,..,=;=&@@ @@&=;=,..,
¨,-«†%#@## ##@#%†«-,¨
.,«†*¤#@## ##@#¤*†«,.
,¨:«^*&£## ##£&*^«:¨,
.,,~«^*#@@ @@#*^«~,,.
¨,,,,-;^§# statuette #§^;-,,,,¨
,.¨~»*=&@@ @@&=*»~¨.,
¨.,-^†§@## £%&$££&@@$£¤¤§¤§»~==»»~«£&££$$£§$&£§$%$$ ##@§†^-,.¨
,:~†$#¶### @&&$%*$$$ ###¶#$†~:,
,¨^»/$§@@# #@@§$/»^¨,
¨..,«:*£¶# forests around my childhood home. thick #¶£*:«,..¨
.¨..^=*^## pine arcades that were planted and ##^*=^..¨.
.,¨^~^=@@@ forgotten. wild boars roaming @@@=^~^¨,.
,,~«^$@#@# underneath, sniffing at the ground. it #@#@$^«~,,
¨.=/*¤#### is dark and moist, the canopy having ####¤*/=.¨
,¨:=:$§£@# already soaked up all the sun. #@£§$:=:¨,
¨¨,.~**£@@ @@£**~.,¨¨
,.,,,»\†¤¶ there's a river passing by, from east ¶¤†\»,,,.,
¨..,~=†##@ to west, getting broader and deeper and @##†=~,..¨
,¨~~;§¤£## slower as it goes. equisetum grow just ##£¤§;~~¨,
.,~/*&@@## where the pine hands start to let ##@@&*/~,.
.¨.=\=@### through light, horsemint on the rocky ###@=\=.¨.
,..,-^=£## river bed. ##£=^-,..,
..,.~~^†## ##†^~~.,..
.,¨,==†@£# * #£@†==,¨,.
,.-=*^§### ###§^*=-.,
,,-:%##@## the riverbanks reek of magic. tonight ##@##%:-,,
¨¨,=\=§¶@# they had been a swampworld with sylvan #@¶§=\=,¨¨
,¨¨:-/*@@# water, stone rings and floating moss. #@@*/-:¨¨,
.¨.¨:-/=§# you could've found me wallowing around #§=/-:¨.¨.
.¨,~=:%&£@ on the southern shores until i got @£&%:=~,¨.
..,«†*¤£## bitten. ##£¤*†«,..
.^-\^@@### ###@@^\-^.
¨,~-/%§£@# but now i'm further back, on solid #@£§%/-~,¨
¨.¨,«*§# ground, in shoulder-high grass, with an ##&§*«,¨.¨
,..¨.«/§§£ orange tin radio and a translucent £§§/«.¨..,
,,¨,=^§¤¶# umbrella which i'm sitting on. #¶¤§^=,¨,,
,.,»†*§### ###§*†»,.,
¨-~^†&£### : ###£&†^~-¨
.,,-††&@## ##@&††-,,.
¨¨,^«/^&£# somethings moving in the grass. it's #£&^/«^,¨¨
,¨¨..~*§## invisible to my eyes but i can feel ##§*~..¨¨,
,.,:~=%@@@ through the ground just how large it is. @@@%=~:,.,
,,.~=%£@@# #@@£%=~.,,
,,=:†§#### the soil is muddy. i slip when trying ####§†:=,,
¨¨:«:^§### to get up, still looking at the ###§^:«:¨¨
.,.^~^=@£@ direction of sound rather than at my @£@=^~^.,.
.,¨,.»/%¤# hands, who are busy putting things in #¤%/».,¨,.
,¨¨~-^*&¶# my pockets. #¶&*^-~¨¨,
.,-»\$#@## ##@#$\»-,.
,,»=*#@@## then i run east toward my home. ##@@#*=»,,
..,=;%@#@# #@#@%;=,..
,.¨:»/*@¶# / #¶@*/»:¨.,
,,,,^=;* #&*;=^,,,,
¨¨.^»;=¤@@ i am not followed, and slow down in the @@¤=;»^.¨¨
¨.:~:^#@## clearing where you at first can spot ##@#^:~:.¨
,.-;=£@### the house, not yet really in the ###@£=;-.,
...-:%@#@# backyard. from my pockets i retrieve my #@#@%:-...
,..~«==¤#@ radio (now dented) but also a small @#¤==«~..,
...,^»^%§¶ clay figure i've never seen before. it ¶§%^»^,...
¨.¨,~/†@#@ must have been laying in the wet dirt, @#@†/~,¨.¨
.,,~;%#@## and i must've picked it up with my ##@#%;~,,.
¨.»/=§#### other belongings. ####§=/».¨
,,-~†§@¶@# #@¶@§†~-,,
¨¨.,-==@#@ it's a statuette of a girl laying naked @#@==-,.¨¨
,,.¨-~^%@# on her stomach, feet in the air, #@%^~-¨.,,
.,¨,«=^&£# roughly seven centimeters long. it's #£&^=«,¨,.
¨.~-/=#@## freshly made, not yet completely dried. ##@#=/-~.¨
.--*$§@### ###@§$*--.
,.,~=^§£## my mom is here now. i ask her for some ##£§^=~,.,
,.¨-«†§@@@ particle board for it to dry on, but @@@§†«-¨.,
...¨,-;$ she is worried and wants me to #&$;-,¨...
..,,~/%@@# throw it away. #@@%/~,,..
..,~†=&@## ##@&=†~,..
..-==@@### ###@@==-..
..,~/†&@## ##@&†/~,..
,,¨^»/§§@# #@§§/»^¨,,
,..¨--:%@¶ ¶@%:--¨..,
,.,^»**&¶@ @¶&**»^,.,