,.§££§£.,. §,¨..¨¨.&£
..,§@£¨.@. ¨¨#£&@¤¨.¨
&@¨,@...,. ¤,,#§¤¨,##
£,.,,.¤¤§¨ .,.,@,,¨¨¤
.¨£§£,.£¨, ,@£.,.@¤¨.
¤¨.&¨.¨¨,¨ statuette ,...#.¨¨¨#
,¨...#§§¤@ £#§,¨¨£¤.¨
&¤¤@¨¨£§¤. §@@$%£&%$%*£§%¤£=«~=~«»~£$££*%$£§§§%%&*$ &£,,¤,.¨,&
@@&....£.. %*£$££$$£ ,,.,¨¨&@.¨
.#,.@@¨,¨¨ #£@&£,.¨.,
.,.¨¨¨¨§#@ forests around my childhood home. thick ¤£¤&..¤@§¤
.&§&¨¨#§ pine arcades that were planted and §¤@,,.¨¤&,
,.###.¨.,# forgotten. wild boars roaming ¤§¨,@£¨,..
§¨¨¤.,&&,, underneath, sniffing at the ground. it @,,.,,.¤£@
...¨.¨.¨¨# is dark and moist, the canopy having ..&¤£¤,¨£#
¨&¤#@£@¤,. already soaked up all the sun. £¨¨@¤.¨.¨.
,¨#§§&§,., ¨¨,¨,.§§@§
¨.,£&¤,¨§# there's a river passing by, from east #£#¤§¨,@§.
¤£.,&.,,¨@ to west, getting broader and deeper and @£§&¨,¨¨¨.
¨¨....#&¨¨ slower as it goes. equisetum grow just §§£.,§&¤§,
£¤@#@.,¨¨¨ where the pine hands start to let @#...,&§¨,
¨#@£¨.§#§¤ through light, horsemint on the rocky .,,£§.,¨,.
.,£.¨,.#§£ river bed. #&¨,¨.¤§¤£
,,,.@£,,£@ £¨,&£,.£#.
¤&£,¨¨,¨¨@ ^ ¨,¨..,,¨¨,
.£.,§&¤¤¨, ,¤#@@££§#,
¨¨¨..¤§,,, the riverbanks reek of magic. tonight ¨,@£#&@@,¨
@§#¤,,¨.#& they had been a swampworld with sylvan £.¨&¤¤£,¨@
@§£¨.&£.¨£ water, stone rings and floating moss. ,,,.¤&¨,,.
¨§¨,,.,,¨, you could've found me wallowing around ¤§§,,¨¨#£.
,¨,§@¤&&&@ on the southern shores until i got §&.¨§#,..,
§£,,£#&££@ bitten. ,¨¨,,,,§@£
¤.¨..¤£##. #@¤&¤@.,£&
,,§¤¨.¤§.¨ but now i'm further back, on solid ¤¤§¨,,.§
.,..,,,.,¨ ground, in shoulder-high grass, with an ¤@.¨#§¨,
£#&§§&@¤¤# orange tin radio and a translucent #@&..¨,¨¨&
###¤#§##§, umbrella which i'm sitting on. &¤.,#£¤§¨¨
¨¤&¤¤@¤@.¨ ,,..¨£@¨..
¨.@§¤#§,.. ; &&&§¨¨..§¤
.,.&@#¨,¤@ .&£,¨@¤¨.,
&§¨.£,,,,¨ somethings moving in the grass. it's ,¨,.,¨,¨¤¤
&...,.£@@# invisible to my eyes but i can feel ,@&&&£¤.,#
..¤§#,¨@&§ through the ground just how large it is. .¨@#@¤,.,.
¤.,£,¨.¨§¤ ¨¨..,£¤@
.¨..¨£@,¨. the soil is muddy. i slip when trying ¤§,,,¨,¨@#
,##£,¨¨,¤¤ to get up, still looking at the ¨,.&§#@¨¨,
,¨@..¤#,¨¤ direction of sound rather than at my &§¨.£#¨.#&
,.,,,.¨¨,¨ hands, who are busy putting things in ,.,¨¨¨,.¨¨
§¤£#&@¤§@# my pockets. @@£¤#§§#¤§
@@#¤¤#¤@£& £&@§¤¤£#
&£#§###£@# then i run east toward my home. #¤¤§£#&@£#
@§@£§@@&§£ @£§¤&§#¤§£
£@&¤#§#£@¤ \ #§¤@¤§#¤§@
@§¤¤¤&@£@@ £@&§§&§&££
£&&&&£¤£ i am not followed, and slow down in the ##@#£@£§
¤§&&£@§§&£ clearing where you at first can spot @@¤#§£@@
££&§£§&£@£ the house, not yet really in the §£#@£§##§£
&&§#§#@§§# backyard. from my pockets i retrieve my £@¤##£§#@@
§¤§@#&¤##¤ radio (now dented) but also a small ¤##&§§§§£@
#§&§£§@@££ clay figure i've never seen before. it ###££@£@§#
&@§§¤§@£ must have been laying in the wet dirt, §§§¤&@##
£§§@£@@£££ and i must've picked it up with my §¤#§§§##£§
£##¤&&§& other belongings. £&§&¤§@¤
@¤@#&§¤@#& &&£¤££¤&&£
¤§#¤&£§#¤¤ it's a statuette of a girl laying naked @#£&@@§¤@@
§&@£#¤&¤¤@ on her stomach, feet in the air, ¤¤£§¤@&¤§¤
£¤£§@¤#¤&£ roughly seven centimeters long. it's £&§¤@@¤@¤&
¤@&¤@£@§ freshly made, not yet completely dried. &&@&¤§&£@@
&£§@§§@§@& ¤@§§@@&&@£
££#§£§§££# my mom is here now. i ask her for some #§§£¤£¤@£&
@#£££##¤ particle board for it to dry on, but ¤#£&§&&@§@
&£@£&¤@£#¤ she is worried and wants me to §#£&§&@@@£
#§#£@§§¤£# throw it away. ##§¤#&¤£§#
##¤#@¤£#&£ @&¤§&£&££@
¤@&£§@£#§& £#@£&@&§#@
¤&§&&¤£¤¤¤ &&¤@£&§#@£
£§@£§@§£ §###¤¤£§@@
§#¤¤#@@§@¤ £#£§@#£#§¤
§&££&&£@@@ @§£#&¤#£