,~~^*£§@## ##@§£*^~~,
.,,~\^&&@# #@&&^\~,,.
.,-††%££## ##££%††-,.
..,~/^§£## ##£§^/~,..
.^==^*@¶## ##¶@*^==^.
.,,-;*£§£# statuette #£§£*;-,,.
¨--=†£¤@## ##@¤£†=--¨
¨,.-*$¤@£# $£%%$§£¤§&%@*%%$-«=~»-~»$%%§§%£$@%£%%%&§ #£@¤$*-.,¨
¨:~\†@§£## §@$$£%%¤$ ##£§@†\~:¨
.¨-~^$§¤@# #@¤§$^~-¨.
.:~=*££@## forests around my childhood home. thick ##@££*=~:.
.,,=/%*# pine arcades that were planted and ##&*%/=,,.
,--:*£¤¶## forgotten. wild boars roaming ##¶¤£*:--,
.,.=^$%#¶# underneath, sniffing at the ground. it #¶#%$^=.,.
,-«**&£### is dark and moist, the canopy having ###£&**«-,
,.,~:$¤# already soaked up all the sun. ##&¤$:~,.,
.,-†$£§@## ##@§£$†-,.
..-»\%££¶# there's a river passing by, from east #¶££%\»-..
,,~=*%§### to west, getting broader and deeper and ###§%*=~,,
.¨^=\^¤¤## slower as it goes. equisetum grow just ##¤¤^\=^¨.
¨.~\^%¤@## where the pine hands start to let ##@¤%^\~.¨
.¨^~;*$§## through light, horsemint on the rocky ##§$*;~^¨.
¨~»:^%#@## river bed. ##@#%^:»~¨
.¨.-**%£@# #@£%**-.¨.
.~~*=$&£## ^ ##£&$=*~~.
¨.,~/%¤§## ##§¤%/~,.¨
.,»/†¤@@## the riverbanks reek of magic. tonight ##@@¤†/»,.
,¨,-;$¤££# they had been a swampworld with sylvan #££¤$;-,¨,
.^=*^£¤@## water, stone rings and floating moss. ##@¤£^*=^.
¨,:=;=@¤@# you could've found me wallowing around #@¤@=;=:,¨
.,=*%%#¶## on the southern shores until i got ##¶#%%*=,.
.,:=^%%# bitten. ##&%%^=:,.
¨~«*§@§### ###§@§*«~¨
¨,,=\$*§## but now i'm further back, on solid ##§*$\=,,¨
,,»††%§@## ground, in shoulder-high grass, with an ##@§%††»,,
.,,«;†$&¶# orange tin radio and a translucent #¶&$†;«,,.
.--†=£#### umbrella which i'm sitting on. ####£=†--.
.¨^~:**¤@# #@¤**:~^¨.
.~=*=%§¶## † ##¶§%=*=~.
.¨~~;^£§£# #£§£^;~~¨.
,,~:%@§£## somethings moving in the grass. it's ##£§@%:~,,
¨¨~=:§£@@# invisible to my eyes but i can feel #@@£§:=~¨¨
,-=*%*#£## through the ground just how large it is. ##£#*%*=-,
,,.-^*$&@# #@&$*^-.,,
.:~\$£#### the soil is muddy. i slip when trying ####£$\~:.
,.^«^*§@## to get up, still looking at the ##@§*^«^.,
,~~\**## direction of sound rather than at my ###&**\~~,
.,^===%£## hands, who are busy putting things in ##£%===^,.
¨,~=*£§### my pockets. ###§£*=~,¨
¨,:~*%$£@# #@£$%*~:,¨
¨--=%@#£## then i run east toward my home. ##£#@%=--¨
,.~=\%§@¶# #¶@§%\=~.,
¨:~/†¤## / ###&¤†/~:¨
..^=\=$¤## ##¤$=\=^..
.,==*£#£## i am not followed, and slow down in the ##£#£*==,.
,,,«/§£¤@# clearing where you at first can spot #@¤£§/«,,,
¨:~*§&£@## the house, not yet really in the ##@£&§*~:¨
,,~«;$$#¶# backyard. from my pockets i retrieve my #¶#$$;«~,,
,,~;†§@### radio (now dented) but also a small ###@§†;~,,
¨¨^«==£@## clay figure i've never seen before. it ##@£==«^¨¨
,^~/^*¤@## must have been laying in the wet dirt, ##@¤*^/~^,
¨¨.=††%&@# and i must've picked it up with my #@&%††=.¨¨
¨^-^*@¤### other belongings. ###¤@*^-^¨
.¨,»\§&£@# #@£&§\»,¨.
¨^»:=$££## it's a statuette of a girl laying naked ##££$=:»^¨
..,=*=£#@# on her stomach, feet in the air, #@#£=*=,..
,.«†*£§@## roughly seven centimeters long. it's ##@§£*†«.,
.,-~=$£&@# freshly made, not yet completely dried. #@&£$=~-,.
¨~~*%£§@## ##@§£%*~~¨
¨,,~:^$§## my mom is here now. i ask her for some ##§$^:~,,¨
.~»^^$£@## particle board for it to dry on, but ##@£$^^»~.
..^~**£# she is worried and wants me to #£#&**~^..
,.==*&&¶## throw it away. ##¶&&*==.,
¨,.=/*¤¤@# #@¤¤*/=.,¨
¨.»^%¤@£## ##£@¤%^».¨
,,,=;§$&¶# #¶&$§;=,,,
¨:=:=§@### ###@§=:=:¨
¨..==*$@£# #£@$*==..¨
.,-*§@#£## ##£#@§*-,.