THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON  AN OUTING TO 
 THE GLASS  FACTORY THAT BORE OUR  FAMILY 
 NAME.  IT HAD  CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END  STATION FOR 
 THE  BUILDINGS  THAT SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY  MANY, WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO  MAIN  FACTORY BUILDINGS, 
 DOMED  THINGS OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN.  A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY OPEN.  THERE'S 
 A MUSEUM, WITH WAX  FIGURES OF MY  GREAT 
 GREAT  GREAT  GRANDFATHER, OR SOMETHING. 
 VARIOUS TOOLS (OR  REPLICAS) LAID OUT ON 
 TABLES, WITH  EXPLAINING TEXTS. A LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND  CLIMB INTO THE 
 OTHER   BUILDING.   THE   CONTRAST    IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK   GLASS  ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC  LIGHTS,  BUT I CAN SEE BY  THE 
 LIGHT THAT SHINES  IN WHEREVER  THE DARK 
 WINDOWS    ARE    MISSING     A    PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER  FLOORS:  THIS BUILDING HAS NONE. 
 IT IS ONE MASSIVE HALL,  STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE  CHAINS ARE  SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF  THE GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE  A FEW  RELUCTANT STEPS. AFTER JUST 
 A  REVOLUTION, I  NOTICE  THAT FOR  EACH 
 STEP  THE  BUILDING STARTS TO  GLOW, THE 
 BRICKS  TURNING  A  DARK RED,  AND  THEN 
 ORANGE,  ALL THE  PILED UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO  RUN  DOWN AND OUT,  BUT 
 THERE'S  SOMEONE ELSE  ON  THE STAIRCASE 
 WITH  ME  NOW,   PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE ME,  SHORT  HAIR  AND THIN 
 ARMS,  BUT  WITH  EARS FROM SOME ANIMAL, 
 AND  MORE  DISTURBINGLY, COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN PLACE  WHILE  HE 
 STARTS  OPERATING  LEVERS  AND DIALS SET 
 IN THE CENTER OF THE  STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING, CIRCLING  UPWARDS. 
 IT'S   AN  ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,  BUT   NOW  THE  LIQUID   BOY 
 CREATURE  GRABS  HOLD OF  ME.  I TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS   ME    BACK    UP   BESIDE   HIM. 
                                          
 THIS  TIME,  I TURN ANGRY  INSTEAD. WHAT 
 THE HELL?  WHO IS  THIS GUY, ACTING LIKE 
 THIS? I REACH OUT MY FREE  ARM  AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED  BETWEEN  US, HITTING 
 HIM  ON THE  ARM, FORCING MY  RELEASE. I 
 SHOVE HIM  OFF OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED AROUND  ME. BUT  THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS   ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE  MY EYES AND 
 CURL INTO  A  BALL. BUT THEN,  THE GLASS 
 BOY  SCREAMS,  A  PIERCING  SOUND   THAT 
 FORCES MY EYES BACK OPEN. I WATCH AS  HE 
 BECOMES TOO  LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS  NOW MASSIVE  TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON THE  STAIRS,  UNABLE TO 
 KEEP HIS BODY  UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS BODY  IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S LOST TOO MUCH  OF 
 HIMSELF  AND  THE  SCREAM IS CUT  SHORT. 
 THE    LAST    OF    HIM   RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE LEVERS  FROM 
 WITHIN MY CAGE.  LOOKING UP,  I  TRY  TO 
 MAKE OUT  THE CEILING,  BUT  IT'S ALL  A 
 WHIRLING SEA OF  COLOURS. BELOW ME GLOWS 
 THE  HELLFIRE OF THE FACTORY  WALLS, BUT 
 VERY  FAINT.  I SIT DOWN,  CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES  MY ENTIRE  BODY, 
 AND SNAPS  ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE  STILL   MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING  ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY   DISMOUNT  THE  STAIRS. 
                                          
 SHAKING  AND CRYING, I  MAKE MY WAY OVER 
 THE  FACTORY  FLOOR, WADING THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE  DOWN, AND 
 I  SEE  THERE'S SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.