,^~:§%#@## ##@#%§:~^,
,-«^$¤#### ####¤$^«-,
,-^,:=$¤£@ @£¤$=:,^-,
¨,,..=^$## ##$^=..,,¨
,.~=†§@@## ##@@§†=~.,
,:~==$&@## statuette ##@&$==~:,
.^«;$§#£## ##£#§$;«^.
¨..,..~%@¶ %$£%¤$@§@$%**$¤£-~»~~=-»¤£$*%*$§¤¤££&%%¤ ¶@%~..,..¨
,,=†^¤@¶## %¤£§%&$&£ ##¶@¤^†=,,
,,~†$$¤£## ##£¤$$†~,,
¨¨,¨=-:£@¤ forests around my childhood home. thick ¤@£:-=¨,¨¨
,¨.:»=\¤¶@ pine arcades that were planted and @¶¤\=»:.¨,
¨,-=$¤&@## forgotten. wild boars roaming ##@&¤$=-,¨
¨,¨,¨¨~^%# underneath, sniffing at the ground. it #%^~¨¨,¨,¨
,-~/^§¤¶## is dark and moist, the canopy having ##¶¤§^/~-,
¨~=^=£#### already soaked up all the sun. ####£=^=~¨
.^«=/\*†%§ §%†*\/=«^.
,,-*$&§@#@ there's a river passing by, from east @#@§&$*-,,
,:~^*¤&¶@# to west, getting broader and deeper and #@¶&¤*^~:,
,~»\:/£%¶# slower as it goes. equisetum grow just #¶%£/:\»~,
¨^~=§^=$$# where the pine hands start to let #$$=^§=~^¨
.^»\*$@¶## through light, horsemint on the rocky ##¶@$*\»^.
.,,,.,.~%# river bed. #%~.,.,,,.
¨..:,†*%§# #§%*†,:..¨
.,«~\%†$£# \ #£$†%\~«,.
.~~;%¤§### ###§¤%;~~.
.¨.,«$££¤§ the riverbanks reek of magic. tonight §¤££$«,.¨.
¨-»\%§£### they had been a swampworld with sylvan ###£§%\»-¨
¨,=:///%§# water, stone rings and floating moss. #§%///:=,¨
,.¨¨:«;%&@ you could've found me wallowing around @&%;«:¨¨.,
.,»=%$&¶## on the southern shores until i got ##¶&$%=»,.
¨--*%$## bitten. ###&$%*--¨
¨,..^»%†&& &&†%»^..,¨
.,¨,¨-:*%@ but now i'm further back, on solid @%*:-¨,¨,.
.:==$*&¶## ground, in shoulder-high grass, with an ##¶&*$==:.
..,,,^:%§£ orange tin radio and a translucent £§%:^,,,..
¨^«^%$#@## umbrella which i'm sitting on. ##@#$%^«^¨
.¨.,~=:†%& &%†:=~,.¨.
..¨.,¨~=¤§ = §¤=~¨,.¨..
,.¨.~=^*## ##*^=~.¨.,
¨:~\$¤#### somethings moving in the grass. it's ####¤$\~:¨
.-~/$&@@## invisible to my eyes but i can feel ##@@&$/~-.
¨.«=*§###@ through the ground just how large it is. @###§*=«.¨
,~~†=%@§@§ §@§@%=†~~,
,^-:=%¤### the soil is muddy. i slip when trying ###¤%=:-^,
.:«:§£#@@£ to get up, still looking at the £@@#£§:«:.
,,-^**†*#£ direction of sound rather than at my £#*†**^-,,
.,..^†%^%£ hands, who are busy putting things in £%^%†^..,.
¨:=;^†£*£# my pockets. #£*£†^;=:¨
¨--††@## ##@††--¨
.-~«-~/:¤& then i run east toward my home. &¤:/~-«~-.
,~«\%@&@## ##@&@%\«~,
.,,,«/:*£# * #£*:/«,,,.
¨.~\=§&£@@ @@£&§=\~.¨
¨.¨.~-%*#@ i am not followed, and slow down in the @#*%-~.¨.¨
¨.,.,~†§£@ clearing where you at first can spot @£§†~,.,.¨
,,~†*§## the house, not yet really in the ###&§*†~,,
,,,.,,¨=%£ backyard. from my pockets i retrieve my £%=¨,,.,,,
¨:»~«\¤&@# radio (now dented) but also a small #@&¤\«~»:¨
.:~**##### clay figure i've never seen before. it #####**~:.
,^~=%*#@@@ must have been laying in the wet dirt, @@@#*%=~^,
,^~†£@@### and i must've picked it up with my ###@@£†~^,
¨¨¨.~:†/*# other belongings. #*/†:~.¨¨¨
¨.~/%£@@ @@#&£%/~.¨
¨¨¨.,^\¤¤@ it's a statuette of a girl laying naked @¤¤\^,.¨¨¨
,.»/†&&@## on her stomach, feet in the air, ##@&&†/».,
..¨¨,/%@%@ roughly seven centimeters long. it's @%@%/,¨¨..
.,==§£#### freshly made, not yet completely dried. ####£§==,.
¨~~;**¤@## ##@¤**;~~¨
,¨¨.,,*:=# my mom is here now. i ask her for some #=:*,,.¨¨,
.,=*%†%£@¶ particle board for it to dry on, but ¶@£%†%*=,.
,-=*§$#£## she is worried and wants me to ##£#$§*=-,
.^-\^££#¶@ throw it away. @¶#££^\-^.
.:»:$¤##@# #@##¤$:»:.
,,~^*%£& #&&£%*^~,,
¨=/%%££### ###££%%/=¨
..¨~**%*$@ @$*%**~¨..
¨,==%£¤### ###¤£%==,¨
¨:»\*&@£## ##£@&*\»:¨