,,~/§&¤### ###¤&§/~,,
,,,,,/§&¤¤ ¤¤&§/,,,,,
,,~/§&¤### ###¤&§/~,,
,,,,,/§&¤# #¤&§/,,,,,
,,,,~~~§&¤ ¤&§~~~,,,,
,,~/§&&&&¤ train dream ¤&&&&§/~,,
,,,,,,/§&¤ ######,,,,,~,,,,##################### ¤&§/,,,,,,
,,,,,,~§&¤ /// ¤&§~,,,,,,
,,~/§&¤### ~ ###¤&§/~,,
,,~/§&¤¤## ~ ##¤¤&§/~,,
,,,,,/&# ##&&/,,,,,
,,,~~§§# (situation) ##&§§~~,,,
,,~/§&¤¤¤# #¤¤¤&§/~,,
,,,,,~/&&¤ you find yourself in a rift - a ¤&&/~,,,,,
,,~/&¤#### clearing, narrow but immeasurably long. ####¤&/~,,
,,,,,//&¤# to your sides are walls made of trees, #¤&//,,,,,
,,,,,~§§§¤ thick and ready to swallow you. the sun ¤§§§~,,,,,
,,,,,~§§§¤ is nowhere to be seen, but nontheless ¤§§§~,,,,,
,,~/§&¤### it is very bright - the air feels light ###¤&§/~,,
,,~/§&¤### blue, almost white. ###¤&§/~,,
,,~/§&¤### ###¤&§/~,,
,,,,,,,~§¤ along the span of the clearing lay two ¤§~,,,,,,,
,,,,,,/§¤# parallel silvery lines, dark hard #¤§/,,,,,,
,,,,,,/&&¤ metal. somehow you can see how heavy ¤&&/,,,,,,
,,~/§&¤### they are. ###¤&§/~,,
,,~/§§&&¤¤ ¤¤&&§§/~,,
,,,,,,// they emit a high pitched whine... #&//,,,,,,
,,~/§&¤### ###¤&§/~,,
,,,,,,~/ ~ #&/~,,,,,,
,,~/§&¤### ,,§,, ###¤&§/~,,
,,~/§&¤### ~ ###¤&§/~,,
,,,,,~§§§¤ ¤§§§~,,,,,
,,,,,,~§¤# (situation) #¤§~,,,,,,
,,,~//§¤¤¤ ¤¤¤§//~,,,
,,~/§¤#### youre at the train station, on a ####¤§/~,,
,,~/§&¤### catwalk above the rails. your train is ###¤&§/~,,
,,,~~§§&¤# late, or you are late to the train. #¤&§§~~,,,
,,,,~~~§&¤ it's a summer afternoon and the station ¤&§~~~,,,,
,,~/§&¤### is busy, full of relaxed confidence. ###¤&§/~,,
,,,,,,,~§¤ ¤§~,,,,,,,
,,~/§&¤### you're in high spirits, although a bit ###¤&§/~,,
,,~/§### stressed about the time, while moving ####&§/~,,
,,~/§&¤### up the stairs to your platform. the ###¤&§/~,,
,,~/§&¤### station is in several levels, all ###¤&§/~,,
,,,,~~~/§¤ placed within eachother by some ¤§/~~~,,,,
,,~/§&¤### intelligent designer, and full of ###¤&§/~,,
,,,,,/&¤## stairs, elevators, shortcuts, ##¤&/,,,,,
,,~/§&¤### bazaars... you sight your train through ###¤&§/~,,
,,,,,~/§ some glass windows. it's... not where #&§/~,,,,,
,,,,~~§# it's supposed to be? ##&§~~,,,,
,,,,,~~§ #&§~~,,,,,
,,,~~~§§ ~ #&§§~~~,,,
,,~/§&¤### ,,&,, ###¤&§/~,,
,,~/§&¤### ~ ###¤&§/~,,
,,~/§&¤### ###¤&§/~,,
,,,,/§§¤## (situation) ##¤§§/,,,,
,,,,//§¤¤# #¤¤§//,,,,
,,~/§&¤### you're finally entering the city. while ###¤&§/~,,
,,,~~~// it is indeed a very high speed train #&//~~~,,,
,,,,~/§¤¤¤ you're traveling in, the journey has ¤¤¤§/~,,,,
,,,,,~~§¤# been long. but it's about to end! #¤§~~,,,,,
,,,~~§§&¤# #¤&§§~~,,,
,,,,//&¤¤# society is growing denser around you, #¤¤&//,,,,
,,~/§&¤### through the windows you see first small ###¤&§/~,,
,,~/§&¤### shacks, built of metal and stone, then ###¤&§/~,,
,,~/§&¤### proper houses with mortar to keep them ###¤&§/~,,
,,~/§§§&¤# together... who in turn make way for #¤&§§§/~,,
,,~/§&¤### the industrial buildings, the urban ###¤&§/~,,
,,~/§§&# maze, protective walls, jungle ##&&§§/~,,
,,,,/§&¤¤¤ network... ¤¤¤&§/,,,,
,,~/§&¤### ###¤&§/~,,
,,~/§&¤### the tracks leave the ground, which is ###¤&§/~,,
,,,,,/§§§¤ needed for other purposes. you are ¤§§§/,,,,,
,,,,,~§§&¤ carried gently, curving upwards until ¤&§§~,,,,,
,,,,~§&¤¤# you're moving upward along the wall of #¤¤&§~,,,,
,,~///§&¤¤ a building. it's made of slabby stone, ¤¤&§///~,,
,,,,~/§¤## with great glassless window holes ##¤§/~,,,,
,,,,,,~§ looking out the way you came. it is #&§~,,,,,,
,,,,,//# pitch black inside. ##&//,,,,,
,,~/§### ####&§/~,,
,,~/§&¤### ###¤&§/~,,
,,~/§§§§&¤ ¤&§§§§/~,,
,,~/§&¤### ###¤&§/~,,
,,,,,,~/ #&/~,,,,,,