THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON AN OUTING  TO 
 THE GLASS FACTORY THAT  BORE  OUR FAMILY 
 NAME.  IT HAD CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY,  THE NATURAL  END  STATION  FOR 
 THE BUILDINGS  THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE  MY FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO MAIN  FACTORY  BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK.  LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT TOO DARK TO  BE 
 PRACTICAL.   ON  THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM,  WITH WAX FIGURES OF  MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS)  LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE   CONTRAST    IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL   OVER  THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT I  CAN SEE BY  THE 
 LIGHT THAT SHINES IN  WHEREVER  THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE  IS THE 
 HIGHER FLOORS:  THIS  BUILDING HAS NONE. 
 IT IS  ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE UP  THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE CHAINS  ARE  SUSPENDED,  AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN THE MIDDLE  OF  THE  GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS UP THERE. I SNEAK  OVER THERE, AND 
 TAKE A FEW  RELUCTANT STEPS. AFTER  JUST 
 A REVOLUTION,  I NOTICE  THAT  FOR  EACH 
 STEP  THE BUILDING STARTS  TO GLOW,  THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE,  ALL  THE  PILED UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY  TO RUN DOWN AND  OUT, BUT 
 THERE'S SOMEONE  ELSE  ON THE  STAIRCASE 
 WITH   ME   NOW,  PRESSED   CLOSE.  HE'S 
 LOOKING LIKE  ME,  SHORT HAIR  AND  THIN 
 ARMS, BUT  WITH EARS  FROM SOME  ANIMAL, 
 AND  MORE  DISTURBINGLY, COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE WHILE  HE 
 STARTS  OPERATING LEVERS AND  DIALS  SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING, CIRCLING  UPWARDS. 
 IT'S  AN  ELEVATOR!   I   START  TO  RUN 
 DOWNWARDS,  BUT   NOW  THE   LIQUID  BOY 
 CREATURE  GRABS  HOLD OF  ME. I  TRY  TO 
 SHAKE HIM OFF, BUT HE'S  TOO STRONG, AND 
 PULLS   ME    BACK    UP   BESIDE   HIM. 
                                          
 THIS TIME, I  TURN  ANGRY INSTEAD.  WHAT 
 THE HELL?  WHO IS  THIS GUY, ACTING LIKE 
 THIS?  I  REACH OUT MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL   BAR  IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM ON THE  ARM, FORCING  MY RELEASE.  I 
 SHOVE HIM OFF  OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN  RUSTY   CHAINMAIL 
 CURTAIN  IS  DROPPED AROUND  ME. BUT THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE, ALMOST  BLUE. I CLOSE MY EYES AND 
 CURL INTO A  BALL. BUT  THEN,  THE GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH  AS HE 
 BECOMES TOO  LIQUID,  HIS  BODY  POOLING 
 DOWN IN  HIS NOW MASSIVE  TAIL, AND  THE 
 TIP  OF IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT   FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS,  UNABLE TO 
 KEEP  HIS BODY UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY,  HE'S LOST TOO MUCH OF 
 HIMSELF AND  THE SCREAM  IS  CUT  SHORT. 
 THE   LAST    OF    HIM    RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE LEVERS  FROM 
 WITHIN  MY CAGE.  LOOKING UP, I  TRY  TO 
 MAKE  OUT  THE CEILING, BUT  IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE  HELLFIRE OF  THE FACTORY WALLS, BUT 
 VERY FAINT.  I SIT DOWN,  CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES  MY  ENTIRE BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME  THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT  THE   STAIRS. 
                                          
 SHAKING  AND CRYING,  I MAKE MY WAY OVER 
 THE FACTORY FLOOR,  WADING THROUGH  DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.