..@@..@... @@@.@@.@.@
@.@.@.@@.. ...@@.@@@@
.@@@@@@.@. ...@.@@...
.@.....@@@ ...@@@.@..
.@@....@.. @..@..@@@.
.@.@...@@. TRAIN DREAM .@.@@.@..@
@@@@@..@.@ ######....,=,,..##################### .@@@.@@@.@
.....@.@@@ ††† @@..@@..@@
@....@@@.. = ..@.@.@.@.
@@...@..@. = ..@@@@@@@@
..@..@@.@@ @.@.......
..@@.@.@@. (SITUATION) @@@@......
..@.@@@@.@ ....@.....
..@@@...@@ YOU FIND YOURSELF IN A RIFT - A @...@@....
..@..@..@. CLEARING, NARROW BUT IMMEASURABLY LONG. @@..@.@...
..@@.@@.@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @.@.@@@@..
..@.@@.@@. THICK AND READY TO SWALLOW YOU. THE SUN .@@@@...@.
..@@@.@@.@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@...@..@@
@.@..@@.@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ..@..@@.@.
@@@@.@.@@. BLUE, ALMOST WHITE. @.@@.@.@@@
....@@@@.@ .@@.@@@@..
....@...@@ ALONG THE SPAN OF THE CLEARING LAY TWO .@.@@...@.
....@@..@. PARALLEL SILVERY LINES, DARK HARD @@@@.@..@@
@...@.@.@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @...@@@.@.
@@..@@@@@. THEY ARE. @@..@..@@@
..@.@....@ ..@.@@.@..
..@@@@...@ THEY EMIT A HIGH PITCHED WHINE... @.@@@.@@@.
..@...@..@ .@@..@@..@
@.@@..@@.@ = @@.@.@.@.@
.@@.@.@.@@ ..†.. @.@@@@@@@@
@@.@@@@@@. = @@@.......
@.@@.....@ @..@......
@@@.@....@ (SITUATION) @@.@@.....
@..@@@...@ @.@@.@....
@@.@..@..@ YOURE AT THE TRAIN STATION, ON A .@@.@@@...
@.@@@.@@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS .@.@@..@..
@@@..@@.@@ LATE, OR YOU ARE LATE TO THE TRAIN. .@@@.@.@@.
@..@.@.@@. IT'S A SUMMER AFTERNOON AND THE STATION .@..@@@@.@
.@.@@@@@.@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@@.@...@@
@@@@....@@ ...@@@..@.
@...@...@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @..@..@.@@
.@..@@..@@ STRESSED ABOUT THE TIME, WHILE MOVING @@.@@.@@@.
.@@.@.@.@. UP THE STAIRS TO YOUR PLATFORM. THE @.@@.@@..@
@@.@@@@@@@ STATION IS IN SEVERAL LEVELS, ALL .@@.@@.@.@
..@@...... PLACED WITHIN EACHOTHER BY SOME .@.@@.@@@@
@.@.@..... INTELLIGENT DESIGNER, AND FULL OF @@@@.@@...
@@@@@@.... STAIRS, ELEVATORS, SHORTCUTS, @...@@.@..
@.....@... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH .@..@.@@@.
@@....@@.. SOME GLASS WINDOWS. IT'S... NOT WHERE .@@.@@@..@
..@...@.@. IT'S SUPPOSED TO BE? @@.@@..@.@
@.@@..@@@@ @.@@.@.@@@
.@@.@.@... = @@@.@@@@..
.@.@@@@@.. ,,$,, @..@@...@.
.@@@....@. = .@.@.@..@@
@@..@...@@ @@@@@@@.@.
@.@.@@..@. (SITUATION) .......@@@
.@@@@.@.@@ .......@..
.@...@@@@. YOU'RE FINALLY ENTERING THE CITY. WHILE @......@@.
.@@..@...@ IT IS INDEED A VERY HIGH SPEED TRAIN @@.....@.@
@@.@.@@..@ YOU'RE TRAVELING IN, THE JOURNEY HAS @.@....@@@
..@@@@.@.@ BEEN LONG. BUT IT'S ABOUT TO END! .@@@...@..
..@...@@@@ .@..@..@@.
..@@..@... SOCIETY IS GROWING DENSER AROUND YOU, @@@.@@.@.@
@.@.@.@@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL ...@@.@@@@
.@@@@@@.@. SHACKS, BUILT OF METAL AND STONE, THEN ...@.@@...
.@.....@@@ PROPER HOUSES WITH MORTAR TO KEEP THEM ...@@@.@..
.@@....@.. TOGETHER... WHO IN TURN MAKE WAY FOR @..@..@@@.
.@.@...@@. THE INDUSTRIAL BUILDINGS, THE URBAN .@.@@.@..@
@@@@@..@.@ MAZE, PROTECTIVE WALLS, JUNGLE .@@@.@@@.@
.....@.@@@ NETWORK... @@..@@..@@
@....@@@.. ..@.@.@.@.
@@...@..@. THE TRACKS LEAVE THE GROUND, WHICH IS ..@@@@@@@@
..@..@@.@@ NEEDED FOR OTHER PURPOSES. YOU ARE @.@.......
..@@.@.@@. CARRIED GENTLY, CURVING UPWARDS UNTIL @@@@......
..@.@@@@.@ YOU'RE MOVING UPWARD ALONG THE WALL OF ....@.....
..@@@...@@ A BUILDING. IT'S MADE OF SLABBY STONE, @...@@....
..@..@..@. WITH GREAT GLASSLESS WINDOW HOLES @@..@.@...
..@@.@@.@@ LOOKING OUT THE WAY YOU CAME. IT IS @.@.@@@@..
..@.@@.@@. PITCH BLACK INSIDE. .@@@@...@.
..@@@.@@.@ @@...@..@@
@.@..@@.@@ ..@..@@.@.
@@@@.@.@@. @.@@.@.@@@
....@@@@.@ .@@.@@@@..
....@...@@ .@.@@...@.