,^»:$$§### ###§$$:»^,
.,,~;†%#@# #@#%†;~,,.
¨,=†*§£@## ##@£§*†=,¨
¨.-»\=¤### ###¤=\»-.¨
,.~;=££### ###££=;~.,
¨,.~=*@# statuette ##&@*=~.,¨
.-~†*$§@## ##@§$*†~-.
,¨,~^^¤§## *$$$&**$£%¤$£%*%~»~«==-~$$$$%£$%&$$£%@$@ ##§¤^^~,¨,
,~~\†§&@## £@§*%§@%$ ##@&§†\~~,
,.^~:†@§## ##§@†:~^.,
,,-\$*#@## forests around my childhood home. thick ##@#*$\-,,
¨¨^»\%%### pine arcades that were planted and ###%%\»^¨¨
¨-«^=$#### forgotten. wild boars roaming ####$=^«-¨
¨,~=**%&@# underneath, sniffing at the ground. it #@&%**=~,¨
,.-*§%§### is dark and moist, the canopy having ###§%§*-.,
¨.:»=%$@## already soaked up all the sun. ##@$%=»:.¨
,:«==%#@## ##@#%==«:,
.¨~=:%%@## there's a river passing by, from east ##@%%:=~¨.
,--*^¤§### to west, getting broader and deeper and ###§¤^*--,
¨,^-†%@### slower as it goes. equisetum grow just ###@%†-^,¨
.^~†*&## where the pine hands start to let ###&&*†~^.
.¨,~:†%¤## through light, horsemint on the rocky ##¤%†:~,¨.
¨.»*^*@@## river bed. ##@@*^*».¨
¨¨,«=%&@@# #@@&%=«,¨¨
¨.«/§%@@## : ##@@%§/«.¨
,.,=\$&&@# #@&&$\=,.,
.,~/%%£### the riverbanks reek of magic. tonight ###£%%/~,.
¨,~-†$$£@# they had been a swampworld with sylvan #@£$$†-~,¨
.-=†$$@### water, stone rings and floating moss. ###@$$†=-.
,..=\*§@## you could've found me wallowing around ##@§*\=..,
.~-^$£## on the southern shores until i got ###&£$^-~.
¨,~~;§££@# bitten. #@££§;~~,¨
,,~:%&£### ###£&%:~,,
,,~~†=£### but now i'm further back, on solid ###£=†~~,,
.:-†%£## ground, in shoulder-high grass, with an ###&£%†-:.
,.,~=*## orange tin radio and a translucent ###&*=~,.,
.:»††%§### umbrella which i'm sitting on. ###§%††»:.
.¨^-:=£# ##&£=:-^¨.
.,=/%%¤@## ; ##@¤%%/=,.
¨,~=\=*§## ##§*=\=~,¨
,:==$$£### somethings moving in the grass. it's ###£$$==:,
..:~=*£§@# invisible to my eyes but i can feel #@§£*=~:..
,,=†^$## through the ground just how large it is. ###&$^†=,,
¨.:»/^*&@# #@&*^/»:.¨
¨-~*%&£@## the soil is muddy. i slip when trying ##@£&%*~-¨
.¨~-/^£&@# to get up, still looking at the #@&£^/-~¨.
¨.~^%*&@## direction of sound rather than at my ##@&*%^~.¨
¨¨^»††£&@# hands, who are busy putting things in #@&£††»^¨¨
¨^«;*@¤### my pockets. ###¤@*;«^¨
¨,,»/=§### ###§=/»,,¨
..==§$§### then i run east toward my home. ###§$§==..
..:==*%@@# #@@%*==:..
,-»;*¤£@## : ##@£¤*;»-,
.¨,~:*$¤## ##¤$*:~,¨.
.,~\=$¤### i am not followed, and slow down in the ###¤$=\~,.
¨¨^~\†$### clearing where you at first can spot ###$†\~^¨¨
¨.»=%$#### the house, not yet really in the ####$%=».¨
..-~*^§£## backyard. from my pockets i retrieve my ##£§^*~-..
¨-~/*¤§### radio (now dented) but also a small ###§¤*/~-¨
,,:~:†£§## clay figure i've never seen before. it ##§£†:~:,,
,,~\§&## must have been laying in the wet dirt, ###&&§\~,,
,¨:=^*§¤@# and i must've picked it up with my #@¤§*^=:¨,
.-=\$££### other belongings. ###££$\=-.
..~-†^£¤## ##¤£^†-~..
¨,=\*£¤@## it's a statuette of a girl laying naked ##@¤£*\=,¨
¨,,-††&&@# on her stomach, feet in the air, #@&&††-,,¨
.,-*%¤@### roughly seven centimeters long. it's ###@¤%*-,.
,,,~*%§@@# freshly made, not yet completely dried. #@@§%*~,,,
,:«^†$¤@## ##@¤$†^«:,
,¨.==§%@## my mom is here now. i ask her for some ##@%§==.¨,
¨,~*%@## particle board for it to dry on, but ###&@%*~,¨
¨¨--\^%### she is worried and wants me to ###%^\--¨¨
,-=:*&£### throw it away. ###£&*:=-,
¨,^«^†¤# ##&¤†^«^,¨
¨^-;%¤@@## ##@@¤%;-^¨
¨,-~=*%### ###%*=~-,¨
¨~«\%£§### ###§£%\«~¨
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.:~^*%£### ###£%*^~:.