,,~:†££¶## ##¶££†:~,,
¨¨¨¨,~:*=§ §=*:~,¨¨¨¨
,,=/§$$£## ##£$$§/=,,
,:~:*£&@## ##@&£*:~:,
.,=/*¤¤§££ ££§¤¤*/=,.
¨,»=$%@### statuette ###@%$=»,¨
..-=*$§@&@ @&@§$*=-..
,,-/^%#¶@# $££$@¤¤$££*£¤$¤§~«»-=»~»%$*%$£%$*$£*%£@@ #@¶#%^/-,,
¨-=\*%#@## £%¤*%*§£§ ##@#%*\=-¨
,...¨.:†£# #£†:.¨...,
.-~†§$¤¶## forests around my childhood home. thick ##¶¤$§†~-.
.¨,.¨=*¤## pine arcades that were planted and ##¤*=¨.,¨.
.^~^=@@### forgotten. wild boars roaming ###@@=^~^.
.,-/§&@### underneath, sniffing at the ground. it ###@&§/-,.
,-=*^$£@## is dark and moist, the canopy having ##@£$^*=-,
..«^*£## already soaked up all the sun. ##£#&*^«..
.~~†%&@### ###@&%†~~.
,~«;**£### there's a river passing by, from east ###£**;«~,
¨,,¨,\%### to west, getting broader and deeper and ###%\,¨,,¨
,~«^$¤#@## slower as it goes. equisetum grow just ##@#¤$^«~,
.^~†*@#£@@ where the pine hands start to let @@£#@*†~^.
,.---/\/†# through light, horsemint on the rocky #†/\/---.,
..¨¨:*†%=# river bed. #=%†*:¨¨..
¨.¨¨.~;†&§ §&†;~.¨¨.¨
.^~\†$@@#@ ^ @#@@$†\~^.
,,-*=@###@ @###@=*-,,
,,=†§§&@¤# the riverbanks reek of magic. tonight #¤@&§§†=,,
,,.¨,,,/§£ they had been a swampworld with sylvan £§/,,,¨.,,
¨^»/^\†§£# water, stone rings and floating moss. #£§†\^/»^¨
¨^-;*%@#£@ you could've found me wallowing around @£#@%*;-^¨
¨..,~*/$$§ on the southern shores until i got §$$/*~,..¨
,..^.~*$£# bitten. #£$*~.^..,
,,~*$$£@@# #@@£$$*~,,
¨,~*=$§@#@ but now i'm further back, on solid @#@§$=*~,¨
¨,¨./=£$@@ ground, in shoulder-high grass, with an @@$£=/.¨,¨
,~~;=$¶### orange tin radio and a translucent ###¶$=;~~,
,~»:/\*†%# umbrella which i'm sitting on. #%†*\/:»~,
..¨.¨:«; #&;«:¨.¨..
.-=*=£§@@# : #@@§£=*=-.
.:«†*¤#@## ##@#¤*†«:.
,~=~=*£§@£ somethings moving in the grass. it's £@§£*=~=~,
...,~-«§*¤ invisible to my eyes but i can feel ¤*§«-~,...
¨,»\†£££@@ through the ground just how large it is. @@£££†\»,¨
,,«/$@###¶ ¶###@$/«,,
,--†*%£¤£¶ the soil is muddy. i slip when trying ¶£¤£%*†--,
,,=^%@£¶¶# to get up, still looking at the #¶¶£@%^=,,
,^=**&¶### direction of sound rather than at my ###¶&**=^,
,-~=§£@@## hands, who are busy putting things in ##@@£§=~-,
-~/§£§#@## my pockets. ##@#§£§/~-
,¨.¨,.-†§& &§†-.,¨.¨,
,,¨,¨~*£@# then i run east toward my home. #@£*~¨,¨,,
.,¨.,*%§§£ £§§%*,.¨,.
¨.~^=@$¤#¶ \ ¶#¤$@=^~.¨
¨^~\*%@&@@ @@&@%*\~^¨
,-»*=£@### i am not followed, and slow down in the ###@£=*»-,
,...=*/*%# clearing where you at first can spot #%*/*=...,
..«:£¤¶### the house, not yet really in the ###¶¤£:«..
¨¨¨,,.~§ backyard. from my pockets i retrieve my #&§~.,,¨¨¨
.¨...¨==%¤ radio (now dented) but also a small ¤%==¨...¨.
,:~\¤&@### clay figure i've never seen before. it ###@&¤\~:,
¨~~;§%£@@@ must have been laying in the wet dirt, @@@£%§;~~¨
¨,^.-†^**¤ and i must've picked it up with my ¤**^†-.^,¨
¨-~†=*¤### other belongings. ###¤*=†~-¨
,,~\^&@£## ##£@&^\~,,
.^-\**¤£## it's a statuette of a girl laying naked ##£¤**\-^.
.,,^~%$#&£ on her stomach, feet in the air, £$%~^,,.
.,»=$¤£@## roughly seven centimeters long. it's ##@£¤$=»,.
¨,«\*%¤### freshly made, not yet completely dried. ###¤%*\«,¨
¨-«*%&&¶@# #@¶&&%*«-¨
¨,=:%¤£¤@@ my mom is here now. i ask her for some @@¤£¤%:=,¨
.:=/$%£@## particle board for it to dry on, but ##@£%$/=:.
,....~**@¶ she is worried and wants me to ¶@**~....,
.^=\^%@@@# throw it away. #@@@%^\=^.
.,~*%@££## ##££@%*~,.
.¨¨¨-,«\§§ §§\«,-¨¨¨.
,.~†^¤¤### ###¤¤^†~.,
.~-*$*¤£@# #@£¤*$*-~.
.,¨.¨~*£@@ @@£*~¨.¨,.
.-:-~:$$£# #£$$:~-:-.