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= the glass factory. =
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,.=†=%&@## several centuries after it had last ##@&%=†=.,
.=†=%&@### belonged to us, we went on an outing to ###@&%=†=.
,.=†=%&@## the glass factory that bore our family ##@&%=†=.,
,,.=†=%&@# name. it had changed owners many times #@&%=†=.,,
,,,.=†=%&@ since our ancestors death, and then @&%=†=.,,,
,,,,.=†=%& stood abandoned for a long while. &%=†=.,,,,
,,,,,.=†=% finally, the natural end station for %=†=.,,,,,
,,,,,,.=†= the buildings that survive: a museum, =†=.,,,,,,
,,,,,,,.=† and a gift shop. †=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,,,. there's a long time since my family .,,,,,,,,,
,,,,,,,,,, made anything. by many, we would be ,,,,,,,,,,
,,,,,,,,,, considered poor. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,. there are two main factory buildings, .,,,,,,,,,
,,,,,,,,.= domed things of several floors, made in =.,,,,,,,,
,,,,,,,.=† yellow brick. large but narrow windows, †=.,,,,,,,
,,,,,,.=†= reminescent of some cathedral. =†=.,,,,,,
,,,,,.=†=% custom-made glass, of course, large and %=†=.,,,,,
,,,,.=†=%& leaded, and ashen. a bit too dark to be &%=†=.,,,,
,,,.=†=%&@ practical. on the eastern building, @&%=†=.,,,
,,.=†=%&@# some are shattered. #@&%=†=.,,
,.=†=%&@## ##@&%=†=.,
.=†=%&@### the other one is publicly open. there's ###@&%=†=.
,.=†=%&@## a museum, with wax figures of my great ##@&%=†=.,
,,.=†=%&@# great great grandfather, or something. #@&%=†=.,,
,,,.=†=%&@ various tools (or replicas) laid out on @&%=†=.,,,
,,,,.=†=%& tables, with explaining texts. a lot of &%=†=.,,,,
,,,,,.=†=% glass of varying thickness. %=†=.,,,,,
,,,,,,.=†= =†=.,,,,,,
,,,,,,,.=† == †=.,,,,,,,
,,,,,,,,.= == == =.,,,,,,,,
,,,,,,,,,. ======= = = ======= .,,,,,,,,,
,,,,,,,,,, == == ,,,,,,,,,,
,,,,,,,,,, == ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,. i quickly sneak out, and climb into the .,,,,,,,,,
,,,,,,,,.= other building. the contrast is =.,,,,,,,,
,,,,,,,.=† overwhelming. it must have stood †=.,,,,,,,
,,,,,,.=†= derelict for a long time, windows =†=.,,,,,,
,,,,,.=†=% broken, metallic trash and pools of %=†=.,,,,,
,,,,.=†=%& dark glass all over the floor. no &%=†=.,,,,
,,,.=†=%&@ electric lights, but i can see by the @&%=†=.,,,
,,.=†=%&@# light that shines in wherever the dark #@&%=†=.,,
,.=†=%&@## windows are missing a pane. ##@&%=†=.,
.=†=%&@### ###@&%=†=.
,.=†=%&@## however, the greatest difference is the ##@&%=†=.,
,,.=†=%&@# higher floors: this building has none. #@&%=†=.,,
,,,.=†=%&@ it is one massive hall, stretching away @&%=†=.,,,
,,,,.=†=%& infinitely above me. somewhere up there &%=†=.,,,,
,,,,,.=†=% is some great iron latticework, from %=†=.,,,,,
,,,,,,.=†= where chains are suspended, and parts =†=.,,,,,,
,,,,,,,.=† of machinery has been falling down. †=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,,,. there is, in the middle of the great .,,,,,,,,,
,,,,,,,,,, hall, a thin spiral staircase that ,,,,,,,,,,
,,,,,,,,,, leads up there. i sneak over there, and ,,,,,,,,,,
,,,,,,,,,, take a few reluctant steps. after just ,,,,,,,,,,
,,,,,,,,,. a revolution, i notice that for each .,,,,,,,,,
,,,,,,,,.= step the building starts to glow, the =.,,,,,,,,
,,,,,,,.=† bricks turning a dark red, and then †=.,,,,,,,
,,,,,,.=†= orange, all the piled up debree being =†=.,,,,,,
,,,,,.=†=% lit from behind. %=†=.,,,,,
,,,,.=†=%& &%=†=.,,,,
,,,.=†=%&@ i stop ready to run down and out, but @&%=†=.,,,
,,.=†=%&@# there's someone else on the staircase #@&%=†=.,,
,.=†=%&@## with me now, pressed close. he's ##@&%=†=.,
.=†=%&@### looking like me, short hair and thin ###@&%=†=.
,.=†=%&@## arms, but with ears from some animal, ##@&%=†=.,
,,.=†=%&@# and more disturbingly, completely made #@&%=†=.,,
,,,.=†=%&@ of dark liquid glass. @&%=†=.,,,
,,,,.=†=%& &%=†=.,,,,
,,,,,.=†=% == %=†=.,,,,,
,,,,,,.=†= == == =†=.,,,,,,
,,,,,,,.=† ======= = = ======= †=.,,,,,,,
,,,,,,,,.= == == =.,,,,,,,,
,,,,,,,,,. == .,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, my fear holds me in place while he ,,,,,,,,,,
,,,,,,,,,, starts operating levers and dials set ,,,,,,,,,,
,,,,,,,,,. in the center of the staircase. slowly, .,,,,,,,,,
,,,,,,,,.= it starts spinning, circling upwards. =.,,,,,,,,
,,,,,,,.=† it's an elevator! i start to run †=.,,,,,,,
,,,,,,.=†= downwards, but now the liquid boy =†=.,,,,,,
,,,,,.=†=% creature grabs hold of me. i try to %=†=.,,,,,
,,,,.=†=%& shake him off, but he's too strong, and &%=†=.,,,,
,,,.=†=%&@ pulls me back up beside him. @&%=†=.,,,
,,.=†=%&@# #@&%=†=.,,
,.=†=%&@## this time, i turn angry instead. what ##@&%=†=.,
.=†=%&@### the hell? who is this guy, acting like ###@&%=†=.
,.=†=%&@## this? i reach out my free arm and slam ##@&%=†=.,
,,.=†=%&@# a random lever. some metal bar is #@&%=†=.,,
,,,.=†=%&@ suddenly released between us, hitting @&%=†=.,,,
,,,,.=†=%& him on the arm, forcing my release. i &%=†=.,,,,
,,,,,.=†=% shove him off of me, and he falls into %=†=.,,,,,
,,,,,,.=†= the levers, messing them up. =†=.,,,,,,
,,,,,,,.=† immediately, a thin rusty chainmail †=.,,,,,,,
,,,,,,,,.= curtain is dropped around me. but the =.,,,,,,,,
,,,,,,,,,. elevator also speeds up significantly. .,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, the walls are flaring now, yellow, ,,,,,,,,,,
,,,,,,,,,, white, almost blue. i close my eyes and ,,,,,,,,,,
,,,,,,,,,. curl into a ball. but then, the glass .,,,,,,,,,
,,,,,,,,.= boy screams, a piercing sound that =.,,,,,,,,
,,,,,,,.=† forces my eyes back open. i watch as he †=.,,,,,,,
,,,,,,.=†= becomes too liquid, his body pooling =†=.,,,,,,
,,,,,.=†=% down in his now massive tail, and the %=†=.,,,,,
,,,,.=†=%& tip of it suddenly breaks of in a glass &%=†=.,,,,
,,,.=†=%&@ drop that falls toward the factory @&%=†=.,,,
,,.=†=%&@# floor. #@&%=†=.,,
,.=†=%&@## ##@&%=†=.,
.=†=%&@### he's crawling on the stairs, unable to ###@&%=†=.
,.=†=%&@## keep his body upright. can't reach the ##@&%=†=.,
,,.=†=%&@# levers, claws at my chainmail cage, #@&%=†=.,,
,,,.=†=%&@ while his body is turning into dark @&%=†=.,,,
,,,,.=†=%& pearls. finally, he's lost too much of &%=†=.,,,,
,,,,,.=†=% himself and the scream is cut short. %=†=.,,,,,
,,,,,,.=†= the last of him rains down. =†=.,,,,,,
,,,,,,,.=† †=.,,,,,,,
,,,,,,,,.= i still can't reach the levers from =.,,,,,,,,
,,,,,,,,,. within my cage. looking up, i try to .,,,,,,,,,
,,,,,,,,,, make out the ceiling, but it's all a ,,,,,,,,,,
,,,,,,,,,, whirling sea of colours. below me glows ,,,,,,,,,,
,,,,,,,,,, the hellfire of the factory walls, but ,,,,,,,,,,
,,,,,,,,,. very faint. i sit down, curl back up, .,,,,,,,,,
,,,,,,,,.= become still. =.,,,,,,,,
,,,,,,,.=† †=.,,,,,,,
,,,,,,.=†= == =†=.,,,,,,
,,,,,.=†=% == == %=†=.,,,,,
,,,,.=†=%& ======= = = ======= &%=†=.,,,,
,,,.=†=%&@ == == @&%=†=.,,,
,,.=†=%&@# == #@&%=†=.,,
,.=†=%&@## ##@&%=†=.,
.=†=%&@### a large clunk shakes my entire body, ###@&%=†=.
,.=†=%&@## and snaps me back into reality. i'm ##@&%=†=.,
,,.=†=%&@# back at the factory floor, but the #@&%=†=.,,
,,,.=†=%&@ stairs are still moving slightly, @&%=†=.,,,
,,,,.=†=%& clicking in place, carrying me the last &%=†=.,,,,
,,,,,.=†=% few centimeters. i came from below, %=†=.,,,,,
,,,,,,.=†= somehow. the chainmail is retracted, =†=.,,,,,,
,,,,,,,.=† and i slowly dismount the stairs. †=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,,,. shaking and crying, i make my way over .,,,,,,,,,
,,,,,,,,,, the factory floor, wading through dark ,,,,,,,,,,
,,,,,,,,,, glass marbles. a quick glance down, and ,,,,,,,,,,
,,,,,,,,,, i see there's something faint inside ,,,,,,,,,,
,,,,,,,,,. them. embryos? are these eggs? .,,,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,.=† i shudder, and climb back out. †=.,,,,,,,
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