,£.,&&,,¨. .¨,,¨£§&¨.
,,,,,¨,&¤¨ ¤&¤§,,§,.£
,&&£#@¨,¨¨ £#£,,¨¨.,¨
.¨&@#..¤§§ £¤..#@@#§@
¨,,£,,¨,#@ £.,.¨&££#,
@&¨¨,§£¨¨@ statuette ¨,£@¨,£@..
¨.,£,,.¨¨. ¨.¨,,.,.¨,
§£,,.§¤@&, *%*§£*&@$£££%$&¤--~»=»«=&&$¤¤££*£$$$%%$% @§§§§£§@
@¨,£¨.§§.. @¤¤££%$£§ ¨££§§¤&&§&
.¨,,...,,, ,¨@£#¤¤§
¨@¤@@&@£&@ forests around my childhood home. thick ...#§£@@@.
,,#§&&£&££ pine arcades that were planted and ££.,§§@¤¨¨
@.¨¤&§£# forgotten. wild boars roaming ¤.¨,¨§£,,#
,¨¨.¤&§# underneath, sniffing at the ground. it ..§£¨.,¨.¨
¤¤#,.£§&@@ is dark and moist, the canopy having ,,,¨¨§&£@#
@£.¨,¨§§£, already soaked up all the sun. #£¤£¨,§@££
&.,#@.,£.. £¤&,,,.@@¤
¨,.,.¨¨... there's a river passing by, from east §£¨¨#¤.¨&¤
¨£@&££#@&§ to west, getting broader and deeper and #¨¨¨.¨..,¨
,¨££#£@# slower as it goes. equisetum grow just ¨,@¤§@¤&§£
,¨¨@£&£¤ where the pine hands start to let ..,¤&§£@§,
&@¨.£#£##¨ through light, horsemint on the rocky ¤¤¨¨@&@&,.
,..,,§£#,. river bed. ....,&¤¨¨,
@&§¤¨,§¨.. §@§¤.,¨¨£@
##&.¨...¤@ ^ §§£¨,@#¨,¤
¤#.,§,.. £@.,¨,¨,¨,
.,.,.@,¨&@ the riverbanks reek of magic. tonight #.¨£@£#§§.
£#§&.¨¨.¨£ they had been a swampworld with sylvan ,,¨,&§¤¤.¨
,@#.¨&£@., water, stone rings and floating moss. @¤&,.£@,¨,
,.,¨..§,¨, you could've found me wallowing around ##,...,.@@
.§#££,.¨§¤ on the southern shores until i got ,¨,¤#§@¨¨.
..&@¨¨§¨.@ bitten. §@.,&&¨,&£
,¨.,¨¨..,¨ .¨.,¨,.,¨¨
#&@£#@£& but now i'm further back, on solid @¤£&££&¤&&
££§£#@#¤ ground, in shoulder-high grass, with an ££§£&§#¤
&¤@#§§###§ orange tin radio and a translucent ¤&&¤#@£¤§¤
#§#¤§&§& umbrella which i'm sitting on. £&&&§§@#£¤
§§@#@§¤&&§ #@@¤#£¤@
§##&£¤&¤§£ : ¤&@£#£&£&£
§&@¤¤§&§¤¤ §#£¤&£§#£#
¤¤@§§££##£ somethings moving in the grass. it's &§£&£££§#&
£@@@#¤§¤¤& invisible to my eyes but i can feel £@¤§&§@@£§
§##¤£#@@¤§ through the ground just how large it is. &@§@@£@&
#@@¤@@&@§¤ &@@¤@#&&&@
@&£@§§@@@§ the soil is muddy. i slip when trying #££@#£@@£§
¤£@£@§#£ to get up, still looking at the £§¤¤#§§£§&
#&&¤&§###@ direction of sound rather than at my §§¤§£§£@&@
¤#£§§##&§§ hands, who are busy putting things in &@@£¤¤#£
@£££#¤@@#¤ my pockets. &&¤§£&@£§¤
@&§#§£#£££ &§§§¤#@@&¤
@#&£&@&£#£ then i run east toward my home. §#£@§#¤£
§&§&§# ##@#§&&££§
&£¤§§¤#@£# ^ #§¤¤§§¤£§&
¤£@§§¤@¤ §#§£§§##¤#
¤&¤£@§&&&@ i am not followed, and slow down in the £¤£@&¤£##§
#¤§@#§¤@£& clearing where you at first can spot #@#§@¤¤¤££
#&£¤@§§£¤§ the house, not yet really in the ¤§¤@§£
¤&&@@#§¤¤@ backyard. from my pockets i retrieve my &££§§#&¤
§&@&¤¤##§# radio (now dented) but also a small &¤¤£&&£@¤@
§@#&£§££§# clay figure i've never seen before. it @§¤&@£&&££
@£@££££#&& must have been laying in the wet dirt, &££#££##§¤
@@¤#@£ and i must've picked it up with my &¤£#@§§£§¤
£#§§£¤¤@&£ other belongings. @#¤¤&£@¤
@&&£###@§§ #£&¤@&£§#&
§¤&@£@§@#£ it's a statuette of a girl laying naked £&&¤¤§&§£¤
£¤§¤£§¤&§§ on her stomach, feet in the air, §@#&@@£§
¤&¤¤&¤&&@@ roughly seven centimeters long. it's #¤&£¤¤£¤¤@
§§¤&§¤ freshly made, not yet completely dried. §§§§@£@&&£
#¤£&£§¤£¤@ @£¤£¤#&#
&§¤¤@&&& my mom is here now. i ask her for some &&£@#&§£§¤
&£¤&&§£@&¤ particle board for it to dry on, but @£@&@&@@@@
#£¤@¤@§§£@ she is worried and wants me to #£££§£@£#@
¤£§#¤¤&@¤¤ throw it away. &§#&¤¤#&£§
&¤¤£§#@#§£ @§#§¤&£§#&
@§@£§¤£#§& £¤¤£¤¤@#&¤
@§@&§&£§ §§¤§&&£##&
#£@&£@¤#£¤ @&§&¤@£@
#¤&&@#&&&£ @#§@¤#§£§#
&@@@@¤£§££ @@¤@@##£@§