIMALS) @.@@.....@
@..@..@..@ \~ ORGANS @@@.@....@
.@.@@.@@.@ (TAKEN FROM A LIVING HUMAN THAT @..@@@...@
@@@@.@@.@@ IS WILLING TO SELL) @@.@..@..@
....@@.@@. \~ MINERALS @.@@@.@@.@
@...@.@@.@ \~ BLOOD COLONY TWO .@@..@@.@@
.@..@@@.@@ \~ INSECTS .@.@.@.@@.
.@@.@..@@. (WHICH ARE MAINLY USED FOR THEIR .@@@@@@@.@
@@.@@@.@.@ BRAIN, WHICH IS USED TO EXTRACT @@......@@
..@@..@@@@ RECEPTORS THAT DETECT PHEROMONES) ..@.....@.
..@.@.@... ..@@....@@
@.@@@@@@.. ~~~ ~~~ @.@.@...@.
@@@.....@. ~~~ ~~~ ~~~ .@@@@@..@@
...@....@@ ~~~ ~~~ .@....@.@.
...@@...@. @@@...@@@@
@..@.@..@@ MIKU IS IN CHARGE OF THE BLOOD ...@..@...
@@.@@@@.@. COLONIES. THERE'S LARGE VATS OF THE @..@@.@@..
@.@@...@@@ ORIGINAL CULTURE WHICH IS FED BLOOD @@.@.@@.@.
@@@.@..@.. MEAL, BONE MEAL, WHAT DOESN'T QUALIFY @.@@@@.@@@
...@@@.@@. TO GO IN THE "WILD FLESH" PASTE, AND .@@...@@..
...@..@@.@ SOME PROCESSING CHEMICALS. ALL THESE .@.@..@.@.
...@@.@.@@ INGREDIENTS HAVE AN EFFECT ON THE BLOOD .@@@@.@@@@
@..@.@@@@. WHICH IN TURN AFFECTS MIKU. .@...@@...
@@.@@@...@ .@@..@.@..
@.@@..@..@ THERE IS A LARGE TANK BEHIND THE .@.@.@@@@.
@@@.@.@@.@ FACTORY THAT CONTAINS A VAST NUMBER OF @@@@@@...@
...@@@@.@@ AUXILLIARY BLOOD COLONIES. MIKU WATCHES ......@..@
@..@...@@. OVER THESE AS WELL. THEIR PURPOSE IS @.....@@.@
.@.@@..@.@ UNCLEAR. .@....@.@@
@@@@.@.@@@ .@@...@@@.
@...@@@@.. THE FACTORY IS SURROUNDED BY THE BLOOD .@.@..@..@
.@..@...@. MEAL FARMS. THERE IS A CONSTANT @@@@@.@@.@
@@@.@@..@@ EXCHANGE OF BLOOD AND BLOOD MEAL. THIS .....@@.@@
...@@.@.@. PROVIDES TWO OF THE MAJOR MATERIALS FOR .....@.@@.
...@.@@@@@ BOTH THE COLONIES AND MIKU. .....@@@.@
@..@@@.... @....@..@@
.@.@..@... ~~~ ~~~ @@...@@.@.
.@@@@.@@.. ~~~ ~~~ ~~~ @.@..@.@@@
@@...@@.@. ~~~ ~~~ @@@@.@@@..
@.@..@.@@@ @...@@..@.
@@@@.@@@.. NICK IS UNCOMFORTABLE AROUND @@..@.@.@@
....@@..@. THE "WILD FLESH" VATS. ..@.@@@@@.
....@.@.@@ ..@@@....@
@...@@@@@. @.@..@...@
.@..@....@ @@@@.@@..@
@@@.@@...@ ....@@.@.@
...@@.@..@ @...@.@@@@