,~»=%£&@## ##@&£%=»~,
,,,,~=££&& &&££=~,,,,
,~»==%%£&& &&£%%==»~,
,~»=%£&@## ##@&£%=»~,
,~»=%£&@## ##@&£%=»~,
,~»=%£&@## delay delay d,la# & %a, ~ ,@ » ~ ##@&£%=»~,
,,,»==%% #&%%==»,,,
,,,,,~=% #&%=~,,,,,
,~»=%£&@@# #@@&£%=»~,
,~»=%£&@## ##@&£%=»~,
,~»=%£## "delay" means repetiton or likewise, ###&£%=»~,
,,,,~=£&&& but it's mainly useless without &&&£=~,,,,
,~»=%£&@## feedback, ##@&£%=»~,
,,,,,~~=£@ to allow the delay to eat of it's own @£=~~,,,,,
,~»=%£## tail, like one of those eaty serpents. ###&£%=»~,
,,~»»=%£&& thus: it's the serpent effect! &&£%=»»~,,
,,,,,»%&@@ @@&%»,,,,,
,,~~=%%%&& it's to be revered as a creator of &&%%%=~~,,
,~»=%£&@## ambience and of space, if you treat it ##@&£%=»~,
,~»=%£&@## right. a somewhat more solid and ##@&£%=»~,
,~»=%£@### slippery sibling of reverb. ###@£%=»~,
,~»=%£&&@# #@&&£%=»~,
,~»=%£&@@@ @@@&£%=»~,
,,,,~=%& #&&%=~,,,,
,~»=%£@### ###@£%=»~,
,,,,,~=£&@ @&£=~,,,,,