.^-*†$£### ###£$†*-^.
.-~:*%£@&& &&@£%*:~-.
¨~~**@§#@# #@#§@**~~¨
.-:^*£@### ###@£*^:-.
,:»/*£#### ####£*/»:,
,,»»«;@@@¤ statuette ¤@@@;«»»,,
,,-=*%§@## ##@§%*=-,,
¨.=/=%§¤¤£ %££%&%§§*£$@%%$$~~--««««§£@&§@*$¤%§£&*$* £¤¤§%=/=.¨
.-«;&@#### $$%$£$$§& ####@&;«-.
,,«~=~§%## ##%§~=~«,,
¨:-;=*¤£## forests around my childhood home. thick ##£¤*=;-:¨
,¨~~~-=/£¶ pine arcades that were planted and ¶£/=-~~~¨,
.^~^%£## forgotten. wild boars roaming ##£#&%^~^.
¨~»~«^$#@@ underneath, sniffing at the ground. it @@#$^«~»~¨
,.«=^$##@# is dark and moist, the canopy having #@##$^=«.,
¨:~^%£@£## already soaked up all the sun. ##£@£%^~:¨
..~/$&§### ###§&$/~..
,,-:^@@@@# there's a river passing by, from east #@@@@^:-,,
¨,»\§§§@## to west, getting broader and deeper and ##@§§§\»,¨
.-»\%%¤@## slower as it goes. equisetum grow just ##@¤%%\»-.
¨.~/$%@¶@# where the pine hands start to let #@¶@%$/~.¨
.-~†^@§£@# through light, horsemint on the rocky #@£§@^†~-.
.~»;%%##@# river bed. #@##%%;»~.
.,,,,-~=$& &$=~-,,,,.
.^«^%&§#¶# : #¶#§&%^«^.
¨,«*=%&¶@# #@¶&%=*«,¨
,-~\%$¤@@# the riverbanks reek of magic. tonight #@@¤$%\~-,
,¨.¨¨~^%## they had been a swampworld with sylvan ##%^~¨¨.¨,
,,~/^†*@ water, stone rings and floating moss. @#&*†^/~,,
,^-††£@#@# you could've found me wallowing around #@#@£††-^,
.,»**@§@## on the southern shores until i got ##@§@**»,.
¨,,-~=%¤£# bitten. #£¤%=~-,,¨
¨~-;\†%*%& &%*%†\;-~¨
,.¨.,=*££@ but now i'm further back, on solid @££*=,.¨.,
..~=«:@*%@ ground, in shoulder-high grass, with an @%*@:«=~..
¨:-†^££¶## orange tin radio and a translucent ##¶££^†-:¨
¨.,~,~~/*# umbrella which i'm sitting on. #*/~~,~,.¨
,.«:†$#@¶@ @¶@#$†:«.,
.^«†*£@### ^ ###@£*†«^.
¨^~†*@@¶@@ @@¶@@*†~^¨
.¨,..,./*@ somethings moving in the grass. it's @*/.,..,¨.
.:~=¤¤£### invisible to my eyes but i can feel ###£¤¤=~:.
,¨¨.,~==&£ through the ground just how large it is. £&==~,.¨¨,
¨,=\§@@### ###@@§\=,¨
.-~/§£#¶## the soil is muddy. i slip when trying ##¶#£§/~-.
,.:^=~~~*@ to get up, still looking at the @*~~~=^:.,
,:«:†&§@@# direction of sound rather than at my #@@§&†:«:,
¨-~/†£§### hands, who are busy putting things in ###§£†/~-¨
.,~;^§¤@## my pockets. ##@¤§^;~,.
,,.»===¤£# #£¤===».,,
,¨¨¨,.»/†§ then i run east toward my home. §†/».,¨¨¨,
¨^~\*@#@## ##@#@*\~^¨
..,,=/=%¤£ † £¤%=/=,,..
.,~=@£#### ####£@=~,.
..=†%£&@## i am not followed, and slow down in the ##@&£%†=..
¨.-\§$## clearing where you at first can spot ###&$§\-.¨
,,.,,~,=£@ the house, not yet really in the @£=,~,,.,,
,,~/*$@### backyard. from my pockets i retrieve my ###@$*/~,,
.,¨..,~;=# radio (now dented) but also a small #=;~,..¨,.
,-»†%$#### clay figure i've never seen before. it ####$%†»-,
,~«*§*£¤§¤ must have been laying in the wet dirt, ¤§¤£*§*«~,
.,,¨-*§*§@ and i must've picked it up with my @§*§*-¨,,.
¨-»*^%@##@ other belongings. @##@%^*»-¨
.-«^$^$*@@ @@*$^$^«-.
,.~**&@@## it's a statuette of a girl laying naked ##@@&**~.,
,.¨¨¨,«%## on her stomach, feet in the air, ##%«,¨¨¨.,
,,«†^$¤¶@# roughly seven centimeters long. it's #@¶¤$^†«,,
¨,=/$%§¶## freshly made, not yet completely dried. ##¶§%$/=,¨
.,.¨,¨,=*@ @*=,¨,¨.,.
.,~\;;/**§ my mom is here now. i ask her for some §**/;;\~,.
,,«*§§¤#@# particle board for it to dry on, but #@#¤§§*«,,
,,»;*£¤##@ she is worried and wants me to @##¤£*;»,,
.-«†%££@@# throw it away. #@@££%†«-.
¨,~:*$£@@# #@@£$*:~,¨
.,»/†%@$¶@ @¶$@%†/»,.
¨,-^†§#### ####§†^-,¨
..,...=%@@ @@%=...,..
,..,~.-%$£ £$%-.~,..,
,,»†§¤@# #@#&¤§†»,,