¨¨^-;^¤#@# #@#¤^;-^¨¨
¨-»/%### ####&%/»-¨
,.,«;*¤@## ##@¤*;«,.,
,.,^=†^££# #££^†=^,.,
,¨,==*@£## ##£@*==,¨,
,,-\*%#### statuette ####%*\-,,
¨,,«=§£¤## ##¤£§=«,,¨
.,¨:=\**§@ &§%@%%¤§%@£$@%@$»«=«»»=«¤$$&£§*$$*%&%£££ @§**\=:¨,.
¨,^~^^*£## £¤£$¤**§¤ ##£*^^~^,¨
.,»:=££### ###££=:»,.
¨¨^~†=££## forests around my childhood home. thick ##££=†~^¨¨
¨¨¨-~=*£¤@ pine arcades that were planted and @¤£*=~-¨¨¨
,,-~/^¤### forgotten. wild boars roaming ###¤^/~-,,
,~«^$£&@## underneath, sniffing at the ground. it ##@&£$^«~,
,¨:«\*$### is dark and moist, the canopy having ###$*\«:¨,
¨¨¨-«=§*¤# already soaked up all the sun. #¤*§=«-¨¨¨
.¨,~=*%§## ##§%*=~,¨.
,,»=^¤¤### there's a river passing by, from east ###¤¤^=»,,
¨..«:%£&@# to west, getting broader and deeper and #@&£%:«..¨
,.¨:~;^$#@ slower as it goes. equisetum grow just @#$^;~:¨.,
,¨.~*%&¤## where the pine hands start to let ##¤&%*~.¨,
.-~/^£#### through light, horsemint on the rocky ####£^/~-.
,,~~\=%### river bed. ###%=\~~,,
,.¨.=/§£¤@ @¤£§/=.¨.,
,,~»=§£@## = ##@£§=»~,,
,~«/%§## ###&§%/«~,
.¨,~;^£§@# the riverbanks reek of magic. tonight #@§£^;~,¨.
..,,«/*# they had been a swampworld with sylvan ##&*/«,,..
¨¨,~/*%### water, stone rings and floating moss. ###%*/~,¨¨
¨,»;*%&@## you could've found me wallowing around ##@&%*;»,¨
,.,~:%£### on the southern shores until i got ###£%:~,.,
..,~~^^$§@ bitten. @§$^^~~,..
,¨.=^=%§@# #@§%=^=.¨,
¨:~\%$@@## but now i'm further back, on solid ##@@$%\~:¨
,,.-:$$### ground, in shoulder-high grass, with an ###$$:-.,,
.¨,,»**&@# orange tin radio and a translucent #@&**»,,¨.
¨¨^~:**§@# umbrella which i'm sitting on. #@§**:~^¨¨
..«:%¤@### ###@¤%:«..
.¨:=:$$&@# / #@&$$:=:¨.
¨...-=*%#@ @#%*=-...¨
,,~~†**£## somethings moving in the grass. it's ##£**†~~,,
..=;=§@### invisible to my eyes but i can feel ###@§=;=..
,,:-:$£§@# through the ground just how large it is. #@§£$:-:,,
¨.¨.-†%££# #££%†-.¨.¨
,¨:-=%¤### the soil is muddy. i slip when trying ###¤%=-:¨,
¨~~:=¤¤### to get up, still looking at the ###¤¤=:~~¨
...«/^$£## direction of sound rather than at my ##£$^/«...
¨...»*§§#@ hands, who are busy putting things in @#§§*»...¨
,.,»\$£¤@# my pockets. #@¤£$\»,.,
.~»;^@¤### ###¤@^;»~.
¨,,»==$£@# then i run east toward my home. #@£$==»,,¨
¨.¨^=/^*¤# #¤*^/=^¨.¨
,,,»^%£§@# ; #@§£%^»,,,
¨-»:**£### ###£**:»-¨
¨¨,-*%£### i am not followed, and slow down in the ###£%*-,¨¨
..,:«\†£## clearing where you at first can spot ##£†\«:,..
¨,^==$*¤## the house, not yet really in the ##¤*$==^,¨
.^«:**#### backyard. from my pockets i retrieve my ####**:«^.
,,,»:%&&@# radio (now dented) but also a small #@&&%:»,,,
¨,,~=/$$#@ clay figure i've never seen before. it @#$$/=~,,¨
,¨:=^%&§## must have been laying in the wet dirt, ##§&%^=:¨,
¨,«†=££@## and i must've picked it up with my ##@££=†«,¨
¨.,~;*$# other belongings. ##&$*;~,.¨
.¨¨^-/$¤¤# #¤¤$/-^¨¨.
.,,~/%§¤@# it's a statuette of a girl laying naked #@¤§%/~,,.
¨-»;^*§@## on her stomach, feet in the air, ##@§*^;»-¨
,,.-:*%¤## roughly seven centimeters long. it's ##¤%*:-.,,
....«**@@@ freshly made, not yet completely dried. @@@**«....
¨¨,«;§@&@# #@&@§;«,¨¨
,,~*§£## my mom is here now. i ask her for some ###&£§*~,,
¨¨-«†§*# particle board for it to dry on, but ##&*§†«-¨¨
..,:~†%£¤# she is worried and wants me to #¤£%†~:,..
.,,~*$@£## throw it away. ##£@$*~,,.
¨~«/%§## ###&§%/«~¨
,,,»\%@# ##&@%\»,,,
.,¨.»==£§@ @§£==».¨,.
,,^«=†&§## ##§&†=«^,,
,^~:%$#### ####$%:~^,
,¨.-=$*### ###*$=-.¨,