..-~/$&&@# #@&&$/~-..
.~«/†$&¶## ##¶&$†/«~.
...=^^%&@# #@&%^^=...
¨..:~^=$## ##$=^~:..¨
,.^~==¶# #¶#&==~^.,
.-=^=$@### statuette ###@$=^=-.
,¨~~††@#@# #@#@††~~¨,
¨,.,~*=%#@ %@£§£@&@¤$£%%¤%%»««««~»~&@££%¤%§%%@%£$*£ @#%=*~,.,¨
,.,=;§§§## *£&%£%£*£ ##§§§;=,.,
¨,»*%§§@## ##@§§%*»,¨
.¨^-†%%# forests around my childhood home. thick ##&%%†-^¨.
.¨,,~*§$¤# pine arcades that were planted and #¤$§*~,,¨.
,,:«/§&&¶# forgotten. wild boars roaming #¶&&§/«:,,
.-~\†$&@## underneath, sniffing at the ground. it ##@&$†\~-.
¨.,»/%$&£# is dark and moist, the canopy having #£&$%/»,.¨
¨,¨,~/^%¤@ already soaked up all the sun. @¤%^/~,¨,¨
¨.^~\†§@## ##@§†\~^.¨
,.«*%§¤@## there's a river passing by, from east ##@¤§%*«.,
,.,~^*£# to west, getting broader and deeper and ##&£*^~,.,
...:~†**#@ slower as it goes. equisetum grow just @#**†~:...
,¨:~;^£&@# where the pine hands start to let #@&£^;~:¨,
.-=;*$#£## through light, horsemint on the rocky ##£#$*;=-.
..-»\**#£# river bed. #£#**\»-..
.,,,~;%¤§£ £§¤%;~,,,.
¨,^=\*%&@# ; #@&%*\=^,¨
,,~:%¤@¶## ##¶@¤%:~,,
,¨~=;^%£@# the riverbanks reek of magic. tonight #@£%^;=~¨,
,¨.,~;*&¤@ they had been a swampworld with sylvan @¤&*;~,.¨,
.¨:«\=$§@# water, stone rings and floating moss. #@§$=\«:¨.
.^~\%£¤@## you could've found me wallowing around ##@¤£%\~^.
.,,==*£# on the southern shores until i got #£#&*==,,.
¨,.,»:%%£@ bitten. @£%%:»,.,¨
¨.,=;%%&¶# #¶&%%;=,.¨
¨~~/*§@@## but now i'm further back, on solid ##@@§*/~~¨
¨¨:»;†¤£¶# ground, in shoulder-high grass, with an #¶£¤†;»:¨¨
.,¨-»=$¤## orange tin radio and a translucent ##¤$=»-¨,.
...»^%§§@# umbrella which i'm sitting on. #@§§%^»...
..=/†@@@## ##@@@†/=..
¨,.»\**¤## ^ ##¤**\».,¨
¨¨,.«†*%@# #@%*†«.,¨¨
,¨,»†*%#@# somethings moving in the grass. it's #@#%*†»,¨,
,,-\§¤¤@## invisible to my eyes but i can feel ##@¤¤§\-,,
,.^~^†%@## through the ground just how large it is. ##@%†^~^.,
,,.^»*%£&£ £&£%*»^.,,
,¨-=**£### the soil is muddy. i slip when trying ###£**=-¨,
,~»=%£¤¶## to get up, still looking at the ##¶¤£%=»~,
,.^-^=*£## direction of sound rather than at my ##£*=^-^.,
,.,,=/*%#@ hands, who are busy putting things in @#%*/=,,.,
,¨-~/^&§## my pockets. ##§&^/~-¨,
.,«^%$£### ###£$%^«,.
¨.,~=%£@## then i run east toward my home. ##@£%=~,.¨
,,,:«*%&¤£ £¤&%*«:,,,
..,-=*¤@@# † #@@¤*=-,..
,-~:$¤¤£## ##£¤¤$:~-,
.,^~/^££## i am not followed, and slow down in the ##££^/~^,.
....»/%$§¶ clearing where you at first can spot ¶§$%/»....
.,,-*=$£## the house, not yet really in the ##£$=*-,,.
.^=*%&§£## backyard. from my pockets i retrieve my ##£§&%*=^.
¨,~~/%£¤## radio (now dented) but also a small ##¤£%/~~,¨
¨.,~-;*$#¶ clay figure i've never seen before. it ¶#$*;-~,.¨
¨¨-~;%%§## must have been laying in the wet dirt, ##§%%;~-¨¨
,,=:$%#¶## and i must've picked it up with my ##¶#%$:=,,
,¨:=;%$¤## other belongings. ##¤$%;=:¨,
.¨..»=%§#£ £#§%=»..¨.
,.,~\†£### it's a statuette of a girl laying naked ###£†\~,.,
¨,»:**## on her stomach, feet in the air, ###&**:»,¨
¨..~^§$&@# roughly seven centimeters long. it's #@&$§^~..¨
¨...~^=$&@ freshly made, not yet completely dried. @&$=^~...¨
..^-*$§§¶# #¶§§$*-^..
.:»=^$£@## my mom is here now. i ask her for some ##@£$^=»:.
..^~/%%§¶# particle board for it to dry on, but #¶§%%/~^..
¨¨.-~\$*£@ she is worried and wants me to @£*$\~-.¨¨
¨¨^«=†$£@# throw it away. #@£$†=«^¨¨
¨.~^=£&£## ##£&£=^~.¨
¨¨-~;$%@## ##@%$;~-¨¨
¨,,,~:*%§£ £§%*:~,,,¨
,,,~;^@### ###@^;~,,,
¨,==§*&£## ##£&*§==,¨
¨,^«=%§¤@# #@¤§%=«^,¨