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#@£§£§=«:, « giving, because of course there is « ,:«=§£§£@#
##@§£§=«:, no real geometry in the caves. you may ,:«=§£§@##
§§=:,,,,,, feel as if you are venturing into some ,,,,,,:=§§
£££§£§=«:, vast structure, but you are in fact ,:«=§£§£££
##@££§=«:, leaving any such thing at the entrance. ,:«=§££@##
@£§§£§=«:, ,:«=§£§§£@
§£££§=:,,, leaving physical tethers behind, ,,,:=§£££§
##£§£§=«:, submitting to an inescapable darkness, ,:«=§£§£##
#@£§£§=«:, the world around you becomes more of a ,:«=§£§£@#
£§§§£§=«:, manifestation of your mind, or a ,:«=§£§§§£
@@£§£§=«:, collective mind, with a shape and a ,:«=§£§£@@
@@£§£§=«:, direction and a taste. ,:«=§£§£@@
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##@£§£§«:, inescapeable darkness, because if you ,:«§£§£@##
§§§==:,,,, bring a candle or mount electrical ,,,,:==§§§
@@£§£§=«:, lights, the walls only serves as ,:«=§£§£@@
#@£§£§=«:, markers to where the tiny spatial ,:«=§£§£@#
#@£§£§=«:, existence ends and the darkness beneath ,:«=§£§£@#
@@£§£§=«:, it begins. ,:«=§£§£@@
££§§£§=«:, ,:«=§£§§££
#@£§£§=«:, like an inverted mandelbrot, the real ,:«=§£§£@#
#@£§£§=«:, cave is actually not the pockets, but ,:«=§£§£@#
§§§=«::,,, the black around them. keep that in ,,,::«=§§§
£§§§§§=«:, mind. ,:«=§§§§§£
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@§§§£§=«:, the moisture that permeates any cave ,:«=§£§§§@
@§£§«:,,,, worth it's name... it's the water the ,,,,:«§£§@
##@£§§=«:, world rose from. it's the water you ,:«=§§£@##
##@§£§=«:, drown in, in your dreams. ,:«=§£§@##
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##£§£§=«:, the only sounds in the cave are those ,:«=§£§£##
@§§§==:,,, that you make yourselves. they may be ,,,:==§§§@
#@£§£§=«:, distorted by the stone structure, and ,:«=§£§£@#
£££§£§=«:, amplified by your mind. try not to be ,:«=§£§£££
§§£§§=«:,, alarmed, try to remember the persons ,,:«=§§£§§
#@£§£§=«:, and objects around you, and you can ,:«=§£§£@#
#@£§£§=«:, discern a mirage from a friend. ,:«=§£§£@#
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