,-~=$$£### ###£$$=~-,
.,-«=§%§£# #£§%§=«-,.
,^~;=%@@## ##@@%=;~^,
..-«;§%&@@ @@&%§;«-..
¨^»/§%@¶@# #@¶@%§/»^¨
,¨~«\$§@#@ statuette @#@§$\«~¨,
¨.»†$$@£@# #@£@$$†».¨
,.,»/†£¤#@ @&*@$$&£&£$¤%£$&«~~--~~«§£££§%%££%%£$¤£% @#¤£†/»,.,
.~~†^%#¶## $¤£££¤$§% ##¶#%^†~~.
.,~=^†*@## ##@*†^=~,.
.:-=†¤#£@# forests around my childhood home. thick #@£#¤†=-:.
,¨:~;†£&@# pine arcades that were planted and #@&£†;~:¨,
¨.==§££¶## forgotten. wild boars roaming ##¶££§==.¨
,,,»=§£@#@ underneath, sniffing at the ground. it @#@£§=»,,,
¨~-\%*££## is dark and moist, the canopy having ##££*%\-~¨
¨¨~~*§$£@# already soaked up all the sun. #@£$§*~~¨¨
,,=^%§@¶@# #@¶@§%^=,,
,.-~=^§£@# there's a river passing by, from east #@£§^=~-.,
,,-:^@@# to west, getting broader and deeper and #@#&@^:-,,
.¨~~=†$££# slower as it goes. equisetum grow just #££$†=~~¨.
,,~:†*§£## where the pine hands start to let ##£§*†:~,,
,.:»/§%@¶@ through light, horsemint on the rocky @¶@%§/»:.,
.:«^§£¤### river bed. ###¤£§^«:.
.¨,~/%£##@ @##£%/~,¨.
.~-/=*£@@# / #@@£*=/-~.
..~~/*&&@# #@&&*/~~..
,:~/§*@¶@# the riverbanks reek of magic. tonight #@¶@*§/~:,
...~:*¤¤@# they had been a swampworld with sylvan #@¤¤*:~...
,.~†^%¤@## water, stone rings and floating moss. ##@¤%^†~.,
,,.-*$&&@@ you could've found me wallowing around @@&&$*-.,,
..«*%§## on the southern shores until i got ###&§%*«..
¨,,»/*£§#@ bitten. @#§£*/»,,¨
.~~*^%§¶## ##¶§%^*~~.
.¨^~:§%### but now i'm further back, on solid ###%§:~^¨.
,~«:*¤§¶@# ground, in shoulder-high grass, with an #@¶§¤*:«~,
,,-=*§£££# orange tin radio and a translucent #£££§*=-,,
¨^«*=%&¶@# umbrella which i'm sitting on. #@¶&%=*«^¨
.,.~\=§¤@# #@¤§=\~.,.
.,-\=£&£## \ ##£&£=\-,.
¨¨~«=§$§¶# #¶§$§=«~¨¨
¨-~*^¤#¶## somethings moving in the grass. it's ##¶#¤^*~-¨
,.-~==§@ invisible to my eyes but i can feel @#&§==~-.,
,,~=$*§¶## through the ground just how large it is. ##¶§*$=~,,
,¨,-;*£§## ##§£*;-,¨,
¨^«\=@@### the soil is muddy. i slip when trying ###@@=\«^¨
..~-†*@&£# to get up, still looking at the #£&@*†-~..
.~-/=%¤£## direction of sound rather than at my ##£¤%=/-~.
¨..«/=@&@# hands, who are busy putting things in #@&@=/«..¨
.^=†*£§£## my pockets. ##£§£*†=^.
,.,=†%£¤## ##¤£%†=,.,
¨:«:=%£#@# then i run east toward my home. #@#£%=:«:¨
..,~/§$&@# #@&$§/~,..
.~»=**¤@@# * #@@¤**=»~.
,,,~\*£@@@ @@@£*\~,,,
¨.»\*£&£## i am not followed, and slow down in the ##£&£*\».¨
¨¨^~††$# clearing where you at first can spot ##&$††~^¨¨
.,«\*@££## the house, not yet really in the ##££@*\«,.
.¨,=^†@#@# backyard. from my pockets i retrieve my #@#@†^=,¨.
,.»*=@#### radio (now dented) but also a small ####@=*».,
,,,-;§££@# clay figure i've never seen before. it #@££§;-,,,
.,==%§¤£## must have been laying in the wet dirt, ##£¤§%==,.
,,:~\%@@@# and i must've picked it up with my #@@@%\~:,,
,^-:=*¤#@# other belongings. #@#¤*=:-^,
.¨.-:$%@@# #@@%$:-.¨.
¨.»/**£@@# it's a statuette of a girl laying naked #@@£**/».¨
¨,,=^=%&£# on her stomach, feet in the air, #£&%=^=,,¨
,~~=%$@£@# roughly seven centimeters long. it's #@£@$%=~~,
,,,~/$£§#@ freshly made, not yet completely dried. @#§£$/~,,,
.,~††@#@## ##@#@††~,.
¨,^~:%*¤#@ my mom is here now. i ask her for some @#¤*%:~^,¨
.,-:§%§### particle board for it to dry on, but ###§%§:-,.
.,:=\**@ she is worried and wants me to @#&**\=:,.
,~~†=£§@## throw it away. ##@§£=†~~,
.¨,-/§&¤## ##¤&§/-,¨.
..-=^£¤@## ##@¤£^=-..
..-«;=§¤## ##¤§=;«-..
,,«:*¤#### ####¤*:«,,
..~-;=£# ##&£=;-~..
¨:~/%*£@## ##@£*%/~:¨