,,,,--==@& &@==--,,,,
,-==§@&#@# #@#&@§==-,
,-==§@&#@# #@#&@§==-,
,,,-==§&#@ @#&§==-,,,
,-==§@&### ###&@§==-,
,-=====@#@ TRAIN DREAM @#@=====-,
,,,-==§§&# ######,,,,-=--,,##################### #&§§==-,,,
,,,,===§&& === &&§===,,,,
,,,,--==§& = &§==--,,,,
,-==§@&#@# = #@#&@§==-,
,,,,-=@&&& &&&@=-,,,,
,-==§@&#@# (SITUATION) #@#&@§==-,
,-==§@&#@# #@#&@§==-,
,-==§@&#@@ YOU FIND YOURSELF IN A RIFT - A @@#&@§==-,
,-==§@&#@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@#&@§==-,
,-==§@&#@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@#&@§==-,
,-===§@@&@ THICK AND READY TO SWALLOW YOU. THE SUN @&@@§===-,
,-==§@&### IS NOWHERE TO BE SEEN, BUT NONTHELESS ###&@§==-,
,,,-====@& IT IS VERY BRIGHT - THE AIR FEELS LIGHT &@====-,,,
,,,====§@# BLUE, ALMOST WHITE. #@§====,,,
,,--==§@&@ @&@§==--,,
,-==§@&#@# ALONG THE SPAN OF THE CLEARING LAY TWO #@#&@§==-,
,-==§@&### PARALLEL SILVERY LINES, DARK HARD ###&@§==-,
,-==§@&#@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@#&@§==-,
,,,,,==§§& THEY ARE. &§§==,,,,,
,,,,--==§& &§==--,,,,
,,,,,==§&@ THEY EMIT A HIGH PITCHED WHINE... @&§==,,,,,
,-==§@&### ###&@§==-,
-==§@&#@## = ##@#&@§==-
-==§@&#@## ,,§,, ##@#&@§==-
,-==§@&#@# = #@#&@§==-,
,,,,,=§&&# #&&§=,,,,,
,-=====§&# (SITUATION) #&§=====-,
,-==§@&#@# #@#&@§==-,
,-==§@&&&# YOURE AT THE TRAIN STATION, ON A #&&&@§==-,
,-==§@&&&@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @&&&@§==-,
,-==§@&#@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@#&@§==-,
,-==§@@@&& IT'S A SUMMER AFTERNOON AND THE STATION &&@@@§==-,
,,,,,,==@& IS BUSY, FULL OF RELAXED CONFIDENCE. &@==,,,,,,
,-==§@&### ###&@§==-,
,,,,,--=§& YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT &§=--,,,,,
,,,,,,=§&& STRESSED ABOUT THE TIME, WHILE MOVING &&§=,,,,,,
,-==§§§§@& UP THE STAIRS TO YOUR PLATFORM. THE &@§§§§==-,
,-==§@&#@# STATION IS IN SEVERAL LEVELS, ALL #@#&@§==-,
,,,-==§§§& PLACED WITHIN EACHOTHER BY SOME &§§§==-,,,
,-==§@&#@# INTELLIGENT DESIGNER, AND FULL OF #@#&@§==-,
,,,,,===@& STAIRS, ELEVATORS, SHORTCUTS, &@===,,,,,
,-==§@&#@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@#&@§==-,
,-==§@&#@@ SOME GLASS WINDOWS. IT'S... NOT WHERE @@#&@§==-,
-==§@&#@## IT'S SUPPOSED TO BE? ##@#&@§==-
,,,,,-=§&& &&§=-,,,,,
,,,,,=§&## = ##&§=,,,,,
,-==§@&#@# --@-- #@#&@§==-,
,,,,,==@@& = &@@==,,,,,
,-==§@&#@@ @@#&@§==-,
,-==§@&#@# (SITUATION) #@#&@§==-,
,,,-===§&@ @&§===-,,,
,-==§@&#@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@#&@§==-,
,-==§@&#@# IT IS INDEED A VERY HIGH SPEED TRAIN #@#&@§==-,
,-==§@&@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@&@§==-,
,,,,,-=@## BEEN LONG. BUT IT'S ABOUT TO END! ##@=-,,,,,
,-==§@&&## ##&&@§==-,
,-==§@&#@@ SOCIETY IS GROWING DENSER AROUND YOU, @@#&@§==-,
,-==§@&#@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@#&@§==-,
,-==§@@@@& SHACKS, BUILT OF METAL AND STONE, THEN &@@@@§==-,
,,,,,-==§& PROPER HOUSES WITH MORTAR TO KEEP THEM &§==-,,,,,
,,,,,==§@& TOGETHER... WHO IN TURN MAKE WAY FOR &@§==,,,,,
,-==§@&#@# THE INDUSTRIAL BUILDINGS, THE URBAN #@#&@§==-,
,,,,,-=@#@ MAZE, PROTECTIVE WALLS, JUNGLE @#@=-,,,,,
,-==§@&#@# NETWORK... #@#&@§==-,
,-==§@@@@# #@@@@§==-,
,-==§@&#@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@#&@§==-,
,-==@&#@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@#&@==-,
,-==§@&#@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@#&@§==-,
,-====§&&# YOU'RE MOVING UPWARD ALONG THE WALL OF #&&§====-,
,-==§@&@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@&@§==-,
,,,,-=§@## WITH GREAT GLASSLESS WINDOW HOLES ##@§=-,,,,
,-==§&#@## LOOKING OUT THE WAY YOU CAME. IT IS ##@#&§==-,
,-==§@&#@# PITCH BLACK INSIDE. #@#&@§==-,
,-==§@&#@# #@#&@§==-,
,-==§@&#@# #@#&@§==-,
,,,,,=§@#@ @#@§=,,,,,
,-==§@&#@# #@#&@§==-,
,-==§@&#@# #@#&@§==-,