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.....»**§# #######£§$*/»~. geometry .~»/*$§£####### #§**».....
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....~/*$$£ # the name is a little mis- # £$$*/~....
......~/$§ » giving, because of course there is » §$/~......
.~~»»//**§ no real geometry in the caves. you may §**//»»~~.
.....~/$£# feel as if you are venturing into some #£$/~.....
.~»/*$§£## vast structure, but you are in fact ##£§$*/»~.
....~//*§# leaving any such thing at the entrance. #§*//~....
...~~//*$£ £$*//~~...
.....~/*§§ leaving physical tethers behind, §§*/~.....
...~»/**$£ submitting to an inescapable darkness, £$**/»~...
....~//*$§ the world around you becomes more of a §$*//~....
.~»/*$§§£# manifestation of your mind, or a #£§§$*/»~.
.~»/*$§£## collective mind, with a shape and a ##£§$*/»~.
.~»/*$$$£# direction and a taste. #£$$$*/»~.
....~»*§£# #£§*»~....
.~»/*$§£## inescapeable darkness, because if you ##£§$*/»~.
.....~/*$§ bring a candle or mount electrical §$*/~.....
.~»/*$§£## lights, the walls only serves as ##£§$*/»~.
.~»/*$§### markers to where the tiny spatial ###§$*/»~.
...~~»*$£# existence ends and the darkness beneath #£$*»~~...
.~»////*$£ it begins. £$*////»~.
.~~»»»/$££ ££$/»»»~~.
.~»»//**§£ like an inverted mandelbrot, the real £§**//»»~.
.~»/*$£### cave is actually not the pockets, but ###£$*/»~.
.....~~»*§ the black around them. keep that in §*»~~.....
.~»/*$§£## mind. ##£§$*/»~.
.....»**§£ £§**».....
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......~/$§ §$/~......
.~»////$§£ the moisture that permeates any cave £§$////»~.
..~~»//*$£ worth it's name... it's the water the £$*//»~~..
...~//**$§ world rose from. it's the water you §$**//~...
.~»/*$§£## drown in, in your dreams. ##£§$*/»~.
.~»/*$§£## ##£§$*/»~.
.~»/*$§### the only sounds in the cave are those ###§$*/»~.
.~»»//$$££ that you make yourselves. they may be ££$$//»»~.
.~»///$$£# distorted by the stone structure, and #£$$///»~.
.~»»/**$§# amplified by your mind. try not to be #§$**/»»~.
.~»/*$§£## alarmed, try to remember the persons ##£§$*/»~.
.~»/*§£### and objects around you, and you can ###£§*/»~.
.~»/*$§£## discern a mirage from a friend. ##£§$*/»~.
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