¨.^=^$¤£@# #@£¤$^=^.¨
¨,,^«^§@@# #@@§^«^,,¨
.¨^-/%*&£# #£&*%/-^¨.
.-~=†£@@## ##@@£†=~-.
¨.-»**%@## ##@%**»-.¨
,.,,-:%£££ statuette £££%:-,,.,
¨¨-»^$$£¶# #¶£$$^»-¨¨
.^»;†¤§@## £@¤%£@£%%¤§¤$@$£«-=~-~»~££%£$¤£%%%@$%£$@ ##@§¤†;»^.
..-«^^&¤£# %%$$£$§$£ #£¤&^^«-..
...:~=§&§# #§&§=~:...
..:»/§$#£# forests around my childhood home. thick #£#$§/»:..
.~~^*$## pine arcades that were planted and ###&$*^~~.
¨,.~^$§¤£# forgotten. wild boars roaming #£¤§$^~.,¨
¨.¨.-\**&@ underneath, sniffing at the ground. it @&**\-.¨.¨
¨¨~»;=%¤@# is dark and moist, the canopy having #@¤%=;»~¨¨
¨-»:†£#@## already soaked up all the sun. ##@#£†:»-¨
.,:~††$# ##&$††~:,.
,...~/†%£# there's a river passing by, from east #£%†/~...,
¨¨:»;*§§## to west, getting broader and deeper and ##§§*;»:¨¨
.~«=%@#### slower as it goes. equisetum grow just ####@%=«~.
,¨,=;%£#¶# where the pine hands start to let #¶#£%;=,¨,
¨.¨~~††@§£ through light, horsemint on the rocky £§@††~~¨.¨
.,~~/§£&¶# river bed. #¶&£§/~~,.
¨^~†=¤¤¶## ##¶¤¤=†~^¨
¨,-=**$£¶# = #¶£$**=-,¨
.¨.,«†=*@# #@*=†«,.¨.
¨,,~†§%§¶# the riverbanks reek of magic. tonight #¶§%§†~,,¨
,~~^*%@£## they had been a swampworld with sylvan ##£@%*^~~,
,¨,-=§¤&@# water, stone rings and floating moss. #@&¤§=-,¨,
,¨.,»†**#¶ you could've found me wallowing around ¶#**†»,.¨,
¨¨,«=%*§## on the southern shores until i got ##§*%=«,¨¨
.,=*%%£¶## bitten. ##¶£%%*=,.
,.,»†*§¤£# #£¤§*†»,.,
¨,..~:%§#£ but now i'm further back, on solid £#§%:~..,¨
¨¨:=†$£#@# ground, in shoulder-high grass, with an #@#£$†=:¨¨
¨:»†=*&@## orange tin radio and a translucent ##@&*=†»:¨
.¨:-;$%£## umbrella which i'm sitting on. ##£%$;-:¨.
.¨,-=/%¤@¶ ¶@¤%/=-,¨.
,,.«†%%&¶# = #¶&%%†«.,,
.^~/%££@## ##@££%/~^.
¨.~~/$@&£# somethings moving in the grass. it's #£&@$/~~.¨
.¨¨:~†%£¤@ invisible to my eyes but i can feel @¤£%†~:¨¨.
.,^~=†%¤£# through the ground just how large it is. #£¤%†=~^,.
,^«:†£#£## ##£#£†:«^,
..^=:%&§£# the soil is muddy. i slip when trying #£§&%:=^..
..,:»=$$&@ to get up, still looking at the @&$$=»:,..
,,^«^%@£@# direction of sound rather than at my #@£@%^«^,,
.~-=%§#£## hands, who are busy putting things in ##£#§%=-~.
,¨,-*$§§@# my pockets. #@§§$*-,¨,
¨¨.~-;=%&@ @&%=;-~.¨¨
,,,~\*%@## then i run east toward my home. ##@%*\~,,,
,.-^**£### ###£**^-.,
¨,~~/§£@£# : #£@£§/~~,¨
.¨¨:~=*£## ##£*=~:¨¨.
..-»^*¤£## i am not followed, and slow down in the ##£¤*^»-..
¨:»**$#¶## clearing where you at first can spot ##¶#$**»:¨
,¨,-;†%@¶# the house, not yet really in the #¶@%†;-,¨,
,..,«/§&§£ backyard. from my pockets i retrieve my £§&§/«,..,
.,^-=*%@@# radio (now dented) but also a small #@@%*=-^,.
.-~^†£#### clay figure i've never seen before. it ####£†^~-.
.¨^-:=$&£# must have been laying in the wet dirt, #£&$=:-^¨.
...^«=*%¤# and i must've picked it up with my #¤%*=«^...
¨¨,-;^$£@# other belongings. #@£$^;-,¨¨
.^-=$%££## ##££%$=-^.
¨,-~/†## it's a statuette of a girl laying naked ###&†/~-,¨
..,,~:*§#@ on her stomach, feet in the air, @#§*:~,,..
.,^~=$*#@# roughly seven centimeters long. it's #@#*$=~^,.
.,-*%£#### freshly made, not yet completely dried. ####£%*-,.
.¨~«**£#¶# #¶#£**«~¨.
¨.,,~^=*£# my mom is here now. i ask her for some #£*=^~,,.¨
¨¨,=/*%@@# particle board for it to dry on, but #@@%*/=,¨¨
.~~\%@¤@## she is worried and wants me to ##@¤@%\~~.
,,:~;^¤¤## throw it away. ##¤¤^;~:,,
¨¨..«:%@¤# #¤@%:«..¨¨
¨,^-:=£§@# #@§£=:-^,¨
¨,-†*@£@## ##@£@*†-,¨
.,~-;*¤¤@# #@¤¤*;-~,.
.,¨.=;%§§@ @§§%;=.¨,.
,¨^»==$&@# #@&$==»^¨,