.¤#§,¨,, #.¨¨,.¨¨£¨
.,@.¨£¤@ ..££§¤§¨,,
&.,#¨,..#@ £¨,¤¤@¨¨#¤
¨¨.¨,£#¨,# ....#..,,§
.¤@£..¨,¨. @§§¨..¤&.¨
,,£¨.&§¤¤¨ statuette §@¨.&¨¨¨,&
..,¨.¨#&.. ¨.¨¨,.¤@,¨
¤¤#@#¨.¨,§ @$%@$@£*$@%§%$£$~--»=»»-&&&*$&$@£&¤%*%¤£ £#§¨.,,&
£¤..#¤¨. £*%§¤@%£¤ ##£#¨¨&§.¨
¨¤§..,..,, &§§,¨.,,¨¨
,¨,¨§££#@£ forests around my childhood home. thick £§,,§£¤&
.@¤,,££§£@ pine arcades that were planted and §,.,.@#§@.
,,.¨,,§¤¤& forgotten. wild boars roaming ,.¤¤,¨£#,.
§£§£#.¨§#¨ underneath, sniffing at the ground. it ¤,,,¨.¨..&
£§£#¨...., is dark and moist, the canopy having ,¨§§£¤§¤¨¨
,¤&¨,@&@£¤ already soaked up all the sun. ,,.¤¤,.¨
¨,¨¨.,&££§ §¤,.¤#,.£§
.££.,@¤@ there's a river passing by, from east ¤¨,,¨..,.,
¨,§§,,..§@ to west, getting broader and deeper and ¨,££¤&&£#¤
.,,,¨@&.¨, slower as it goes. equisetum grow just .,.&@§@§@,
#§¤&,¨,,&@ where the pine hands start to let #§.¨#¤##..
.£#.,§@... through light, horsemint on the rocky ¤,¨,,&¤.¨.
.¨,..¨,,&¤ river bed. ¨,&&¨.,¨#&
.¤¤&@&£¨,¨ ¨.,.,¤¤,¨.
.,@&¨¨@£ = ¤&¤£¨,,¨@#
,,.££¨¨¨.. &¤§,.§&¨..
¤&.,¨,£@££ the riverbanks reek of magic. tonight &£,¨..¨.¤@
¤¨¨££,.@¤§ they had been a swampworld with sylvan ,,,¤§#§.,¤
,.¨.¨¨¨¨@@ water, stone rings and floating moss. £¤¨,#¤¨,,.
@&¤§§¨.¨ you could've found me wallowing around ¤,,,,,¨¤#§
##@@@&..¤& on the southern shores until i got ¨.#¤§&,,£&
£#@£¤.,,,£ bitten. §,¨@#..,¨¤
¤##&.,#£.¨ ,..,.,#¤,.
¨£@..¨¨,¨# but now i'm further back, on solid ,@¤££.¨..¨
¨¨¨,¤#@§,. ground, in shoulder-high grass, with an ,.£§,,§#¤#
.#&,,#¤.,¨ orange tin radio and a translucent #¨¨¨,.¨¤&.
..¨..¨,,£¤ umbrella which i'm sitting on. .¨§£#&¨..¨
£§@&¤¤¤.¨# #,,¤#.¨###
&&§&£@.¨,¨ / ,.,,,¨¨.
§@¤#§.,@@@ .@@§§§@¨.¤
§§§£.,.,@& somethings moving in the grass. it's ,¨&§¤&,..¨
,&¤¨.&@.,& invisible to my eyes but i can feel #¨.££,.##.
.¨¨,,,¨.,, through the ground just how large it is. ¨¨¨¨¨¨.¨,.
£@#@&&&§@§ ¤@¤£¤#&@¤§
§@&&¤#@# the soil is muddy. i slip when trying &£&¤@##¤
@£&§§&£### to get up, still looking at the &££@@£§§@#
#&&&@#@¤ direction of sound rather than at my ¤¤§#§£#§
£¤£&&£#¤§& hands, who are busy putting things in ¤&£@#@&£&¤
¤§@£@£¤# my pockets. ¤#§§§@§§&§
¤&&@@# §&&§£§&£&§
&¤£###§¤#& then i run east toward my home. §££§&&§&
¤§¤¤#¤&@#& #¤¤£#£@£&§
@£¤£&@#¤¤@ † §@@@§##§#¤
@£#§#¤¤# ¤@¤£££¤§
¤#§@#§¤££& i am not followed, and slow down in the &@¤@#&£¤£&
§£#§@¤#@#& clearing where you at first can spot £##¤§@@#£@
&@&§£¤## the house, not yet really in the #£££#£#¤¤&
@#@@§§@¤&& backyard. from my pockets i retrieve my #£§£#£@¤##
£@£§¤@§#£¤ radio (now dented) but also a small ¤££@@¤&§£@
#@@#£¤§§&§ clay figure i've never seen before. it @§&@##&¤¤&
@¤¤§&§ must have been laying in the wet dirt, £§¤¤¤&&£
£#¤#@&¤#£§ and i must've picked it up with my &§#£@§£§¤@
£#§#££¤&§§ other belongings. ¤£&¤@@£@&£
§£££@@#£§& £§£££@#@¤#
@#£@@£@£@& it's a statuette of a girl laying naked &&£@&@¤¤££
¤£¤£#&¤£¤£ on her stomach, feet in the air, ¤£¤#§¤§£#§
#&§&¤#¤§ roughly seven centimeters long. it's #§&&£@¤¤#§
¤#§§@§£##§ freshly made, not yet completely dried. @¤&£¤§¤&
#¤§&@##£#@ §#¤§&£@§§&
¤##@§#&& my mom is here now. i ask her for some ¤@#§§&§£§@
§§&£#@@#£§ particle board for it to dry on, but ¤§¤§£#@#
@§¤¤££¤&£# she is worried and wants me to @§§@@&£#
¤£&§@&§@ throw it away. £&£§§§#@#£
@#£@¤&£§ @@#£##£¤&§
#&&&&£@£@§ #¤@§##@§£&
¤¤&¤@@£@ ¤§&@£§&@£#
£§&@#¤§¤§# £¤@@§§
¤##£&&£@ @§&£§&
§§#¤¤@¤@&& @¤@@#§@&§@