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£§#§§##£@. AS WE CROSS THE MOUNTAIN, WE CAN WALK §.,&&@&§¨.
,§@££§&#.. ONLY AT NIGHT. LONG AGO, SOMEONE HERE ¨.¨,&§¤..,
,¨&&£§#.¨£ MUST'VE ANGERED THE SUN, AND TODAY IT ¨#£¨.@.,£&
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§¨.,,¨,¨&# AND GETS THICK ENOUGH TO BREATHE. IT &&¤§#&£&¤¤
,.#£¤@£..& CARRIES WITH IT SMELLS FROM FAR AWAY, ¨§#§#¤£¤¤¤
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§¤,¨@¨.@&¤ SHARP CONTRAST FOR THE STALE BLACK OF ¤¨¨¤£@£¤,.
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¤§@#£¤.¨¤& THE OTHERS THINK I'M YOUNG, THEY DON'T &#¨¨,..,,#
¤@¤@&,.¨¨@ TAKE ME SERIOUSLY AND I FEAR THEY @,,&£¤@¤¨¨
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,¨£¨...¨¨, BEFORE YOU LEARN THE TRADE ENOUGH TO ¨&§,.@.¨&§
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&¤£,¨¤§@££ SAFELY FORWARD, EVERY NIGHT. £###£##§¤§
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¨&@##@&¨,, THE CORNER HAVE STOPPED, SHOUTING, ,,§#£@£¤§.
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¨.§¤¤&#§¨. BOOK OF STARS, IS A COMBINED MAP, .#¤,¨@,.§@
¨.¨@##¤¨,¨ CALENDAR AND TIMEPIECE AS LONG AS YOU .,,.,,,...
@§,.&¤..#§ KNOW WHAT YEAR IT IS. EVERY PAGE IS A ¤@§£#§@¤¤§
#,,,,.¨¨,@ GRID OF NINE STARFIELDS, HAND DRAWN, £¤¤¤#££§¤#
,¨£§¤&¤&., BELOW WHICH ARE WRITTEN COORDINATES IN ,&#§£#&§@&
,,.§#¤@¨,. BOTH SPACE AND TIME. A LOT OF IT IS ,.¤&&@§##,
§@,.&£.¨&@ APPLICABLE ON EARTH, BUT NOT ALL. IT #.¨¤£&¤#¨.
,,...¨.,,§ HINTS OF OTHER PLACES - SOME STARS ,.,,£§@¨..
@£¤§#@¤@,¨ REORDERED, SOME NAMES I HAVE NEVER ¤&#¨.£..&¤
#¤§§£@#,,, HEARD. SOMETIMES THE DATES ARE #&..,.¨.,§
¤#§@§¤,.§# IMPOSSIBLE. @¨.@£#&£.,
,¤£§@¨.,,& .,.¨&§£¨¨,
¨¨@¤.,§£¨. THOSE PAGES ARE EXACTLY WHAT I SCRAMBLE .@#¨¨#.¨§&
,.¨,.,..,. FOR RIGHT NOW. I'VE STOPPED BREATHING. ¨,¨.,¨,¨.¨
¤##@&##¤§£ I SLING OPEN THE BOOK OF STARS A BIT @§§£#£§&§#
£§£@@§@§&@ TOO QUICK, SPILLING ALL MY NOTES ON THE @§§&@££&#§
@#&¤&#£@&§ GROUND. ONE LANDS ON MY FOOT, IT IS A @§@&&@@&¤¤
£@@¤¤¤¤§£§ DRAWING OF A MUSCLE COW, BUT I COULD §#¤¤£££##&
¤§#&§¤§@#£ CARE LESS RIGHT NOW. £&£¤¤§§£#§
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