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,.~;*@£@## # ¶ @ ; . . ; @ ¶ # ##@£@*;~.,
,.~;*@@£¶¶ @ £ * ~ wetlands ~ * £ @ ¶¶£@@*;~.,
,.~;*@£¶¶¶ # ¶ @ ; . . ; @ ¶ # ¶¶¶£@*;~.,
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,,,,.~~;@£ the sea pretends to be a completely £@;~~.,,,,
,,,.;;*@¶¶ flat surface spanning further than the ¶¶@*;;.,,,
,.~;*@£¶@# thought of it, which is partially true. #@¶£@*;~.,
,.~;*@£¶@# but outside of a map it is decidedly #@¶£@*;~.,
,.~;*@£@## more violent, being made up of vast ##@£@*;~.,
,.~;*@£¶@@ amounts of purposeful water, moving @@¶£@*;~.,
,..~;;@£££ toward some secluded but important £££@;;~..,
,,,,.~~;@£ destiny. £@;~~.,,,,
,.~;*@£¶@@ @@¶£@*;~.,
,.~;*@¶@## a permanent procession on land floods ##@¶@*;~.,
,,,,,.;*£@ the earth, weathers the forests, and @£*;.,,,,,
,.~;*@£@## slowly submerges the green. but another ##@£@*;~.,
,.~;*@£¶@# expanse is taking place, in the #@¶£@*;~.,
,.~;*@£¶@# opposite direction - the animals that #@¶£@*;~.,
,.~;*@£¶## inhabit the dirt are building paths ##¶£@*;~.,
,.~;*@£¶@# elevated above the mires, building #@¶£@*;~.,
,.~;*@£¶@# temples at the waters edge, building #@¶£@*;~.,
,.~;*@£¶@@ dwellings in the reed... @@¶£@*;~.,
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