¨@¨¨@,,¨§§ ¨¨¨&,.¨,¨,
.,¨...&¨,& ¤¤,,.@§#¤¤
,&§§&.¨,¨, @,.£,,##£.
¨¨@¤¨.¤#¤# ,.¨.¨¨,@,,
&¨¨,.¨,#@¨ #§&&£@.¨¨£
..¤#&@¨¨¨. statuette .§¤¤#..#,¨
@..£§.¨§££ ,¨@&,,.¨¨#
¨¨,¨,,.. %%@%%£¤&$$§%£%%$==-»»»--$$&£%%$@§%§&%§$¤ ¨..¨.¤@¤,¨
@¤£@#£@,¨£ $£%$$@£@$ ¤@#¤,,#.¨&
#§¤@@@.,,. £&¤,,,.¨,,
.¤&§¤¨,&§. forests around my childhood home. thick &@¨,&£#££.
,.£@¨¨¨,¨. pine arcades that were planted and #.¨¨.§§&¨¨
£¨.,,@§£#¨ forgotten. wild boars roaming ,¨££,.&,.&
,¨¤&¨.##¨, underneath, sniffing at the ground. it ,¨.,.¨,,¨.
&,¨¨,.¨¨.. is dark and moist, the canopy having &§£§&¤§§#&
,¨@&&&&@## already soaked up all the sun. ¨££@§¤§¤&§
,,.£§£&§#, ,.&§&££¤&.
#¤.¨###@.¨ there's a river passing by, from east ,,.£&@£¤,,
,¨¨¨,#¤.,, to west, getting broader and deeper and £§¨,##§.¨,
@#¤§,¨,.§& slower as it goes. equisetum grow just &,.¨¨¤,.£#
&£¤,.@£¨.. where the pine hands start to let .,@&,¨,,,£
¤§¨¨...¨#£ through light, horsemint on the rocky #¨,.,§§@..
..,§@§£¨,¤ river bed. ,.@£¨.&¨¨,
@§,¨§#¨.,. ¨.¨¨.,¨¨@£
§¨¨¨¨,,¤@¤ : £££¤§¨.¤
¨¨£¤@£¨.§# £¤.,.¨
&.,&&,¨.¨, the riverbanks reek of magic. tonight #&§#&.,&@§
.¨,,.¨£§£§ they had been a swampworld with sylvan .§¤£,,¨,#¤
,¤#§&,.¤@. water, stone rings and floating moss. ,.§,,&&¨,¨
.¨§£¨,,.¨, you could've found me wallowing around ,,¨.,¨,,£@
,¨..,§§# on the southern shores until i got &£&¤¤£&¨..
¤¤¤#¨¨§&@£ bitten. ,&§£#§..
#£¤¨..¨§§¤ ,,#&&¨¨.,§
£@,¨¨,#¤ but now i'm further back, on solid ¤,¨§,,¤@.¨
¨.,..¨,.¨, ground, in shoulder-high grass, with an .¨.,.,.,¨¨
@&&¤¤@££@& orange tin radio and a translucent @§##£#¤§&£
§§¤###§@@& umbrella which i'm sitting on. @@£&£#¤§§&
¤#¤£@&¤¤@& &££#@£#¤@@
¤¤#¤£§££ * £§¤@&@§§@¤
@£@¤§@££&& @¤§#§@&§@@
£¤¤&&@#&§¤ somethings moving in the grass. it's £#¤¤@#&¤£§
@¤@§¤#§£#@ invisible to my eyes but i can feel £&¤&§§£@
#§££¤§¤#§¤ through the ground just how large it is. ##§¤@#£@&§
&§&¤&§§@#& &£@§&&§&@§
#£@¤¤##@§# the soil is muddy. i slip when trying §#&¤§#§§@#
¤@&¤§&&@@# to get up, still looking at the §@¤§#£@&£&
§¤£§¤¤§&£# direction of sound rather than at my &@#§¤#¤¤
#£@@#£¤¤££ hands, who are busy putting things in §&£#§§&¤#§
@#¤&¤@@@¤§ my pockets. £¤&&§£@&
@¤#£#&&¤ §§&¤§¤¤§&¤
#§@¤£§¤##¤ then i run east toward my home. ££@@¤#¤£§£
##&§¤£&& &¤§££££&@@
@#@§¤§@¤## \ £#§&&£££
£§¤§&@@§§# £#£¤¤£@#§§
@¤#§##&£ i am not followed, and slow down in the &£§¤#@&£@£
#¤&§§£¤£## clearing where you at first can spot ¤¤&£££#£§£
§§§@§£££&§ the house, not yet really in the ¤£&&§@
#@£¤@¤@¤#£ backyard. from my pockets i retrieve my &@@#&£§¤@¤
#§##&¤@£@¤ radio (now dented) but also a small ¤@@§¤§@@¤¤
£@#¤&££#&& clay figure i've never seen before. it #§¤@£¤¤&
§§@£§£#@ must have been laying in the wet dirt, ££§§&£@@£#
@&@£§£#§ and i must've picked it up with my #§@§§&£¤¤£
§¤@#§§¤&¤¤ other belongings. &£¤£#&&&£¤
#££§#&£§£¤ #&@§¤¤§#§&
&££&@¤§@@¤ it's a statuette of a girl laying naked §¤£@¤§§#
##@@@¤§& on her stomach, feet in the air, @§¤@£#&@
¤§&@@#££ roughly seven centimeters long. it's £@@§#@&¤§§
&¤#@£¤¤@@& freshly made, not yet completely dried. ¤&@#@¤¤@
#£§#£@¤£&¤ @£¤¤@@@#
&§&£@@¤&&& my mom is here now. i ask her for some @¤#§@&§££&
§#§§£#¤@#@ particle board for it to dry on, but ¤¤&&§£¤#§¤
¤#§@¤§#§&& she is worried and wants me to ¤¤¤@§@¤¤
@§&§£#@#¤£ throw it away. £§&£££§@§§
#¤¤££@¤&&@ @&@§§#¤@
#&@&@#§¤¤@ #£@£§&§£§¤
£&§@&£§§ ¤&@¤#¤@#
§@£¤#£#£#£ &££¤£§£¤¤£
@#@§@@&¤@£ ¤¤£¤#@@¤@£
§§§&&&&§£§ #&&&§&@&@&