@.@..@@..@ @@@@..@@..
@.@.@.@.@. @@@@.@.@.@
@.@.@.@.@. @@@@.@.@..
@.@.@.@.@. .@@@.@.@.@
@.@.@.@.@. @.@@.@.@..
@.@.@.@.@. IF YOU FOLLOW A DIRT ROAD NORTH JUST @..@.@.@.@
@.@.@.@.@. WITHIN THE SECOND RING, AND NAVIGATE @.@@.@.@..
@.@.@.@.@. THE OVERGROWN MAZE OF THE NORTH-EASTERN @..@.@.@.@
@.@.@.@.@. RESIDENTIAL DISTRICT, EVENTUALLY YOU @.@@.@.@..
@.@.@.@.@. ARRIVE AT WHAT LOOKS LIKE A LARGE @..@.@.@.@
@.@.@.@.@. FENCED-IN GROVE OF BIRD CHERRY AND @.@@.@.@..
@.@.@.@.@. JUNIPER. IT'S QUITE LARGE, @..@.@.@.@
@.@.@.@.@. AND WILL TAKE A WHILE TO CIRCLE, @.@@.@.@..
@.@.@.@.@. ESPECIALLY SINCE IT'S GOT GARDENS AND @..@.@.@.@
@.@.@.@.@. WALLS STICKING OUT OF IT IN MORE THAN A @.@@.@.@..
@.@.@.@.@. FEW PLACES. BUT KEEP GOING, AND @..@.@.@.@
@.@.@.@.@. EVENTUALLY THERE'LL BE LILACS, AND A @.@@.@.@..
@.@.@.@.@. HOLE IN THE FENCE. @..@.@.@.@
@.@.@.@.@. @.@@.@.@..
@.@.@.@.@. GO INSIDE. WELL, IT'S HOLLOW, AND HIDES @..@.@.@.@
@.@.@.@.@. A PALE SWAMP (HERONS, MOSQUITOS). IT'S @.@@.@.@..
@.@.@.@.@. BRIGHTER HERE, AND THE SOUNDS OF THE @..@.@.@.@
@.@.@.@.@. CITY SEEM DISTANT. BUT THERE'S A SECOND @.@@.@.@..
@.@.@.@.@. GROVE INSIDE. ZIG ZAG BETWEEN PUDDLES @..@.@.@.@
@.@.@.@.@. AND SINKING SHIPPING CONTAINERS, @.@@.@.@..
@.@.@.@.@. BECAUSE TOWARD THE INNER TREELINE THE @..@.@.@.@
@.@.@.@.@. GROUND BECOMES SOLID AGAIN. @.@@.@.@..
@.@.@.@.@. @..@.@.@.@
@.@.@.@.@. GO INSIDE. THIS TIME THERE'S A CRACKED @.@@.@.@..
@.@.@.@.@. PARKING LOT, WITH SPRINKLED DANDELIONS, @..@.@.@.@
@.@.@.@.@. LINED BY WISTERIA. EAST OF IT IS AN @.@@.@.@..
@.@.@.@.@. ABANDONED BUILDING, WHAT USED TO HOUSE @..@.@.@.@
@.@.@.@.@. AN OLD RESTAURANT. THE PAINT IS @.@@.@.@..
@.@.@.@.@. CHIPPING, SOME WINDOWS ARE BROKEN, BUT @..@.@.@.@
@.@.@.@.@. THE SIGNAGE IS STILL THERE: @.@@.@.@..
@.@.@.@.@. @..@.@.@.@
@.@.@.@.@. "INDIAN PALACE". @.@@.@.@..
@.@.@.@.@. @..@.@.@.@
@.@.@.@.@. @.@@.@.@..
@.@.@.@.@. @..@.@.@.@
@.@.@.@.@. @.@@.@.@..
@.@.@.@.@. @..@.@.@.@