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§ the glass factory. §
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......,-/£ several centuries after it had last £/-,......
.......,-/ belonged to us, we went on an outing to /-,.......
........,- the glass factory that bore our family -,........
........., name. it had changed owners many times ,.........
........,- since our ancestors death, and then -,........
.......,-/ stood abandoned for a long while. /-,.......
......,-/£ finally, the natural end station for £/-,......
.....,-/££ the buildings that survive: a museum, ££/-,.....
....,-/££@ and a gift shop. @££/-,....
...,-/££@# #@££/-,...
..,-/££@## there's a long time since my family ##@££/-,..
.,-/££@### made anything. by many, we would be ###@££/-,.
..,-/££@## considered poor. ##@££/-,..
...,-/££@# #@££/-,...
....,-/££@ there are two main factory buildings, @££/-,....
.....,-/££ domed things of several floors, made in ££/-,.....
......,-/£ yellow brick. large but narrow windows, £/-,......
.......,-/ reminescent of some cathedral. /-,.......
........,- custom-made glass, of course, large and -,........
........., leaded, and ashen. a bit too dark to be ,.........
........,- practical. on the eastern building, -,........
.......,-/ some are shattered. /-,.......
......,-/£ £/-,......
.....,-/££ the other one is publicly open. there's ££/-,.....
....,-/££@ a museum, with wax figures of my great @££/-,....
...,-/££@# great great grandfather, or something. #@££/-,...
..,-/££@## various tools (or replicas) laid out on ##@££/-,..
.,-/££@### tables, with explaining texts. a lot of ###@££/-,.
..,-/££@## glass of varying thickness. ##@££/-,..
...,-/££@# #@££/-,...
....,-/££@ §§ @££/-,....
.....,-/££ §§ §§ ££/-,.....
......,-/£ ------- § § ------- £/-,......
.......,-/ §§ §§ /-,.......
........,- §§ -,........
........., ,.........
........,- i quickly sneak out, and climb into the -,........
.......,-/ other building. the contrast is /-,.......
......,-/£ overwhelming. it must have stood £/-,......
.....,-/££ derelict for a long time, windows ££/-,.....
....,-/££@ broken, metallic trash and pools of @££/-,....
...,-/££@# dark glass all over the floor. no #@££/-,...
..,-/££@## electric lights, but i can see by the ##@££/-,..
.,-/££@### light that shines in wherever the dark ###@££/-,.
..,-/££@## windows are missing a pane. ##@££/-,..
...,-/££@# #@££/-,...
....,-/££@ however, the greatest difference is the @££/-,....
.....,-/££ higher floors: this building has none. ££/-,.....
......,-/£ it is one massive hall, stretching away £/-,......
.......,-/ infinitely above me. somewhere up there /-,.......
........,- is some great iron latticework, from -,........
........., where chains are suspended, and parts ,.........
........,- of machinery has been falling down. -,........
.......,-/ /-,.......
......,-/£ there is, in the middle of the great £/-,......
.....,-/££ hall, a thin spiral staircase that ££/-,.....
....,-/££@ leads up there. i sneak over there, and @££/-,....
...,-/££@# take a few reluctant steps. after just #@££/-,...
..,-/££@## a revolution, i notice that for each ##@££/-,..
.,-/££@### step the building starts to glow, the ###@££/-,.
..,-/££@## bricks turning a dark red, and then ##@££/-,..
...,-/££@# orange, all the piled up debree being #@££/-,...
....,-/££@ lit from behind. @££/-,....
.....,-/££ ££/-,.....
......,-/£ i stop ready to run down and out, but £/-,......
.......,-/ there's someone else on the staircase /-,.......
........,- with me now, pressed close. he's -,........
........., looking like me, short hair and thin ,.........
........,- arms, but with ears from some animal, -,........
.......,-/ and more disturbingly, completely made /-,.......
......,-/£ of dark liquid glass. £/-,......
.....,-/££ ££/-,.....
....,-/££@ §§ @££/-,....
...,-/££@# §§ §§ #@££/-,...
..,-/££@## ------- § § ------- ##@££/-,..
.,-/££@### §§ §§ ###@££/-,.
..,-/££@## §§ ##@££/-,..
...,-/££@# #@££/-,...
....,-/££@ my fear holds me in place while he @££/-,....
.....,-/££ starts operating levers and dials set ££/-,.....
......,-/£ in the center of the staircase. slowly, £/-,......
.......,-/ it starts spinning, circling upwards. /-,.......
........,- it's an elevator! i start to run -,........
........., downwards, but now the liquid boy ,.........
........,- creature grabs hold of me. i try to -,........
.......,-/ shake him off, but he's too strong, and /-,.......
......,-/£ pulls me back up beside him. £/-,......
.....,-/££ ££/-,.....
....,-/££@ this time, i turn angry instead. what @££/-,....
...,-/££@# the hell? who is this guy, acting like #@££/-,...
..,-/££@## this? i reach out my free arm and slam ##@££/-,..
.,-/££@### a random lever. some metal bar is ###@££/-,.
..,-/££@## suddenly released between us, hitting ##@££/-,..
...,-/££@# him on the arm, forcing my release. i #@££/-,...
....,-/££@ shove him off of me, and he falls into @££/-,....
.....,-/££ the levers, messing them up. ££/-,.....
......,-/£ immediately, a thin rusty chainmail £/-,......
.......,-/ curtain is dropped around me. but the /-,.......
........,- elevator also speeds up significantly. -,........
........., ,.........
........,- the walls are flaring now, yellow, -,........
.......,-/ white, almost blue. i close my eyes and /-,.......
......,-/£ curl into a ball. but then, the glass £/-,......
.....,-/££ boy screams, a piercing sound that ££/-,.....
....,-/££@ forces my eyes back open. i watch as he @££/-,....
...,-/££@# becomes too liquid, his body pooling #@££/-,...
..,-/££@## down in his now massive tail, and the ##@££/-,..
.,-/££@### tip of it suddenly breaks of in a glass ###@££/-,.
..,-/££@## drop that falls toward the factory ##@££/-,..
...,-/££@# floor. #@££/-,...
....,-/££@ @££/-,....
.....,-/££ he's crawling on the stairs, unable to ££/-,.....
......,-/£ keep his body upright. can't reach the £/-,......
.......,-/ levers, claws at my chainmail cage, /-,.......
........,- while his body is turning into dark -,........
........., pearls. finally, he's lost too much of ,.........
........,- himself and the scream is cut short. -,........
.......,-/ the last of him rains down. /-,.......
......,-/£ £/-,......
.....,-/££ i still can't reach the levers from ££/-,.....
....,-/££@ within my cage. looking up, i try to @££/-,....
...,-/££@# make out the ceiling, but it's all a #@££/-,...
..,-/££@## whirling sea of colours. below me glows ##@££/-,..
.,-/££@### the hellfire of the factory walls, but ###@££/-,.
..,-/££@## very faint. i sit down, curl back up, ##@££/-,..
...,-/££@# become still. #@££/-,...
....,-/££@ @££/-,....
.....,-/££ §§ ££/-,.....
......,-/£ §§ §§ £/-,......
.......,-/ ------- § § ------- /-,.......
........,- §§ §§ -,........
........., §§ ,.........
........,- -,........
.......,-/ a large clunk shakes my entire body, /-,.......
......,-/£ and snaps me back into reality. i'm £/-,......
.....,-/££ back at the factory floor, but the ££/-,.....
....,-/££@ stairs are still moving slightly, @££/-,....
...,-/££@# clicking in place, carrying me the last #@££/-,...
..,-/££@## few centimeters. i came from below, ##@££/-,..
.,-/££@### somehow. the chainmail is retracted, ###@££/-,.
..,-/££@## and i slowly dismount the stairs. ##@££/-,..
...,-/££@# #@££/-,...
....,-/££@ shaking and crying, i make my way over @££/-,....
.....,-/££ the factory floor, wading through dark ££/-,.....
......,-/£ glass marbles. a quick glance down, and £/-,......
.......,-/ i see there's something faint inside /-,.......
........,- them. embryos? are these eggs? -,........
........., ,.........
........,- i shudder, and climb back out. -,........
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